Today we got our first look at Ruby Rose (John Wick 2) as Batwoman, debuting in December on The CW’s Annual Arrowverse Superhero Crossover, with her own series planned for after her debut. A few days ago we also got a look at Lobo (played by Emmett J. Scanlan who also played Jim Corrigan on Constantine) from the upcoming second season of SyFy’s Krypton! It’s pretty comic accurate version of the intergalactic bounty hunter and Krypton was surprisingly fun. Offer more of an alternate timeline than a predicable prequel that included Brainiac, General Zod, and Doomsday in Season 1!
It was announced today, that Henry Cavill is no longer going to be the live action Superman in the DCEU. It was recently confirmed (and long rumored) that Ben Affleck was not going to be Batman in the DCEU. So, the DCEU is down 2 of their three most iconic characters, and many people are speculating a ‘soft reboot’ of the DCEU in general. Of their 5 films so far, the only success across the board (critics/fans/box office) has been Wonder Woman, and so this might make sense to do. Especially since Wonder Woman and the upcoming sequel take place before the events of the other 4 films released so far.
Has Aquaman ever looked cooler?
Now, I personally think this reboot idea will likely take some of its cues from what happens with December’s Aquaman film. We already saw Jason Mamoa as the character in Justice League, and I’ve heard virtually no complaints about him, but an Aquaman stand-alone will be a completely different thing, and so we really won’t know until it comes out.
There is also the forthcoming Shazam, scheduled for next April. Now, Shazam hasn’t appeared in the DCEU previously, so if Aquaman tanks and they go full steam ahead on the reboot, Shazam could be part of the ‘new’ universe, or if Aquaman is a success, it could be tailored into the ‘newish/soft reboot/whatever they’re going to call it.’
I knew nothing about this character, and the trailer sold me.
So let’s make the assumption that some kind of reboot is going to happen, and I will tell you what I want to see with that. Ok?
I want to see this reboot build characters individually. I’m not saying not to put Easter eggs, or slight references to each other, but let’s not get to the second movie before we have a full blown cross over. If in Wonder Woman ’84 we see some story about a ‘meteorological event’ which implies Kal El’s (Superman) arrival, that’s fine, but I don’t want Jason Mamoa or Shazam or anyone else to show up. Get several stand alone films under your belts, like you should have done the first time around.
Thanos’ snap was more powerful than we all realized.
The second thing that I want to see happen, is I don’t want Superman and Batman to show up for a while. It might sound dumb, and I’m sure people hate hearing about the MCU as a model, but Marvel didn’t have access to their A listers when they started, and it forced them to build characters and not assume we knew who they were, it forced them to get creative and be better story tellers. I think Batman and Superman are too iconic to start. Let’s deal with Shazam, and Cyborg, and other characters that the general film going audience that aren’t comic book readers aren’t familiar with, and start world building through them. There is some brand recognition with characters like Flash and Green Lantern, but use those characters to bridge the gap between the audience who know nothing, and the audience who totally get it. Then once you’re several successes deep, you can start introducing Superman and Batman. This exercise, will also help you to understand how to create those characters more memorably, to not be coming at them as the icons they are to the general public, but to fill in and establish all of the layers that have comic book fans hooked.
I wanted to touch on a casting rumor that’s been going around recently: Jensen Ackles playing The Red Hood in one of the upcoming Batman film projects. Regardless of what you think of the final film, the inclusion of the suit of a dead Robin in The Batcave caught everyone’s attention in Batman V Superman: Dawn of Justice. As soon as the image was shown in the trailer for BvS, fans immediately speculated what this meant in the larger context of the DCEU.
As a weird side note that I think is indicative of the state of DC’s cinematic universe, the DCEU (or the DC Extended Universe) didn’t originate with Warner Bros. or DC. They never actually had a name for this cinematic universe they were creating. Apparently, it the name came from a writer at Entertainment Weekly and it just stuck. So, the powers that be finally got around to naming this shit show of a universe, with the official title now being: The Worlds of DC. Wow, there really is no one flying the fucking plane here…
Anyway, when fans saw the Robin suit displayed in The Batcave with “HA HA HA JOKE’S ON YOU BATMAN” spray painted on it, it was assumed that this was the former suit of Jason Todd. Jason Todd was the second Robin after Dick Grayson got tired of Bruce’s bullshit and went off to follow his own path as Nightwing. In the comics, after Jason died, Bruce eventually took in Tim Drake who became the new Robin. What do you get for the billionaire who has everything? Young boys to put in mortal danger every night!
In one of The Joker’s many acts of horrific violence, he brutally beat Jason with a crowbar in a warehouse and then left him for dead as the warehouse exploded with Jason inside. Arguably, Jason’s death was as much of a defining traumatic loss for Bruce Wayne as the death of his parents. Bruce (very rightly) felt responsible for Jason’s death and blamed himself for not being able to save him. But that didn’t stop Bruce from continuing to churn out Robin’s! No, sir! At least 3 or 4 of these poor little bastards have bit the dust since Jason. What’s that? Another Robin is dead? Must be Wednesday!
In comics, no one stays dead forever. So, after several years and an insanely convoluted series of events, but for the sake of this article lets just keep it simple and say Ra’s Al Ghul’s Lazarus Pit was involved, Jason was resurrected. (if you want, you can look up the whole story of EXACTLY how Jason came back to life, good luck and God be with you). The point is that Jason Todd was back.
So the story of Jason’s return to Gotham and taking on the persona of The Red Hood, was told in Judd Winnick’s excellent Batman: Under The Red Hood. I highly recommend you check it out, it’s a great read and I put the Amazon link below if you want to pick up the graphic novel. https://www.amazon.com/Batman-Under-Hood-Judd-Winick/dp/1401231454/ref=sr_1_3?ie=UTF8&qid=1535344301&sr=8-3&keywords=batman+under+the+red+hood
At this point, you guys probably know that I’m a big fan of the direct to Blu Ray and Digital DC Animated Movies, like The Death of Superman (you can read my review for that film right here: https://best-media-world.com/2018/07/29/movie-review-the-death-of-superman/ )
One of the best DC Animated movies is Batman: Under The Red Hood, based on the graphic novel of the same name. Again, I highly recommend this one so here’s the Amazon link to the Blu Ray: https://www.amazon.com/Batman-Under-Red-Hood-Blu-ray/dp/B003ITZBVI/ref=sr_1_2?ie=UTF8&qid=1535344301&sr=8-2&keywords=batman+under+the+red+hood
From here on in I’m going to be specifically referring to the Animated Movie version of Batman: Under The Red Hood, which combines story elements from A Death In The Family into the narrative. A new and brutal vigilante going by The Red Hood shows up in Gotham and starts killing criminals and crime bosses left and right. Batman can’t have this shit going on in his town, so he confronts the very well trained Red Hood and is horrified to find out that The Red Hood is his formally dead ward, Jason Todd.
Jason had always been a more violent Robin, but getting killed playing by Bruce’s rules seriously changed his perspective on dealing with criminals. Basically he subscribes to the “see bad guy, kill bad guy” philosophy of crime fighting. More than anything Jason isn’t angry at Bruce because he was killed. He forgives him for that, what he can’t forgive is: Why the fuck didn’t Bruce kill The Joker? Jason doesn’t think Bruce should go all Charles Bronson on the Gotham Rogues gallery, but if ever there was an exception to Bruce’s (bullshit) “No Killing” rule, it’s The Joker. As you can imagine Jason is pretty fucking pissed. I don’t want to go into too much more of the story in case you want to watch the movie or read the graphic novel.
I should probably point out that one of the reasons this movie is great is the voice performances. Bruce Greenwood is probably the second best actor behind Kevin Conroy to voice Batman. He plays him in the soon to be returning Young Justice animated series as well. Aaaaaaand finally we come to the point: Jason Todd is perfectly played by Jensen Ackles who plays Dean Winchester on one of my favorite TV shows, Supernatural.
If any of you listen to my podcast, The World’s Best Podcast, you may find this funny because my love of the show Supernatural is sort of a running joke on the show. But, like I said, the whole point of this article is that Jensen Ackels would make a fucking great live action Jason Todd. About a week ago a picture went viral of Ackles standing next to a Red Hood statue or costume or something.
Now this might mean nothing, but sometimes pictures like this are posted when actors are in talks with a studio to take a role. Or sometimes actors will post pictures like these to get conversations exactly like this one started, so they get on filmmakers radar. Regardless, this photo prompted a lot of fans to jockey for Ackles to be cast as The Red Hood in an upcoming Worlds of DC film. Rumor has it, Matt Reeve’s Batman film may contain elements of the Under The Red Hood story. With multiple Joker movies, a Nightwing film, and Gotham City Sirens all in different points of development, there are plenty of places The Red Hood could pop up. The flames of fandom were fanned when this fucking spectacular piece of artwork, featuring Ackles as The Red Hood, made the rounds online. The very cool piece was done by artist BossLogic, who’s done some incredible artwork over the years.
Supernatural is going into it’s 14th season this fall and there’s a reason a show like that has such staying power. Especially the last few season have been among the best in the show’s run. Jensen Ackles is a huge part of that. He’s an incredibly underrated actor who’s given some amazing performances on the show.
This isn’t the first time he’s been associated with a superhero project either. He was one of the front runners for Captain America before Chris Evans ultimately took up the shield. He was offered the role of Hawkeye in the MCU, but turned it down (I love Supernatural, but I bet he regrets that move a little bit). Personally, I always thought he would make a great Hal Jordan. Bottom line is, anyone familiar with Supernatural knows he would crush it as The Red Hood. He has the physicality for the role and he’s a great fucking actor. He has a raw edge to him that would work great for a character like Jason as opposed to say, Nightwing. Not to mention He already knows the character of The Red Hood well. He’s the appropriate age, because we’re dealing with an older Batman. Interestingly, Supernatural is producing 20 episodes this season instead of it’s usual 23. They gave a very plausible reason for this, basically that it’s easier on the cast. The main actors have families and they shoot the show in Vancouver, but they live in Texas. Or perhaps one of the two leads needed a few extra months off to shoot a high profile film project? Hmmm..
Nothing official has come from Warner Bros or DC about this potential casting, but DC fans seem to have really gotten behind it. The World’s of DC need solid, talented actors to fill out their universe. Whatever form the new Batman movie takes, I’ve always wanted to see more of the Bat Family in a Batman film. I don’t think Under The Red Hood would be the Batman story I’d like to see DC make, but that doesn’t mean Jason Todd couldn’t be a part of the film. Jensen Ackles would be a fucking awesome Red Hood. As always, thanks for reading!
There are a lot of great comics hitting the stands this fall so I wanted to highlight some of the best books to look out for in my 2018 Fall Comic Book Preview! This’ll be a 2 or maybe 3-part series, with Part-1 focusing on DC COMICS and Part-2 focusing on MARVEL. Comic Books are an amazing storytelling medium and there are a lot of great jumping on points for new readers in the books featured here. So don’t be afraid to go to your local comic book store or ComiXology on your tablet to give these comics a try. You may be surprised how much you like what you’ll find. Without further ado, here are some of the DC COMICS to keep an eye out for…
Writer: Brian Azzarello Artist: Lee Bermejo Release Date: 9/19/18
This 3-issue miniseries is part of DC’S new Black Label, using their most talented writers and artists to tell exciting and edgy stories without necessarily worrying about continuity. You’re going to see DC’s Black Label pop up more than once in this article because some of the most interesting upcoming stories are being published under that label, so stay tuned.
Batman: Damned follows what happens after The Joker is killed and Batman himself may or may not have been the one to finally put an end to The Clown Prince of Crime. What follows is a story about Batman teaming up with John Constantine on a trip through the supernatural side of Gotham City.
This is definitely a book to be very excited about. The prospect of Batman finally just offing The Joker is interesting enough on it’s own, but throwing John Constantine into the mix and a trip into the supernatural corners of the DC Universe makes this even more fun.
The creative team of Azzarello and Bermejo have given us great stories like Lex Luthor: Man of Steel and Joker, which were both fantastic graphic novels. So make sure this at the top of your pull list when it hits shelves. THE BATMAN WHO LAUGHS
Writer: Scott Snyder
Release Date: November
The Batman Who Laughs was arguably the breakout character from the Dark Nights: Metal event miniseries. He was a version of Bruce Wayne from an Earth where he finally killed The Joker. But at the moment of his death, The Joker’s released a gas concocted specifically to turn the person that killed him into the next Joker. Not only did The Joker win by finally getting Bruce to cross his (very, very blurry) moral line of not killing him, but the gas essentially turned Bruce into The Joker.
A Batman retaining all his knowledge, skills, and intelligence, but mixed with The Joker’s lack of empathy, sick psychopathic behavior, and evil was a true nightmare. This essentially made The Batman Who Laughs the apex predator of the Dark Multiverse. As The Batman Who Laughs, he was the most dangerous being on his world and systematically killed everyone and everything on his world in the most twisted way imaginable.
By the end of Dark Nights: Metal, he was still in play and fans have been wondering when he’d rear his rictus grin again. This miniseries sees The Batman Who Laughs teaming up with another dark alternate reality Batman, who’s been described as Bruce’s second worst nightmare of what he could have become. This Batman got a hold of the gun the night his parents were killed and gunned down Joe Chill. He would grown up to become a gun toting, killing machine. Basically, Batman combined with The Punisher.
I feel I should point out that Scott Snyder has probably been my favorite comic book writer for quite awhile now. I haven’t enjoyed some of his newer work as mush as say, his Batman run. However, Snyder re-teaming with Jock on a Batman story will be something to behold. Their work on the modern classic Batman story The Black Mirror is one of the best Batman stories ever told. So, my excitement isn’t quite where it would normally be, but I’m still looking forward to this one. Not much else is known about this miniseries except that it will draw heavily from Snyder’s roots as a horror writer, with Snyder saying this book has some of the most twisted, terrifying stuff he’s ever written. With the characters involved and the creative team, it’s a must read when it comes out in November. I can’t wait to see what nightmares The Batman Who Laughs has in store for the DC Universe.
HEROES IN CRISIS
Writer: Tom King
Artist: Clay Mann
Release Date: 9/26/18
Tom King is fucking killing it lately. He first caught my attention with his incredible Vision miniseries over at Marvel. Now, King had the unenviable task of following Scott Snyder’s legendary Batman run when he took over the book with Batman Rebirth #1. But goddammit, King is giving Snyder a run for his money, where he’s crushing it on Batman right now.
This new story HEROES IN CRISIS is a apparently a very personal project for King. Superheroes and the people around them, have to deal with some very fucked up situations. Not dealing with mental health issues like PTSD or the death of a loved one can be unhealthy and dangerous. Much like real life soldiers coming home from war and having to deal with challenges of having seen horrible things and what that does to a person’s psyche. As a former member of the CIA, King knows all about the challenges our soldiers coming home after war have to endure. In the DC Universe, heroes like Batman, Superman, and Wonder Woman have created a place where heroes and people in their community can get the help they need, in a facility called The Sanctuary.
The story revolves around some unexpected deaths and unexpected killers at The Sanctuary. CRISIS is a loaded word in DC Comics, but this seems more like Identity Crisis than Final Crisis. Little bread crumbs and references to The Sanctuary have popped up in several DC books over the past few months. A good example being the original Wally West being sent to The Sanctuary at the end of Flash War after the emotional roller coaster he goes on in that story. DC released these covers depicting iconic and traumatic moments in DC comics history. Supposedly incidents like this are the reason The Sanctuary was created. The idea is that The Sanctuary has been a part of the DCU for longer than readers have known, dealing with physical and psychological trauma these heroes has endured over the years.
I’m really curious to see what King does with this story and I like the idea of a DC event being more of a psychological thriller than a multiverse ending mega crossover.
JUSTICE LEAGUE/AQUAMAN: DROWNED EARTH
Writer: Scott Snyder/Dan Abnett/ James Tynion IV
Artist: Francis Manapul/Howard Porter/Fraser Erving/Jorge Medina
Release Date: 10/31/18
This story will run through both Justice League and Aquaman, picking up story threads from each book. This 5-Part story involves the origins of Atlantis and introducing a new pantheon of gods into the DC Universe. It sounds like this story will highlight big changes to the mythology of Aquaman. Similar to the huge changes we’ve seen play out with The Flash and Green Lantern in Justice League, with concepts like “The Still Force” and the “Ultraviolet Spectrum” being introduced. Since Scott Snyder came onto the book, Justice League has been excellent, so at least the JL chapters of the story stand to be pretty good.
The last time JL and Aquaman crossed over was in the “Throne of Atlantis” storyline and that was a great read. On the other hand, I don’t like crossovers where I’m required to pick up a series I don’t read (in this case, Aquaman) to follow the entire story. One the other hand I’m hearing some rumbling about some cool and interesting stories in Aquaman’s future, so this may be a good time to jump onto the book. So, this gets a cautiously optimistic thumbs up from me.
THE GREEN LANTERN
Writer: Grant Morrison
Artist: Liam Sharp
Release Date: 11/7/18
Grant Morrison returning to write a monthly superhero book is something to be celebrated. His Green Lantern book will focus on Hal Jordan and really lean into the idea that the Green Lanterns are “space cops”. The book is supposed to have an almost police procedural feel to it. Hal is a cop working a beat, but his beat is the crazy alien worlds of deep space. Apparently Earth isn’t part of the story at all. This is solely Hal, doing Green Lantern, space cop work in the farthest reaches of the universe. With Grant Morrison writing and Liam Sharp drawing, that sounds fucking spectacular!
*(Keep an eye out for more updates!)
Thanks for reading and make sure to check out Part 2 where I’ll be looking at MARVEL’s big comics coming out this fall!
It’s August and it’s summer vacation time over at World’s Best Media! But that doesn’t mean we still wont be bring you some awesome content! Including this week’s episode of “The World’s Best Podcast”, where I give my picks for the Best Graphic Novel Summer Beach Reads! Listen here or subscribe on Stitcher and iTunes:
This week DC and Warner Bros. Animation released The Death of Superman on Blu-Ray, DVD, 4K, and Digital. I had a chance to watch the movie a few weeks ago when it was released on iTunes and I really enjoyed the movie. You can read my full review here:
Normally DC releases 3 of these animated films a year, but next year they’ll be bumping it up to 4. 2019 will see the release of Reign of The Supermen, Batman: Hush, Wonder Woman: Bloodlines, and Justice League Vs. The Fatal Five. Below is some of the early promo art DC has released announcing each of the films.
The Death of Superman is the first film in a 2-Part story, with Part 2, Reign of The Supermen coming out in early 2019. While the first film deals with the brutal final battle of The Man of Steel, Reign of The Supermen deals with the fallout of a world without Superman. How will Superman’s death affect the people in his life that he left behind? And what heroes (or villains) will step up to take his place?
Below are some images that tease some of the characters from Reign of The Supermen that emerge in Superman’s absence:
Out of all of these projects, I’m most intrigued by Batman: Hush, which is scheduled to be released around early summer 2019.
After already adapting Batman: Year One, The Dark Knight Returns, and The Killing Joke, I would have guessed The Long Halloween or Arkham Asylum would be the next iconic Batman story for DC Animation to tackle. Hush is definitely considered a modern classic among many Batman fans. The story, written by Jeph Loeb and drawn by the legendary Jim Lee, was an epic 12 issue Batman mystery, involving all of the most iconic villains and allies in The Dark Knight’s world. I would almost expect DC to go the 2-Part film route with this story considering how sprawling a tale it is, so I’m sure there’ll be some changes in the adaptation. While it’s not one of my favorite Batman stories, I’m sure it’s the film DC fans will be most excited to see. It definitely has enough going for it to make me very curious to see what DC Animation does with this one.
Not much is known about the other 2 movies announced, Justice League Vs. The Fatal Five and Wonder Woman: Bloodlines.
However, the title of the Justice League film would suggest the story involves the Legion of Superheroes in some way (The Legion Of Superheroes being a team from the distant future of the DC Universe). As for Wonder Woman, this just a guess, but I wouldn’t be surprised if this story is inspired by Brian Azzerello’s New 52 Wonder Woman run.
Even though these films can be hit or miss, I’m always excited when the new line up is announced. Considering how much I enjoyed The Death of Superman, hopefully the trend of great DC Animated movies continues.
I’ve always been a big fan of the DC Animated movies that come out each year. For those of you that aren’t familiar, they’re animated adaptations of DC Comics stories that go directly to iTunes and Blu Ray. They usually release three a year, around January, April, and July. They’re PG-13 or R-Rated films marketed to adult and teenage DC superhero fans. They’re hit or miss, in terms of quality. They run the spectrum from “Ok” or “Fine” to “One Of The Best Superhero Movies I’ve Ever seen”.
Their latest release is “The Death of Superman” and you may be thinking: “Wait, didn’t they do this one already?” The answer is: Kind of. Way back in 2007, the very first DC Animated Movie was Superman: Doomsday, a very loose adaptation of the classic death of Superman story. So, as far as THIS movie is concerned, this current film I’m reviewing is a much more faithful adaptation. The Death of Superman is the first part of a 2 movie story.With Part 2 titled, Reign of The Supermen, premiering in January or February 2019.
Like I said before, they usually release three of these a year. Starting with 2013’s Justice League: The Flashpoint Paradox and 2014’s “Justice League: War” (A JL origin film FAR superior to the live action one we got in November 2017), 2 out of the 3 animated movies they released each year were part of an ongoing cinematic universe, like the MCU or whatever the fuck DC is trying to do in live action at the moment. Including Justice League: The Flashpoint Paradox, 11 movies that take place in this DC Animated Movie Universe have been released. The other stories are cool one offs, like the recent Batman: Gotham by Gaslight, for example. Which is a what if? tale that imagines a steampunk, Victorian era Batman hunting Jack The Ripper in late-19th Century Gotham. Most of these have been pretty solid across the board. It probably doesn’t say much about the overall quality of this Animated Movie Universe that there isn’t a sense that we got to know these characters over an 11 film continuity. Or that the movies had been leading to something like this.
At nearly an hour and half, this movie is slightly longer the most of the recent DC Animated Movies. However, it’s a smart move because the running time allows for a much deeper film that I was expecting. Going into this, I expected the whole thing to one big superhero punch up. Great animation, cool fights, but at the end of the day just a fun piece of entertainment. So, I was delighted when at least half of the film is about Clark and Lois and the issues that arise in their still relatively new romance. The movie is well paced considering all of the characters in play. Because this movie is about his death, everyone in Clark Kent’s life is in this film and they all get their moment to shine. The Justice League, The Daily Planet staff, Ma and Pa Kent, Lex Luthor, and few other local Metropolis citizens with ties to Superman all pop up in the movie. It’s a credit to the film that even with all these characters, it never feels over stuffed or loses it’s focus on Lois and Clark.
You don’t need to have seen any of the other DC Animated Movies to enjoy this wonderful film. All of the great character work and storytelling come straight from THIS movie. Real life husband and wife Jerry O’Connel and Rebecca Romijn are perfect as Clark and Lois. O’Connel has voiced Superman to good effect before in other animated movies and Romijn makes a solid debut as Lois Lane. They’re real life chemistry definitely translates into the film. We have all the usual suspects from the other films back to play their respective roles in the Justice League, as well as other returning supporting characters.
Before getting into the movie there’s one other bit of voice casting I want to touch on. Rainn Wilson (Dwight from The Office) voices Luthor and is surprisingly effective as the character. Lex is an interesting presence in this film. He’s not that dissimilar to the Lex we’ve seen in the comics over the past few years. He’s undeniably despicable, arrogant, and cold, but there’s a glimmer of something more underneath. Inside him’s the shadow of a man who could be better than he is. He adds a little something special to the overall film.
I’m going to make a bold statement here. I think this is the best film about Clark Kent that I’ve ever seen. This movie is Clark Kent’s story. Lois is very important, but this is Clark’s tale. This man’s death shows us who he is. This was just one more reason I loved this movie. Outside of the fights with Doomsday, I deliberately refer to the character as Clark, not Superman, throughout this review. This is one of the better onscreen portrayals of Superman I’ve seen and that’s because they understand who Clark Kent is. The kid who grew up on a farm in Kansas, that’s the real character. Not Kal-El, not Christopher Reeves’ mask of Clark Kent as pathetic buffoon, not Superman. He’s Clark Joseph Kent. Jonathan and Martha’s son. Even when he’s in costume at the beginning of the movie, interacting with the League or stopping bad guys with high tech weapons. He seems more man than god. He’s happy to stop and take a picture with a man he’s gotten to know, because he’s saved the guys life so many damn times. In these scenes before the fight with Doomsday, while he’s in costume as Superman, he feels like a citizen of Metropolis. Not a distant god, but more like a cop on his beat that gives you a nod and smile. Superman knows these people and they know him. It’s a brilliant way to humanize the character in a way live action films always struggle with.
At the heart of Clark’s story here is his romance with Lois. Unlike other takes on the Lois and Clark/Superman dynamic, Lois is into Clark, NOT Superman. She wants their relationship to move forward but she knows something’s holding them back. She knows there’s more going on with Clark, but doesn’t quite know what it is. She’s a little taken aback when, while asking Clark to dinner, he tells her he cant because his parents are in town and he’s having dinner with them. Lois is understandably a little insulted when Clark didn’t even mention the possibility of meeting his parents. It’s clear that they’ve been dating for at least several months if not more. But what she perceives as Clark being aloof and having an emotional wall up, is actually Clark wrestling with the idea that he’s falling in love with her and that he should tell her he’s Superman. He’s afraid that his parents will accidentally let something slip before he has a chance to tell Lois the truth about this part of his life. After all, besides a few fun DC Easter Eggs mentioned by Ma and Pa Kent, Clark’s ex- girlfriend knew had superpowers from the jump, this the first time Clark has been in a relationship like this. Not just with a normal person, but someone he’s falling in love with.
The movie does an excellent job of showing the audience exactly what an unstoppable, terrifying force Doomsday is. We’ve seen Doomsday in live action and animation before, but the threat he represents is much more impactful here. This is a creature that kills every single living thing it sees.
The Justice League faces Doomsday before Superman gets into the fight and they have some pretty heavy hitters. We see Doomsday go up against Wonder Woman, Green Lantern, Hawkman, Martian Manhunter, The Flash, Cyborg, and Batman all before the Monster’s fateful Confrontations with The Man of Steel. Even with out Superman, that’s a fucking stacked roster. Despite how powerful the Justice League is, they’re simply not up to facing Doomsday. They’re completely helpless to stop him.
So, when the fight between Clark and Doomsday finally goes down, there’s no backup or cavalry coming. Superman is the “last watcher on the wall”. If he doesn’t stop this Monster there and then, there will be no end to the death and destruction Doomsday will unleash. There’s an inevitability to Doomsday. As he slowly kills his way to Superman. We all slowly march towards death and this story shows us The Man of Steel is no different, but for him Death comes in the form of Doomsday.
The fight between Superman and Doomsday is easily the most brutal and bloody Superman fight I’ve seen in any medium. I found myself wincing or exclaiming “Jesus..”, as conflict went on. At a certain point, it stops being a fight. You realize you’re watch Superman slowly be beaten to death with each blow and it’s hard to watch. The fact that there’s such emotional heft shows that the storytellers did their job with this film. The movie is called The Death of Superman, OF COURSE HE’S GOING TO DIE! But the movie magic was that the filmmakers had me so engrossed in the story onscreen, I almost forget that there was no question to the outcome of this fight. The battle’s hard to watch not just because of the level of violence, but because you really care about Clark Kent and it’s heartbreaking seeing this man die in front of us.
The animation in this film is top notch. When the action goes full tilt there’s a level of detail that comes close to resembling anime, without completely going over into that style. Every once and awhile a western animation superhero project will use anime influenced sequences, Justice League Unlimited comes to mind for example. It’s not everyone’s cup of tea, but it’s used well here and only adds to the already visceral fight scenes. For those of you who aren’t fans of that animation style, It’s not so noticeable that it takes you out of the story.
I think its was smart that DC decided if they were going to tell this story, it should be a 2-Parter, like they did with their fantastic adaptation of The Dark Knight Returns. As impactful as the death of Superman is, the story of how the world, his friends, his enemies, his family, and his fellow superheroes react to his death is arguably more compelling . Who or what will step up to fill the void left by The Last Son of Krypton? Considering how well this story was told, I can’t wait to see what the filmmakers do in Reign of The Supermen. If you’re a DC Comics fan, there are some Easter Eggs in the movie that hint at some of the story and characters elements that’ll be used in Part 2. Make sure you stay for the end credits, there are multiple mid credit tags setting up the next movie.
I didn’t want to end this review without mentioning something I noticed that the writers chose to add to the story. As I said before, this movie is part of a DC Animated Movie Universe, this story doesn’t exist in a bubble. I don’t want to spoil this for anyone and I’ll let you draw your own conclusions, but pay attention to EXACTLY how Doomsday comes out of space, ultimately crashing on Earth. Also be sure to pay attention to the details when STAR Labs examines the high tech weapons Superman takes off the thugs at the beginning of the movie. None of these story elements are from the comics, so the writers deliberately chose to add them in. I have my own theory about what’s going on, but I wont spoil the fun here.
This is top notch superhero story telling from DC Animation. This movie is the best DC Animated Movie since Justice League: The Flashpoint Paradox (which is high praise). This a surprisingly moving story about love, death, family, friendship, and sacrifice. No DC fan worth their salt should miss this one. I know I cant wait to see Part 2, when Reign of The Supermen comes out early next year. The Death of Superman is an excellent film, the best DC Animated Movie in years, and a must watch. Don’t miss it.
The fans have been clamoring for Part 2 of, the “World’s Best Podcast” presents, Iron Man & The Dark Knight: 10 years Later! Ryan and I have returnedfrom Gotham City and The Marvel Cinematic Universe to finish our discussion of these film icons. As well, the impact Iron Man and The Dark Knight have left behind. Enjoy and thanks for listening! Listen here or subscribe on Stitcher and iTunes:
This year is the 10th Anniversary of Iron Man and The Dark Knight being released in theatres. Two very different superhero films that not only changed the genre forever, but filmmaking in general. So, on this episode of The World’s Best Podcast, co-host Ryan McDonald and I take a trip from Gotham City to Stark Industries and dive into these epic movies. This the first of a 2-Part episode! Is Robert Downey Jr. perfect superhero casting? What theories are there about the secret origin of The Joker in The Dark Knight? What legacy have these films left behind? Listen here or subscribe on Stitcher and iTunes:
In this episode I make multiple references to an article I wrote about the villains of the MCU, I thought I’d put a link to the article here in case anyone wants to read it after listening to the episode:
Watch both videos, one after the other. It’s one scene, but the best version I could find had been split into two videos. This is a flashback scene from the spectacular movie, BatmanBeyond: ReturnofTheJoker.