TRAILERS OF THE WEEK: Sweet Tooth & Castlevania Season 4!

Hey Everyone,

Paul here…

We have a few interesting trailers this week, the first is a little unconventional and the second is just plain cool. First up is the trailer for the upcoming Netflix Original Series Sweet Tooth, based on the comic book series by the phenomenal writer/artist Jeff Lemire. I haven’t read Sweet Tooth, but I know it was critically praised as one of the best comic books being published at the time and it has an extremely passionate fan base. The TV series is produced by Robert Downey Jr. and his wife Susan Downey, a longtime film and television producer. I don’t know much about the plot, but it’s definitely a unique and intriguing set up. It’s also nice to see comic book adaptations that isn’t from the superhero genre. I know I’m definitely going to give it a shot when it premieres on Netflix on June 4. Check out the trailer right here:

Next up, we have the new trailer for Castlevania Season 4! This has been a fantastic and underrated series from the beginning. This is a great opportunity to check out and catch up on this really cool show, before the new season premieres. If there’s one thing I love, it’s a good monster hunt and that’s Castlevania’s specialty. Check it out:

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

MUST READ: Batman/Catwoman

Hey Everyone,

Paul here…

  From the very beginning of World’s Best Media, one of my missions has been to show people how cool comic books are and why they’re such an incredible way to tell stories (and maybe, just maybe, get some folks to give comics a try). It’s been a little while since I’ve done a deep dive into a comic book series or graphic novel, but a fantastic new series inspired me to take you guys on another journey into weird and wonderful world of comics. Let’s do it!

   The book we’re taking a look at, is Batman/Catwoman. One of DC’s flagship Batman books. In my opinion, it’s also one of the best mainstream superhero book being published at either of “The Big Two” right now (otherwise known as DC and Marvel).  This is all due to the incredible talent of writer Tom King and artist Clay Mann. These are two of DC’s best creators operating at the top of their game (and it shows).

  As a longtime comic book fan, the stories and characters are what draw me in. A book can have the most beautiful art in the world, but it doesn’t mount up to a whole lot without a great story at it’s core. The last thing I want to do is minimize the incredible achievements of the artists working in the comic book industry. Most people don’t understand how important and difficult the work of a comic book artist really is. They’re not just drawing images on a page, they’re performing the characters, they’re directing the story. It’s one thing to draw beautiful images, but to be a great comic book artist, you also have to a great storyteller.

    As much as I respect comic book artists, it’s always the writer that will draw me to a particular book. Whenever a writer like Scott Snyder, Grant Morrison, or Neil Gaiman has a new comic coming out, it’s a guaranteed that I’m going to check it out regardless of the artist. Hell, some of my favorite writers have built up enough trust and good will, that I don’t even need to know what their latest book is about to give it a read. There are a lot of great comic book artists, but very few that would make me go out and buy a comic solely because they’re working on it.

    This is a long winded way of me saying that artist Clay Mann’s work on Batman/Catwoman is nothing short of astonishing. I’ve been following his work for a while on Batman and Heroes In Crisis. However his work has just taken a massive leap forward with Batman/Catwoman. I don’t think I’ve been more impressed with an artists work in a long time. Mann’s work reminds me of Jim Lee or Tony Daniel, with its crisp detailed lines. It’s widely considered that Jim Lee drew the definitive modern Batman during his Hush story line. Jim Lee’s Batman from Hush is  pretty much the basis for all modern versions of the character since. Now, Clay Mann has drawn the definitive modern Catwoman with this book and if things keep going the way they are, he may take the title away from Jim Lee for the definitive modern Batman as well.

 It’s not just the art that makes this book so phenomenal. Batman: Mask of The Phantasm is arguably one of, if not THE best Batman film ever made. Unlike so many other Batman Films, even the great ones, Bruce Wayne is front and center in this story. Bruce Wayne is the most interesting character in any Batman story and most filmmakers get caught up in his flashy rogues gallery at the expense of exploring Batman himself. When I was a kid The Phantasm scared the shit out of me with its creepy look and unstoppable mission of vengeance. The Phantasm was an original character created by the people who made that film. Batman/Catwoman is a quasi-sequel to Batman: Mask of The Phatasm, making the character and the events of the film canon in DC lore. 

This comic is really a continuation of the story that writer Tom King first began in his excellent run on the main Batman series. The question at the heart of the story was: Can Batman be happy? And If the answer if yes, can a happy Batman still be Batman? Can a Bruce Wayne who’s found some measure of peace still be The Dark Knight that Gotham City, and the world, needs? I thought it was a fantastic idea for a Batman story. It has so much potential and in the long history of the character it’s isn’t something that had been explored before. Also, let’s not forget that just because Bruce has found a woman who truly loves and understands him doesn’t mean he’s going start going on Costco runs. Their marriage consists of Selena joining Batman on cases and nightly patrols just like Nightwing or Robin would except after they go home and fuck each other‘s brains out (come to think of it, who’s to say that didn’t happen with Nightwing a few times? After all, Master Dick looks damn good in a lm skin tight leotard!). King explored this idea through Bruce’s growing romance with Selina Kyle. After years of hook ups and on again off again romances, Bruce and Selena finally get serious. They get engaged, and eventually, after some drama including Selena leaving bruise standing at the aisle during their first wedding attempt, things worked out and now they live as husband and wife. Living together in Wayne Manor.

Out of all the incredibly fascinating characters that populates Batman’s world, I was never particularly interested in Catwoman. I love Michelle Pfeiffer as the character in Batman Returns, but other than that, I was fairly ambivalent about Catwoman in general. It wasn’t until Tom King’s Batman run and Batman/Catwoman, that I started to really like her. Batman and Catwoman have had an off and on romance for years, one of their more notable attempts at a real relationship took place in the classic Jeph Loeb and Jim Lee story, “Hush”. Batman and Catwoman getting married may seem like another gimmick like the death or resurrection of a hero, but it makes perfect sense for the characters. So many storytelling possibilities open up. Catwoman is a character who lives in the gray, so what is it like being married to a man who only sees things in black-and-white? The story puts Selena in morally compromising situations in some really imaginative ways

This story is essentially a quasi-sequel to The Mask of Phantasm. Which is really cool because The Phantasm was an original character created for that film, so her inclusion here officially brings her into the main canon of DCU. But this is a Batman story after all, and if Andrea Beaumont has returned to Gotham City, you can be sure that she’s there for blood.

The story takes place simultaneously over three different time periods. The present, the past when Bruce and Selena we’re still more of an occasional romantic tryst than the serious couple and life partners that they’ve become, and decades into the future where Bruce has recently passed away. Leaving behind his beloved wife Selina and their beautiful daughter Helena. With Bruce gone the elderly Selina finally feels free to settle a vicious vendetta with The Joker. Specially for something that occurred years before with Andrea Beaumont, during the case involving The Phantasm that Batman and Catwoman are taking on in the present. Complicating matters in the future is Helena Wayne, who’s continuing the family business as Batwoman. She also seems to have inherited her father’s naive sense of absolute justice. Bringing the story full circle showing Selina keeping secrets about her morally questionable choices from the two most people in her life, Bruce in the past and her daughter Helena in the future.

  Which brings me back to Clay Mann’s beautiful artwork. I love his design for Helena Wayne, the daughter of Bruce Wayne and Selina Kyle, the Batwoman of the future. Both in and out of costume, Helena is of course her mother and father‘s daughter. A Gorgeous, stunning young woman while having dinner with her mother in Wayne Manor and looking all kinds of cool and bad ass in her new Batwoman suit. Which looks like a combination of the Batman Beyond suit and the modern version of Catwoman’s costume Mann has designed for this series. 

This series is a great jumping on point for new readers because you only need to have seen the movie Batman: Mask of The Phantasm. If you’re looking for a fantastic superhero story with fantastic art, writing, and characters, then you can’t go wrong with Batman/Catwoman.

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

Spring 2021 Movie & TV Preview! PODCAST: Zack Snyder’s JUSTICE LEAGUE (SPOILERS)!

Hey Everyone,

Paul here…

On this episode, The World’s Best Podcast crosses over with the Cuff’s Basement Podcast to review Zack Snyder’s Justice League, which recently premiered on HBO Max! Along with Tim and Ryan, we breakdown a film that is vastly different from the original 2017 Justice League theatrical release. In fact Zack Snyder‘s Justice League is more like a entirely new film, than a director’s cut. We go over everything from what worked to what didn’t, as well as what we loved about the film and what we may have disliked. In this fun and far reaching discussion which yielded one of our best episodes this year, so far!

Listen here: https://www.spreaker.com/episode/43993349  Or subscribe/listen on Spotify, Stitcher, Spreaker, iHeartRadio, Deezer, Podchaser, Castbox, Podcast Addict, Google Podcasts, & Apple Podcasts/ITunes…

iTunes/ApplePodcats: https://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?i=1000513898680

Spotifyhttps://open.spotify.com/show/11mA9kClyevVZjWYMQB1Io?si=7TfnqkBiShqTQpZhh2UDsA

Stitcherhttps://www.stitcher.com/s?fid=185563

While promoting the film, Zack Snyder offered up a lot of interesting information, teases, and images about what might have been, had things gone according to plan and the DCEU stayed on the track that began with Man of Steel. Snyder originally envisioned a 5-film “Lord of The Rings” style epic, that included Man of Steel, Batman V Superman: Dawn of Justice, and culminated in a massive Justice League trilogy. As a result there were a lot ideas and concepts that were played around with that were abandoned. A good example of how somethings could’ve played out slightly differently is, how in one of the subplots in Batman V Superman, involved Wonder Woman attempting to retrieve an old photograph of herself and her comrades-in-arms from WWI. This of course tied into 2017’s Wonder Woman directed by Patty Jenkins. However, before the story for the first wonder woman film had been finalized there was still some to be about exactly how long Diana had been away from Themyscira fighting wars in “Man’s World”. Some beautiful images were commissioned showing Diana fighting alongside soldiers in wars much farther back in history, closer to The Crimean War than World War I. Snyder shared a few of them online that I thought were particularly interesting which you can take a look at right here:

Snyder offered up another sneak peek at The Snyder Cut, whe he confirmed the long running fan theory that General Swanwick played by Harry Lennox (Man of Steel, Batman V Superman: Dawn of Justice) was actually J’onn J’onnz: The Martian Manhunter, hiding among mankind. Snyder revealed that the character would indeed be making an appearance in his Justice League when it premiered on HBO Max, with Lennox returning for the role. DC helped Snyder give fans at hint at the character’s design in the film, by publishing variant covers of the JL comic book a few months back, featuring the movie version of this classic character drawn by the legendary Jim Lee. Take a look…

This is the final design for the character used in the movie

This also wraps up WEEK 1 of World’s Best Media’s Spring 2021 Movie & TV Preview! We have even more great content coming your way in WEEK 2, with exciting new series like Amazon Prime’s INVINCIBLE, from the creator of The Walking Dead!

Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

TRAILERS OF THE WEEK: Army of The Dead & Justice Society: World War II !

Hey Everyone,

Paul here…

Picks For Trailers of The Week

2021 stands to be a big year for Netflix and Zack Snyder. The director is getting a mulligan from DC fans everywhere with Zack Snyder‘s Justice League premiering on HBO Max in March. In May, Snyder teams up with Netflix for his other big project this year, a zombie-heist flick, Army Of The Dead, starring Dave Bautista. Here’s the official synopsis:

After a zombie outbreak in Las Vegas, a group of mercenaries takes the ultimate gamble by venturing into the quarantine zone for the greatest heist ever.

 Now, we have our first look at Army of the Dead with the new trailer below. I was sold on this movie before I even saw the trailer, to be honest. Zack Snyder directed 2004’s Dawn of The Dead, which is not only one of the best zombie movies ever made. It’s also one of the only remakes of a classic movies that lives up to and possibly even surpasses the original.  So a new movie called Army of The Dead, from the director of Dawn of The Dead, about a team of mercenaries, led by Dave Bautista, trying to rob a casino in a zombie infested Las Vegas? In the immortal words of Kevin Smith: “Fuck you. Take my money!” I am in!

Army of The Dead Trailer

Army of The Dead premieres on Netflix on 5/21/2021

Justice Society: World War II – Clip & Trailer

DC Animation has really upped their game over year and a half. Coming off of a run of strong animated films like Superman: Red Son, Justice League Dark: Apokolips War, Superman: Man of Tomorrow, and Batman: Soul of The Dragon, DC Animation has been doing their nest work in years. After coming off a series of winners, their next film, Justice Society: World War II, looks fucking awesome. It’s great because it’s a period accurate piece. When the JSA was first introduced, they were fighting Nazi’s during WWII. I think it’ll be great for fans to see the JSA (Justice Society of America) and members like The “Jay Garrick” Flash and Green “Alan Scott” Lantern, who would go on to inspire the modern incarnations, in their prime. DC Animation has also begun to move away from that in house, stock animation style of the previous, shared DC Animated Movie Universe. So the animation in this new movie stands out in a beautifully bold and dynamic way. The full trailer for Justice Society: World War II has already been released (which we posted below, if you haven’t seen it yet), but a new clip from the movie dropped this weekend, showing Wonder Woman in battle with a platoon of Nazi soldiers and it looks incredible! Take a look:

Justice Society: World War II (Full Trailer):

Justice Society: World War II is available digitally on 4/27 and on Blu-Ray/4K on 5/11

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

PODCAST: BEST & WORST MOVIES of 2020!

Hey Everyone,

Paul here…

On this episode of The World’s Best Podcast, we’re going over The Best & Worst Movies of 2020! Normally, choosing the best and worst movies at the end of the year, is one of my favorite movie rituals. Unfortunately, this year didn’t have quite as many opportunities to see new films in theaters, due to the obvious mitigating circumstances. I still manage to see quite a few movies nonetheless. It just meant watching a lot more steaming content and movies On Demand. So GODDAMMIT!, I was gonna do my best and worst movies of 2020 list, so help me God! Because if I don’t the virus wins! So here it is! It’s nothing to write home about, but hey they can’t all the gems! Please let me know in the comments what movies you loved, or hated, 2020!

Listen here: https://www.spreaker.com/episode/42893825  Or subscribe/listen on Spotify, Stitcher, Spreaker, iHeartRadio, Deezer, Podchaser, Castbox, Podcast Addict, Google Podcasts, & Apple Podcasts/ITunes…

iTunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441#episodeGuid=https%3A%2F%2Fapi.spreaker.com%2Fepisode%2F42893825

Spotify: https://open.spotify.com/show/11mA9kClyevVZjWYMQB1Io?si=7TfnqkBiShqTQpZhh2UDsA

Stitcher: https://www.stitcher.com/s?fid=185563

We are also going to be posting either an article or a podcast about our favorite TV shows of 2020, as well as the projects we’re p most looking forward to in 2021! Those will be up in the very near future, so keep an eye out…

Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

PODCAST: Wonder Woman 1984 Review!

Hey Everyone,

Paul here…

To all of our readers, listeners, and supporters, I want to say thank you and extend a heartfelt and sincere Happy Holidays from all of us here at World’s Best Media! We appreciate each and every time you click on one of out article or listen to one of our podcasts. We couldn’t do any of this without you and we’re so grateful for all of your support! We hope you’re all having a safe and Happy Holiday season! As the year comes to an end, keep an eye out for our Best & Worst of 2020, where pick the highs and lows in movies, TV, and comics, over the last year. We should have out Best/Worst Lists posted before New Years Day. We also have big, big plans for 2021, so stay tuned…

    Despite how happy we are that World’s Best Media continues to grow, we know that 2020 has been a brutal year for way too many people. With all of the suffering and hardship so many have endured this year, I’ve been reminded to appreciate the little things in life. I know from experience, that sometimes the simplest of things, can mean the world when times are at their darkest. Which is one of several reasons I was so thrilled that Wonder Woman 1984 was finally available to watch, Christmas Day on HBOMax. 

   When times get tough, going to the movies has always been my favorite way to escape for a little while (Well, my favorite escape that doesn’t involve drugs or alcohol anyway. But there’s no reason you can’t enjoy all 3 at once, right? Go ahead, you’ve earned it!). I think a lot of people out there miss the simple joy of going to their local movie theater to see a feel good, blockbuster and let their troubles slip away from a few hours. I know it’s not much, but folks had the opportunity to watch a great big, superhero, comic book movie, without having to worry about the dangers of going to a movie theater. 

    However, these aren’t the only reasons that the release WW84 is special, this also marks an important milestone for The World’s Best Podcast. Tim Cuff and I reviewed 2017’s Wonder Woman for the very first episode of The World’s Best Podcast! Longtime listeners of the podcast will recognize Tim Cuff and Ryan McDonald as two of my most frequent co-hosts on the show (Tim even helped me co-create the podcast in the first place). In case you don’t know, Ryan and Tim co-host their own podcast, Cuff’s Basement. In the spirit of the superhero comic books that feature characters like Wonder Woman, to review and discuss WW84 we needed a crossover! So get ready for The SUPER-MEGA-AWESOME WORLD’S BEST PODCAST/CUFF’S BASEMENT CROSSOVER EVENT! 

    Since The DCEU (or The World’s of DC or whatever the hell they’re calling it now) launched with 2013’s Man of Steel, Wonder Woman has proven to be the studio’s only true critical and commercial hit. Sure, many of these other DC movies made a lot of money, but they were critically trashed and divisive at best among the Fanbase. Does Wonder Woman 1984 live up to the promise of the original movie? Listen below to find  out! Enjoy!

Listen here: https://www.spreaker.com/episode/42685229   Or subscribe/listen on Spotify, Stitcher, Spreaker, iHeartRadio, Deezer, Podchaser, Castbox, Podcast Addict, Google Podcasts, & Apple Podcasts/ITunes…

iTunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?i=1000503651674

Spotify: https://open.spotify.com/show/11mA9kClyevVZjWYMQB1Io?si=7TfnqkBiShqTQpZhh2UDsA

Stitcher: https://www.stitcher.com/s?fid=185563

I’m always looking for an opportunity to get more people interested in comics. None of these incredible films and beautiful stories would be possible, without the amazing comic book source material. So if you enjoyed Wonder Woman 1984 and want to learn more about the character, takes a look at some of the books I’ve posted below. They’re great places to star for anyone new to comics, if you’ve seen either Wonder Woman movie, you’re good to go! All of these books are available at your local Comic Book Store, I recommend Googling the closest comic book retailer in your area. The Hall of Comics in Southborough, MA is my local spot for comics and graphic novels and I’ve had nothing, but great experiences with them over the years! If you don’t want to leave the comfort of your own home, you can alway read these stories on your tablet with the ComiXology app. Finally, you can always order any of these graphic novels online through Amazon. I posted links below for you to order any of my recommendations. I hope you give them a chance!

Wonder Woman: Year One (writer- Greg Rucka/Art- Nicola Scott)

Wonder Woman by Greg Rucka Vol.1

Wonder Woman: Earth One Vol.1 (W. Grant Morrison/A. Yanick Paquette)

Wonder Woman: Blood (A. Brian Azzarello/A. Cliff Chiang

Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

Huge News! Warner Bros Will Be Releasing All Major Films In 2021 Simultaneously In Theatres & on HBO Max !

Hey Everyone,

Paul here…

Streaming platforms like Netflix have drastically changed the way we consume entertainment over the last decade. For quite some time, I believed that streaming was the future of the film and television industry. Last week Warner Bros. made the monumental announcement that Wonder Woman 1984, one of their biggest upcoming releases, would be debuting simultaneously in theaters and HBO Max on Christmas Day. Subscribers to HBO Max will even be available to watch the movie free. This announcement was a very big deal, that sent shock waves throughout the film industry. The coronavirus outbreak has destroyed so many businesses and industries over the last year, with movie theater chains being hit particularly hard. 

  If a vaccine for the coronavirus becomes approved for public use in the next few weeks, the earliest the movie theater industry could expect to see any kind of bounce back, would be early summer 2021. With so many projects already finished, in the can, ready to be viewed by audiences, it was only a matter of time before a major studio made a move like this. Most people expected Disney+ to do something like this with Marvel’s Black Widow, while nothing has officially been announced yet, I think this move all but confirms that we’ll see Black Widow on Disney+ sooner rather than later. The point is that for awhile now, we’ve been heading towards a world where the way we watch movies will fundamentally change. The fact that Warner Bros. chose Wonder Woman 1984 to be the film to test the new format was a clear signal that they were taking streaming more seriously than they ever had before. This wasn’t some random film, this was the is the sequel to what is arguably the most successful DCEU superhero film. All the while Disney has been making it very clear that they plan to invest a lot of money and resources into the success of Disney+ and streaming. The current leadership of the company has seen streaming as a new gold rush (and that was before COVID-19 crippled the country).

Dune based on the classic sci-fi novel

    Which brings me to my main point, today is the day movie industry has been fundamentally and forever changed. Warner Bros. announced today that all of their upcoming 2021 film slate will be available on HBO Max the same day as they’re released in theatres. The company is making sure to emphasize that the films will premiere on HBO Max and in theaters on the same one same day. While some theaters are open and partially operating in the U.S. right now, the main reason for emphasizing a duel streaming and theatrical release, is because many international markets don’t have access to certain streaming service yet. Another factor at play is how the international market, where people are physically going to see films in movie theatres more often. Mainly because most of these countries have the coronavirus under control in a way that the United States does not. Even though, as I mentioned before, Wonder Woman 1984 will be free to HBO subscribers, I am certain that an additional fee will be charged for all of these future releases Warner Bros. has planned for the platform in 2021 which includes 17 major titles such as The Matrix 4, Denis Villeneuve’s adaptation of the classic sci-fi novel Dune, James Gunn’s The Suicide Squad, The Conjuring 3: The Devil Made Me Do It, Godzilla Vs. Kong and more. One thing is for certain, it cannot be understated how much of a game changer this is for virtually every aspect of the filmmaking industry.  Take a look at this promo trailer:

    I’ve always found the inherent dichotomy in the movie industry fascinating. Half of it creatively motivated and the other half motivated by The Almighty Dollar. First and foremost, movie studios are businesses. Just like any other company, the point is to make money. However, in this case, their products happen to movies. The best filmmakers are incredibly passionate about storytelling and the art of film.  Occasionally, movie studio executives bump heads with directors on set. Executives worry about the bottom line and the filmmaker is worried about the quality of the storytelling in their film. It doesn’t happen all the time, but it happens enough for people to notice it every now and again. Telling a great story and making a lot of money, don’t always gel together well. 

     Because there’s so much money dumped into any given blockbuster, studio executives occasionally give directors “Notes”, which are suggestions, or demands, from the film studio to their directors, that certain changes be made to their movies. “Studio Notes” are often misguided attempts by studio execs who aren’t talented or creative storytellers, trying to influence a film to appeal to the widest possible audience. Executives at these companies don’t think like artists, which is why so many films that are heavily affected by studio interference, turn out pretty shitty. Creative people and business motivate people are basically antithetical to one another. 

James Gunn’s sequel to Suicide Squad

     I brought this up to illustrate that the people who run film studios only care about the facts, how can they have a successful financial year? So making this kind of move, with this slate of major, high profile major films, seems to indicate all that Warner Bros. doesn’t expect movie theaters to bounce back to any kind of  normalcy until fall or winter 2021, at the earliest. In a statement by Warner Bros, The company said that when it is completely safe for people to gather together in a movie theater they, plan on re-embracing the movie theater if you need experience. But the question is, at that point will audiences even want to go back to the old ways? I can think of a lot of reasons why I’d rather watch certain films at home rather than in a theatre filled with people You can be sure we will follow this story as it continues develop…

So, what do you think about this move by Warner Bros and HBO Max? Do you like the idea of watching the latest big movies from the comfort of your own home? Or perhaps you enjoy the movie going experience? I’d love to hear your thoughts in the comments below!

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

Trailers of The Week!

Hey Everyone,

Paul here…

UPDATED: In a move that will have a massive effect on the filmmaking business, Warner Bros/DC have announced that Wonder Woman 1984, will be simultaneously released in theatres and HBO Max on 12/25/20. The movie will be free for anyone with an existing HBO Max subscription, there will be no extra charge like Disney+ did with their release of Mulan earlier this year. This is some damn good new and I’m psyched to finally see WW84!

We will keep you updated as more information becomes available….


Trailers are one of my favorite aspects of the moviegoing experience. Even if the final film turns out to be a complete piece of dog shit, a great trailer can be thrilling and rousing, it can spark your imagination. Of course, as i’ve said in the past, in some ways the art of movie trailers has disappeared for the most part, every once in a while a trailer comes along that blows your socks off. Whenever I find an interesting trailer, I always make a point to post it here on the website to share it with my audience. So I’ve been thinking about making it a little bit more of a formal, weekly column series called “Trailers of The Week”. Sometimes there are trailers that I’d really love to share with you guys, but they don’t necessarily marry their own article here on the website. This way I can let everyone know about all of the interesting trailers I’ve come across each week. Some weeks are going to be better than others, but hopefully will get more fantastic trailers than average ones. So without any further do, I think I have two pretty cool trailers to share with you guys this week.

The first, is the latest trailer for Justice League: The Snyder Cut, premiering on HBO Max early 2021. It contains a lot of footage that we saw in the first trailer, but some interesting moments are expanded, we get a better look at some significant characters, and there is some new and interesting material as well. I have made it no secret that I am extremely excited for this project, I really hope Zack Snyder is able to silence his critics and give us something very unique and interesting for those of you who don’t know at this point the Snyder cut is so long that it’s going to be released as a miniseries on HBO max, I think it’s about five or six hours at this point, I’m not 100% sure. One thing is for sure this is going to be damn interesting superhero project to watch when it finally comes out.


On to our second trailer…

As I’ve mentioned before, I’m a huge fan of the DC Animated Movies that come out three or four times a year. This new film, Batman: Soul of The Dragon, looks particularly interesting. I love the whole retro 70s style and the Bruce Lee, Enter The Dragon “vibe”. Bruce Wayne is one of the best fighters in DC Universe, so it’s very interesting to see a younger Bruce training to become a deadly martial artists. DC Animation have put out their fair share mediocre films, but every now and again they knock one out of the park. Hopefully, Batman: Soul of The Dragon is the former. I love the new aesthetic and unique story. I’m definitely looking forward to give this movie a watch.


Batman: Soul of The Dragon: Available digitally on 1/12/21 and on Blu-Ray on 1/26

Justice League: The Snyder Cut: Premiering on HBO Max sometime in the first half of 2021

Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

Batman: The Animated Series (Short Film) – “The Chase”

Hey Everyone,

Paul here…

  I came across this video today as I was looking through YouTube today, and I realized that many of you may not have ever seen this cool animated short (or even knew it existed). Back in 2013 the amazing folks behind Batman: The Animated Series, Superman: The Animated Series, Batman Beyond, Justice League, and Justice League Unlimited, released this short animated film called “Chase Me”. It’s a fun, quick little story about Batman trying to catch Catwoman after a minor heist she’s pulled off. But the whole chase is really a metaphor for the romance and attraction that’s at the heart off their relationship. There’s always the folks behind Batman: The Animated Series understand what makes The Dark Knight tick, better than most. If you haven’t seen “Chase Me” before, you can check it out right here and if you have seen, any excuse to dive back into the world Batman: The Animated Series, is well worth your time. Watch it here:


What did you all think of this short film? Let me know in the comments below!

Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. 

-Paul

Batman: The Three Jokers #1 – Review!

Hey Everyone,

Paul here…

In Batman: The Three Jokers, Geoff Johns sets out to answer a mystery, that he set in motion several years ago during the climactic story arc of his Justice League run. In the story, Batman interfaces with an alien super computer called The Mobius Chair, that can answer any question in the universe, no matter how seemingly impossible the question may be . One of the questions Batman asked was, “What is The Joker’s true name?”. Through it’s omniscience, The Mobius Chair gave an answer that threw even The World’s Greatest Detective for a loop: There are 3 Jokers. This three issue miniseries sets out to finally answer the mystery of The Three Jokers. I’ve read the first issue and while it answers some questions, it leaves us with even more. 

Batman while using The Mobius Chair, a repository of al the knowledge in the universe

There is no doubt that DC has two of their absolute best creators working on this book. There are very few comic book writers who have had the level of influence on modern comic books in the way that Geoff John’s has. With very few exceptions, there isn’t a major character in DC Comics that he hasn’t left his mark on. His enormous talent and impact on comic book storytelling, put him in rarefied air among legends like Stan Lee and Frank Miler. Geoff Johns is without a doubt one of the best superhero writers in the medium. No one does big, epic storytelling like Geoff Johns. Yet for some reason, he has always, in my opinion, struggled when writing Batman. Don’t get me wrong, even some of his weakest stories have fun and interesting elements at play. Despite any criticisms about his writing that I may have, John’s never fails to deliver an entertaining story. 

   Then there’s artist Jason Fabouk, who’s done some of the best superhero artwork I’ve ever seen in “The Darkseid War”, one his previous collaborations with Geoff Johns in the pages of Justice League. In a comic book, the storytelling done through the artwork is just as important, sometimes more so, than the storytelling being done in the script. It’s one of the things that makes the medium so unique. This issue opens with an exceptional example of how vital a fantastic artist is to telling a great comic book story. The issue begins with a close-up, on a large “W” engraved in stone. As the image pulls out, we see that this is the grave of Thomas Wayne. Surprisingly, the Batmobile suddenly crashes into it, partially destroying the gravestone. A seriously injured Batman emerges from the vehicle and stumbles towards Wayne Manor. A flurry of bats eventually reveals the Batcave. Filled with Batman‘s equipment and trophies, old costumes of allies and enemies. Finally, we see Alfred. Steady. Always there. We see both men from behind, as Alfred hauls Bruce in an improvised shoulder carry. Holding up his son, as Batman struggles to make it to the medical area. In a wavering voice Bruce says “My parents…” Referring to the gravestone he crashed into moments before. Again, Alfred steady as ever replies “I’ll fix their markers as soon as I fix you.”. Piece by piece, Batman‘s armor is removed, Alfred using surgical tools to remove parts of the uniform to get at Bruce’s wound, so Alfred can begin to treat whatever Bruce has suffered from this time. 

  Alfred begins to treat a puncture wound in the side Bruce‘s torso. “What was it this time?” Alfred asks. “An umbrella” Bruce replies. The image pulls back again, Bruce is naked from the waist up, with his back turned to the reader as Alfred begins stitching his latest wound. The image is stunning. What makes the artwork so powerful Is the dozens, maybe even hundreds of other scars and burns covering Bruce’s body (and we can only see him from the back). This is a grim ritual these two men have gone through together far too many times..Each scar is a dark reminder, a souvenir, of the nightly torture Bruce Wayne subjects himself to. 

However, despite all the monsters he fought in the night, only one has left more scars than any other. Both on the inside and out. The Joker. As Bruce recalls each battle, each fight with The Clown Prince of Crime, the monsters horrifying laughter builds in his head until, for the first time in the story, we see Bruce’s eyes. And they are filled with fury… and something more, something dark.

Regardless of any criticisms that I may leveled at other aspects of this comic book, the art by Jason Fabouk is incredible. There are many amazing artists out there, who draw stunningly beautiful images, but it takes more than that to be an excellent comic book artist. A comic book artist is a storyteller just like the writer. The analogy I like to use, is that a comic book artist needs to be the director, the actors, the cinematography, and the editor all wrapped in one. Like a director they need to set up every image, the angle, what will be in the shot, etc. like a cinematographer they have to establish the look and visual tone of the story, and like an actor they need to convey all of the subtle emotions of every character in the story. An artist who can do all of that well and still make every image absolutely beautiful, is less common in the industry than you might think. I think somebody like the late, great Steve Dillon (Preacher, The Punisher)  is a great example of an artist that was incredibly gifted at storytelling and conveying complex array of human emotions. With this comic, I think Jason Fabouk has taken his first step into becoming one of the most elite comic book storytellers in the business. The work on display here is some of the best visual storytelling I’ve seen in a comic book in a long time. 

  With that out of the way, what do I think about the comic? I think there are two major issues that ultimately plague this story. First, the problem with telling a story like this, is that part of what makes The Joker so terrifying and so fascinating is that he doesn’t have a definitive origin. Sure, there have been hints over the years. Possibilities of who or what he was before he became The Clown Prince of Crime.  Writers like Alan Moore, Scott Snyder, Bruce Timm,and Paul Dini have all played with possible origins for The Joker. These stories worked because none of them were the character’s definitive origin. It was left ambiguous, the writers placed doubt in the minds of fans about how much of these possible backstories actually happened. Was any of it real? Even the recent JOKER film starring Joaquin Phoenix as Arthur Fleck/The Joker, made the audience question exactly how much of the films events actually took place and how much of it was all in Arthur’s head

The questions at the heart of this story are: How are there three Jokers? What does that even mean? Are there literally three different men, who have been The Joker over the years? What is the answer to the mystery of The Three Jokers? At least for me, the answer to that question is: I don’t fucking care. I would’ve been perfectly happy if DC never picked up this storyline again. In the JL story written by Geoff Johns that kicked this whole thing off, Batman asks the all-knowing Mobius Chair “What is The Joker’s true name?”. The chair replies and Batman is visibly shocked and disturbed by what he hears. He can only respond “That’s not possible“. On its own, that’s a cool moment. What the fuck did The Mobius Chair tell Batman? The Joker is already a character shrouded in mystery and darkness and this was a powerful and creepy moment. I think if it was left alone by DC, this could have been an intriguing addition to The Joker’s mythology. A question we’ll never get the answer to would’ve been so much more interesting to readers, because the unknown is always so much scarier than anything a writer can cook up.

To talk about my second major criticism of this story so far, I’m going to be discussing a pivotal scene in depth as an example of a larger concern I have with the project. So MAJOR, MAJOR SPOILER WARNINGS for the rest of the review!!!

Ok, still with me? Great. So, when Jason Todd AKA The Red Hood finally blows The Joker’s brains out, I thought: “About damn time!”.

You see, a common misconception is, that Batman has always adhered to a strict moral code, that kept him from ever taking a life. It’s important to point out that when Batman was created by Bill Finger and Bob Kane (It was actually MOSTLY Bill Finger, but Bob Kane gets all the credit). Batman‘s so-called “no kill“ rule, didn’t come from a creative decision by one of Batman’s creators. It came down as an editorial mandate from DC Comics. The Joker was originally supposed to die in his first appearance, but the character was so popular that the creators working on Batman at the time had to come up with a way for Joker to return. Batman couldn’t go around killing the entirety of what would become his whole rogues gallery! Of course this early version of Batman would kill The Joker! For a man willing to take a life, this was the exact situation where you take someone off the board. It was a way to keep Batman’s popular villains returning to the story. Another factor was that DC comics wanted to attract younger readers. Which was why Robin was introduced and Batman’s homicidal edge was softened. The hard-hitting, gritty, noir stores told in Batman’s early days, made way for more colorful and family friendly content. 

So when someone tries to convince you that Batman never kills because of a deep moral belief in the sanctity of life, you can say that’s bullshit, he doesn’t kill because the publisher wanted to make more money by having more readers and reoccurring, colorful villains. From the very beginning of Batman‘s career, he had no compunction about killing criminals. Batman even carried a gun in many of his earliest appearances. Many of the unfortunate thugs he came across found them selves with a bullet in the chest, thrown into a vat of acid, or strangling a man with a steel cable attached to The Batplane and flying through Gotham with the corpse still hanging from The Batplane. While Batman muses that the villain is “better off this way“. In fact here are some fun instances of Batman straight up murdering people…


   Which is why I find it so frustrating that certain writers, like Geoff John’s in particular, treat Batman‘s “no kill“ rule is if it was a sacred and fundamental part of the character’s ideology. It wasn’t a creative storytelling decision, it was a marketing one. Most of the other vigilantes in Gotham City have been trained by Bruce or work closely with him, so they also adhere to same, foolish “no kill” rule (with some notable exceptions). So when writers like Geoff John’s put Batman or one of his allies, in this case Barbara Gordon AKA Batgirl, in positions where all logic, emotion, and reason would lead to their character taking a life, the writers will go to extraordinary lengths to find reasons for their so-called heroes not to go through with it. This doesn’t make the heroes noble, it makes them look foolish and naïve. I’m not saying that Batman and his allies should start acting like The Punisher, but in extreme circumstances, extreme measures are appropriate. Unless a writer is willing to honestly tackle some potentially uncomfortable questions about his characters, then perhaps it’s a subject that is best left alone. If you’ve been successfully crime fighting crime in a cesspool like Gotham City for years, you’ve probably seen some of the ugliest things that humanity has to offer. Which is why it makes no sense that someone like Barbara Gordon, an intelligent, worldly, capable, and very tough woman would attempt to stop Jason Todd from murdering The Joker. The amount of suffering that The Joker has personally inflicted on Barbara and her family includes crippling and sexually molesting her, torturing her father, murdering her stepmother, and has killing literally thousands of people. Including successfully murdering Jason himself. Even though Jason eventually came back from the dead, as Jon Snow would tell you, that isn’t some shit you just forgive. For Barbara to feign outrage when The Joker is killed, is just silly and poor writing. However, I did enjoy what Jason says to Barbara after kills The Joker, posted below…

I’ll definitely read all 3 issues of Batman: The Three Jokers, but It’s mostly out of sense of obligation. New comic books come out each week and I still read every issue of my favorite ongoing titles. Batman is my favorite comic book character, so for better or worse, regardless of how this story ends it’s going to have a major impact of some kind on the Batman mythology. For that alone, I’d read all 3 issues just to see how it all plays out. That’s not exactly a ringing endorsement, especially if you don’t read comics every week like I do. I’m certain that DC is trying to attract new readers with a high profile book like this. In that regard, I suppose Three Jokers is successful. Most of my problems with the book were rooted in my long personal history with Batman and how I think the character and his world should be portrayed. As well as certain longtime comics books tropes present in the issue, that drive my nuts whenever they pop-up in a story. New readers might be the ideal audience for this comic book, even with my criticisms, it’s an undeniably entertaining book with beautiful art. Casual Batman fans wouldn’t bring as much baggage to the story as I did and it really only requires a basic knowledge of Batman and The Joker to follow what’s going on.

Final Words:
In a vacuum, taken for what it is, Batman: The Three Jokers is pretty good read, but it fails to justify it’s own existence. This new miniseries suffers because of some poorly written characters and will leave a lot of readers questioning why this story needed to be told in the first place. On the other hand, The Three Jokers is a solid book for casual readers and the art work by Jason Fabouk is gorgeous.

Batman: The Three Jokers #16.5/10