Batman: The Three Jokers #1 – Review!

Hey Everyone,

Paul here…

In Batman: The Three Jokers, Geoff Johns sets out to answer a mystery, that he set in motion several years ago during the climactic story arc of his Justice League run. In the story, Batman interfaces with an alien super computer called The Mobius Chair, that can answer any question in the universe, no matter how seemingly impossible the question may be . One of the questions Batman asked was, “What is The Joker’s true name?”. Through it’s omniscience, The Mobius Chair gave an answer that threw even The World’s Greatest Detective for a loop: There are 3 Jokers. This three issue miniseries sets out to finally answer the mystery of The Three Jokers. I’ve read the first issue and while it answers some questions, it leaves us with even more. 

Batman while using The Mobius Chair, a repository of al the knowledge in the universe

There is no doubt that DC has two of their absolute best creators working on this book. There are very few comic book writers who have had the level of influence on modern comic books in the way that Geoff John’s has. With very few exceptions, there isn’t a major character in DC Comics that he hasn’t left his mark on. His enormous talent and impact on comic book storytelling, put him in rarefied air among legends like Stan Lee and Frank Miler. Geoff Johns is without a doubt one of the best superhero writers in the medium. No one does big, epic storytelling like Geoff Johns. Yet for some reason, he has always, in my opinion, struggled when writing Batman. Don’t get me wrong, even some of his weakest stories have fun and interesting elements at play. Despite any criticisms about his writing that I may have, John’s never fails to deliver an entertaining story. 

   Then there’s artist Jason Fabouk, who’s done some of the best superhero artwork I’ve ever seen in “The Darkseid War”, one his previous collaborations with Geoff Johns in the pages of Justice League. In a comic book, the storytelling done through the artwork is just as important, sometimes more so, than the storytelling being done in the script. It’s one of the things that makes the medium so unique. This issue opens with an exceptional example of how vital a fantastic artist is to telling a great comic book story. The issue begins with a close-up, on a large “W” engraved in stone. As the image pulls out, we see that this is the grave of Thomas Wayne. Surprisingly, the Batmobile suddenly crashes into it, partially destroying the gravestone. A seriously injured Batman emerges from the vehicle and stumbles towards Wayne Manor. A flurry of bats eventually reveals the Batcave. Filled with Batman‘s equipment and trophies, old costumes of allies and enemies. Finally, we see Alfred. Steady. Always there. We see both men from behind, as Alfred hauls Bruce in an improvised shoulder carry. Holding up his son, as Batman struggles to make it to the medical area. In a wavering voice Bruce says “My parents…” Referring to the gravestone he crashed into moments before. Again, Alfred steady as ever replies “I’ll fix their markers as soon as I fix you.”. Piece by piece, Batman‘s armor is removed, Alfred using surgical tools to remove parts of the uniform to get at Bruce’s wound, so Alfred can begin to treat whatever Bruce has suffered from this time. 

  Alfred begins to treat a puncture wound in the side Bruce‘s torso. “What was it this time?” Alfred asks. “An umbrella” Bruce replies. The image pulls back again, Bruce is naked from the waist up, with his back turned to the reader as Alfred begins stitching his latest wound. The image is stunning. What makes the artwork so powerful Is the dozens, maybe even hundreds of other scars and burns covering Bruce’s body (and we can only see him from the back). This is a grim ritual these two men have gone through together far too many times..Each scar is a dark reminder, a souvenir, of the nightly torture Bruce Wayne subjects himself to. 

However, despite all the monsters he fought in the night, only one has left more scars than any other. Both on the inside and out. The Joker. As Bruce recalls each battle, each fight with The Clown Prince of Crime, the monsters horrifying laughter builds in his head until, for the first time in the story, we see Bruce’s eyes. And they are filled with fury… and something more, something dark.

Regardless of any criticisms that I may leveled at other aspects of this comic book, the art by Jason Fabouk is incredible. There are many amazing artists out there, who draw stunningly beautiful images, but it takes more than that to be an excellent comic book artist. A comic book artist is a storyteller just like the writer. The analogy I like to use, is that a comic book artist needs to be the director, the actors, the cinematography, and the editor all wrapped in one. Like a director they need to set up every image, the angle, what will be in the shot, etc. like a cinematographer they have to establish the look and visual tone of the story, and like an actor they need to convey all of the subtle emotions of every character in the story. An artist who can do all of that well and still make every image absolutely beautiful, is less common in the industry than you might think. I think somebody like the late, great Steve Dillon (Preacher, The Punisher)  is a great example of an artist that was incredibly gifted at storytelling and conveying complex array of human emotions. With this comic, I think Jason Fabouk has taken his first step into becoming one of the most elite comic book storytellers in the business. The work on display here is some of the best visual storytelling I’ve seen in a comic book in a long time. 

  With that out of the way, what do I think about the comic? I think there are two major issues that ultimately plague this story. First, the problem with telling a story like this, is that part of what makes The Joker so terrifying and so fascinating is that he doesn’t have a definitive origin. Sure, there have been hints over the years. Possibilities of who or what he was before he became The Clown Prince of Crime.  Writers like Alan Moore, Scott Snyder, Bruce Timm,and Paul Dini have all played with possible origins for The Joker. These stories worked because none of them were the character’s definitive origin. It was left ambiguous, the writers placed doubt in the minds of fans about how much of these possible backstories actually happened. Was any of it real? Even the recent JOKER film starring Joaquin Phoenix as Arthur Fleck/The Joker, made the audience question exactly how much of the films events actually took place and how much of it was all in Arthur’s head

The questions at the heart of this story are: How are there three Jokers? What does that even mean? Are there literally three different men, who have been The Joker over the years? What is the answer to the mystery of The Three Jokers? At least for me, the answer to that question is: I don’t fucking care. I would’ve been perfectly happy if DC never picked up this storyline again. In the JL story written by Geoff Johns that kicked this whole thing off, Batman asks the all-knowing Mobius Chair “What is The Joker’s true name?”. The chair replies and Batman is visibly shocked and disturbed by what he hears. He can only respond “That’s not possible“. On its own, that’s a cool moment. What the fuck did The Mobius Chair tell Batman? The Joker is already a character shrouded in mystery and darkness and this was a powerful and creepy moment. I think if it was left alone by DC, this could have been an intriguing addition to The Joker’s mythology. A question we’ll never get the answer to would’ve been so much more interesting to readers, because the unknown is always so much scarier than anything a writer can cook up.

To talk about my second major criticism of this story so far, I’m going to be discussing a pivotal scene in depth as an example of a larger concern I have with the project. So MAJOR, MAJOR SPOILER WARNINGS for the rest of the review!!!

Ok, still with me? Great. So, when Jason Todd AKA The Red Hood finally blows The Joker’s brains out, I thought: “About damn time!”.

You see, a common misconception is, that Batman has always adhered to a strict moral code, that kept him from ever taking a life. It’s important to point out that when Batman was created by Bill Finger and Bob Kane (It was actually MOSTLY Bill Finger, but Bob Kane gets all the credit). Batman‘s so-called “no kill“ rule, didn’t come from a creative decision by one of Batman’s creators. It came down as an editorial mandate from DC Comics. The Joker was originally supposed to die in his first appearance, but the character was so popular that the creators working on Batman at the time had to come up with a way for Joker to return. Batman couldn’t go around killing the entirety of what would become his whole rogues gallery! Of course this early version of Batman would kill The Joker! For a man willing to take a life, this was the exact situation where you take someone off the board. It was a way to keep Batman’s popular villains returning to the story. Another factor was that DC comics wanted to attract younger readers. Which was why Robin was introduced and Batman’s homicidal edge was softened. The hard-hitting, gritty, noir stores told in Batman’s early days, made way for more colorful and family friendly content. 

So when someone tries to convince you that Batman never kills because of a deep moral belief in the sanctity of life, you can say that’s bullshit, he doesn’t kill because the publisher wanted to make more money by having more readers and reoccurring, colorful villains. From the very beginning of Batman‘s career, he had no compunction about killing criminals. Batman even carried a gun in many of his earliest appearances. Many of the unfortunate thugs he came across found them selves with a bullet in the chest, thrown into a vat of acid, or strangling a man with a steel cable attached to The Batplane and flying through Gotham with the corpse still hanging from The Batplane. While Batman muses that the villain is “better off this way“. In fact here are some fun instances of Batman straight up murdering people…


   Which is why I find it so frustrating that certain writers, like Geoff John’s in particular, treat Batman‘s “no kill“ rule is if it was a sacred and fundamental part of the character’s ideology. It wasn’t a creative storytelling decision, it was a marketing one. Most of the other vigilantes in Gotham City have been trained by Bruce or work closely with him, so they also adhere to same, foolish “no kill” rule (with some notable exceptions). So when writers like Geoff John’s put Batman or one of his allies, in this case Barbara Gordon AKA Batgirl, in positions where all logic, emotion, and reason would lead to their character taking a life, the writers will go to extraordinary lengths to find reasons for their so-called heroes not to go through with it. This doesn’t make the heroes noble, it makes them look foolish and naïve. I’m not saying that Batman and his allies should start acting like The Punisher, but in extreme circumstances, extreme measures are appropriate. Unless a writer is willing to honestly tackle some potentially uncomfortable questions about his characters, then perhaps it’s a subject that is best left alone. If you’ve been successfully crime fighting crime in a cesspool like Gotham City for years, you’ve probably seen some of the ugliest things that humanity has to offer. Which is why it makes no sense that someone like Barbara Gordon, an intelligent, worldly, capable, and very tough woman would attempt to stop Jason Todd from murdering The Joker. The amount of suffering that The Joker has personally inflicted on Barbara and her family includes crippling and sexually molesting her, torturing her father, murdering her stepmother, and has killing literally thousands of people. Including successfully murdering Jason himself. Even though Jason eventually came back from the dead, as Jon Snow would tell you, that isn’t some shit you just forgive. For Barbara to feign outrage when The Joker is killed, is just silly and poor writing. However, I did enjoy what Jason says to Barbara after kills The Joker, posted below…

I’ll definitely read all 3 issues of Batman: The Three Jokers, but It’s mostly out of sense of obligation. New comic books come out each week and I still read every issue of my favorite ongoing titles. Batman is my favorite comic book character, so for better or worse, regardless of how this story ends it’s going to have a major impact of some kind on the Batman mythology. For that alone, I’d read all 3 issues just to see how it all plays out. That’s not exactly a ringing endorsement, especially if you don’t read comics every week like I do. I’m certain that DC is trying to attract new readers with a high profile book like this. In that regard, I suppose Three Jokers is successful. Most of my problems with the book were rooted in my long personal history with Batman and how I think the character and his world should be portrayed. As well as certain longtime comics books tropes present in the issue, that drive my nuts whenever they pop-up in a story. New readers might be the ideal audience for this comic book, even with my criticisms, it’s an undeniably entertaining book with beautiful art. Casual Batman fans wouldn’t bring as much baggage to the story as I did and it really only requires a basic knowledge of Batman and The Joker to follow what’s going on.

Final Words:
In a vacuum, taken for what it is, Batman: The Three Jokers is pretty good read, but it fails to justify it’s own existence. This new miniseries suffers because of some poorly written characters and will leave a lot of readers questioning why this story needed to be told in the first place. On the other hand, The Three Jokers is a solid book for casual readers and the art work by Jason Fabouk is gorgeous.

Batman: The Three Jokers #16.5/10

The 15th Anniversary Of Constantine: An Underrated Cult Classic

Hey Everyone,

Paul here…

Normally, this is the time of year when we’d be right in the middle of the San Diego Comic-Con. Some of the year’s biggest announcements about our favorite movies, TV shows, and comic books are made at this event. Unfortunately, due to the continued threat of the COVID-19 outbreak, the mega-convention couldn’t be held this year and I can’t say I blame them. Imagine it, thousands of sweaty, nerdy fans, decked out in their cosplay, in 90+ degree heat with 80% humidity, as they all walk around hacking and coughing a deadly virus on each other. Half of the attendees would be in the hospital by the end of the week. Not a pretty picture. 

     However, we weren’t completely left empty-handed, the folks behind the long running annual fan event, came up with  Comic-Con@Home, multiple panels were live streamed online for folks to enjoy a little bit of Comic-Con from the comfort and safety of their own home. Nothing beats the real Comic-Con experience, but they still put together some very interesting panels. One of the highlights, for me at least, was the Constantine 15th Anniversary Panel. Star Keanu Reeves, producer Akiva Goldman, and director Francis Lawrence discussed the 2005 film with one of writers from Collider. 

Constantine takes a trip to Hell

    I want to take a minute and to give the film some context. John Constantine is easily among my top 10 favorite comic book characters. He was created by legendary comic book writer Alan Moore during his Swamp Thing run for DC and the physical inspiration for Constantine was world famous musician, Sting. The character was enough of a standout to warrant his own series from DC under their mature readers imprint, Vertigo, called Hellblazer. Constantine was sort of a con-man mage based out of London. Writers like Neil Gaiman, Garth Ennis, Brian Azzerello, and Warren Ellis have all done memorable work with the character, in fact Hellblazer was the longest running books in Vertigo’s history. 

Constantine is a little more high profile these days, appearing in both live-action and animated TV shows and films. Most notably, actor Matt Ryan has portrayed John Constantine in pretty much every appearance the character has made over the last 6 years. We first saw Ryan’s interpretation of the role in the short-lived (but cancelled too soon) Constantine TV series (2014-2015). Unlike Keanu Reeves, the British and blonde haired Matt Ryan is much more in line with the traditional depiction of John Constantine. But you can’t keep a good warlock down, and Matt Ryan reprised the role of John Constantine on Arrow and eventually became a series regular on DC’s Legends of Tomorrow (these appearances retroactively made the Constantine TV series part of The Arrowverse). Ryan has also voiced the character in multiple animated films, like Justice League Dark and Justice League Dark: Apokolips War, as well as an animated miniseries. Much like Kevin Conroy as Batman and Mark Hamill as The Joker, Matt Ryan has become the unofficial, definitive version of John Constantine in the eyes of many fans.

Matt Ryan as John Constantine

   Having said all that, I think 2005’s Constantine is an extremely underrated movie that deserves more credit than it gets. On paper this movie should not work. First of all, John Constantine is one of the best comic book characters ever created and holds a lot of reverence with fans. Does Keanu Reeves sound anything the character I described above? A British, street sorcerer that looks like Sting? At the time, casting Keanu Reeves in the title role seemed like a weird and misguided choice for the movie. That’s strike one. Producer, Alkiva Goldman, has had his name attached to some truly dog shit projects over the years, including Joel Schumacher’s infamous Batman & Robin. Strike two. Finally, this beloved character was in the hands of a first time film director, who predominantly directed music videos before this movie. Strike three! But goddammit if they don’t manage to pull it off. Not only did the movie work, it was pretty damn great.

Lucifer pays John a visit. The only Soul he’d come to personally collect himself.

   Despite the changes to the source material, especially the casting of Keanu Reeves and the film taking place in LA instead of London, the movie did a phenomenal job at capturing the essence of John Constantine and his world. Keanu was so good in the role that the superficial changes didn’t matter as much as you’d think. The spirit of the character was there. Reeves did a better job of inhabiting John Constantine than a lot of other actors in comic book films that seem perfectly cast from the jump. There are so many great, little moments throughout the film that show how Keanu Reeves and the filmmakers really get exactly who this guy is and what makes him tick. 

   The look of the film, the supporting cast, Peter Stormare as Lucifer, are just a few examples of what makes this movie an underrated gem. I definitely recommend checking out the full panel, which you can watch right here:

It sounds like Keanu is up for a sequel, which would be pretty cool. So what do you guys think? Is Constantine an underrated classic? Or am I nuts and it’s a piece of shit? Let me know in the comments below.

Constantine, Papa Midnite (Djimon Hounsou), and Chas (Shia LaBeouf)

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

PODCAST: Review HBO’s WATCHMEN!

Hey Everyone,

Paul here…

   On this week’s episode of The World’s Best Podcast, I review the new HBO series WATCHMEN, from creator Damon Lindelof (Lost, The Leftovers)! This new series serves as a quasi-sequel to the original WATCHMEN comic book, a brilliant deconstruction of the superhero genre. Written by the legendary Alan Moore with amazing art by Dave Gibbons, Watchmen is a true masterpiece of the comic book medium. TIME Magazine listed the graphic novel among their list of 100 greatest novels of the 20th century.

The graphic novel was adapted into a 2009 film by director, Zack Snyder to a mostly positive reception. DC Comics has published multiple prequel comic book miniseries’ under the banner “Before Watchmen”, telling stories about classic Watchmen characters like Rorschach, Doctor Manhattan, The Comedian and more.

Set 30 years after the classic graphic novel in an alternate 2019, police wear masks to protect their identities from a brutal terrorist organization. Following a shocking crime, characters both new and familiar find themselves in the middle of a vast conspiracy. Who Watches The Watchmen? Thanks for listening! Enjoy!

Listen here or subscribe on Stitcher, Spreaker, iHeartRadio, Google Podcasts, & Apple Podcasts/ITunes: https://www.spreaker.com/episode/19690891 

iTunes: https://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?i=1000454920527

Stitcher: https://www.stitcher.com/s?eid=64847470&autoplay=1

Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, which go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again!

-Paul

We’re also continuing our attempt to bring attention to fundraising for cancer research and support for people fighting cancer and their families. At the beginning of the episode, we announced that we’d calling attention to a great charity dedicated to fighting colon cancer. The organization is Colon Cancer Coalition of Boston, you can check out their website right here: https://donate.coloncancercoalition.org/Boston Where you can make donations and find out about upcoming events! Make sure you donate and support #teammichelle 💩 (Michelle’s favorite emoji!)

We’re also trying to raise money directly for the family of Michelle Fabri, who recently lost her fight with colon cancer. Every donation, no matter how small helps, so check out their Go Fund Me page: https://www.gofundme.com/f/michellefabri

2019 FALL TV PREVIEW (Prt.1): HBO’S WATCHMEN – A Behind The Scenes Look! SUPERNATURAL- The Final Season!

Hey Everyone,

Paul here…

Starting this week, World’s Best Media begins our 2019 Fall TV Preview! On our website, podcasts, and social media we’ll be covering all of the coolest new and returning shows on TV and Streaming for the rest of the month! Please let us know what you think of our coverage and what series you’d like to see us cover! For our first article we’ll be covering one of my most anticipated new shows and one my favorite returning series…

Watchmen – New Series (HBO)

HBO’s upcoming series Watchmen is, by far, one of my most anticipated film or television projects of the year. It comes to us from Damon Lindelof, the co-creator of LOST and the creator of The Leftovers. Despite some of the haters out there, I think Lindelöf is extremely talented storyteller. Here’s HBO’s official synopsis for the series:

Set in an alternate history where masked vigilantes are treated as outlaws, Watchmen embraces the nostalgia of the original groundbreaking graphic novel of the same name, while attempting to break new ground of its own.”

Check out the new trailer here:

Despite any missteps taken throughout the series, I still believe LOST is on incredible achievement in long form storytelling. In fact, warts and all, it’s probably still one of my all-time favorite TV shows. So when I heard Lindelof was developing a Watchmen series for HBO I wasn’t that enthusiastic, but not for the reasons you might think.

When Zack Snyder released he is 2009 film adaptation of the classic graphic novel from Alan Moore and Dave Gibbons, many felt that the film was too slavish to the source material. So I felt that after receiving an adaptation of Watchmen that was so close to the comic book, what more could this HBO series really say? Of course my assumptions were all wrong and the story Lindelof is telling isn’t a direct adaptation at all, but more of a sequel. While shrouded in mystery we do know certain characters and story elements like Laurie Jupiter, Mothman, Hooded Justice, Ozymandias, Doctor Manhattan, and even Dan’s Nightowl ship Archie are a part of the show.

While on the subject of the 2009 Watchmen, though flawed, I think Snyder’s take is ahead of it’s time and a truly excellent film. This is just my opinion, but I think it’s a great adaptation of a phenomenal comic book. Ironically my largest problem with the film, is the change that most people felt was necessary. I strongly felt that Ozymandias’ grand plan didn’t work, as presented in the movie. Veidt’s plan in the comics is a master stroke. Despite how insane it may seem, you can’t deny the twisted logic of it all: Show humanity a clear and present threat that is completely “other”, totally “alien” and it will bring the species together like never before for the sake of mutual survival.

The way Veidt’s attack went down in the graphic novel could in no way be mistaken for anything other than some type of alien invasion. He teleports a giant alien monster (that he spent billions to create using cloning and the minds of some of the world’s best artists) into the heart of New York City, the creature dies on arrival but not before telepathically kills millions of people. No one could mistake this catastrophe for a nuclear launch.

However, in the film Veidt blows up multiple major cities around the world (both in the U.S. and U.S.S.R.), using bombs he’s designed to mimic the energy signature of Doctor Manhattan. This is just as Russia and The U.S. are on the brink of full on nuclear war. My problem with this version of Ozymandias’ plan is that, in the graphic novel there’s no actual explosions that could in anyway be misconstrued for a bomb of any kind. Blowing up multiple major cities both in the U.S. and the U.S.S.R. seems incredibly risky considering how close to nuclear annihilation the world is at that moment. The success of his whole plan and the survival of the human race, rests on whether or not “the powers that be” will somehow take the time to analyze the energy signature and determine it’s from Doctor Manhattan. What if they just panic when one of the cities explode and one of the two superpowers launch there nukes? It seems like an awfully big gamble for the so called “smartest man in the world” to be taking. I think changing Veidt’s plan in the films takes away from it’s genius and ultimately hurts the film, fortunately it looks like the the HBO series is sticking with the graphic novels version of events in this department. With Oscar Winner Jeremy Irons taking on the role of Adrian Veidt, I cant fucking wait to see what role he plays in the series. I can’t imagine a man like him sitting on the sidelines…

Regardless, that’s just my two cents on a Watchmen film we’ve already seen. This new series has nothing to do with the 2009 film. As you’ll see in the new trailer and behind the scenes video below, it’s almost a quasi-sequel to the classic graphic graphic novel. As a weekly comic book reader, I’m really primed for a story like this. DC Comics has been doing a lot with the Watchmen characters lately with fantastic stories like Before Watchmen and the incredible Doomsday Clock, DC’s own quasi-sequel to Watchmen. Unlike some other fans, after reading spectacular comics like Doomsday Clock, Watchmen isn’t the sacred cow to me that it may be for some other fans.

The past few years have shown me that excellent stories with the characters and world of Watchmen can be told without Alan Moore. I’m pretty sure Dave Gibbons, Watchmen’s artist is involved with the show in some capacity. The cast looks great and I’d like the creative team involved a lot. HBO is the perfect network for something like this, but check out this very cool behind the scenes video below and judge for yourself. It sheds a little more light on exactly what’s going on with this series…

Watchmen premieres on HBO on October 20th.

Supernatural: The Final Season

New Poster Supernatural – Season 15
(L-R): Misha Collins as Castiel, Jared Padalecki as Sam, Jensen Ackles as Dean and Alexander Calvert as Jack Credit: The CW

The returning show I wanted to talk about today is this one of my all-time favorite television shows. A series I have written about here on the site and has been brought up on the podcast so often, it’s a bit of a running joke. I am of course referring to none other than Supernatural. The hit CW series is heading into its 15th and final season in October. Though the fans and The CW network were more than happy to allow the show to continue pretty much as long as the creative team involved wanted, Jensen Ackles and Jared Padalecki, who plays Sam and Dean Winchester wanted to show to go out on a high note. So it is tough as it is to say goodbye to the boys and characters like Castiel, as long time, fan I’d rather see the show go out in a blaze of glory than whimper across the finish line.

Courtesy of EW.com, are the first official photos from Season 15. The pictures are definitely from the first or second episodes of the season because last time we saw them, The Winchesters and Castiel were up shit’s creek surrounded by a fucking horde of zombies. Not to mention all the other monsters and spirits Chuck freed from Hell, which was a really dick move. I think it’s a safe bet The Boys make it out of this situation in one piece, but that victory will be short lived. Because when it come to The Winchesters and company nothing’s ever easy or simple. Hey, shit happens when you piss of an all powerful cosmic entity that gets off on toying with people’s lives. Check it out…

We don’t know a ton about the final season (man, that sucks to write), but one thing we’ve heard from the cast is that dead means DEAD. In the past, this is a show that’s seen a lot of resurrections. Hell, Sam and Dean themselves have died literally dozens of times. So expect a lot more finality when one of the characters checks out this season. Below you can check out a brief trailer, but damn if it doesn’t make me excited!

It also appears that the final season will be seeing a lot of returning characters. Already confirmed are, of course, Chuck, Amara, Adam Winchester, Bobby Singer, Ellen Harvell, and that’s just to name a few. Expect to see some of The Winchester’s oldest friends and worst enemies show up before the series ends. Finally I have an interview with Jensen Ackles and Jared Padalecki talking about what sans can expect from the 15th in the final season especially in the first few episodes.

Man, it’s gonna be tough to see this one go, we posted a few more images below. The Final Season of Supernatural begins on October 10th on The CW

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews for our podcast, go a long way to help support the show. We really appreciate the loyalty shown to us by World’s Best Media fans, so thanks again!

-Paul

PODCAST: Good Omens! Chernobyl! Swamp Thing! Deadwood! & More!

Hey Everyone,

Paul here…

  This was one HELL of weekend for great television. I watched some of the best shows and miniseries that I’d seen all year, just between last Saturday and Sunday. Amazon Prime debuted their six-episode miniseries Good Omens on Thursday. The story is based on the classic novel by Neil Gaiman and Terry Pratchett. A unique and fun blend of comedy/drama/fantasy, the miniseries follows a demon named Crowley (David Tennent) and an angel named Aziraphael (Michael Sheen) who’ve been on Earth since the Garden of Eden a develop an unlikely friendship over the millennials. When orders come from their higher ups that Armageddon is about to begin with the birth of The Antichrist, Crowley and Aziraphael do everything they can to stop the Apocalypse because the like living on Earth too much. There’s a lot to love here, including a fantastic supporting cast (Jon Hamm, Francis McDormand, Brian Cox, etc.), but what makes the miniseries a real home run is the amazing chemistry between David Tennent and Michael Sheen. They’re very entertaining to watch. The show lights up whenever they’re on screen together and the genuine affection they have for one another, despite what they say to the contrary, is very sweet.

  Finally after years of rumors and false starts, Deadwood: The Movie premiered on HBO Friday night. The classic HBO series ran for three seasons from 2003 to 2006. When the show was canceled, the series didn’t have any opportunity to offer closure for the characters or the story. So this movie is what longtime fans who never received a resolution to major storylines and character arcs have been waiting for. The movie is a beautiful love letter to Deadwood. Getting to see where our favorite characters like Bullock, Trixie, Dan, and of course Ian McShane as the iconic Al Swearengen, along with so many others characters large and small.

   HBO also wrapped up their terrifying and sobering miniseries Chernobyl, starring Jarred Harris and Stellan Skarsgard. The miniseries offer a grim and frightening look into the true story of the Russian Chernobyl Power Plant nuclear reactor explosion in 1986. The show chronicles the event, which was one the worst man made disasters in history. It’s a gripping show that is PAUL SR.’s PERSONAL HOT PICK OF THE WEEK!

   The last show we cover on this week’s podcast is the launch of the latest live-action original series from the DC Universe Streaming Service, Swamp Thing. The story follows Dr. Abigail Arcane (Crystal Reed), a doctor working for the CDC who has to return to her home town in Louisiana following a bizarre outbreak. There she meets disgraced scientist Alec Holland (Andy Bean) who believes that outbreak is connected to some very weird shit going on in the local swamp. So far, DC Universe has only released the first episode with a new episode becoming available every Friday. I’ve enjoyed all of the original content DC Universe has put out so far, but this series premiere was by far my favorite. The performances are solid with a good cast, but what makes the show really stand out, is how it leans hard into the horror aspects of the source material to great effect. I’m a huge Swamp Thing fan and the first episode had me itching for more.

    Each show couldn’t be more different from the other, but they’re all spectacular! Join myself and co-host Paul Sr as we breakdown each of these fantastic projects!  Listen here or subscribe on Stitcher, ITunes, & more: https://www.spreaker.com/episode/18181256

iTunes: https://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?i=1000440689461

Stitcher: https://www.stitcher.com/s?eid=61715238&autoplay=1

Enjoy and thanks for listening!

-Paul

NEW SERIES: Swamp Thing on DC Universe!

Hey Everyone,

Paul here…

This weekend, DC is premiering their latest live action television series, Swamp Thing, on their DC Universe Streaming Service. Swamp Thing is one of my all-time favorite DC comic books, so I’m very excited to see an adaptation of this classic series. Early word is that the show is very good and really leans into the horror vibe that the comic book lends itself to. You can check out the trailer below and some photos from the first few episodes. Swamp Thing starring Andy Bean, Crystal Reed, Will Patton, Virginia Madsen, and Kevin Durand premieres on 5/31/19 on DC Universe. Swamp Thing is executive produced by James Wan, director of Insidious, The Conjuring 1 & 2, Fast 7, Aquaman, and more.

Thanks for reading!

-Paul

MUST READ: Doomsday Clock #7

Hey Everybody,

Paul here…

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Alan Moore and Dave Gibbon’s Watchmen is widely considered to be one of, if not the best comic book ever written. I remember the magic of getting into to comic for the first time and being blown away by the classics of the medium: The Dark Knight Returns, Batman: Year One, and of course Watchmen. Watchmen still holds up as a brilliant, powerful masterpiece of storytelling. I don’t think Watchmen’s impact on the comic book medium can be understated.

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However, as comic books have become more and more mainstream, Watchmen itself has become more mainstream. 20 years ago meeting someone else who read Watchmen was special because it was rare. If you read Watchmen, you knew something amazing that everyone else didn’t. As superhero stories and comic books became a part of pop culture in a major way, so did Watchmen. More people started to read the original graphic novel. We got Zack Snyder’s Watchmen film (an under appreciated gem, in my opinion), DC published Before Watchmen (Many of those miniseries’ were excellent), and like anything else, the more there is, the less special it becomes.

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I still love the original Watchmen comic book. I’m making this point because Watchmen isn’t the sacred cow to me that it may be to some people. Which is why I’ve been on board with almost everything DC has chosen to do with the Watchmen Universe in the wake of DC REBIRTH. However, I’m mainly here to tell you that Geoff John’s and Gary Frank’s Doomsday Clock is one of the best goddamn comic books on the shelves right now.

I will be discussing SPOILERS here, so fair warning if you want to remain SPOILERFREE

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A few weeks ago, Issue #7 of the 12 Issue miniseries went on sale and as the story hit it’s half way mark, it really kicked into a new gear. I wanted to wait awhile for people to read the latest issue before I commented on it. This is arguably the most significant series DC has published since the creation of THE NEW 52 in terms of its impact on the DC Universe.
For the most part I’m not going to recap the previous 6 Issues and instead focus mainly on Issue #7. First if all, hats off to the amazing art by Gary Frank. Frank’s been one of the best artists in the business for years, but he’s doing career best stuff here. He perfectly captures the “feel’ of the original Watchmen with copying the work of Dave Gibbons. I don’t think there’s another artist working in mainstream comics that can do what he’s doing here. He’s walking a fine line between being his own artist while making this series feel very much like a follow up to Watchmen.

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The entire series, if not everything since DC REBIRTH, has been building to Doctor Manhattan’s full appearance. We finally get it here and it is suitably epic. You could definitely say this is the chapter of the story where the shit begins to hit the fan. Ozymadias, the new Rorschach, Marionette, Mime, The Comedian, Batman, and The Joker finally come face to face with Doctor Manhattan and the whole issue is pretty fucking awesome.For the most part, Johns makes the insanity of all these unique characters coming together wildly entertaining, but I’ll come back to that in a minute.
Before I get too ahead of myself, the book opens with a fantastic scene that involves Doctor Manhattan and old school Green Lantern Alan Scott, that’s pretty damn chilling. It not only gives insight into how Manhattan perceive reality, but it also lets us see Jon ( Doctor Manhattan’s real name) as a more sinister character than he was in the original Watchmen. It gives the reader a sense of ominous dread that sets the tone for the story to come.

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Johns is one of the best writers of DC Comics characters of all time. He’s so often able to take characters that aren’t that compelling and turn them into some of the best characters in comics. He did it will Green Lantern, The Flash, The JSA, Hawkman, Aquaman, and more. One of the reasons this issue is so impressive, is that Johns beautifully captures the “voice” of each of the Watchmen characters, which is why the comic works so well. However, for some reason the character he can’t quite get right is Batman.

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Geoff Johns has an almost supernatural ability to get inside the heads of DC characters, with sole exception of Batman. Batman should always be the smartest guy in the room, but under Johns’ writing he comes across as being 2 steps behind. That is NOT Batman.

I will concede that Johns may be improving when it comes to writing Batman. There’s a moment in this chapter when Doctor Manhattan finally shows up, in the flesh, for the first time. A moment that has been building since DC UNIVERSE REBIRTH. As the closets thing to God himself that Bruce has ever seen teleports into a room full of killers, mad men, and geniuses, Batman immediately glares right into Doctor Manhattan’s eyes and says “I know how you are”. A very cool, very Batman moment.

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Each of these characters get some great moments together, but I wish there was a more substantial confrontation between Batman and Doctor Manhattan. I don’t mean physical, obviously, but I would have liked to see them interact more. We’ve still have a fair amount of issues left before the series wraps up, so I’ll probably get to see something like that sooner or later.
Without getting into too much detail, we finally find out why Doctor Manhattan came to the DCU. It’s a great scene where we’re given some answers, but even more questions.The scene also underscores the slightly darker character Doctor Manhattan has become. One thing he makes very clear to Adrian Veidt is that he has no intention of going back to the Watchmen Universe. He believes that world’s time is over. It beyond saving and not worth his attention. Needless to say Veidt is not happy. The scene ends with some shocking revelations about Veidt that fundamentally change his relationship with Reggie, the new Rorschach.

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This is perhaps an Adrian Veidt more dangerous than we’ve ever seen. He’s just as ruthless and cunning as he’s always been. This issue shows us that the man who killed millions in service of “the greater good”may not have learned from his mistakes after all. He’s the same manipulative sociopath he’s always been and he’s got a plan. By the end of the Issue it seems like Ozymandias has gone “full villain”.
Finally, the most unsettling revelation is that in one month, Doctor Manhattan will have a fateful encounter with an enraged Superman. We know Doctor Manhattan doesn’t perceive time in the way everyone else does. He sees the past, present, and future all at once. So, what makes this information so disturbing is that Jon cannot see the future beyond the point of his confrontation with Superman.Which means one of two things, either Superman will destroy Doctor Manhattan or Doctor Manhattan will destroy everything. Considering that we’ve seen very little of the Man of Steel in this series so far, it seems like that’s about to change in a big way. It’s hard to see a scenario where Superman comes out on top in a fight with Doctor Manhattan, so I’m anxiously awaiting their meeting. After all, Doctor Manhattan has screwed with Clark’s life in significant ways recently. Most notably “resurrecting” Jor-El, who’s been running around the DCU causing trouble as Mr. Oz.

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Though the shipping schedule has been somewhat frustrating, the series began in November 2017 and Issue 8 is slated for release in mid-November, at least it’s picking up slightly. Regardless of these minor flaws, Doomsday Clock has been a fantastic series that has vastly surpassed my expectations. What could have easily been a cash grab by DC has become a truly worthy follow up to Watchmen.
If you were skeptical about what is essentially a sequel to Watchmen, rest assured that these characters are in good hands. I can’t recommend this series enough. It’s a must read.

Doomsday Clock: 9/10

Thanks for reading!

-Paul

PODCAST: THE BEST F@#KING COMICS FOR NEW READERS!

Hey Everybody,

Have you ever wanted to pick up a comic book or graphic novel, but didn’t know where to start? Well you’re in luck! Because on this episode of The World’s Best Podcast, Uncle Paul recommends some of the BEST graphic novels to read if you’re COMPLETELY new to comics!

With all of the superhero movie in theatres, deciding what comics to read for the first time can be intimidating. Especially when there are literally thousands of graphic novels out there to choose from. But fortunately you first time readers, the TV shows and Movies have only scratched the surface of all the amazing stories told in the comic book medium. If you’re a long time reader, you might be inspired to revisit some of the classics covered here (or check out one or two of the unexpected picks)!

After the episode links, I put a the complete list of all graphic novels discussed in this episode and where readers can find them! As always you can listen below, on The Boston  Podcast Network pod617.com , or subscribe on Stitcher or Itunes:

https://www.spreaker.com/episode/14964581

ITUNES:
https://itunes.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?mt=2#episodeGuid=http%3A%2F%2Fapi.spreaker.com%2Fepisode%2F14964581

The Boston Podcast Network:
http://pod617.com/worlds-best-podcast/

 

As always, thanks for listening and readings!

-Paul

 

Batman: Year One

Writer – Frank Miller

Artist –  David Mazzuchelli

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Available: Barnes & Noble, Amazon.com, ComiXology, your local comic book store

 

Batman: The Long Halloween

Writer – Jeph Loeb

Artist – Tim Sale

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Available: Barnes & Noble, Amazon.com, ComiXology, your local comic book store

 

Batman: The Court of Owls

Writer- Scott Snyder

Artist – Greg Capullo

Batman Vol.1 The Court of Owls

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Batman Vol.2 City of Owls

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Both Volumes Available: Barnes & Noble, Amazon.com, ComiXology, your local comic book store

 

Ultimate Spider-Man Vol. Power and Responsibility 

Writer – Brian Michael Bendis 

Artist – Mark Bagley

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Available: Barnes & Noble, Amazon.com, ComiXology, your local comic book store

 

Hawkeye Vol.1 My Life As A Weapon

Writer – Matt Fraction

Artist – David Aja

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Available: Barnes & Noble, Amazon.com, ComiXology, your local comic book store

 

The League Of Extraordinary Gentlemen – The Omnibus Edition

Writer – Alan Moore

Artist – Kevin O’Neil

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Available: Barnes & Noble, Amazon.com, ComiXology, your local comic book store

 

 

Preacher Vol.1 Gone to Texas

Writer- Garth Ennis

Artist – Steve Dillion

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Available: Barnes & Noble, Amazon.com, ComiXology, your local comic book store

 

ALL NEW PODCAST!!! Paul’s Pulls!

Hey everybody,

It’s Paul and I’m very excited to announce my brand new Podcast… PAUL’S PULLS! As you all know I LOOOOOOOVE comic books and superheroes, so this podcast is all comics all the time. It’s a shorter show than “The World’s Best Podcast with Paul & Tim”, but it’s perfect for the format. Each episode I’ll be recommending the best comics of the week and talk about comic book or comic book movie, Comic book TV, COMIC BOOK ANYTHING news! I really hope you’ll enjoy it. In the first episode I give an annotated breakdown of the awesome new DC series Doomsday Clock. Then I wrap thing up talking about the very cool new superhero show Black Lightning. The podcast will be available on iTunes soon but for now you can listen to it right here:

https://www.spreaker.com/episode/13889474

As always, thanks for listening!

-Paul

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