This Episode Of The World’s Best Podcast has been available for a few days to all of our listeners, but I hadn’t had an opportunity to post it on the site yet. So thank you for your patience! This was a really fun episode that I recorded with Ryan McDonald. We do a full spoiler review of The Incredibles 2, we talk about Shymalan’s Unbreakable Universe and the upcoming movie, Glass, we discuss Jordan Peele’s desire to make a film adaptation of the Gargoyles animated series (a personal favorite TV show of mine), & much more! Listen here at the link below or on The Boston Podcast Network ( pod617.com ), and subscribe on Stitcher and iTunes:
I don’t have any comic series that I read consistently, but I do like picking up stories that are either getting a lot of buzz, or are going to be the basis for some adaptation. I’ve been seeing a lot about the “Flash War” event which will pit Barry Allen against Wally West. Last week the first issue came out, and I picked it up, along with the ‘prelude’ which was in the annual.
Hey Everybody, Paul here. As the resident comic book expert I thought I’d help fill in some of the blanks in the background with ‘Flash War”. Mike not quite having his comic book super nerd powers yet. So anytime in this article you see italics text like this pop up, that’s me putting in my two cents. It’s two authors for the price of one!
Now, I’ve read Flashpoint, and Flash: Savage World, a couple of the Justice League trade paperbacks, as well as being a fan of the TV show, so take my opinion as that of someone who’s not an expert, but also not diving in for the first time. If you’re interested in this story, I do suggest picking up the annual with the prelude, because I found that it makes things a bit clearer in the first issue.
Besides the Flash Annual that Mike mentioned earlier, the storyline that is most important to understanding Flash War is a story that goes back to Geoff John’s original run on The Flash BEFORE The New 52 and even before Barry Allen came back from the dead. At this point in DC history Barry Allen had died in the classic mega-event Crisis on Infinite Earths. For the nearly three decades after, Barry’s sidekick Wally West aka Kid Flash became The Flash full time. For a whole generation of readers (or if you even just knew The Flash from the Justice League animated series) Wally West WAS The Flash. Anyway, this super important story was called BLITZ and it was all about how former FBI criminal profiler Hunter Zolomon, who was a good friend of The Flash, became the super villain Zoom and initiated a devastating attack on Wally West and his family.
I’m not going to review the individual parts, but now that I have an idea of what the story is, I’m going to write about it, and then when the series concludes, I’ll write a review of it as a whole.
So, if you’re familiar with DC’s recent history, they had the “New 52” runs, and then there was Flashpoint which I believe allowed them to reset somethings after that, to try the “Rebirth” runs. Well, there were some consequences to all of these resets and reboots, and one major one, which apparently directly stems from Flashpoint, is that the Wally West (the third Flash) from pre-“New 52” no longer exists as he did. He is still around, but he has no history, much of his memory is cloudy due to being lost in the ever-changing timeline, and almost no one remembers him.
Ok so there’s actually another super important story that you need to read called DC UNIVERSE: REBIRTH, also written by Geoff John’s. When Barry created Flashpoint and created The New 52 as we know it, “classic” Wally West had seemingly been erased from history. This story partially shows how he escaped from The Speed Force and why there are 2 very different Wally West’s in The New 52 continuity. It also, tells us that Barry creating Flashpoint was not the only person responsible for this altered universe… Just read the story, it’s a huge reveal.
*Some minor spoilers from this point out*
As Mike goes into here, there are now 2 Wally West’s in this reality. The adult, white, pre-The New 52, FLASH Wally West who escaped The Speed Force in DC UNIVERSE: REBIRTH and teenage, African-American, KID FLASH Wally West. Now Wally is a white red haired guy, still operating under the title of Flash (although Iris West-Allen, Barry’s wife and Wally’s aunt who doesn’t know who he is, refers to him as the new Flash because Barry is still the Flash as well.) Wallace on the other hand, is a younger, black teenager (not sure how old he’s supposed to be, but he’s shorter which I’m pretty sure equals younger) Paul chiming in here, he’s roughly in his mid-teens and is Kid-Flash, but is also Iris’s nephew.
So, they’re the same person but different people. It’s a little confusing, but I like it, because I’m a big fan of time-travel and the idea that if anything were done differently in a time-line individuals could be genetically different people from one to another.
At this point in the article, bless his heart, Mike sort of misinterpreted the chain of events. Basically, Time Agents from the 25th Century (kind of like Minority Report) all dressed like good versions of classic Flash villains, The Rogues, show up at try to arrest Iris for supposedly killing Eodard Thawne (Classic Flash villain The Reverse Flash) at some point… in the future… I guess? Even I’m a little confused on this on, guys. These Time Agents could be full of shit, but adult Wally freaks out at the idea of these assholes taking Iris, where Barry wants to let cooler heads prevail and calmly go with The Time Agents to figure out what’s going on. Some fighting and time travel ensues… One of The Time Agents has a really cool and surprising power source I won’t spoil here.
As the first issue comes to a close, we see that Wally has been transported to a future in which he did exist, while Barry, Iris, and Wallace were transported to the alternate future, and Hunter Zolomon aka Zoom tells Wally he’s going to help him change the past and save his children who were erased in Flashpoint.
This issue is kind of framed by Hunter Zolomon and his POV. To the best of my knowledge, the first time we’ve seen this version of Zoom and Wally’s kids since before Flashpoint, because they’re all pre- The New 52 characters.
I’m really excited, because as I said before I really enjoy time-travel and time line stories, I also really enjoy stories in which protagonists conflict with each other, sometimes I find it more interesting than when there is a clear protagonist. I’m not sure to what level Zoom will participate, my only familiarity with him is from season 2 of the Flash on CW, but I’m really looking forward to what’s coming up.
The Hunter Zolomon/Zoom of this comic is VASTLY different from the Zoom from The Flash CW series. I like Mike’s enthusiasm, but I think this isn’t a great comic for new readers. It’s really more for people who’ve been following The Flash and DC Comics in general for the past decade or so. I recommend new readers check out, as an alternative, the mini-series The Man of Steel by Brian Michael Bendis currently in it’s 3rd issue. You can get at your local comic book store or on your tablet on the ComiXology app. It’s very new reader friendly and all you really need to know is who Superman is and the bare minimum about his world. I hope you guys enjoyed our different takes on Flash War part 1. Thanks for reading, everyone!
On this week’s episode of “The World’s Best Podcast”, Paul Sr. and I discuss the new trailers for Halloween, Spider-Man Into The Spider-Verse, & Predator, The opening of Ocean’s 8 and the other films in the franchise, the death of Anthony Bourdain, and much more! Listen here, on The Boston Podcast Network pod617.com , or subscribe on Stitcher and iTunes:
It’s been a big Spider-Man week here at World’s Best Media. I wrote a pretty critical article of Peter Parker as a hero a few days ago, Mike just wrote an article about the Venom movie. Now we have this trailer for Spider-Man: Into The Spiderverse. I think this looks amazing. Even though I just wrote an article shiting all over Peter Parker, I LOVE Miles Morales. The first teaser for this movie was cool, but after seeing this trailer, this movie is on my radar in a big way. Check it out:
I’ve been getting back into comics the last year or so, and I’ve been finding that my tastes have drastically changed in characters and stories in my nearly twenty year absence. As a kid, I loved Marvel comics, and didn’t ever pay attention to DC, now I’m definitely finding more in DC that I enjoy. I used to love Spider-Man and the Avengers, and now when I am reading Marvel stuff it tends to be stuff that isn’t too closely related to any of the MCU films or other Marvel films.
One of the characters that I used to love when I was about 12 or so, was Venom. He was so cool. I’m starting to think he may have been more of a ‘cool’ character, than a ‘good’ character.
I remember reading some of the ‘Venom’ series, and thinking that he was like an edgy broodier version of Spider-Man. I think I thought “Venom is what J. Jonah Jameson thinks Spider-Man is,” which I thought was incredibly cool. At this same time in my life, I was also collecting all the ‘alternatives’ that were coming out like A-Next which was the next generation Avengers, and J² which was Juggernaut’s son. I think I had crappy taste at the time. But Venom was a bad-ass, and I was convinced that was amazing.
Then, Spider-Man 3 was coming out, and it was announced that they’d be doing Venom as one of the villains, I was ecstatic. Even when they announced it was Topher Grace, who seemed so unlike Eddie Brock, but they explained that he was supposed to be Spider-Man’s mirror, so they sold me on it. Then I saw the movie and thought “oh they really fucked that up.” It was definitely the portrayal of the character, and not the character itself right?
So a couple months ago, the trailer for the new Venom movie was released, and I have to be honest, I think it looks like garbage. I like every single person in it (especially Jenny Slate) but the way she pronounces symbiote (Sim BY Oat) is obnoxious, and I’m sure this will be like when people were telling me that the correct way to pronounce Smaug was with each and every single vowel present, and I was like “it may be right, but it’s still annoying.” So there was strike one. Strike two is that the actual Venom suit/skin looks horrendous. Don’t get me wrong, it looks just like in the comics, but it looks awful when juxtaposed with non-animated characters. There isn’t a strike three yet. So hopefully, I’m wrong.
Then lastly, I started reading the Venom vs. Carnage trade paperback, and after a few pages of “I’m your father, you have to listen to me,” and “Perhaps if my host had any regard for his family, I’d respect you dear old daddy” a lightbulb went off in my head. What if Venom sucks? What if it isn’t that the character hasn’t been portrayed right, but what if it’s that the character isn’t good, or perhaps he’s only situationally good, like in small doses, when paired with the right characters?
Paul has talked a few times in articles and in the podcast about characters like Wolverine being best served in small doses, because they’re cool, and there is a tendency to over do them. Maybe that’s Venom’s problem. Or maybe unlike Wolverine who is cool, and has a great arc/background, Venom is just cool, and not ‘good’.
Don’t get me wrong, I’ll go see the Venom film and I’m going to finish reading this book, but I’m not sure anymore about Venom.
What do you think of Venom? Is he just cool? Am I missing some incredible story that does his character the most justice possible? Let me know in the comments below.
Spider-Man reached a historic milestone this week with the publication of Amazing Spider-Man #800. This was also the penultimate chapter of writer Dan Slott’s celebrated run on the series. For the finale, Slott pulled out all the stops and gave Peter Parker a truly monumental threat to face for his last story arc on the book. Slott’s story has been building to an epic confrontation with Norman Osborn, unquestionably Peter’s greatest adversary.
Though memorably played by Willem Dafoe in Sam Raimi’s Spider-Man film series, I always hated Dafoe’s campy and cartoonish performance as one of comics’ best villains. But that’s an article for another day. In the above mentioned comic book story arc, Osborn has returned to once again torment Peter Parker and everyone around him, but this time not only has he regained his abilities that made him so dangerous as The Green Goblin, he’s also bonded with the alien symbiote worn by Carnage, creating the seemingly unstoppable: RED GOBLIN!
Osborn has never been so deadly and his new persona as THE RED GOBLIN is a terrifying, unstoppable monster. To use a cliché: All the strengths of The Green Goblin and Carnage, but none of their weaknesses. It takes everything Peter has, including the aid of everyone from all the other Spider themed heroes like Miles Morales to semi-reformed villains Venom and Otto Octavius, to bring down The Red Goblin. Hell, even MJ and Aunt May get some licks in. Ultimately, Flash Thompson, Peter’s former high school bully, turned good friend, turns the tide of the battle. Now the military war vet/super hero Anti-Venom; Flash sacrifices himself to give Peter the chance to defeat Osborn.
With Osborn beaten, Peter takes a moment to appreciate his victory and take in the destruction caused by their fight. When J. Jonah Jameson walks out of the smoke with a gun, intending to finally put an end to the death and misery caused by Osborn. It was far too close this time, Peter didn’t even come close to beating Osborn on his own. It took unprecedented amounts of help and a whole lot of luck to just barely defeat this monster.
JJ has known Peter is Spider-Man for awhile at this point
Jameson knows Norman will be back like he has so many times before to bring death and horror into their lives. Osborn has killed thousands of innocents, used a U.S. Intelligence agency as his personal kill squad when he became head of SHIELD, started a war with Asgard, and finally he was responsible for one of comic books’ most iconic and heartbreaking deaths: the love of Peter’s life Gwen Stacy.
Not to mention the countless other innocent victims that have been caught in the crossfire between Osborn and Spider-Man over the years. He knows Peter can’t and wont do what needs to be done: kill Osborn. But this is a burden Jonah is willing to bear for the young man he once saw as a menace. So, doing what needs to be done, what he believes is right, he pulls the trigger to kill Norman Osborn….
…. And Peter dives in front of the bullet to save Osborn. Taking a slug in the shoulder for the man who juts killed one of his best friends. …..Wait… …Um.. …Hold on a second… ….Ummmm… WHAT?!…. WHAT THE FUCK?!!!!….. WHY?!!!!!!
Because Peter Parker isn’t a hero, he’s a coward. With great power comes great responsibility. Flash Thompson understood that and gave his life for it. Jameson understood by the making the choice to take on the burden Peter didn’t have the strength to. When Peter took that bullet he spat on Flash’s sacrifice. Every death caused by Osborn from this moment on is Peter’s responsibility. Trust me, this is Comics. Osborn WILL be back to kill and maim again, in some form or another.
Police and their use of firearms is a very touchy subject in this country right now, so I’m speaking hypothetically here. I understand that police using their firearms inappropriately is a serious problem in this county at the moment and I take that very seriously. But stay with me here for a second while I make a quick point, hypothetically in a world where police officers use their weapon in the line of duty only in the situations where it’s absolutely necessary or if a psychopath is killing people, isn’t it their responsibility to save lives? Even if it means killing the perpetrator? Or what if an officer were defending themselves from an armed and dangerous individual? How is this different than the many times Norman Osborn has murdered people, put lives in danger, and terrorized people over and over again. If the police had encountered Osborn in almost ANY of the senario’s that Peter has, they would have killed him (if they could of course, Osborn is probably impossible for a normal human cop to take down). Peter should have put Osborn down for good a long time ago. If he really believed in dedicating his life to being a hero, he’d have realized that so many of the lives Osborn has taken are on him.
I think this is a good time to point out that Peter Parker is a superpowered, masked vigilante whose identity isn’t known to the general public. You and I cant go around taking the law into our hands, but he can. In fact, he does it all the time. That’s what being Spider-Man is. He just doesnt have the guts to kill Osborn and because of his abilities and persona as Spider-Man, this is a crime he could very likely get away with, in a way normal people couldn’t.
This isn’t the first time Peter has pulled something like this. A few years ago through a convoluted set of circumstances, Norman Osborn became head of SHILED and the Avengers instantly became outlaws. Hawkeye argues that Osborn is insane, homicidal, and cannot under any circumstances be allowed to keep control of SHIELD. Hawkeye thinks the only thing to do, the thing they need to do, have a responsibility to do is kill Osborn. The public doesn’t know that he’s a madman and potentially millions of lives are in danger with Osborn controlling the weapons at SHIELD’s disposal.
At which point Spider-Man argues that HAWKEYE is the one who’s crazy for even suggesting they kill Osborn and tells the rest of the Avengers that Osborn will inevitably shoot himself in the foot and the public will see him for the monster he really is. Well, how many people will die while you just sit around waiting for this to happen, Peter? In a world where individuals can be classified as a “Person Of Mass Destruction” isn’t it dangerously negligent for Spider-Man to have this attitude? Isn’t this the very definition of “With great power, comes great responsibility”?
This is why I think Spider-Man only works as a character when he’s a teenager. I only read Amazing Spider-Man #800 because it was a milestone issue. The only Spider-Man book I currently read on a monthly basis is Spider-Man which stars the other younger Spider-Man, high schooler Miles Morales. When a teenager sees the world in such morally black and white terms… well, they’re teenagers. What the fuck do they know? I remember when I was 16 I thought good and evil were clear lines and I’d never see the world as a place where thing like “necessary evils” must exist. But of course as I grew up, I changed and so did my view of the world. It almost seems like Peter Parker never grew up. It seems as if he never matured past his childish and naive sense of morality. So when you read a Spider-Man book or see a Spider-Man movie, they tend to be at their best when Peter is a teenager. It’s no coincidence that my personal favorite Spider-Man stories ever told were part of Brian Michael Bendis’ Ultimate Spider-Man run, which chronicled Peter as he navigated the dangers of super villains and his New York City high school.
Tony Stark and Steve Rogers debate morality all the time, but they’ve never debated the morality of killing murderous, super-powered lunatics. Spider-Man is always talking about how “with great power, comes great responsibility”. But I say Peter Parker is a coward who doesn’t have the courage of his own convictions. Heroes do what needs to be done, they don’t hide behind some bullshit code. SPIDER-MAN IS NOT A HERO. SPIDER-MAN IS A COWARD. Let online onslaught of hate begin…
In all honesty, I’d love to hear your opinions on the points I bring up in this article. Please write you comments below or on our Facebook Page and maybe we’ll read your question or comment on an upcoming episode of The World’s Best Podcast.
Have you ever wanted to pick up a comic book or graphic novel, but didn’t know where to start? Well you’re in luck! Because on this episode of The World’s Best Podcast, Uncle Paul recommends some of the BEST graphic novels to read if you’re COMPLETELY new to comics!
With all of the superhero movie in theatres, deciding what comics to read for the first time can be intimidating. Especially when there are literally thousands of graphic novels out there to choose from. But fortunately you first time readers, the TV shows and Movies have only scratched the surface of all the amazing stories told in the comic book medium. If you’re a long time reader, you might be inspired to revisit some of the classics covered here (or check out one or two of the unexpected picks)!
After the episode links, I put a the complete list of all graphic novels discussed in this episode and where readers can find them! As always you can listen below, on The Boston Podcast Network pod617.com , or subscribe on Stitcher or Itunes:
On this Episode, I bring in the old man, Paul Sr. to discuss the season finales of Arrow, The Flash, Supernatural, and Gotham. We discuss the big moments of each finale, the quality of the preceding seasons, and where the shows go from here. A few of these shows we really love and have suffered from a dip in quality lately. So we have a lot of hot takes in this one! Including some inside info on how the shows connect to some other interesting projects like the Green Arrow movie that almost was called Supermax, the upcoming annual CW superhero crossover event involving Gotham City and Batwoman, the classic Batman stories “No Man’s Land” “Zero Year”, and more! Also, take a look below the link at some cool new images put out to promote the upcoming seasons of the show’s we talk about in this episode. Enjoy! Listen here, on The Boston Podcast Network pod617.com , or subscribe on Stitcher and ITunes:
I know enough about how television shows work behind the scenes to know when a show is saving its money for something big. You think those dragons on Game of Thrones are fucking cheap?! Well, they ain’t! AND Krypton doesn’t have a fraction of the budget that GoT does. Episode 9 of Krypton’s 10 episode first season had a lot of scenes “in the tunnels” or “in a hidden bunker”, basically sets they already built, dressed up to look like different locations, so they could save all the big bucks for a grand, epic ending. So, I knew this week’s season finale of Krypton was going to be big. I must say the show did not really disappoint.
I’ve often lamented how DC characters can be done so well on TV and so very, very shitty on the big screen. Krypton is another sad reminder of this.On paper, Krypton sounds awful. I really thought the concept was terrible: “A prequel set on Krypton focusing on Superman’s grandfather.” WHO GIVES A FUCK?! RIGHT? Sometimes it’s great to be so wrong. The show was so much more than the above synopsis and ended up being one of the most pleasant surprises of the first part of 2018.
The Big Bad of the show’s first season has been Brainiac, who’s been handled extremely well. The casting, actor Blake Ritson (Da Vinci’s Demons), and character design were damn near perfect. When your biggest complaint is that you want to see more of a character, they’re doing something right.
As the finale begins, Brainiac has descended on the Kryptonian city of Kandor. The end is fucking nigh. The main character, our hero, Seg-El (played by the oh so man pretty Cameron Cuffe) or just Seg, is doing whatever he can to stop Brainiac. To make matters worse, classic DC space adventurer Adam Strange isn’t the only one to travel from to the past to save the future, so has General Zod (Yes. THAT General Zod!) played by Colin Salmon from Arrow and the Bronson James Bond flicks.
Zod wants to prevent the destruction of Krypton and with all the knowledge of the universe, different alien races, and the abilities that Kryptonian ‘s can you develop under a yellow sun under his belt, he wants to usher in a Kryptonian dynasty that will rule the galaxy. This guy is just a fuckwit. Adam Strange had the right idea when he straight up tried to kill Zod the second he saw him earlier in the season. Speaking of Adam Strange…
Adam Strange is just trying to keep the timeline on track. Unfortunately, he doesn’t have a great pitch to the his allies currently living on Krypton. After all, their world has to die for Superman to become the greatest hero in the universe. Adam brought Superman‘s Cape with him from the future to give to Seg a little bit of tangible evidence he wasn’t some nutcase. The Cape has been a lot like Marty McFly’s picture of his family from Back to the Future: the more the timeline changes, the more Superman‘s Cape begins to deteriorate and eventually disappear completely. If the past isn’t protected there may be no Man of Steel! Oh, and Zod wants to release Doomsday to stop Brainiac. The shit it hitting the fan here, people!
For the most part the characters, both hero and villain, have worked pretty well. The villains in particular have been great. The whole cast is perfectly fine for the first season of a show like this, but there’s definitely room to improve in season 2. Both the heroes and villains are interesting in their own way and certain classic DC characters are adapted very well for the series. Both General Zod and Brainiac are excellent villains in completely different ways. They’re both perfectly casted and I’m hard pressed to decide which of them is more dangerous in the long run. Brainiac is a force of nature, but Zod is… insidious. Don’t get me wrong, Brainiac is scary as fuck. But he’s kind of like trying to use a gunfight to stop a hurricane.
Zod is scary because of his humanity (even though Kryptonian’s aren’t technically humans). He never lies, but he chooses to leave out some pretty important details about his past. By “hiding the truth” he’s able to get the good guys to work with him despite the fact that they don’t completely trust him. Adam Strange is the only one who knows just how dangerous this fucking guy is because Adam knows how deadly and destructive he was on Earth. As I said before, the looks the show has decided on for Zod, Brainiac, and Doomsday are all excellent. The character design and make up work are phenomenal especially for Brainiac. We don’t see a lot of Doomsday in season one. Most likely because they’re setting up Doomsday to be a major threat in Season 2.
The best part of the series is really how they use the Superman mythology and put their own spin on it. I was pleasantly surprised when certain classic DC characters and stories elements that I didn’t expect, popped up in the series. If they can get the characters as strong as the mythology in season 2, the show could be excellent.
Seg is a solid hero for the show. You can see pieces of Clark Kent in him. You can see parts of the man that his grandson will eventually become. He has that same selflessness and heroism. Of course he looks like him a little bit as well. But he’s still his own character, I would definitely say he’s willing to do more morally questionable things than his grandson probably would. It’ll be interesting to see where they take Seg’s character in season 2.
The episode end’s on one hell of a cliffhanger. A really phenomenal set up for season 2. The genius of this show is that it’s NOT a prequel, it’s really a time travel show. So the series isn’t bound by the existing Superman mythology and can blaze its own trail. All in all, I think this was an excellent finale to a surprisingly strong first season and I can’t wait for Season 2! As always, thanks for reading !
The guys over at ScreenJunkies, who put out some pretty solid content, made this fantastic video where they argue than Tony Stark is the true villain of the MCU. I gotta say I’ve definitely said similar things about Iron Man in the past. But this is the best breakdown of why Tony Stark is a pretty big bag of shit that I’ve seen. It’s a very cool video. Once again, thanks and great job ScreenJunkies! Enjoy!