The Red Hood. The Pale Man. The Clown Prince of Crime… THE JOKER. Without a doubt the best villain in comic book history and one of the best characters in all of fiction.
Batman is the best superhero in comics, so his arch nemesis should reflect his greatness. All of Batman’s villains, the best rogues gallery in superhero fiction, reflect Batman in some way, some aspect of his psyche. Harvey Dent represents Batman’s struggle with duality, Ra’s Al Ghul represents Batman’s temptation to take his mission too far and commit to a darker way of trying to save society, The Penguin represents the idea of the wealth and privilege he was born with turning into something ugly, greedy, and gluttonous, and so on…
Then, there’s The Joker. Batman’s true, broken reflection. To paraphrase better writers than me, Batman is an engine of meaning. He turns tragedy into purpose. As The Dark Knight Detective himself once famously said “My parents taught me a different lesson, dying in the gutter for not reason at all. They taught me that the world only makes sense… when you force it to.” Everything Batman does is built upon the foundation of that idea. That his actions and his mission have meaning.
That’s why The Joker is Batman’s greatest antagonist. The Joker’s point to Batman is that nothing we do has meaning. It’s all pointless. The Joker is trying to prove to Batman that his mission, his ideology, is pathetic. It’s a joke. There is no greater meaning to life. Nothing you do matters. He’s inviting Batman to abandon his beliefs, to come with him and embrace how The Joker sees the world. In doing so, he’ll become truly transcendent and immortal, but most of all, free.
Which brings me to the upcoming film JOKER starring Joaquin Phoenix….
Over the past several years DC has announced literally dozens of films. Many of which will never see the light of day. Remember that Flash movie that came out back in March 2018? Yeah, me neither, because they didn’t fucking make it. They’ve announced so many movies at this point it’s hard to take them seriously when they do. So when a stand alone film focusing on The Joker was announced I really thought it would never be made. DC seemed to be trying to build a coherent movie universe like Marvel and I didn’t see them realistically making a movie focusing on Jared Leto’s Joker, who was divisive at best.
Then I started to here that they were going in a different direction. That Martin Scorsese and Robert DeNiro were involved and my skepticism grew. No way was Martin Scorsese directing a DC film. Finally, it became clear that this was a stand alone movie existing OUTSIDE the established DC movie universe that Aquaman, Wonder Woman, and SHAZAM! exist in. Todd Phillips would be directing, whose credits include Road Trip, Old School, The Hangover Trilogy, and War Dogs. Martin Scorsese would produce the film, co-staring DeNiro, with Joaquin Phoenix as The Joker in an origin movie telling the story of the man who becomes The Clown Prince of Crime. This is the movie hitting theatres this October and you can check out the trailer below:
Looks pretty good, right? However, at no point have I had any interest in this project. Despite the fact that the trailer seems to show a genuinely good movie with what could be a great performance from Joaquin Phoenix, the only reaction I can have to this movie is ambivalence. The reason being that I think telling a straight up origin story for The Joker is kind of missing the point of a large part of the character. If this were “officially part of the DC movie universe”, I’d be genuinely pissed this movie is being made. However, because the movie is it’s own thing, a one off crime story that doesn’t involve Batman (even though we do see a young Bruce Wayne and Thomas Wayne is a major character) I can live with them telling their fucking Joker origin movie.
Oh, I almost forgot! Here’s a real fucking shocker the movie is drawing inspiration from comic book stories like… wait for it… THE KILLING JOKE! Brav-fucking-vo! How original!
Don’t give me wrong, the comics have hinted at possible origins for The Joker in the past. But that’s what they were: HINTS, possibilities, not a concrete origin. That was one of the reasons The Dark Knight was so brilliant, the story of how The Joker got his scars was different every time he told it, one of my favorite aspects of the film. They had no fucking idea who this guy was. He had no past, he came out of nowhere, he was like the fucking bogeyman. I’ve always said that The Joker is to the normal citizens of Gotham, what Batman is to it’s criminals: a terrifying, unexplainable nightmare.
The only reason DC is choosing to tell an origin story for The Joker is because everyone and their fucking grandmother knows who The Joker is. Even if you fucking hate comic books or comic book movies you know who The Joker is.
I think it’s kind of a shame that Joaquin Phoenix looks like he may be giving an excellent performance as The Joker. Wouldn’t it be so much more entertaining to see that performance in a real Batman film?
If he knocks it out of the park in the role, it would be kind of a shitty scenario because we always want to see Batman go up against a great Joker. As I wrote earlier in the article, Batman and The Joker have this very complex relationship that spans years. Yet we’ve only ever seen them face off against one another in one film in their different incarnations. In Tim Burton‘s Batman they killed the character off and the tragic death of Heath Ledger meant we wouldn’t see that character in Nolan’s Batman universe beyond The Dark Knight. One thing we genuinely haven’t seen from the Batman and Joker dynamic on film, is how that relationship plays out over years of twisted, violent confrontations.
Well, that’s my two cents anyway. I’m sure there’s a lot of you out there who will disagree with me and that’s fine. For now, I just needed to comment on this project, but this is not a film I’ll be rushing out to the theater to see.
Gotham returns on 4/18 to wrap up the show’s final two episodes. The series finale airs April 25th on Fox. It’s become pretty clear that between the penultimate and final episodes there will be a time jump. We don’t know how long exactly, but presumably it will serve to allow Bruce to travel the world and complete his journey to becoming a Batman. I do know they’re not going to cop out like Smallville and only show him in costume for the last 10 seconds of the episode. Apparently we’re supposed to get a good amount of Batman in the final episode, which is exciting. I’ve heard that all close ups on Batman and speaking or acting will be done by a David Mazouz, who plays Bruce Wayne, but the fighting and the action sequences will be using a beefed up body double in the Batman costume. I wasn’t a fan of the show when it began, but dammit they won me over in the middle of Season 3. So, I’m anxiously awaiting and excited for these final episodes. Take a look at this really cool poster released by FOX to promote the series coming to a close.
It’s been a while since I’ve written an article on comic books. As I’ve often said, one of my main goals at World’s Best Media has been to be an advocate for comic books. To champion comics as a beautiful, thought provoking, worthwhile literature. Like all mediums, comics books and graphic novels can run the gamut from complete garbage to transcendent pieces of art. To use television as an example, for every “Big Bang Theory” (ugh) to masterpieces like “The Wire” or “Game of Thrones”. As we head into Spring with Summer around the corner, DC and Marvel are gearing up for some high profile books from their top writers and artists to tell big event stories. Think of it like the comic book world’s version the Summer Blockbuster Season at the movies. This year is no exception and even after years of reading comics for a couple of decades now I still get excited. (Jesus Christ! Wait a second. When did I do ANYTHING “decades ago”?! When did THAT happen?! Time is a cruel mistress, I suppose)
In this article I’m going to give you folks a look at some of the coolest comics DC and Marvel have hitting stands over the next couple of months. There are some pretty damn cool books here and like I said I never fail to get excited about the Summer Comic Book Events.
However, it can be difficult to get into comics especially if you’re a newcomer. So even if this’ll be your first time picking up a comic book or you’re a lapsed fan comings looking to get back into comics, I have something here that I think will help you out. * if you’re a comic book readers and understand the basics, you can skip right ahead to out Spring/Summer Comic Book Preview. Otherwise…
Here’s a quick refresher: New to Comic 101. This will help you appreciate some very sick new comics and graphic novels coming out this spring and summer when they hit stores and Apps. If you’ve seen a Marvel movie, for example, and are trying to decide where to start, it can be intimidating. No is much is I love Marvel, DC Comics is much better at making comic books accessible to newcomers. They tend to make their stories available in simple, easy to grasp formats. They tend to publish their graphic novels as individual stories that you can pick up like a regular novel and understand without having read anything else about the character (more or less). Then you can go out and grab another story featuring the same character and (more or less) be able to follow along. There might be some confusion here and there about small details, but that’s why god invented Google. Let’s say you’ve read one or two Wonder Woman or Superman graphic novels or collected editions, as you begin to read more, you start to understand when stories take place in a a books history, the overall continuity of a character or universe, the best writers and artists. Basically you start to become a comic book reader.
As I’ve explained in the past, what we call graphic novels are really mostly collected editions which are just collections of individual comics that make up one larger story, in easy to read book/graphic novel form. DC seems to really understand that graphic novels and collected editions are incredibly important because they help draw in new readers. Right now drawing in new readers is by far the most important priority of every comic book publisher.
Now, without further ado…
2019 SPRING/SUMMER COMIC BOOK PREVIEW
DC’S YEAR OF THE VILLAIN #1 (One-Shot)
Release Date: 5/1/19
Writers – Brian Michael Bendis, Scott Snyder, & James Tynion IV
Artist- Jim Cheung, Alex Maleev, & Francis Manapul
Cover- Greg Capullo
This is the must buy comic book of the season. This special one shot is made up of three separate stories from DC’s top writers and artists. Each of the three stories serve to set up the major story arcs and plot points in DC‘s biggest books, featuring their most prominent characters. With a theme like “Year of the Villain“, these stories feature some of the most dangerous and deadly threats that have been brewing in books like Justice League, Action Comics, Batman and more all year. Threats like The Batman Who Laughs, the terrifying and powerful secret society/terrorist group Leviathan, and Lex Luthor’s continuing quest to unlock the secret cosmic powers of the Universe with his Legion Of Doom. Considering the wild cards at play here, expect some big surprises and shocking reveals in this book. Plus, you can’t beat the rock bottom price of $0.25. This book is a good jumping on point if you have been a DC Comics reader in the past and want to start reading them again. This is a MUST READ. Below we have some fantastic art, each of whch accompanies the different stories in this book
Doomsday Clock #11
Release Date: 5/22/19
Writer- Geoff Johns
Artist- Gary Frank
Man, this great fucking series. Don’t listen to the haters. What’s interesting is Doomsday Clock is kind of a microcosm of all superhero comics. It’s a big gimmicky “Event”, it’s a crossover, it’s messes with classic characters and stories that were previously viewed as untouchable sacred cows, surprise character returns, there are big deaths, surprise resurrections, RETCONING! You find each of those thing a lot in superhero comics. However, none of that takes away from the fact that Doomsday Clock is a fucking incredible comic book. In fact, It’s one of the best books currently being published. When the story was first announced, it was presented as a story that would’ve been about a sort of battle for the soul of the DC Universe. With Superman‘s hope and optimism versus Dr. Manhattan’s cold, inhuman, rationalism. While that still seems to be an element of the story, it quickly became apparent that this story was really a Watchmen sequel. Some fans will always be against the idea of a sequel to Alan Moore’s superhero masterpiece, but I am of the opinion that if there has to be a sequel to Watchmen, this is the best one we’re going to get. It’s a fantastic story that feels both very true to the world Alan Moore and Dave Gibbons created all those years ago as well as the DC comics universe. The art by Gary Frank is beyond phenomenal. I have no idea where the story is going to end up and that’s one of the things I love about it. At the time of writing this, issue # 10 will have been published, With the penultimate chapter (Issue #11) of this saga hitting spinner racks in May. With the grand finale following issue #11. Will we finally get the epic confrontation between Superman and Dr. Manhattan that the series seems to be inexorably heading towards? I’m sure there’s going to be at least some confrontation, but what kind…. I don’t know, but I can’t fucking wait to find out.Though we’ve seen a lot of delays on this series, it seems to be getting back on track with a pretty regular shipping schedule.
Batman: Last Knight On Earth
Release Date: 5/29/19
Writer- Scott Snyder
Artist- Greg Capullo
For nearly a decade, writer Scott Snyder has become the definitive Batman storyteller of his time. Frank Miller had the 80’s, the 21st-century belongs to Scott Snyder. Snyder has often told the story of, how when he was first starting out on the New 52 Batman and how he asked legendary writer Grant Morrison for his advice on writing Batman. Morrison himself had his own successful Batman run and wrote the classic Batman graphic novel Arkham Asylum: A Serious House On A Serious Earth. Morrison told Snyder that the key to writing Batman is to write him as if he created the character himself. Morrison then asked Snyder if he knew HIS version the beginning or “birth” of the character and the ending or “death” of the character. Snyder followed this advice and his story about Batman’s birth is the excellent Zero Year story. Now we’re getting Snyder’s story about Batman’s “death” or the last story of Snyder’s Batman with Batman: Last Knight On Earth #1. It if Scott Snyder is telling his version of the last Batman story, there can be only one artist to draw the book, and that is of course Greg Capullo.
His New 52 Batman run with artist Greg Capullo Is probably in the top two or three best Batman runs of all time, if not number one. A massive part of that book’s success was his collaboration with artist Greg Capullo. Not all comic book artists and writers work this way, but the right artist and writer come together who are an absolute perfect match, you get magic. That Batman run would not have been the masterpiece it is had Snyder not worked with Capullo on the book. There are several more, but it’s more rare than you’d think. Garth Ennis and Steve Dillon’s work on Preacher together comes to mind as a similar example of what you get when you put the right creative people together.
This three issue prestige format miniseries follows Bruce Wayne waking up in Arkham Asylum; young, fit, and very much sane. Without any memory of how he got there or what has happened before, he finds himself in a post apocalyptic, ruined DC Universe. With a frozen, severed, but very much alive Joker head as his only companion, Batman begins in his trek across what was once the DC Universe he knew, to you find the answers he needs. Considering the pedigree of the talent involved in this project and what phenomenal Batman stories they’ve already told, I’m going to say this is one of the Top 3 absolute MUST BUYS of the summer.
The Flash: Year One
Begins in issues #70 and #71
Writer- Joshua Williamson
Artist- Howard Porter
Release Dates: 5/8/19 & 5/22/19
I’m actually really looking forward to this one. I don’t read The Flash on a monthly basis, but I check it out every once in awhile and Joshua Williams is a great writer. May kicks off the first two issues of The Flash: Year One. There’s not a whole lot to say with this one. It’s pretty much all in the title. I’m a sucker for a good Year One story and we haven’t receive one of those for Barry Allen before. The art is phenomenal. The creative team is excellent; Williamson had been putting out some good Flash stories since DC REBIRTH and Howard Porter is an all time great Flash artist. If you like The Flash TV series or you dig The Flash in general, I’d say this looks like a pretty sure bet for a great book.
Superman: Leviathan Rising Special #1 (One-Shot)
Release Date: 5/29/19
Writers- Brian Michael Bendis
This is a special prelude to the next comic book event, I’ll be talking about below….
Release Date: 6/12/19
Writer – Brian Michael Bendis
Artist- Alex Maleev
LEVIATHAN is rising. Seemingly out of nowhere, intelligence agencies, terrorist groups, cults, some of the most powerful organizations in the DC Universe are taken out by a powerful secret terrorist society, Leviathan. A.R.G.US. Headquarters (DC’s version of SHIELD) is destroyed in a powerful and mysterious blast, the terrorist group Kobra Cult, The D.E.O. (The government organization Supergirl works with if you watch her show on The CW), and more, all destroyed. This story has been building up in the Superman books for the past few months and it was only recently revealed that the Leviathan storyline would have a larger affect on the DC Universe.
A few years ago, in an attempt to take the Batman concept global, Bruce Wayne started Batman Inc. An organization in which Batman and Wayne Enterprises would give vigilantes who had been inspired by Batman, in cities all over the world, access to Wayne Tech resources and technology. Batman was going global. As part of their very twisted and fucked up love-hate relationship Talia Al-Ghul, daughter of The Demon’s Head, Ra’s Al-Ghul, mother to Damian Wayne, Son of Batman; created a terrorist organization called Leviathan specifically to counter Batman Inc., it’s not clear how much, if any connection this Leviathan has to the previous one, but there appears to be some. The books leading up to this have been a lot of fun and I like how Bendis seems to be opening up the story into the larger DC Universe. You should be reading all of Bendis’ Superman books right now, so definitely check this one out as well. Event Leviathan will be a 6 Issue miniseries that Bendis has described as more of shadowy thriller than a typical huge, bombastic event comic. I’d definitely recommend checking out Action Comics also written by Bendis which looks like it’ll be a key tie-in book. Action Comics is great anyway so you should definitely be reading it, event or no event. In fact Action Comics by Bendis vol.1 hits comic book stores on 4/3 and it get my highest recommendation.
Superman: Year One
Writer: Frank Miller
Artist: John Romita Jr.
Release Dates: 6/19/19, August, & October
Like many comic fans, after train wrecks like The Dark Knight Strikes Again and All Star Batman & Robin The Boy Wonder, I found myself thinking “What the FUCK happened to Frank Miller?”. Where was the man who gave us Batman: Year One and The Dark Knight Returns? The answer, as far as I was concerned as a comic reader, was that he was long gone. The Frank Miller we knew was no more.
Now all of a sudden he’s giving Superman the Year One treatment after years of being a longtime, vocal Superman hater. What to make of all this? Hmmmm…
Well, unlike many of you, I kind of loved The Dark Knight III The Master Race. So, are we seeing a Frank Miller comeback? Well, one good piece of work does not a comeback make. Even if we all agree that The Dark Knight III The Master Race was a very good Batman/DC Universe miniseries, a big caveat comes along with giving Frank Miller any points in the comeback column from this project. There’s a big metaphorical asterisk next to Frank Miller’s name on this book. TDK III was co-written with Miller by the very talented Brian Azzarello and the book was drawn by the legendary Andy Kubert. I strongly suspect that Frank Miller’s contribution to that book consisted of some variant covers, the brief back up stories at the end of each issue, and giving his input to the very broad outline of the story. While Azzarello was responsible for truly writing the issues. However, I could be wrong, who knows?
Now having said all that, will I be reading Superman: Year One? Absolutely. I am a complete sucker for a Year One story and John Romita Jr.’s art looks fantastic. That’s got to be worth the price of admission alone. Even if it’s garbage, it’ll be beautiful garbage. Also John Romita Jr. handling art duties on this miniseries tips things positively in the book’s favor a little. The first of the three prestige format issues will be released on 6/19/19, with books two and three being released in August and October.
I’m a pretty optimistic guy when it comes to my pop-culture. I want it to be good. That’s why I enjoyed The Dark Knight III The Master Race so much, I allowed myself to be open to enjoy it. However, though John Romita Jr.’s art is definitely a huge draw. Hopefully, he’ll be able to help Miller tell a solid Superman story. This miniseries has been described as being Frank Miller’s story, unlike the collaborative nature of TDK III. Basically, he doesn’t have the help he did on his last major project to catch him when he falls. I have great respect for Romita Jr., then again Jim Lee produced some of his best work on All Star Batman and Robin The Boy Wonder and look how that turned out. Finally, even though I’ll definitely be picking up at least the first issue of this series, I have come to the conclusion that this is going to be a shit show. Everything I know about Frank Miller makes me think Superman: Year One is going to be another massive, flaming, Hindenburg-like failure from the once great Frank Miller. I’ll be the first to tell you how happy I am to be wrong on this one.
I hope you enjoyed my spring/summer comic book preview and as always thank you for reading! This article focused on DC Comics exclusively. DC does a better job of Marvel than putting out accessible, more or less self contained, easy to explain event books and mini series. So if you enjoyed this preview and you’d like to see what Marvel Comics has cooking for the spring and summer, please comment below
So there you have it, a lot of exciting comics coming out over the next few months. Word has it there are some even bigger things coming on the horizon and this is all just from DC Comics! I’ll probably write up a similar article highlighting Marvel’s spring and summer comics to check out this year. Comics are an incredible medium. So, whether you’re reading single issue comics, waiting for the collected editions, reading them on your tablet, or going to your local comic book store, as long as you’re supporting the medium, that’s all that matters.
You all know how much I love the MCU, but I think my favorite cinematic universe could be the what I’m going to call TheBatmanTheAnimatedSeries/BruceTimmUniverse. This Universe includes all time classics like Batman The Animated Series, Superman TheAnimated series, Batman Beyond, Justice League, and Justice League Unlimited. Bruce Timm having essentially created this shared universe, is the reason his name is a part of the universe’s title. I love both of these universes so much, it would be really hard to pick which of them I hold more dear.
Honestly you’d have to have a gun to my head and a gun to gun my balls, with the gunman screaming in my face, “CHOOSE! NOW! PICK ONE! CHOOSE! I’M NOT FUCKING AROUND! DECIDE! YOU HAVE TO THE COUNT OF 3! THEN I’M GOING TO SHOOT YOU IN THE BALLS AND SHORTLY AFTER THAT, SHOOT YOU IN THE HEAD!CHOOSE! 3… ,2… ,1..!” Then I guess we’d have our answer. But until that day comes, I guess I’ll just have to keepthem both very special in my heart.
Which is why I wanted to share this trailer with you guys today. I’m a big fan of the animated movies that DC releases directly to Blu-ray and digital three or four times every year. Some of them are fucking spectacular and are probably some of my favorite comic book movies of all time. The movie I was most looking forward to this year is their adaptation of Batman: Hush, hitting later this year, in early or mid summer. However, while Hush is still my most anticipated DC animated film this year, after watching the trailer below, (which debuted on ign.com) JusticeLeague VS TheFatalFive has my attention in a big, bad way. Check out the trailer below:
It appears, from the animation style, to the voice cast, to the people working on the film behind the scenes, that the movie takes place in TheBatmanTheAnimatedSeries/BruceTimmUniverse. Last year they released a film called Batman & HarleyQuinn that also seemed to take place in what I call the BatmanTheAnimatedSeries/BruceTimmUniverse, but that movie was pretty shitty. While this one looks really great. It’s awesome to hear the original voice cast from these classic TV shows (I love hearing Kevin Conroy as Batman and George Newbern as Superman), in what looks like an extension of this classic universe, but with some new faces as well. New heroes including Ms. Martian, Mr. Terrific (2 of my personal favorites), Jessica Cruz Green Lantern, and Starman. I love see DC’s Trinity (Batman, Superman, Wonder Woman), alongside new and unique heroes.
It looks like this is the next DC animated movie that’s coming out this year and they usually release their second film around March or April, with the summer release reserved for the third film. However this year they are releasing a fourth films, one of which will focus on Wonder Woman, so we may end up seeing JusticeLeagueVSTheFatalFive sooner than we think. I’m sure a release date will be announced soon. I wasn’t super interested in this project at first, but after watching the trailer, I’m psyched. I thought it looked great and I wanted to share it with all of you. Please let me know what you think in the comments below and thank you for reading!
UPDATE: Justice League VS The Fatal Five will be available for Digital Download on 3/30/19 and Blu-Ray 4/16/19! I
Tonight the final season of Gotham premiered on Fox and honestly I was very excited to watch it. It’s hard to believe that this is the same show that just a few years ago had some of the absolute worst superhero writing on TV.When Gotham began, it was more or less a shittier Smallville, with proto-versions of Batman’s rogues gallery popping up each week for Ben McKenzie’s Jim Gordon to deal with. It was a shame because the show was very well cast and all the actors were perfect in their roles. Since the very first episode, Ben McKenzie has made a great Jim Gordon (he was also the voice of Batman in the animated film adaptation of Batman: Year One). Many of the great Batman stories are also great Jim Gordon stories, so it was very important for them to get this character right.
We even got to see a part of Bruce Wayne’s life that is very rarely explored, the years immediately following the murder of his parents. David Mazouz is easily one of the most compelling live action versions of Bruce Wayne we’ve seen. He conveys Bruce’s dark, brooding intelligence without ever sounding like a whiny brat. With excellent actors memorably playing classic Batman characters like Alfred, The Penguin, The Riddler, Selina Kyle and more, the series felt like a frustrating waste of great talent. Terrible writing hamstrung what could otherwise have been an excellent take on the Batman mythos.
About halfway through Season 3, specifically the mid-season finale, something fundamentally changed about the show for the better. I think there are two big reasons for this and one of them was how the series began to use Bruce Wayne. First of all, David Mazouz had grown up enough that he was just old enough to start becoming more crucial to the action going on in the story. Pretty much from the pilot on, Bruce has slowly been learning important skills that would become crucial on his journey to becoming Batman. Season 3’s mid-season finale saw Bruce being taken hostage at a circus by Jeremiah Valeska. If you’re not familiar with Gotham, Jeremiah (played by Cameron Monaghan) is basically their version of The Joker, and a damn good one too. The episode culminated with a show down in a hall of mirrors between Bruce and Jeremiah, where Bruce comes very close to killing Jeremiah. The whole episode was pretty great and I found myself watching the rest of the season once the show returned from it’s hiatus. You started to see Bruce take a more active role as a vigilante even though he wasn’t dressed like Batman.
The second reason the series changed for the better in my opinion, was because it stopped being a bad prequel series, building up to some day in the future where we get to see Bruce put on the Batman costume in the last 5 minutes of the final episode. In the same way that Smallville was entirely built around the show teasing Clark eventually putting on the Superman costume, that we only see him wear for about three seconds in the series finale. Instead, Gotham became more of an Elseworlds Batman story. I think it’s the smartest thing the show could’ve done because they took the mythology and made it their own. They were no longer slaves to the mythology of the Batman comic books. They allowed their story to be an alternate take on the mythos. This choice gave the show its own identity. It also made it more exciting for the audiences because things weren’t necessarily going to play out exactly as they had in the comic books. As a result the back half of Season 3 was a hell of a lot of fun and frankly I love Season 4. One of the reasons I love the show Krypton on Syfy is that the show isn’t a prequel, it’s more about the DC Universe’s past being changed by time travel. Changing Krypton‘s history, changes the history of the entire Superman story and by extension the entire DC Universe.
So coming into this final season, which was going to be drawing from classic Batman stories like No Man’ Land and Zero Year (In fact this episode’s title is “Year Zero”), I was pretty psyched to see what they were going to do. I’m happy to say I wasn’t disappointed.
After the events of last season, Gotham has been completely cut off from the outside world. The bridges are down in the city and it’s been 87 days since Gotham was officially declared a No Man’s Land by the US government. Unfortunately, not everyone who wanted to had the means to leave the city before it was cut off from the rest of the world. Children, families, innocent people have been trapped in a city that has become an almost post-apocalyptic dystopia. Gotham’s been carved up into territories, with different factions controlling different neighborhoods. Penguin Control City Hall and the surrounding area. He’s also the only person in the city manufacturing bullets for guns, which are more or less currency in the city. Scarecrow, Firefly, Mr. Freeze, Poison Ivy, and other villains have also carved up their own peace of the city.Somewhat ominously, Jerimiah Valeska hasn’t been seen since the beginning of No Man’s Land. I have a feeling he’s waiting to make his own suitably dramatic entrance.
The only part of Gotham City for the average citizen who’d been left behind is the area controlled by the GCPD. Gordon with Bullock and Lucius Fox by his side, are not only leading what’s left of the GCPD, they’re also protecting and feeding hundreds of refugees and supplies are running out. A lot of this is straight out of some iconic Batman storylines, so as a longtime Batman comic book fan this is cool to see.
Fortunately, Bruce Wayne and Alfred decided to stay behind as well and Bruce is doing everything he can to get supplies smuggled in. Not only to the people suffering in the city, but medicine for Selena Kyle as well. She was shot in the stomach at point-blank range by Jeremiah in the season finale last year and unless something drastic is done she could be paralyzed from the waist down for the rest of her life. Of course this heavily weighs on Bruce, who blames himself for her condition.
Part of the fun of this season is seeing how close Bruce is to becoming Batman, even though he isn’t ready yet. There’s an early scene where Bruce takes down a bunch of thugs trying to steal medical supplies. The power has gone out, so he uses night vision goggles courtesy of the Lucius Fox to take them out one by one, in very Batman fashion. However, just when it looks like he’s saved the day, the lights come back on, the night vision goggles blind him, and the thieves get away. This is an important scene because it shows us that while Bruce is well on his way to becoming The Batman that we know, who could’ve easily taken down a group of bad guys in a situation like this, but he’s not quite there yet. He’s still making crucial mistakes and he still has much to learn. It’s important the series didn’t just suddenly turn him into Batman over night. Bruce’s journey throughout the series has felt earned. Based on his training it makes perfect sense for him to be exactly at the level he’s at now.
The episode largely sets up the status quo for the season and puts the pieces in play for things to come. We know things are going to get a lot worse before they get better because the episode opens with a flash forward to No Mans Land Day 391 and shows Gordon, Bullock, The Penguin, The Riddler, and the rest of the GCPD fending off a full blown siege by… someone. For Penguin and The Riddler to be teaming up with Gordon, it must be a pretty serious common enemy.
All in all I really enjoyed this episode and considering that it was mostly set up, I have a feeling once the story really gets going this has the potential to be a fantastic final season for Gotham. I couldn’t help but love the scene when Gordon and Bruce were standing on the roof of the GCPD together. With Gordon shining a spotlight on the sky to give people hope, foreshadowing so many of their interactions in the years to come. As Bruce walks away at the end of the scene, Gordon ask him if he regrets staying behind in Gotham, Bruce replies “No. You?”. Jim Gordons smiles and says “Hell no”. Am I looking forward to the rest of Gotham’s Final Season? Hell, yes.
As we close out 2018, I just wanted say a heartfelt thank you to all of our readers, listeners, and supporters. World’sBestMedia wouldn’t exist without you and I’m so grateful to you all for helping to make my silly dream a reality.
I also want to give special shout outs and thank yous to our fantastic contributors and a few other great people who’ve helped World’sBest Media in so many ways. To Michael Cole, ChocolateDiamondMedia, Ryan McDonald, Paul Sr., you guys help make this whole thing work, so thank you very, very much. I’m eternally grateful.
To the guys at TheHallofComics in Southborough, MA, Mathew Wright, Constance Wright, Matt Supple, Marc Rodolfo, & Sam Gryzbowski, you all know what wonderful things you’ve done and your help and support keeps me going. Thank you from the bottom of my heart!
All of you have given me a gift I can never repay. Thank you. But make sure you stick around, because 2019 is shaping up to be our best year yet!
Now, I like to end every New Years Eve by watching this classic moment of quiet friendship, between two iconic DC characters. It’s a great little moment. Enjoy and Happy New Year!
Aquaman is the latest entry in the DCEU or “The Worlds of DC” as it’s officially called… but FUCK THAT! They’re stuck with the DCEU as far as I’m concerned! Name your own movie universe or someone else will do it for you, dammit!You don’t get to, all of us sudden, finally give a name to already struggling, shitty Movie Universe after it’s been in existence for five goddamn years! (Ok… deep breat… rant over.)
My father (though I’m still holding out hope that my biological father is the mailman) Paul Sr. and I just came out of the new AQUAMAN film and decided to have a little discussion about it. We do go into some SPOILER territory, so BEWARE.
With movies like this, we usually do a deep dive spoiler filled review, covering the entire film from beginning to end,analyzing the story, as well asthe characters. This time was a little different, because we basically just sat around and had a conversation about the film. What we liked, what we didn’t like, our thoughts and the characters and the action sequences, etc.
So, while we do discuss some spoilers, there aren’t nearly as many as other episodes of The World’s Best Podcast. We discuss Jason Mamoa in the title roll, Amber Heard as Mera, the villains: King Orm AKA Ocean Master & Black Manta, as well as where the films falls in quality among the other DCEU films. All this excitement and so much more on the latest episode of The World’s Best Podcast! Listen here or subscribe on Stitcher and iTunes
I had the opportunity to sit down my with comic book artist Craig Rousseau and interview him about his work for Marvel, DC, and his creator owned projects! Craig has worked on characters like Impulse, Batman, Captain America, and The Avengers and has done excellent work with his creator owned projects such as PERHAPANAUTS and KYRRA published at Image and Darkhorse.When I met with Craig during an event at The Hall of Comics in Southborough, MA, we had a great discussion about his career in the comic book industry and I thank him for taking the time to answer my questions. Please enjoy my interview with Craig Rousseau! Listen here or subscribe on Stitcher and iTunes:
Tonight, Part 1 of the 3-part DC superhero crossover event Elseworlds aired on The CW. As I’ve often said, these annual crossovers are always a delight for me to watch. They’re always wildly entertaining and they seem to get more ambitious year after year. After watching the first episode of Elseworlds, I came away from the episode thinking of one word: Fun. This episode was fun as all hell.
All of the Arrowverse crossovers have been really fun, but compared to something like last year’s epic CrisisonEarth–X, Elseworlds feels more exuberant and joyful. Don’t get me wrong, CrisisonEarth–X was an absolute blast. However, watching Elseworlds, I don’t think I’ve ever seen this cast looking like they’re having more fun and It’s easy to see why.
Barry and Oliver are very different characters and the episode gets a lot of entertainment mileage and comedy out of them switching lives and abilities. I don’t think I’ve ever laughed more watching an episode of an Arrowverse show. It’s really funny seeing Oliver’s bewilderment at suddenly waking up with superspeed and the world believing that he is Barry Allen. While Oliver immediately feels out of his element, Barry seems to be getting much more of a kick out of suddenly having all of Green Arrow’s skills and fighting ability.
For the purposes of this review, I’m not really going to touch on the overarching threat and the circumstances that altered reality. This episode focuses more on the “What do we do now?” than “How did this happen?”. Though we briefly see how this was set in motion, it’s a very minor part of the episode. I’m sure they’ll be covering much more of that territory in the next 2 installments.
I only have one real criticism of the episode. Considering all of the insane things that Team Flash have seen and been through over the years, I found their reluctance to believe that Barry and Oliver had somehow switched powers and identities a little odd and out of character for the team. It really only exists in the story to give Barry and Oliver an excuse to go to Supergirl’s Earth and seek out Kara’s help. They figure that if something is wrong with their reality, another universe like Supergirl’s may not be affected. Of course they’re right and Supergirl recognizes them for who they are right away.
To my utter delight, Kara just so happens to be visiting her cousin, Clark Kent and his wife Lois Lane, on The Kent Family Farm when Barry and Oliver pop up in her universe. In a nice Easter Egg that will make many long time superhero TV show fans happy, The Kent Farm where they filmed this episode is the same Kent Farm that was used on the TV series Smallville. When we see the farm for the first time “Save Me” by Remy Zero, the them song to Smallville, kicks in and I’ll admit that had me grinning ear to ear. It was a hot mess at times, but I’ll always have a soft spot for Smallville.
As a long time DC Comics fan, it was so much fun seeing Barry, Oliver, and Kara interacting with Clark Kent and Lois Lane on The Kent Family Farm. In what I think was my favorite moment of the episode, as soon as Oliver meets Clark, he immediately starts puffing up his chest and Barry instantly calls him out on it. It’s great.
Though we’ve seen relatively little of him over the last few years, Tyler Hoechlin is probably my favorite the live action Superman right now. Anytime he shows up in the Arrowverse is cause for celebration and his inclusion here does not disappoint. While it seems like he may be out of the picture at the end of the episode, I know for a fact we’ll be seeing him again throughout the crossover. I was equally impressed with Elizabeth Tulloch as Lois Lane. In what little screen time she has, she instantly embodies Lois Lane. She’s tough, funny, smart, and likable. As much as I like Amy Adams’ Lois Lane, Tulloch seemed really dialed in to the character and I can’t wait to see more of her as the crossover progresses.
Another very pleasant surprise was the inclusion of an iconic DC villain that’s the perfect enemy to have a Superman, Supergirl, The Flash, and Green Arrow go up against. Apparently in this new altered reality, Professor Ivo, the psychopathic scientist responsible for torturing Oliver and his fellow castaways on Lian Yu, killing Shado, and indirectly creating Deathstroke in Arrow Season 2, somehow got off the island alive. He opened his own lab in Central City and created the iconic, ultra powerful android A.M.A.Z.O. using advanced robotics, computer programming, and the Mirakuru super soldier serum that was such an intricate plot point in Arrow Season 2. A.M.A.Z.O. has the ability to immediately replicate the powers of any meta-human it comes into contact with. In the comics, it’s so powerful that even the Justice League have a difficult time handling this thing. So this was the perfect bad guy for the heroes to go up against in the climax of the episode.
Elseworlds only has three episodes, unlike last year which had four episodes and a much bigger cast. Legends of Tomorrow isn’t officially part of the crossover this year (part of me thinks that’s a shame because I would have loved seeing someone like John Constantine interact with the characters featured in Elseworlds ). This year has a much tighter focus so far on Barry, Oliver, and Kara. As a result more money went into these 3 episodes and it really shows on screen. More money means better special effects. You can really see how well that money was spent because A.M.A.Z.O. looks incredible and his final fight with our heroes is really, really fucking cool. The Arrowverse in general and The Flash In particular, has always had excellent special effects considering they’re on The CW. Which makes the fight with A.M.A.Z.O. all the more impressive.
Last year the 4-part CrisisonEarth–X aired over two night, with each night featuring two episodes of the crossover. This year we’re getting 3 episodes spread out over 3 nights. So it definitely felt like the whole thing was over way too fast. Which is really a testament to how well Part 1 of Elseworlds was executed, because it leaves the audience wanting to see the next installment immediately. I know I certainly did.
Part 1 leaves you with one hell of a set up for Part 2. The episode wraps up with our heroes heading off to the legendary Gotham City in search for answers. We catch a glimpse of Wayne Tower and a quick glance at Batwoman looking out over the Gotham City skyline. After seeing how good this episode was and how so many amazing characters and pieces of DC lore show up, the promise of seeing iconic places like Arkham Asylum and Gotham City leaves me incredibly excited for the next installment of Elseworlds. I don’t want to speak too soon, but at the rate Elseworlds is going it’s shaping up to possibly be the best Arrowverse crossover yet.
I have some pretty surprising news to share with you good folks today, Titans, on the DCUNIVERSE streaming service, is pretty fucking great. Of course, like many of you, I was skeptical going into this show. It seemed like the negative buzz began when the first trailer dropped (I kind of dug it). I really don’t mind dark and gritty, I also know that you can’t judge a project by it’s trailer. So, a lot of people hated this show before it even premiered, based on what they saw in promotional material and trailers. Many felt it seemed reminiscent of the overly serious and violent DCEU, excuse me, The Worlds of DC (good luck getting that to stick). Personally, I don’t dislike the recent DC superhero films nearly as much as most fans do. Besides their only real critical and commercial success, Wonder Woman, I really like Man of Steel and though it’s hugely flawed, I kind of love Batman V Superman.
So why was I skeptical about the Titans series? Despite my excitement at the prospect of an adult oriented live action Titans series, the word behind the scenes was that the show wasn’t very good. Then there were the costumes. If you’re a comic book fan and you’ve ever read Teen Titans, you would know that they have very distinct styles, with colorful and bright costumes. Some of the set photos had leaked online and the pictures I saw of Starfire, Raven, and Beast Boy in costume looked absolutely horrendous. Especially Starfire, who is one of my favorite Titans. The pictures of her costume made her like a hooker from the 1970’s. With all of that in mind, things didn’t look good for Titans.
Now Robin, on the other hand, was a different story. I love the Robin costume on this series. It isn’t an easy superhero uniform to pull off in live action. Just look at Batman Forever and Batman & Robin. Besides the atrocious version of Robin played by Chris O’Donnell in those films, this is the first time we’ve really seen Robin on screen in the golden age of superhero storytelling. It looked like Titans nailed the Robin uniform in my opinion. It looked functional, not too bright, not too dark, and frankly it was just cool. Plus, I thought Brenton Thwaites was a perfect pick for Dick Grayson/Robin/Nightwing. At the very least I liked what I’d seen from Dick Grayson in the show’s trailers. Which was a big deal for me because Dick has always been one of my favorite superheroes. So I was still holding out some hope that Titans could be a great show.
It certainly didn’t help that when I signed up for a 15 month subscription to the DCUNIVERSE streaming service, the app was terrible. It felt like it wasn’t nearly ready to be launched. I couldn’t log into my account, there wasn’t nearly enough content, the whole thing was a shit show. Even now, months later, I can’t log into DCUNIVERSE on any other device except for my tablet. That’s a big problem. I had to contact the team that handles customer service multiple times. As much as I hated the app, I still really wanted to see Titans. More importantly, YoungJustice Season 3 premieres early next year on DCUNIVERSE after Titans Season 1 wraps up.
In spite of all the problems, I enjoyed the first episode of Titans. It didn’t blow me away, but I liked it. It certainly is not your classic version of the Teen Titans by any means, but it had enough going on to keep me interested.
The over arcing story of the season is about the Titans coming together to protect Raven from a cult, that is trying to unleash her demon father, Trigon, upon the Earth. The Raven stuff, especially in the early episodes, had a real Rosemary’s Baby/The Exorcist kind of vibe that worked really well. Raven is the character that really brings the team together in the story.
In the series, Dick Grayson left Gotham City to become a cop in Detroit after a massive falling out with Batman. The show manages to explore Dick‘s complicated relationship with Bruce Wayne, without actually having Batman present as a character. Seeing why Dick went out on his own and his character arc in general is by far my favorite part of the show.
You see how Batman was an incredibly violent and negative influence on Dick. Early on some people were concerned that the show seemed needlessly graphic. While Titans is an extremely brutal show, arguably even more so than something like Daredevil, the violence isn’t gratuitously used for shock value or edginess. The brutality is important to Dick Grayson’s story arc because you see just how close he came to losing himself under Bruce’s influence. Being Batman’s Robin brought out all of his worst instincts. This is most apparent in episode 6, “Jason Todd”, fittingly where we’re introduced to the new Robin, Jason Todd.
At this point, Dick certainly doesn’t have a very high opinion of Bruce. He more or less feels like Bruce Wayne just used him as a weapon, or tool in his war on crime. Meeting Jason just seems to confirm those beliefs. Despite the amount of time that’s passed, it’s still very raw emotionally for Dick. You can tell he hasn’t gotten over his issues from his time working with Batman. Meeting his replacement certainly doesn’t help. It’s one of several great passive aggressive “fuck you”s Batman throws at Dick. Which is impressive considering, again, we don’t actually see Batman. Brenton Thwaites is damn near perfect casting. Thwaites is very believable both physically and in the more dramatic aspects of the performance. Though Raven is the big through line of the season, Dick is really the main character. As a long time fan, it’s a lot of fun seeing how well Dick Grayson is handled.
Episode 6, “Jason Todd”, is also a good example of how the season has been structured. One episode will serve to further the main story and continue to build up the Titans coming together as team, while the next episode shifts the focus to showcasing and introducing new DC Comics characters into the narrative. The episodes switch from one to the other each week. For example, so far we’ve had episodes featuring Hawk and Dove, Doom Patrol, Jason Todd, and Donna Troy AKA Wonder Girl. The DC character episodes tend to be the stronger ones because so far each new character introduced from the DC cannon have been really fun and interesting.
I spent the bulk of this article talking about Dick Grayson, mainly because I like the character so much and he’s the most well developed on the show. I like the other Titans well enough. Certainly more than I thought I would when the series began. Starfire or Kory as she’s referred to on the show, has really grown on me. Even with very little time being given to her backstory, she’s probably my second favorite Titan so far. She’s basically an exiled alien princess, but the show hasn’t taken the time to get into any of that yet and it remains to be seen how the series will tie her origin into the Raven storyline.
Unless you’re a hardcore comic book fan like me, there isn’t a lot of incentive for even a moderate comic book fan or superhero geek to subscribe to DCUNIVERSE. Which is a shame because Titans is turning out to be a fun and unique look at the DC Comics Universe. I’ve heard rumors that eventually the show will become available on Netflix, but it’s not clear when that would happen. Regardless, if and when you have the opportunity to watch Titans, I highly recommended giving this series a shot. The show has already been renewed for Season 2 and I’m really looking forward to seeing how the show wraps up it’s first season.
Titans is by no means a perfect show, but there’s some great stuff in here despite it’s flaws. The big thing the show has going for it is that even with all the superhero movies and TV shows out there, Titans is showcasing characters and stories that have never been seen in live action. Although I’m sure very few of you are running out to subscribe to DCUNIVERSE, Titans is definitely a show to keep on your radar. If you go into it with your expectations in check, you may be surprised how much you enjoy this fun, new series.