We got our first look at the new Batmobile from the latest big screen incarnation of The Dark Knight, The Batman directed by Matt Reeves and starring Robert Pattinson. People always tend to get excited about the new Batmobile whenever a new Batman project is on the horizon. Folks get almost as excited about the car as they do about the Batman suit. I love the more grounded look of this design, something that looks it’s based on a souped up Dodge Charger. Take a look at the pictures posted below.
Personally, my two favorite versions of The Batmobile are The Tumbler from Nolan’s The Dark Knight Trilogy and the futuristic Batmobile from the classic animated series, Batman Beyond. But like I said before, I really like this new look for The Batmobile, it’s definitely a different direction to go in.
There has been a few rumors going around lately that The Batman will feature Robin in someway or another. This new Batmobile design lends some validity to the rumors because, as many others have pointed out, this Batmobile is very similar to the version Batman had when he met the boy who would go on to become the second Robin, Jason Todd. Batman caught him trying to steal the wheels off of the Batmobile and decided to take the orphan boy in. It shouldn’t have been much of a surprise to readers that Jason was eventually beaten to death by The Joker with a crowbar and was still inside the warehouse where The Joker was keeping him when the building exploded. A kid who tries to steal the rims off the fucking Batmobile isn’t exactly the brightest bulb around. Anyway, the similarity between the two designs are leaving some people to speculate that Jason Todd may appear in this new film in some way. Personally, I’d rather see Dick Grayson or Tim Drake, but I’ll take what I can get.
This is similar to the speculation that was taking place a few weeks ago after images of Robert Pattinson as Batman on his motorcycle surfaced online. The Bat-Suit Pattinson was wearing and the bike he was riding, were very similar to the suit and motorcycle Batman in Scott Snyder and Greg Capullo’s story Zero Year.
I really dig everything I’ve seen so far from The Batman. Do you like the new design?Let me know what you think in the comments below!
Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again!
It’s been recently announced that director Todd Phillips and actor Joaquin Phoenix, may be returning for a sequel to their critical and commercial smash hit, JOKER. A lot of fans, may initially be very happy to hear this news, but today I’d like to put forth the argument that making a sequel to JOKER is a bad idea.
Throughout the making of this film, right up to press interviews before the premiere Phoenix and Phillips stuck to their guns, as they did from the very beginning. Even when the box office juggernaut opened to critical and commercial success, Phoenix and Phillips said loud and clear that this was a one off. This was meant to be a standalone story. Which is partially what made the movie so interesting. Every movie studio, especially when it comes to comic book properties, is always looking for their next franchise. So when the trailers for JOKER dropped and the movie garnered seriously positive buzz, mostly due to what looked to be an incredible performance from Joaquin Phoenix, chatter began about the possibility of a sequel. When asked if a sequel could possibly be in the cards, the answer from Joaquin Phoenix and Todd Phillips was always an unequivocal NO. That’s not how they approached this project, it was a character study with a beginning, middle, and end.
In this franchise driven environment, it’s refreshing to hear filmmakers say we’re here to make one movie and one movie alone. Especially when every film studio is trying to copy the success of Marvel and make a 20 film series. These guys came along and said, we want to do this one, fucked up little movie, on the cheap, let us do it our way and fuck off.
Clearly that strategy paid off. Though it’s by no means perfect, JOKER is one of the best films of the year. The movie coming close to $1 billion in box office revenue with such a low budget, makes it one of the most financially successful comic book films ever made. Not to mention, Joaquin Phoenix is all but a shoe in for an Oscar nomination next year. So, with the film being complete home run, one can see why Warner Bros would have serious interest in reuniting their director and star for a sequel. I’d argue the film’s success is due to audience’s looking for some diversity in their entertainment. Instead of making a sequel to a film that was designed to stand alone, get another talented filmmaker with a unique, singular vision for a different DC property, keep the budget low and let them have at it. Evolution is the only way that superhero films will survive. Change or die.
I would also argue I’m not sure where the sequel to JOKER would go from here. Todd Phillips has been on record saying that pitched JOKER to Joaquin Phoenix as “sneaking a gritty, art house character study through the studio system”. Phoenix’s interest was in telling a story about a man’s descent into madness, not a story about The Joker we know from the comics. In fact, Joaquin Phoenix didn’t even want Todd Phillips to have Thomas Wayne in the movie, he wanted the character to have a different name, even that was too much of a connection to the comic book for him. The connections to the greater Batman mythology in JOKER are minimal to say the least. Todd Phillips basically bullshitted Joaquin Phoenix and kept in things like the Thomas Wayne character and the murder of The Wayne’s at the end of the film.
Now this is just my opinion, but I think there are two ways to go with a sequel to JOKER. The first would be add a Batman into the mix. However, keep him at the periphery, don’t make him a main character and keep him very grounded. As grounded as they made The Joker in the first film. It would be incredibly fascinating to see how Arthur Fleck, who has now become The Joker would approach the emergence of someone like The Batman.
The problem is Joaquin Phoenix would never make a movie like that. While doing the interview rounds for JOKER, one of the reporters asked Joaquin Phoenix, how his version of The Joker would react to someone like Batman appearing in Gotham. Phoenix smiled, he seemed to genuinely like the question, and after a moment of thought he said “That’s great question. I don’t know I’ve never thought about it.”. Really?! C’mon! YOU NEVER THOUGHT ABOUT IT?! Batman is only the most important and fundamentally driving force in the life of the character you’re playing, but you’ve never thought of it, OK that makes sense (in case you can’t tell I’m oozing sarcasm and mild disgust as I write this).Batman and the Joker are one of the great yin and yang characters in all of popular culture. They are defined by one another. But hey, he never really thought about it! (….fucking dipshit...).
So if Phoenix never once gave a fuck about how his character would feel about Batman, I think it’s safe to say he would never agree to appear in a movie featuring Batman alongside his version of The Joker. Now, the second way to go for a JOKER sequel, would be to do some version of the classic Bruce Timm and Paul Dini story Mad Love about the creation of Harley Quinn and the beginning of her love story with The Joker. I’m not talking about the bullshit nonsensical version of their love story we saw in the god awful Suicide Squad film, I’m to I’m talking about the classic graphic novel Mad Love.
Dr. Harleen Quinnzel is a new psychiatrist at Arkham. She’s young, beautiful, and ambitious. She imagines getting rich writing some kind of breakthrough book about the psychology of these colorful super criminals. She manages to arrange sessions to meet with and attempt to treat The Joker, confident that she can handle him. As their sessions go on, The Joker begins to completely manipulate and control her. She falls completely under his spell, breaks him out of Arkham and becomes the now iconic Harley Quinn. A film like that could really work, but it has the same problems my first proposed scenario does. It has too many ties to the comic book source material, which Joaquin Phoenix has no interest in whatsoever.
An even bigger mistake would be for the studio to try to replicate the “JOKER Formula” of a gritty, dressed down, no frills take on another Batman villain. Admittedly, I think there are a few members of Batman’s rogues gallery that this could work with, but who the fuck really wants to see that?
Don’t get me wrong, I’d be very interested to see what a sequel to JOKER would look like. However, it’s all a question of if they even have a story to tell. If Joaquin Phoenix didn’t even want the name of Thomas Wayne to even be in the movie, he’s certainly not going to want to include some version of Batman or Harley Quinn in a potential sequel. There is a third way they could go, but I don’t think it really works either. They make a movie that’s a continuation of the first film and focus on The Joker and his continued transformation into one of the greatest super villains in all of fiction.
Here’s why that concept doesn’t quite work either. Based on where we leave The Joker at the end of this film, The only way to go for him is to fall deeper and deeper into the persona of The Joker. He would have to evolve into a more “classic”, for lack of a better word, version of The Joker. As he becomes more insane and embraces his identity as The Joker, we’d see things like his deadly Joker laughing gas, elaborate plots against the city, the personification of terror and evil. Just as I don’t think Joaquin Phoenix would ever do a movie with Batman and Harley Quinn, I also don’t think he would want to play a version of The Joker that’s more like the Jack Nicholson or Heath Ledger version. The character’s natural evolution is to get more “comic book-y” and it seems, based on multiple interviews that I’ve seen and articles that I’ve read, the aspects of JOKER that were connected to the comic book were the things he was always least interested in.
One might counter with the point, So, Paul what’s wrong with that? Couldn’t they just continue to tell the story of Arthur Fleck becoming The Joker? Well, if you continue this character’s story when you don’t want comic book elements to be a significant part of the story, the problem becomes, he’s just some lunatic guy. He’s not The Joker. If the character is nothing like The Joker, then what’s the point in doing the movie? The biggest flaw of JOKER was how derivative the story was. It was very reminiscent of other films about men being broken by society, like Falling Down, Taxi Driver, or Fight Club. What made JOKER great was Joaquin Phoenix and his mesmerizing performance as the man who would become The Joker, not necessarily the film itself. If we ever see a JOKER 2, we want to see The goddamn Joker.
If they want to move forward with a sequel, Joaquin Phoenix and Todd Phillips have to really understand what kind of movie they want to make. At the end of the day, you have an extremely successful comic book film that was designed to be a standalone story, with a star who has absolutely no interest in anything from the DC Universe becoming a part of the story he’s acting in. I think the best thing for Warner Bros and the movie going public, would be to get another visionary filmmaker, to tell another small budget story from the DC Universe. Re-create the success of JOKER by giving the audience what they really responded to in their first place, a unique movie going experience, not another financially driven sequel.
This week, I was thrilled to get my old friend and frequent collaborator Michael Cole back on The World’s Best Podcast. Mike Cole wanted to discuss the comments recently made by several prominent filmmakers, that seem to ask: is there a place for great, smaller films in this blockbuster world?
In other news, some very exciting casting announcements have been made regarding director Matt Reeves’ upcoming film, The Batman, starring Robert Pattinson as Bruce Wayne. My readers and listeners know what a huge Batman fan I am and I’ve got to say, every new piece of news that I hear about this project, makes me even more excited to see it. Sure, I’ll have to wait for it’s Summer 2021 release date, but there are plenty of other cool and thrilling projects coming down the pipe between now and then. I do want to reiterate that those of you who may have doubts about Robert Pattinson in this role, are going to be pleasantly surprised. I think Pattinson is going to do a fantastic job. With a story that’s rumored to focus on the tortured and scarred psychology of Bruce Wayne as well as his skills as The World’s Greatest Detective, I think Pattinson is going to crush it in this role. Anyway, Mike and I go down the roster the roles that have been cast (or heavily rumored to have been cast) and give our take on each of the recently announced parts.
Bringing up The Batman is a great excuse to showcase one of my favorite artists working right now, BossLogic. You may have seen his work online before, I’ve posted his work on this site many times. He made up a very cool poster for movie, as well as pieces on the different actors supposedly up for roles in The Batman and what they’d look like as the iconic allies and enemies of The Dark Knight’s world. Take a look here:
We recorded two episodes, but I’m releasing the second of the two podcasts first. The subjects that we discuss in this podcast are still pretty relevant and fresh in peoples minds right now. I felt that if I waited to share this episode, it just might not be as enjoyable to the fans a week from now. Part One of the podcast has a pretty broad topic, so we’ll be releasing that one later in the week
Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, which go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again!
I’ve said it before and I’ll say it again, I love the direct to Blu-Ray and Digital DC Animated Movies. There’ve been some real classics to come out of these projects. Movies like Batman: Year One, The Dark Knight Returns: The Deluxe Edition, Justice League: The Flashpoint Paradox, and Batman: Under The Red Hood, just to name a few. While there have been some enjoyable standouts, there hasn’t been a real homerun from these films in a while. Though Batman: Hush may not knock it out of the park, it comes damn near close. Based on the classic Batman run by writer Jeph Loeb (Batman: The Long Halloween) with art by the legendary Jim Lee (Justice League, X-Men), Batman: Hush does a great job of adapting this seminal Batman tale while still fitting the movie into the animated continuity (or DCAU) that DC created beginning with Justice League: War. The result is a pretty damn good movie that is less of a mystery and more of a tragic romance. Which may irk some fans, but I’ll get into more of that in a moment.
I’ve heard some people complain about the animation in these films lately. Critics say that copying the general aesthetic of The New 52 and attempting to adhere to a visual continuity, makes each of these movies feel overly similar and blocky. Well, that issue isn’t completely absent from this film, but there are some notable efforts to step up to quality of the animation. Some shots feature fantastic little details that immediately draw your eyes. How someone’s eyes and face move before something dramatic is about to happen, the way a fight move is pulled off, small moments scattered throughout the film that make it feel as if the animators were going the extra mile and it shows.
The real highlight of the movie is the relationship between Batman and Catwoman. It’s so rare to see Batman in a successful and a functioning relationship. I should mention that Selina doesn’t know that Bruce is Batman at the beginning of the story.
It’s only when things begin to get serious that he reveals himself to be Bruce Wayne. In fact, there is a funny scene when he brings her to the Batcave for the first time and she’s enthusiastically greeted by Dick in the Nightwing uniform without his mask and Alfred attempting to serve her tea. When she‘s surprised to realize that Dick and Alfred know that she’s Selina Kyle. She even half jokingly asks “Does everyone know who I am?“ Dick blurts out “No, just us and Damian.” Selena asks “Who’s Damian?”, “Oh he’s Bruce’s son… He’s Robin.” Replies Dick with an awkward look on his face. It’s easy to see how being an intimate part of Bruce’s life isn’t so simple, which is why he and Selena are so perfect for one another. He is drawn to Selina as both Batman and Bruce Wayne and that’s where the key to their success of the relationship lies.
If Bruce and Selina are out on a date and The Bat Signal appears in the sky, Bruce doesn’t have to make up some bullshit excuse. She’s more than capable of coming along with him to stop whatever threat he’s facing and it even feels like a natural part of their “date night” that they both seem to get off on. Catwoman may have been staying on the straight and narrow, but she loves this world, she loves being part of a good fight. In fact, I think if she was dating Bruce and he didn’t have the Batman aspect to his life, the relationship wouldn’t work. Selina needs those kind of thrills.The film is mature enough to acknowledge that this relationship wouldn’t have worked if it began when they were younger. Maybe there would’ve been an intense fling, but nothing more. They’ve both matured, changed, and they both want different things than they did years before. It’s at this point in their lives that they’re ready to be together as both Bruce Wayne/Batman and Selina Kyle/Catwoman.
When comparing the graphic novel to the film, it’s important to remember that the Batman: Hush graphic novel is a mystery at it’s heart. Who is Hush? Why are they doing this? Well the movie managed to do a great job with staying relatively faithful to the source material, while still managing to surprising fans of the graphic novel. Love it or hate it. Many of the iconic moments from the comic book are present in the film. Some are even slightly improved upon. However, there is one classic scene from Batman: Hush that was adapted to the film, but (without going into SPOILERS) the scene felt like it needed to be a little bit longer. I was impressed how Hush managed to both surprise those of us who’ve read the comic book, while still being faithful to the source material in a unique way. To say much more would be a SPOILER, but you’ll know what I’m talking about when you see it. You may think you know where the story is going, you may think you know the identity of Hush (and maybe you’re right), but things play out just different enough to make things fun, interesting, and surprising.
The final fight between Batman and Hush is particularly well animated, well choreographed, and thrilling. The animation of the fight has a very dynamic quality. Batman employs one of my favorite tactics of his, that we’ve seen in animation and comics many times, but almost never in live-action: He gets in the villains head to gain the upper hand. He plays mind games with his opponents and that’s used here to great effect. Batman use his genius, his ability to manipulate the psychosis of the villain he’s facing, to exploit their fears, insecurities, and weaknesses to give him that extra edge for the win. Batman’s greatest weapon is his intellect.
The combination of the surprising reveal of Hush’s identity, the fantastic animation, and Batman using his intellect to exploit the mental and emotional weaknesses of his opponent, make this for a pretty memorable final battle.
It should be noted that Selina Kyle/Catwoman is a notorious criminal and accomplished superhero in her own right. However, Batman can be such a larger than life figure, that it would be easy to make even the strongest of women look like a damsel in distress in one of his stories. The film does a great job of avoiding problems like this. Selina is her own woman. Her choices are not defined by Bruce’s choices. She doesn’t necessarily need his help to get out of some of the most serious jams she finds herself in throughout the movie. Particularly in the climax of the film, Selina finds herself in a very precarious life and death situation. I’m fairly certain she would’ve been fine, whether Batman showed up or not. The storytellers did a phenomenal job making her an interesting capable character.
At the end of the day this is still a love story between Batman and Catwoman. The sad realization of how, at least in this point in their lives, that love story is also a tragedy. Bruce lets Selina in, in a way we rarely see from this character. There comes a point in the story, when Bruce makes a decision that looks like madness to Selina. In fact, it would look like madness too many of us in the audience. Once the threat has been neutralized and the villain dealt with, Selina has an epiphany. She realizes that no matter how much she loves Bruce, no matter how much she changes for him, no matter how much more she’s willingto change for him, he won’t change himself.
There are things he will not become. There are lines he cannot cross. Because of that Selina will always come in second place to Bruce. She willing to let herself evolve with this relationship, but she realizes that in the end, Bruce is an immovable object she’ll break herself against. It’s profound, it’s sad, and it’s veryBatman.
Batman: Hush is a flawed, but solid Batman mystery/adventure with a fantastic romance story, great fight scenes, some stand out bits of animation, and some surprisingly thought-provoking character and story elements. Some things land better than others and I think the film may have benefited from another 20 minutes or so of storytelling to help flesh out some of it’s more interesting ideas. The climax in particular feels like it comes out of nowhere, when there should’ve been a bit more tension and build up to Batman‘s final confrontation with Hush. Whether you’ve read the original graphic novel or not, this movie will still keep you guessing.
While not the complete return to form I was hoping for from Warner Bros/DC Animation after the strong combination of The Death of Superman/Reign of the Supermen, I’d say this is still a MUST WATCH for any Batman fan!
I’m a massive comic books fan. Every week I read my Must Read comics on my tablet and I go to my favorite comic book store, The Hall of Comics In Southborough, MA, to get all of my graphic novels (More on The Hall of Comics below). There are a lot of great comics being published right now, but my favorite writer by far is Scott Snyder. His 50 plus issue run on Batman with Artist Greg Capullo is without question the best Batman run of this generation. Anytime Snyder and Capullo come together, they make magic. Stories like The Court Of Owls, The Death of The Family, Zero Year, and Dark Nights: Metal are all modern classics. Of course, there’s also Snyder’s incredible introduction to the world of The Dark Knight, The Black Mirror (as fantastic as that story is, it wasn’t with Artist Greg Capullo). Now, after putting their stamp on Batman’s origin in the excellent story Zero Year, they’re closing the circle by telling their version of the final Batman story: Batman: Last Knight on Earth. The miniseries is a 3-issue prestige format book, shipping bi-monthly under DC’s Black Label, with Issue #1 coming out on 5/29/19. DC’s Black Label was created for their best writers and artists to tell stories that are the best of the best. If Zero Year was their Batman: Year One, Batman: Last Knight on Earth is their The Dark Knight Returns. Below is the official synopsis from DC Comics:
Bruce Wayne wakes up in Arkham Asylum. Young. Sane.
And…he was never Batman.
So begins this sprawling tale of the Dark Knight as he embarks on a quest through a devastated DC landscape featuring a massive cast of familiar faces from the DC Universe. As he tries to piece together the mystery of his past, he must unravel the cause of this terrible future and track down the unspeakable force that destroyed the world as he knew it…
From the powerhouse creative team of writer Scott Snyder and artist Greg Capullo, the team that reinvented Batman from the emotional depths of “Court of Owls” to the bombastic power of DARK NIGHTS: METAL, DC Black Label is proud to present the bimonthly, three-issue miniseries BATMAN: LAST KNIGHT ON EARTH, published at DC’s standard comic trim size.
This could be the last Batman story ever told…
Snyder and Capullo NEVER fail to deliver a spectacular Batman story and this one doesn’t look like it will disappoint. With the book’s 5/29 release date right around the corner, DC put out a trailer for Batman: Last Knight on Earth#1, to get people hyped for the event miniseries. Check it out below:
We also have some great interior art from the book, released by DC Comics. These pages are from Issue #1:
Below we have the cover for issue #2 of the 3-issue miniseries, which hits stands on 7/31/19.
You have to give Snyder and Capullo credit because they’re certainly swinging for the fences on this one. I love how this series looks batshit insane. This book looks nuts in the best possible way and it is this month’s pick for Must Read Comic Book!!!!!!
Earlier in the article I mention the comic book store The Hall of Comics in Southborough, MA. I just wanted to take a minuet to sing their praises and why you should check them out if you’re in the Boston area. Whether you’re a long time comic book reader, a lapsed fan who wants to get back into comics, or someone who’s never picked up a comic before, but you love superhero films and don’t know where to start, the guys at The Hall of Comics will hook you up with anything you need. Not only do you feel welcome when you walk in the door, but they also have awesome special events like Midnight Release Parties, INCREDIBLE Cosplay appearances, and their coolest events are when they frequently have some of the best comic book writers and artists in the business come by for signings and meet and greet with the fans. As I mentioned in one of my recent podcasts, I had the chance to meet and chat with iconic comic book artist Bob Layton and it was a wonder full experience. So, if you want to check out Batman: Last Knight On Earth (you’d be crazy not to) and you’re in the area, The Hall of Comics is the place to go! You can check out their website right here: https://thehallofcomics.com
Batman: Last Knight on Earth #1 (of 3) hits stands on 5/29/2019
Tonight the final season of Gotham premiered on Fox and honestly I was very excited to watch it. It’s hard to believe that this is the same show that just a few years ago had some of the absolute worst superhero writing on TV.When Gotham began, it was more or less a shittier Smallville, with proto-versions of Batman’s rogues gallery popping up each week for Ben McKenzie’s Jim Gordon to deal with. It was a shame because the show was very well cast and all the actors were perfect in their roles. Since the very first episode, Ben McKenzie has made a great Jim Gordon (he was also the voice of Batman in the animated film adaptation of Batman: Year One). Many of the great Batman stories are also great Jim Gordon stories, so it was very important for them to get this character right.
We even got to see a part of Bruce Wayne’s life that is very rarely explored, the years immediately following the murder of his parents. David Mazouz is easily one of the most compelling live action versions of Bruce Wayne we’ve seen. He conveys Bruce’s dark, brooding intelligence without ever sounding like a whiny brat. With excellent actors memorably playing classic Batman characters like Alfred, The Penguin, The Riddler, Selina Kyle and more, the series felt like a frustrating waste of great talent. Terrible writing hamstrung what could otherwise have been an excellent take on the Batman mythos.
About halfway through Season 3, specifically the mid-season finale, something fundamentally changed about the show for the better. I think there are two big reasons for this and one of them was how the series began to use Bruce Wayne. First of all, David Mazouz had grown up enough that he was just old enough to start becoming more crucial to the action going on in the story. Pretty much from the pilot on, Bruce has slowly been learning important skills that would become crucial on his journey to becoming Batman. Season 3’s mid-season finale saw Bruce being taken hostage at a circus by Jeremiah Valeska. If you’re not familiar with Gotham, Jeremiah (played by Cameron Monaghan) is basically their version of The Joker, and a damn good one too. The episode culminated with a show down in a hall of mirrors between Bruce and Jeremiah, where Bruce comes very close to killing Jeremiah. The whole episode was pretty great and I found myself watching the rest of the season once the show returned from it’s hiatus. You started to see Bruce take a more active role as a vigilante even though he wasn’t dressed like Batman.
The second reason the series changed for the better in my opinion, was because it stopped being a bad prequel series, building up to some day in the future where we get to see Bruce put on the Batman costume in the last 5 minutes of the final episode. In the same way that Smallville was entirely built around the show teasing Clark eventually putting on the Superman costume, that we only see him wear for about three seconds in the series finale. Instead, Gotham became more of an Elseworlds Batman story. I think it’s the smartest thing the show could’ve done because they took the mythology and made it their own. They were no longer slaves to the mythology of the Batman comic books. They allowed their story to be an alternate take on the mythos. This choice gave the show its own identity. It also made it more exciting for the audiences because things weren’t necessarily going to play out exactly as they had in the comic books. As a result the back half of Season 3 was a hell of a lot of fun and frankly I love Season 4. One of the reasons I love the show Krypton on Syfy is that the show isn’t a prequel, it’s more about the DC Universe’s past being changed by time travel. Changing Krypton‘s history, changes the history of the entire Superman story and by extension the entire DC Universe.
So coming into this final season, which was going to be drawing from classic Batman stories like No Man’ Land and Zero Year (In fact this episode’s title is “Year Zero”), I was pretty psyched to see what they were going to do. I’m happy to say I wasn’t disappointed.
After the events of last season, Gotham has been completely cut off from the outside world. The bridges are down in the city and it’s been 87 days since Gotham was officially declared a No Man’s Land by the US government. Unfortunately, not everyone who wanted to had the means to leave the city before it was cut off from the rest of the world. Children, families, innocent people have been trapped in a city that has become an almost post-apocalyptic dystopia. Gotham’s been carved up into territories, with different factions controlling different neighborhoods. Penguin Control City Hall and the surrounding area. He’s also the only person in the city manufacturing bullets for guns, which are more or less currency in the city. Scarecrow, Firefly, Mr. Freeze, Poison Ivy, and other villains have also carved up their own peace of the city.Somewhat ominously, Jerimiah Valeska hasn’t been seen since the beginning of No Man’s Land. I have a feeling he’s waiting to make his own suitably dramatic entrance.
The only part of Gotham City for the average citizen who’d been left behind is the area controlled by the GCPD. Gordon with Bullock and Lucius Fox by his side, are not only leading what’s left of the GCPD, they’re also protecting and feeding hundreds of refugees and supplies are running out. A lot of this is straight out of some iconic Batman storylines, so as a longtime Batman comic book fan this is cool to see.
Fortunately, Bruce Wayne and Alfred decided to stay behind as well and Bruce is doing everything he can to get supplies smuggled in. Not only to the people suffering in the city, but medicine for Selena Kyle as well. She was shot in the stomach at point-blank range by Jeremiah in the season finale last year and unless something drastic is done she could be paralyzed from the waist down for the rest of her life. Of course this heavily weighs on Bruce, who blames himself for her condition.
Part of the fun of this season is seeing how close Bruce is to becoming Batman, even though he isn’t ready yet. There’s an early scene where Bruce takes down a bunch of thugs trying to steal medical supplies. The power has gone out, so he uses night vision goggles courtesy of the Lucius Fox to take them out one by one, in very Batman fashion. However, just when it looks like he’s saved the day, the lights come back on, the night vision goggles blind him, and the thieves get away. This is an important scene because it shows us that while Bruce is well on his way to becoming The Batman that we know, who could’ve easily taken down a group of bad guys in a situation like this, but he’s not quite there yet. He’s still making crucial mistakes and he still has much to learn. It’s important the series didn’t just suddenly turn him into Batman over night. Bruce’s journey throughout the series has felt earned. Based on his training it makes perfect sense for him to be exactly at the level he’s at now.
The episode largely sets up the status quo for the season and puts the pieces in play for things to come. We know things are going to get a lot worse before they get better because the episode opens with a flash forward to No Mans Land Day 391 and shows Gordon, Bullock, The Penguin, The Riddler, and the rest of the GCPD fending off a full blown siege by… someone. For Penguin and The Riddler to be teaming up with Gordon, it must be a pretty serious common enemy.
All in all I really enjoyed this episode and considering that it was mostly set up, I have a feeling once the story really gets going this has the potential to be a fantastic final season for Gotham. I couldn’t help but love the scene when Gordon and Bruce were standing on the roof of the GCPD together. With Gordon shining a spotlight on the sky to give people hope, foreshadowing so many of their interactions in the years to come. As Bruce walks away at the end of the scene, Gordon ask him if he regrets staying behind in Gotham, Bruce replies “No. You?”. Jim Gordons smiles and says “Hell no”. Am I looking forward to the rest of Gotham’s Final Season? Hell, yes.