This week, I was thrilled to get my old friend and frequent collaborator Michael Cole back on The World’s Best Podcast. Mike Cole wanted to discuss the comments recently made by several prominent filmmakers, that seem to ask: is there a place for great, smaller films in this blockbuster world?
In other news, some very exciting casting announcements have been made regarding director Matt Reeves’ upcoming film, The Batman, starring Robert Pattinson as Bruce Wayne. My readers and listeners know what a huge Batman fan I am and I’ve got to say, every new piece of news that I hear about this project, makes me even more excited to see it. Sure, I’ll have to wait for it’s Summer 2021 release date, but there are plenty of other cool and thrilling projects coming down the pipe between now and then. I do want to reiterate that those of you who may have doubts about Robert Pattinson in this role, are going to be pleasantly surprised. I think Pattinson is going to do a fantastic job. With a story that’s rumored to focus on the tortured and scarred psychology of Bruce Wayne as well as his skills as The World’s Greatest Detective, I think Pattinson is going to crush it in this role. Anyway, Mike and I go down the roster the roles that have been cast (or heavily rumored to have been cast) and give our take on each of the recently announced parts.
Bringing up The Batman is a great excuse to showcase one of my favorite artists working right now, BossLogic. You may have seen his work online before, I’ve posted his work on this site many times. He made up a very cool poster for movie, as well as pieces on the different actors supposedly up for roles in The Batman and what they’d look like as the iconic allies and enemies of The Dark Knight’s world. Take a look here:
We recorded two episodes, but I’m releasing the second of the two podcasts first. The subjects that we discuss in this podcast are still pretty relevant and fresh in peoples minds right now. I felt that if I waited to share this episode, it just might not be as enjoyable to the fans a week from now. Part One of the podcast has a pretty broad topic, so we’ll be releasing that one later in the week
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I’ve said it before and I’ll say it again, I love the direct to Blu-Ray and Digital DC Animated Movies. There’ve been some real classics to come out of these projects. Movies like Batman: Year One, The Dark Knight Returns: The Deluxe Edition, Justice League: The Flashpoint Paradox, and Batman: Under The Red Hood, just to name a few. While there have been some enjoyable standouts, there hasn’t been a real homerun from these films in a while. Though Batman: Hush may not knock it out of the park, it comes damn near close. Based on the classic Batman run by writer Jeph Loeb (Batman: The Long Halloween) with art by the legendary Jim Lee (Justice League, X-Men), Batman: Hush does a great job of adapting this seminal Batman tale while still fitting the movie into the animated continuity (or DCAU) that DC created beginning with Justice League: War. The result is a pretty damn good movie that is less of a mystery and more of a tragic romance. Which may irk some fans, but I’ll get into more of that in a moment.
I’ve heard some people complain about the animation in these films lately. Critics say that copying the general aesthetic of The New 52 and attempting to adhere to a visual continuity, makes each of these movies feel overly similar and blocky. Well, that issue isn’t completely absent from this film, but there are some notable efforts to step up to quality of the animation. Some shots feature fantastic little details that immediately draw your eyes. How someone’s eyes and face move before something dramatic is about to happen, the way a fight move is pulled off, small moments scattered throughout the film that make it feel as if the animators were going the extra mile and it shows.
The real highlight of the movie is the relationship between Batman and Catwoman. It’s so rare to see Batman in a successful and a functioning relationship. I should mention that Selina doesn’t know that Bruce is Batman at the beginning of the story.
It’s only when things begin to get serious that he reveals himself to be Bruce Wayne. In fact, there is a funny scene when he brings her to the Batcave for the first time and she’s enthusiastically greeted by Dick in the Nightwing uniform without his mask and Alfred attempting to serve her tea. When she‘s surprised to realize that Dick and Alfred know that she’s Selina Kyle. She even half jokingly asks “Does everyone know who I am?“ Dick blurts out “No, just us and Damian.” Selena asks “Who’s Damian?”, “Oh he’s Bruce’s son… He’s Robin.” Replies Dick with an awkward look on his face. It’s easy to see how being an intimate part of Bruce’s life isn’t so simple, which is why he and Selena are so perfect for one another. He is drawn to Selina as both Batman and Bruce Wayne and that’s where the key to their success of the relationship lies.
If Bruce and Selina are out on a date and The Bat Signal appears in the sky, Bruce doesn’t have to make up some bullshit excuse. She’s more than capable of coming along with him to stop whatever threat he’s facing and it even feels like a natural part of their “date night” that they both seem to get off on. Catwoman may have been staying on the straight and narrow, but she loves this world, she loves being part of a good fight. In fact, I think if she was dating Bruce and he didn’t have the Batman aspect to his life, the relationship wouldn’t work. Selina needs those kind of thrills.The film is mature enough to acknowledge that this relationship wouldn’t have worked if it began when they were younger. Maybe there would’ve been an intense fling, but nothing more. They’ve both matured, changed, and they both want different things than they did years before. It’s at this point in their lives that they’re ready to be together as both Bruce Wayne/Batman and Selina Kyle/Catwoman.
When comparing the graphic novel to the film, it’s important to remember that the Batman: Hush graphic novel is a mystery at it’s heart. Who is Hush? Why are they doing this? Well the movie managed to do a great job with staying relatively faithful to the source material, while still managing to surprising fans of the graphic novel. Love it or hate it. Many of the iconic moments from the comic book are present in the film. Some are even slightly improved upon. However, there is one classic scene from Batman: Hush that was adapted to the film, but (without going into SPOILERS) the scene felt like it needed to be a little bit longer. I was impressed how Hush managed to both surprise those of us who’ve read the comic book, while still being faithful to the source material in a unique way. To say much more would be a SPOILER, but you’ll know what I’m talking about when you see it. You may think you know where the story is going, you may think you know the identity of Hush (and maybe you’re right), but things play out just different enough to make things fun, interesting, and surprising.
The final fight between Batman and Hush is particularly well animated, well choreographed, and thrilling. The animation of the fight has a very dynamic quality. Batman employs one of my favorite tactics of his, that we’ve seen in animation and comics many times, but almost never in live-action: He gets in the villains head to gain the upper hand. He plays mind games with his opponents and that’s used here to great effect. Batman use his genius, his ability to manipulate the psychosis of the villain he’s facing, to exploit their fears, insecurities, and weaknesses to give him that extra edge for the win. Batman’s greatest weapon is his intellect.
The combination of the surprising reveal of Hush’s identity, the fantastic animation, and Batman using his intellect to exploit the mental and emotional weaknesses of his opponent, make this for a pretty memorable final battle.
It should be noted that Selina Kyle/Catwoman is a notorious criminal and accomplished superhero in her own right. However, Batman can be such a larger than life figure, that it would be easy to make even the strongest of women look like a damsel in distress in one of his stories. The film does a great job of avoiding problems like this. Selina is her own woman. Her choices are not defined by Bruce’s choices. She doesn’t necessarily need his help to get out of some of the most serious jams she finds herself in throughout the movie. Particularly in the climax of the film, Selina finds herself in a very precarious life and death situation. I’m fairly certain she would’ve been fine, whether Batman showed up or not. The storytellers did a phenomenal job making her an interesting capable character.
At the end of the day this is still a love story between Batman and Catwoman. The sad realization of how, at least in this point in their lives, that love story is also a tragedy. Bruce lets Selina in, in a way we rarely see from this character. There comes a point in the story, when Bruce makes a decision that looks like madness to Selina. In fact, it would look like madness too many of us in the audience. Once the threat has been neutralized and the villain dealt with, Selina has an epiphany. She realizes that no matter how much she loves Bruce, no matter how much she changes for him, no matter how much more she’s willingto change for him, he won’t change himself.
There are things he will not become. There are lines he cannot cross. Because of that Selina will always come in second place to Bruce. She willing to let herself evolve with this relationship, but she realizes that in the end, Bruce is an immovable object she’ll break herself against. It’s profound, it’s sad, and it’s veryBatman.
Batman: Hush is a flawed, but solid Batman mystery/adventure with a fantastic romance story, great fight scenes, some stand out bits of animation, and some surprisingly thought-provoking character and story elements. Some things land better than others and I think the film may have benefited from another 20 minutes or so of storytelling to help flesh out some of it’s more interesting ideas. The climax in particular feels like it comes out of nowhere, when there should’ve been a bit more tension and build up to Batman‘s final confrontation with Hush. Whether you’ve read the original graphic novel or not, this movie will still keep you guessing.
While not the complete return to form I was hoping for from Warner Bros/DC Animation after the strong combination of The Death of Superman/Reign of the Supermen, I’d say this is still a MUST WATCH for any Batman fan!
Tonight the final season of Gotham premiered on Fox and honestly I was very excited to watch it. It’s hard to believe that this is the same show that just a few years ago had some of the absolute worst superhero writing on TV.When Gotham began, it was more or less a shittier Smallville, with proto-versions of Batman’s rogues gallery popping up each week for Ben McKenzie’s Jim Gordon to deal with. It was a shame because the show was very well cast and all the actors were perfect in their roles. Since the very first episode, Ben McKenzie has made a great Jim Gordon (he was also the voice of Batman in the animated film adaptation of Batman: Year One). Many of the great Batman stories are also great Jim Gordon stories, so it was very important for them to get this character right.
We even got to see a part of Bruce Wayne’s life that is very rarely explored, the years immediately following the murder of his parents. David Mazouz is easily one of the most compelling live action versions of Bruce Wayne we’ve seen. He conveys Bruce’s dark, brooding intelligence without ever sounding like a whiny brat. With excellent actors memorably playing classic Batman characters like Alfred, The Penguin, The Riddler, Selina Kyle and more, the series felt like a frustrating waste of great talent. Terrible writing hamstrung what could otherwise have been an excellent take on the Batman mythos.
About halfway through Season 3, specifically the mid-season finale, something fundamentally changed about the show for the better. I think there are two big reasons for this and one of them was how the series began to use Bruce Wayne. First of all, David Mazouz had grown up enough that he was just old enough to start becoming more crucial to the action going on in the story. Pretty much from the pilot on, Bruce has slowly been learning important skills that would become crucial on his journey to becoming Batman. Season 3’s mid-season finale saw Bruce being taken hostage at a circus by Jeremiah Valeska. If you’re not familiar with Gotham, Jeremiah (played by Cameron Monaghan) is basically their version of The Joker, and a damn good one too. The episode culminated with a show down in a hall of mirrors between Bruce and Jeremiah, where Bruce comes very close to killing Jeremiah. The whole episode was pretty great and I found myself watching the rest of the season once the show returned from it’s hiatus. You started to see Bruce take a more active role as a vigilante even though he wasn’t dressed like Batman.
The second reason the series changed for the better in my opinion, was because it stopped being a bad prequel series, building up to some day in the future where we get to see Bruce put on the Batman costume in the last 5 minutes of the final episode. In the same way that Smallville was entirely built around the show teasing Clark eventually putting on the Superman costume, that we only see him wear for about three seconds in the series finale. Instead, Gotham became more of an Elseworlds Batman story. I think it’s the smartest thing the show could’ve done because they took the mythology and made it their own. They were no longer slaves to the mythology of the Batman comic books. They allowed their story to be an alternate take on the mythos. This choice gave the show its own identity. It also made it more exciting for the audiences because things weren’t necessarily going to play out exactly as they had in the comic books. As a result the back half of Season 3 was a hell of a lot of fun and frankly I love Season 4. One of the reasons I love the show Krypton on Syfy is that the show isn’t a prequel, it’s more about the DC Universe’s past being changed by time travel. Changing Krypton‘s history, changes the history of the entire Superman story and by extension the entire DC Universe.
So coming into this final season, which was going to be drawing from classic Batman stories like No Man’ Land and Zero Year (In fact this episode’s title is “Year Zero”), I was pretty psyched to see what they were going to do. I’m happy to say I wasn’t disappointed.
After the events of last season, Gotham has been completely cut off from the outside world. The bridges are down in the city and it’s been 87 days since Gotham was officially declared a No Man’s Land by the US government. Unfortunately, not everyone who wanted to had the means to leave the city before it was cut off from the rest of the world. Children, families, innocent people have been trapped in a city that has become an almost post-apocalyptic dystopia. Gotham’s been carved up into territories, with different factions controlling different neighborhoods. Penguin Control City Hall and the surrounding area. He’s also the only person in the city manufacturing bullets for guns, which are more or less currency in the city. Scarecrow, Firefly, Mr. Freeze, Poison Ivy, and other villains have also carved up their own peace of the city.Somewhat ominously, Jerimiah Valeska hasn’t been seen since the beginning of No Man’s Land. I have a feeling he’s waiting to make his own suitably dramatic entrance.
The only part of Gotham City for the average citizen who’d been left behind is the area controlled by the GCPD. Gordon with Bullock and Lucius Fox by his side, are not only leading what’s left of the GCPD, they’re also protecting and feeding hundreds of refugees and supplies are running out. A lot of this is straight out of some iconic Batman storylines, so as a longtime Batman comic book fan this is cool to see.
Fortunately, Bruce Wayne and Alfred decided to stay behind as well and Bruce is doing everything he can to get supplies smuggled in. Not only to the people suffering in the city, but medicine for Selena Kyle as well. She was shot in the stomach at point-blank range by Jeremiah in the season finale last year and unless something drastic is done she could be paralyzed from the waist down for the rest of her life. Of course this heavily weighs on Bruce, who blames himself for her condition.
Part of the fun of this season is seeing how close Bruce is to becoming Batman, even though he isn’t ready yet. There’s an early scene where Bruce takes down a bunch of thugs trying to steal medical supplies. The power has gone out, so he uses night vision goggles courtesy of the Lucius Fox to take them out one by one, in very Batman fashion. However, just when it looks like he’s saved the day, the lights come back on, the night vision goggles blind him, and the thieves get away. This is an important scene because it shows us that while Bruce is well on his way to becoming The Batman that we know, who could’ve easily taken down a group of bad guys in a situation like this, but he’s not quite there yet. He’s still making crucial mistakes and he still has much to learn. It’s important the series didn’t just suddenly turn him into Batman over night. Bruce’s journey throughout the series has felt earned. Based on his training it makes perfect sense for him to be exactly at the level he’s at now.
The episode largely sets up the status quo for the season and puts the pieces in play for things to come. We know things are going to get a lot worse before they get better because the episode opens with a flash forward to No Mans Land Day 391 and shows Gordon, Bullock, The Penguin, The Riddler, and the rest of the GCPD fending off a full blown siege by… someone. For Penguin and The Riddler to be teaming up with Gordon, it must be a pretty serious common enemy.
All in all I really enjoyed this episode and considering that it was mostly set up, I have a feeling once the story really gets going this has the potential to be a fantastic final season for Gotham. I couldn’t help but love the scene when Gordon and Bruce were standing on the roof of the GCPD together. With Gordon shining a spotlight on the sky to give people hope, foreshadowing so many of their interactions in the years to come. As Bruce walks away at the end of the scene, Gordon ask him if he regrets staying behind in Gotham, Bruce replies “No. You?”. Jim Gordons smiles and says “Hell no”. Am I looking forward to the rest of Gotham’s Final Season? Hell, yes.
An R-Rated, animated Batman movie, that’s essentially, Batman Vs. Jack The Ripper? To quote the great Kevin Smith “Fuck you. Take my money.”. Batman by Gaslight adopts a storytelling device often seen in comics called ”Elseworlds”. “Elseworlds” are basically one off stories where you take a familiar hero and and put them in a unique setting or story they normally wouldn’t be in. It’s a “What If…” story, essentially. For example, What if baby Superman’s spaceship crashed in Soviet Russia instead of Kansas? Or What if Batman hunted Jack The Ripper in Victorian-Era Gotham City? The original graphic novel of the same name that the movie is based on, with art by Hellboy creator Mike Mignola, was too short to be adapted to a feature length film. So, the filmmakers had to add to the story, which is fun if you’ve read the graphic novel because you’re getting something that’s both a strong adaptation and completely new tale at the same time.
It’s a great premise that’s a natural fit for the character. Batman’s often referred to as “The World’s Greatest Detective” in the comics, so I loved seeing Batman in a real mystery where he has to use his skills as a detective as much as his skills as a fighter. Batman’s incredible detective abilities are rarely utilized enough outside of comics. It doesn’t hurt that the whole story takes place in a world that looks very much like the city of fictions other great detective and one of the inspirations for Batman, Sherlock Holmes (there’s a small Sherlock Holmes reference that only true Sherlockians will get). The movie looks like it’s was pulled out of the pages of an Arthur Conan Doyle story, which adds to the movie’s cool, steampunk, murder mystery vibe.
Bruce Greenwood plays Bruce Wayne/Batman in this film and besides Kevin Conroy, I think he’s my favorite Batman voice actor. He’s played Batman before in movies like Batman: Under The Red Hood (one of the best DC Animated Movies) and the excellent Young Justice animated series, returning for it’s third season later this year. Jennifer Carpenter (Dexter) does some great work as Selina Kyle, but I don’t think they ever call her Catwoman in the movie. Besides Batman, Selina Kyle has the most to do in this movie. She’s basically Batman’s partner in solving the murders. She’s taking matters into her own hands because she knows if the victims were rich, white men instead of poor women, the police would be doing a lot more. At the very end she has a little damsel in distress moment I wasn’t crazy about, but other wise she’s an ass kicking badass who is more or less Batman’s equal.
Of course, it fun to see Victorian-era versions of the wide array of characters from Batman’s world. I wont spoil all the fun cameos, but you get to see characters from Hugo Strange to Solomon Grundy throughout the story. Unfortunately, a lot of the supporting cast isn’t as fleshed out as Batman and Selina Kyle which is definitely a big weakness in the film.
This movie takes full advantage of it’s R-Rating. This is easily one of the more bloody and gorey DC Animated Movies made so far. The real life Ripper Murders always struck me as particularly brutal and vicious. The movie does a good job of conveying that THIS Jack The Ripper is a terrifying butcher as well.
One of the things that made this version of Jack The Ripper work for me is that he was a physical match for Batman. This isn’t the same Batman that could kick the shit out of Superman. Batman gets pretty fucked up a few times in this movie. We’ve seen Batman fight armies of alien invaders and beings with all kinds of super abilities and come out fine. But the fact that The Ripper is just a man and he comes so close to killing Batman makes him much more frightening. Compared to other Batman animated movies recently, the stakes may seem lower but they feel higher than ever. This story isn’t “canon”, so characters who wouldn’t normally be on the chopping block could be taken out at anytime, which give the movie a nice edge.
Stylistically, this film has stepped away from the more anime inspired look that much of the other DC Animated Movies have adopted. Instead, the animation style is more traditional, without sacrificing quality. Including several great fights and action sequences. There a few showdowns between Batman and The Ripper that are particularly well done.
Having never read the original graphic novel, I didn’t know who The Ripper was while watching the movie (and this being Gotham City it could be almost literally ANYONE). So, it was fun not knowing where the story was going, but I did know The Ripper is NOT the same character from the original graphic novel. I’m definitely going to grade on a curve here, because as I’ve said before the quality of the DC Animated Movies has dipped over the past few years and I feel this is a huge step in the right direction. I have a feeling that the movie seemed a lot better than it actually was because the quality of the DC Animated films hasn’t been as consistent lately
Batman: Gotham by Gaslight is fun little Batman mystery, taking place in a interesting setting. Whether you’re a fan of Batman, these animated movies, or you just happened to see the trailer and were intrigued, I would definitely recommend this movie. While not without it’s flaws, It is without a doubt one of the best DC animated movies that we’ve seen in a long time. Let’s hope they keep this momentum going into their next movies…
Batman: Gotham by Gaslight is available on iTunes now and the Blu-Ray will be released on 2/6/2018
Batman: Gotham by Gaslight – 8.4/10
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