NEW TRAILER: The Old Guard starring Charlize Theron!

Hey Everyone,

Paul here…

   With movie theaters being closed, it’s been a pretty lackluster (or more accurately, nonexistent) summer movie season. However, there have been a few cool movies released digitally or directly to streaming services. There are two kinds of Netflix Original Movies, the first are mostly pretty shitty movies that couldn’t find a distributor, so they were sold to Netflix. The second kind of Netflix Original Movie is a film produced through Netflix’s in-house production company and is a real attempt at making a great movie. It’s this second kind of Netflix film that will be talking about today. Netflix has released successful films before through it’s in house production company,  but one of their more high profile movies will be hitting the streaming service later this month. The Old Guard starring Charlize Theron is based on the comic book series by Greg Rucka and Leandro Fernandez about a team of immortal soldiers who seemingly can’t be killed. Greg Rucker is a fantastic writer and I read the first volume of The Old Guard graphic novel when it first came out and I thought it was very good. This movie sort of flew under my radar, but it looks pretty damn cool. I know I’ll be watching it when it starts streaming on Netflix next week. Take a look at the trailer right here:

The Old Guard premieres on Netflix on 7/10/20

THE BOYS Season 2! New Clips & Poster!

Hey Everyone,

Paul here…

If you’re a regular visitor to World’s Best Media then you may have heard me say that 2019 was the year of the television series, especially streaming series. With the exception of the once in a lifetime experience that was Avengers: Endgame, I would say that I enjoyed the content on TV far more than anything in theaters. The Umbrella Academy, Good Omens, The Mandalorian, Stranger Things 3, Watchmen, each of these were amazing shows in their own way. Watchmen was not only my personal favorite TV series of year I also think it was the best. It was an absolute masterpiece and it’s chilling how prescient the show ended up being with themes about policing and race being central to the show.

   If it wasn’t for Watchmen, my number one series of 2019 would’ve been Amazon Prime’s The Boys. There were a lot of superhero television projects that came along last year, but most of them were so unique that it didn’t feel tired or overdone. The Boys, from showrunner Eric Kripke (the creator of Supernatural) based on the comic book created by Garth Ennis and Darrick Robertson,   takes place in a world where superheroes exist, one team in particular called The Seven are analogs for the Justice League. Queen Maeve is their Wonder Woman, The Deep is their Aquaman, and so on. When the cameras are rolling there every bit of the heroes that the adoring public wants them to be, but behind the scenes they are depraved, cruel, sadistic, self-serving, and in some cases, insane.

 The boys are a group of mercenaries loosely tied to the government led by a man named Billy Butcher, played pitch fucking perfectly by the amazing Karl Urban. it’s easy to forget how many amazing projects Karl Urban has been a part of, he’s been in Lord of the Rings, Dredd, the new Star Trek films, and he adds another fantastic character to his resume with The Boy’s. 

  After young man named Hugie loses his girlfriend when she’s accidentally and pointlessly killed by The Seven’s version of The Flash, Butcher approaches Hughie to see if he’s interested in a little revenge. It’s the job of Butcher and The Boys to handle things when one of these “supers” gets out of line. By “handle”, I mean either badly fucking them up or killing them in the most brutal way possible. The show is a brilliant commentary on celebrity culture, fame, power, and accountability. It’s strikes a brilliant tone with pitch black humor, but not at the expense of undermining the drama of the story.

Karl Urban’s Butcher is incredible, but it’s the character Homelander played by Antony Starr that really steals the show. This is the first role I’ve seen Starr in and he knocks it out of the fucking park. The “Evil Superman” troupe is fairly common, but it’s never been done as well as Antony Starr’s Homelander. Imagine a character whose façade is a combination of Captain America and Superman. He has the exact same powers as Superman and he is America’s most beloved superhero. But he’s also a complete and total psychopath. What makes him so chilling is how she never completely loses he’s smiling, a pleasant demeanor even when he’s doing something incredibly violent and horrific. He has no empathy whatsoever and his pleasant expression always hides a time bomb just below the surface that could go off at any time. He basically can do whatever he wants and there’s not much anyone can do to stop him. It’s Starr’s spectacular performance that makes Homelander so terrifying. 

One of the new elements being brought into the show for Season 2 is the introduction of the newest member of The Seven: Storm Front. In the comic book that the series is based on, Storm Front is male and a Nazi, so they’ve changed her quite a bit for the show. From what I’ve heard she adds a really interesting dynamic to the team by directly challenging Homelander in a way that he’s not used to. With Homelander being vastly more powerful than the rest of The Seven, adding Storm Front makes this the first time that one of his teammates can match Homelander physically. He’s used to being able to intimidate his coworkers. They know not to fuck with him because of how insanely powerful Homelander is. Storm Front’s inclusion on The Seven completely changes the power dynamic and should be really interesting to watch. EW.com had the first look at Storm Front in photos posted below.

The show is ultimately a conflict between The Boys and The Seven so it will be really interesting to see what the hell they come up with to kill Homelander, because so far he doesn’t seem to have any physical weaknesses. Fortunately, Season 2 is on its way and Amazon Prime has released a few great promos to tease the upcoming season. Both clips serve to set up some major plot points that will be in play in Season 2. So if you were a fan of Season 1 and you’re curious about the direction the story might be going, these videos will give you some answers without spoiling anything. Also, let’s not forget Season 1, ended on one hell of a cliffhanger, so it will be interesting to see how that plays out as well. If you haven’t watched The Boys, yet I can’t recommend it enough. If you’re looking for something to watch for something new to watch, make sure you check out the first season on Amazon Prime. You can watch the two new clips from Season 2 right here:

The Boys Season 2 premieres on Amazon Prime on 9/4/20

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

TRAILERS- Superman: Man of Tomorrow & Deathstroke: Knights & Dragons!

Hey Everyone,

Paul here…

So far, it’s been a fantastic year for DC Animated Movies. First, we got the excellent adaptation of the classic Superman graphic novel, Superman: Red Son. Which is one of the best movies DC Animation has put out in years. Then just a few months ago with the release of Justice League Dark: Apokolips War, which was a bleak, bloody, action packed, funny, thrill ride, that utterly destroyed the interconnected DC Animated Universe that has been spread over 11 or 12 movies. DC Animation was doing their own version of the MCU with some (but not all) of their films. and Justice League Dark: Apokolips War was the final film in that series and it was pretty fucking great. Now, we have two more DC Animated Movies to look forward to this summer and they both seem Seri promising in completely different ways. First up, we have our first look at the next DC Animated Movie, Superman: Man of Tomorrow! Take a look at the trailer right here and then I’ll give you a few of my thoughts below…

I’m really digging the vibe of this one. First of all I really like how the animation seems unique from other styles we’ve seen from DC in the past. Also, even though they say this is an original story, this is clearly an adaptation of the excellent, recent Superman miniseries, Superman: American Alien. American Alien is a fantastic graphic novel, so if this is even a loose adaptation, I’m all for it! Plus, I love seeing Superman fight villains like Lobo and Parasite. Bottom line: I’ll be buying a digital copy of this movie it hits iTunes in July. If it’s anywhere near as good as Superman: Red Son and Justice League Dark: Apokolips War, I’m sure I’ll buy the Blu-Ray, too.

Superman: Man of Tomorrow will available for digital download on 8/23 and 4K/Blu-Ray on 9/8

The second DC Animated film we can look forward to in the near future, is Deathstroke: Knights & Dragons. This originally appeared as a series of animated shorts on The CW seed app. DC Animation expanded the content and decided to release it as a feature length film, focusing on the DC Universe’s most famous and deadly assassin. Similar successful and entertaining projects have been done with John Constantine and Vixen. It looks damn pretty cool and It certainly is a sharp contrast to Superman a man of tomorrow, it certainly is a sharp contrast to Superman: Man of Tomorrow, take a look at the trailer below:

Deathstroke: Knights & Dragons will be available digitally on 8/4/20 and on 4K/Blu-Ray on 8/18/20

Thanks for reading!

PODCAST: Is Michael Keaton Returning To Play Batman?!!!

Hey Everyone,

Paul here…

On this week’s episode of The World’s Best Podcast, Big Paul Sr. returns to the show for a sobering reminder of how aging can lead to a steep cognitive decline! More importantly, we cover the big news of the week: Michael Keaton may be returning to play Batman alongside Ezra Miller’s Flash, in the upcoming Flashpoint movie? The man who many people think is still the best to ever wear the cape and the cowl, returning to the role of The Dark Knight is extremely exciting!

Getting a Flash movie to the big screen has been an enormous struggle for DC and Warner Brothers. The film has already gone through multiple writers/directors and was originally scheduled for release more than two years ago. Barring anymore disasters, The Flash is going to be helmed by Andy Muschietti, who directed the recent hit horror films, IT and IT: Chapter Two. Despite all the drama behind the scenes, one thing has remain constant: The Flash film will be an adaptation of the seminal Flash storyline, Flashpoint.

Written by Geoff Johns with art by Andy Kubert, Flashpoint told the story of Barry Allen (The Flash) going back in time to prevent his mothers murder. However, changing this one event has dire and far reaching consequences that Barry never could have foreseen. Barry finds himself in a much darker and dangerous version of the DCU that he knows. Kind of like Back To The Future II. However, one of the most significant and interesting changes is revealed when Barry heads to Wayne Manor to seek out the help of his friend and fellow JL member, Batman. When Barry enters The Batcave, a nearly psychotic Batman attacks him. At which point Barry makes a horrifying discovery, the man underneath the bat cowl is actually Thomas Wayne, Bruce Wayne’s father! As a result of Barry‘s manipulation of the timeline, one of the major changes effected the creation of The Dark Knight on that fateful night in Crime Alley, in Gotham City all those years ago when The Wayne’s were attacked by a mugger. Bruce was now the one shot and killed, instead of his parents. So Thomas Wayne became Batman. A much more violent and unhinged Batman. Working together, Barry and Thomas Wayne set out to fix the timeline. That’s the set up.

This is just speculation on my part, but like a lot of comic book adaptations of specific stories, I think a lot of liberties will be taken with the source material with this Flashpoint film. A good example is Captain America: Civil War, that story was based on the miniseries Civil War and is vastly different from the source material. So what I think will happen is, maybe instead of an alternate timeline, Barry will enter an alternate universe, like the universe of Tim Burton’s Batman and that’s where he’ll meet and team up with Michael Keaton‘s Dark Knight. Maybe he travels to another alternate universe with Barry, I don’t know how it will work. But you can definitely see how they could fit Michael Keaton’s Batman into a story like this. 

I know DC also wants to use Keaton in a role similar to Nick fury in the MCU, one example that’s been rumored suggests Keaton’s Batman showing up in a Batgirl movie. However, I think if DC and Warner Bros. want to do a film about a young Bat-themed hero, they would be crazy not to adapt Batman Beyond. It works perfectly, an older Bruce Wayne played by Keaton, training Terry McGinnis as the next Batman in futuristic Gotham City. It was a phenomenal TV series and it could be a phenomenal film series, as well. 

Bottom line is, there a lot of thrilling possibilities with Michael Keaton returning to play Batman and all of them are exciting! We get into in all on this episode so, enjoy!

The Flash or Flashpoint (whatever they end up calling it) is currently set to hit theaters on June 3, 2022  

Lastly, DC Animation did an adaptation of Flashpoint, called Justice League: The Flashpoint Paradox. Not only is it one of their best animated films, it’s also one of my favorite superhero movies of all time, period. I highly recommend you checking it out, you can find it on iTunes and other streaming services and I have included a link where you can purchase Justice League: The Flashpoint Paradox (for pretty damn cheap) on Blu-ray: https://www.bestbuy.com/site/justice-league-the-flashpoint-paradox-blu-ray-2013/9343093.p?skuId=9343093&ref=212&loc=1&ref=212&loc=1&gclid=Cj0KCQjw3Nv3BRC8ARIsAPh8hgLwh_kLVKQR71iVmaxPM7yK8_G8RZxXtQSCwppslGvgdcOhDdynn2MaAjyHEALw_wcB&gclsrc=aw.ds

Listen here: https://www.spreaker.com/episode/33382238   Or subscribe on Stitcher, Spreaker, iHeartRadio, Deezer, Podchaser, Castbox, Podcast Addict, Google Podcasts, & Apple Podcasts/ITunes…

iTunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?i=1000479658504

Stitcher: https://www.stitcher.com/s?fid=185563

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

FIRST LOOK: Justice League: The Snyder Cut!

Hey Everyone,

Paul here…

There’ve been few things in recent popular culture that have been more divisive than Zack Snyder‘s foray into the DCEU. Personally, I’m a big Zack Snyder defender. I think, with the exception of Sucker Punch, he’s never truly made a bad movie.

   Man of Steel is easily my favorite live-action Superman movie. Henry Cavill is much better in the role than people give him credit for and the movie is underrated in general. Batman V Superman: Dawn of Justice is a very flawed film, but I love it. Particularly the R-Rated Ultimate Edition. It’s sad that the films reception and his personal issues forced Ben Affleck to walk away from the character because he was arguably our best live action Batman to date. The only thing in that movie that was truly terrible was the decision to cast Jesse Eisenberg as Lex Luthor and his god awful subsequent performance. I understand that, as fans we all have our own beliefs about how beloved character should be portrayed on screen, but I was pleasantly surprised by Batman V Superman, especially because the film was getting such mixed reviews at the time. 

I don’t count Justice League because at the end of the day that wasn’t really Snyder’s film. Almost everything with Superman in that movie was shot after he left the film, for personal reasons. Henry Cavill was well into filming Mission: Impossible Fallout, where he sported a thick mustache. You can tell that all of Superman’s scenes were shot after Zack Snyder left the film, because Paramount, the film studio that was making Mission Impossible, wouldn’t let Warner Bros. shave Cavill’s mustache for JL reshoots. So, instead of choosing the much simpler, cheaper, and smarter option of shaving his mustache and having Cavill wear a fake for the remainder of shooting Mission Impossible, Warner Bros. had to remove the mustache digitally. The god awful result is that the whole bottom half of Superman’s face in JL looks like a creepy mannequin come to life. Of course none of that is Zack Snyder‘s fault because he already left the movie at that point, but it’s a funny story if you haven’t already heard it.

Now, Zack Snyder is finally getting a chance to give us his vision of his Justice League film, or at least something pretty close to it. Justice League: The Snyder Cut is premiering on HBOMax next year, sometime in 2021. It might not be much, but HBO released a brief teaser for the project that you can watch below. Of course, you can’t judge a movie after only seeing less than 60 seconds of footage, but I already dig the darker tone. We’re only shown two quick scenes, one involving Diana played by Gal Gadot that was not in the theatrical cut at all and a quick look at a alternate version of the ancient battle sequence that opens the film where Steppenwolf has been replaced by… Well, I won’t spoil it, but it’s someone much scarier and much more interesting. The thing that both of these scenes have in common is that they’re extremely ominous and they both serve to focus on the appearance of a certain iconic DC villain, not featured in the theatrical cut. Take a look below, I’d love to hear what you guys think:

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

Dark Nights: Death Metal #1 Review!

Hey Everyone,

Paul here…


Dark Nights: Death Metal #1

Written by Scott Snyder

Art by Greg Capullo 

  The long awaited and much anticipated new miniseries from DC Comics, Dark Nights: Death Metal, is finally here and today I’m reviewing the first issue! About once a year, usually in the summer, both of “The Big Two” comic book publishers, DC and Marvel, will put out an epic miniseries “Event”. These are the no holds barred stories, where seemingly anything can happen! Typically, even though one character or one particular team will be the focus of the story, these Events affect and involve the entire DCU or Marvel Universe. These stories tend to have casts of thousands! With huge, status quo changing moments! Whenever the publishers at Marvel or DC are talking about their latest Event Miniseries, they like to say things like, “After this story nothing will ever be the same!”. When you’ve been reading comics as long as I have, there are certain things that you tend to expect to see when one of these big stories come out. There are usually some major character deaths, surprise resurrections, heroes turning into villains and vice versa, things like that. Classic DC and Marvel stories like Crisis On Infinite Earths, Infinity Gauntlet, and Civil War are some examples of Event Comics. Like many things, some of them suck and other become classics.

One of the best superhero Events of the last decade was Dark Nights: Metal written by Scott Snyder and art by Greg Capullo. That story saw the DCU being invaded by the evil, cosmic forces of the previously unknown Dark Mutiverse. The Dark Multiverse is a nightmare realm where the deep fears of everyone in The DCU are made manifest. These are the worlds where everything that could go wrong, does go wrong. The Dark Multiverse was ruled by an evil god-like entity called Barbatos. When he came to attack and claim the DCU, his generals were all dark, twisted versions of Batman. 

   The most terrifying and formidable of the evil Bruce Waynes from across The Dark Multiverse was, without a doubt, The Batman Who Laughs. In his home reality, after The Joker killed Jim Gordon and a shit load of other people, Bruce Wayne finally had enough of the atrocities committed by The Joker and killed him by snapping his neck. BUT The Clown Prince of Crime had one last surprise for his longtime nemesis, The Joker created a toxin that would be released from his body at the moment of his death and turn whoever killed him into the next Joker. The insidious toxin burned  away Bruce’s humanity. Batman lost of all his morality, compassion, and empathy. Batman, under normal circumstances, is already as Superman once put it, “The most dangerous man alive.”.  This version Batman, without the moral code that stops him from going too far, is a terrifying and unbeatable cosmic horror. Now he’s the apex predator of The Multiverse. Because a Batman Who Laughs is a Batman who always wins. 

  The Justice League managed to defeat Barbatos and his army of evil Batmen (The Batman Who Laughs managed to stick around The DCU), but it came with huge unforeseen consequences. In defeating one dark god, they unknowingly unleashed another: Perpetua, The Mother and Creator of The Multiverse. However, when Perpetua was freed, it took time for her to regain her full power. She needed help and a certain bald, alien hating, billionaire businessman/scientific genius was just the megalomaniac for the job…

Perpetua: Creator of The Multiverse

   One of the major ongoing stories in DC Comics over the last few years has followed Lex Luthor (with the help of The Legion of Doom) as he attempted to pull off his most ambitious cosmic power grab to date. Luthor set out to unlock the hidden powers of the universe and restore Perpetua to her full strength. Luthor’s endgame was to help Perpetua regain control of The Multiverse and rule over all of creation alongside her as her right hand and most trusted disciple. Everything was going according to Luthor’s plan, that is until The Batman Who Laughs showed up. He managed to make the case to Perpetua that he, not Luthor, was the one worthy of becoming her most valuable acolyte. Luthor had done all the work and The Batman Who Laughs snatched everything right out from under him. Perpetua agreed, and Luthor was cast aside.

    Dark Nights: Death Metal is not only a sequel to Dark Nights: Metal, it also builds upon many of the major stories Scott Snyder and others have been telling in the DCU since the end of the first Dark Nights: Metal. Elements from Snyder‘s Justice League run, Doomsday Clock, Snyder’s Batman Who Laughs miniseries, The Flash, and more are all at play. I think one of the things that the story does really well, is that despite all of the groundwork the story has been built upon, it doesn’t feel like you need to have read all of those other stories to understand this one. It’s a more accessible tale than you might think. The story starts very much in the middle of the action, so even if you have read every single DC Comic Book that’s connected to this story, you’re still going to be playing catch-up. Everything in the story is so insane that, part of the fun is figuring out how the hell our heroes have found themselves in this crazy situation.

Without going into major spoilers, Earth has been pulled into The Dark Multiverse. The planet has become a terrifying nightmare-scape, ruled over by the cruel and sadistic Batman Who Laughs. Countless twisted and evil versions of Batman from throughout The Dark Multiverse act as his lieutenants and help enforce his will. Our heroes have lost so badly that to keep what’s left of humanity alive, heroes like Swamp Thing, Aquaman, Wonder Woman, and others are forced work for The Batman Who Laughs and do his bidding. He’s given his version of the Justice League different roles to play in his new kingdom. They know that they can’t beat him. He holds all the cards in such a way that, the only way our heroes can protect the people that are left is to play his sick game and grudgingly work for him. The Batman Who Laughs is essentially holding a gun to the head of what’s left of humanity, to keep the former Justice League in line. It’s sort of reminds me of something out of Game of Thrones where noble characters have to bow down before a despicable ruler in the name of serving a greater good. Of course Batman, the real Batman that is out there somewhere, fighting almost like a guerrilla insurgency, desperately trying to pull off whatever ever he can to save whatever’s left of this broken Multiverse.

Despite the fact that the whole story is wrapped in Batman iconography and there are evil Batmen everywhere, Wonder Woman is the central character in this story. Themyscira, Wonder Woman’s former home, has literally become Hell, a jail for people that The Batman Who Laughs wants to keep out of the way and imprisoned. With Swamp Thing (who’s seen better days to say the least) as her right hand man and confidant, Wonder Woman has become Hell’s Jailer, The Warden of her desecrated homeland. Despite her dark circumstances, Wonder Woman is pretty fucking cool in this story and I love the choice to make her one of the central characters. She’s really the main character, at least in this issue.  but considering what goes down in the first issue alone, I think it’s fair to say she’ll probably be taking center stage for the whole story. If this issue is any indication, that’s a fantastic idea. As cool as Batman is, as smart as he is, and is tough as he is, no one will fight to their last breath like Wonder Woman. She is not content to play her fucked up role in The Batman Who Laugh’s wasteland. Bruce thinks the fight is already lost and all they can hope to do is save whatever good is left. Wonder woman is not having that shit, she knows there must be a way to make things right, to put the universe back together again. And when a very important prisoner is sent to her by The Batman Who Laughs, Diana thinks she may have found her last chance to save the world.

To say anymore would spoil the fun. I will say this, they are not fucking around with this story. Snyder and Capullo have pulled out all of the fucking stops. This is only the first issue and there were at least three or four jaw-dropping moments in this comic book. I was fucking blown away. It’s impressive that while so much of what is going on in the story is dark and bleak, the story never loses it’s thrilling sense of fun. The heroes of the DCU are in rough shape, but it looks like watching them try to set things right is going to be a blast!

   I think it’s safe to say at this point that Snyder and Capullo have established themselves as one of the best writer/artist teams in the history of comics. These are two guys operating at the absolute top of their game and it shows in the story. When Greg Capullo’s name is on a comic book, it’s a given that the art inside will be fantastic, but he really knocked it out of the park on this one. It would be easy to take Capullo’s incredible art for granted, because his work has produced so many phenomenal stories over the years. In Dark Nights: Death Metal, literally everything on each page is something totally new, even all of the classic DC heroes in this story are sporting completely new looks. There are so few artists that could pull off a story like this, with the level of excellence that Capullo delivers. Then there’s the coloring by FCO Plascencia (another long time collaborator of Snyder and Capullo’s) which is gorgeous in this issue. The way the bright, vivid colors of Wonder Woman contrast with the dark, more muted tones of the desolate wasteland that surrounds her, is beautiful to behold.

I’ll definitely say this I loved Dark Nights: Metal and this is a much better first issue than that story. I’m sure Snyder and Capullo would be happy to hear, that the comic book is definitely “Metal”. It rocks the fucking doors off, blows out the windows, and leaves you desperately wanting more. I cannot wait for the next issue, because Dark Nights: Death Metal fucking rules! 🤘

Dark Nights: Death Metal #19/10

Note: DC has put out a prelude story that takes place right before issue #1 begins. You can read it for free on instagram! It’s pretty cool, so I definitely recommend checking it out. Read for free right here: https://t.co/vIJ8HkiZ23

Check out this art from issue #2 hitting stands in July…

PODCAST: Movie Theories & Urban Legends!

Hey Everyone,

Paul here…

On this episode of “The World’s Best Podcast”, I talk about some interesting fan theories regarding some of our favorite films, as well as some creepy Hollywood urban legends! For those of you who may not understand, when I say interesting Fan Movie Theories, we’re talking about picking up on subtext, hints, and other clues to formulate fun ideas and theories that aren’t necessary explicit and clear when watching a film. Don’t get me wrong, there have been one or two fan movies theories over the years that more or less turned. However, the vast majority of Fan Movie Theories are bullshit, but they sure are fun to discuss!

To name just a few of the movies covered in this episode:

  • The Dark Knight
  • The James Bond Franchise
  • Joker
  • Serenity
  • And much more!

Here are the 2 videos I referenced in this episode:

Mr. Sunday Movies

The Film Theorists

Listen here:  https://www.spreaker.com/episode/30763281  Or subscribe on Stitcher, Spreaker, iHeartRadio, Deezer, Podchaser, Castbox, Podcast Addict, Google Podcasts, & Apple Podcasts/ITunes…

iTunes/Apple Podcastshttps://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?i=1000477997665

Stitcher: https://www.stitcher.com/s?fid=185563

Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

FIRST LOOK: PlayStation 5 & More!

Hey Everyone,

Paul here…

   It’s been a big week for Sony and their PlayStation 5 Game Console. First, up was the teaser trailer for what appears to be the sequel to PS4’s Spider-Man game. Which seems to be shifting its focus away from Peter Parker, to a story will revolve around Miles Morales, with the game new game titled Spider-Man: Miles Morales debuting on Sony’s upcoming PS5. Check out the trailer here:

It goes to show you how far gaming technology has come, that when my mother saw the picture posted below, she thought it was a real person. The graphics are incredible!

  Then, after that pretty damn cool news, PlayStation dropped a bomb. After all the speculation, excitement, and rumors, Sony has finally revealed our first look at the PS5 console! Unfortunately, the two most important questions about the new console haven’t been answered yet: When is it coming out? And What will it cost? I have a feeling we will get an answer to both of those questions relatively soon, considering that Sony chose to unveil their console to the world. I’d expect a Holiday 2020 release date because that’s what Sony has indicated in the past and that’s the release date given in the announcement trailer for Spider-Man: Miles Morales for PS5. However, the really interesting PS5 news is, that for the very first time, customers will have the option to purchase PS5 and its games completely digitally. Of course, this will not affect customer’s ability to purchase a physical copy. It’s just another option given to consumers when purchasing the system. It will probably come down to whatever work for each individual. Take a look at the video from Sony unveiling the new system:

    It’s not 100% clear how this will work and what the advantages and disadvantage iwill be when it comes to choosing the physical console or the digital one. A major video game company has never done anything quite like this, so it’s a pretty big deal. It shows that the world is moving l more and more away from physical copies of media and even more into the world of digital.

Finally, this week sees the debut of The Last Of Us: Part II on PS4. The sequel to 2013’s The Last Of Us, which was a post-apocalyptic masterpiece. The first game was a beautiful piece of storytelling and character drama, that transcended both the genre and the medium.

2013’s The Last Of Us was a truly mind blowing experience and it looks like Naughty Dog, the company that produced both games, stepped up to the challenge of creating a worthy the sequel. The game is available everywhere on 6/19/20. You can check out IGN.com’s review of The Last Of Us: Part II right here:

Let us know what you think of the PS5 announcement, Miles Morales: Spider-Man, and The Last Of Us: Part II in the comments below! 

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

PODCASTS: DC’s Stargirl (TV Series) Review & Justice League Dark: Apokolips War Review!

Hey Everyone,

Paul here…

We’ve had a lot of great content on the site lately, so I wasn’t in a rush to post individual pages for the last couple of episodes of The World’s Best Podcast. Regardless, I still wanted to make sure I posted something about the latest episodes of the show. The first episode is my review of the DC Animated Movie, Justice League Dark: Apokolips War. The 2nd and latest podcast is my review for the great new DC live-action superhero series, Stargirl. We have the links for both podcasts posted below. I like to go out of my way to create a webpage for each of the episodes of The World’s Best Podcast, so I can add some cool new content, some additional insight into the episode, or bonus material. I have trailers for Justice League Dark: Apokolips War and DC’s Stargirl posted below, along with some interesting stills, photos, and concept images to give you a closer look at the projects I’m reviewing in these 2 episodes. You can check out that content right here.

First up, Justice League Dark: Apokolips War…





Justice League Dark: Apokolips War! Superman and the Justice League decide to take the fight to Darkseid and lose… badly. 2 years later, with many of the heroes dead and Earth decimated by Darkseid’s forces, a desperate and de-powered Clark Kent turns to John Constantine for help with a suicidal plan to end the threat of Darkseid once and for all.

Listen here: https://www.spreaker.com/episode/28915924 Or subscribe on Stitcher, Spreaker, iHeartRadio, Deezer, Podchaser, Castbox, Podcast Addict, Google Podcasts, & Apple Podcasts/ITunes…

iTunes/Apple Podcasts:  https://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?i=1000476577055

Stitcher: https://www.stitcher.com/s?fid=185563

Next, our latest episode reviewing the new series, DC’s Stargirl!

The new series based on the DC Comics hero, Stargirl created by Geoff Johns, will be airing on The CW and the DC UNIVERSE Streaming Service. The new show stars Brec Bassinger and Luke Wilson, the series also heavily features the heroes and villains from the classic DC comic book, JSA. Over the course of the first season, High School student Courtney Whitmore takes up the mantle of superhero, Stargirl with the help of her stepfather Pat (Luke Wilson), formally an unofficial member of the JSA who wears a giant robot super suit that he built, called S.T.R.I.P.E.

Together they’ll form a new generation of The JSA since the original JSA were killed by The Injustice Society. The society includes villains like Icicle, Solomon Grundy, Sportsmaster, Tigress, Brainwave, and The Dragon King.

Listen here: https://www.spreaker.com/episode/29775621 Or subscribe on Stitcher, Spreaker, iHeartRadio, Deezer, Podchaser, Castbox, Podcast Addict, Google Podcasts, & Apple Podcasts/ITunes…

iTunes/Apple Podcasts:  https://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?i=1000477050333

Stitcher: https://www.stitcher.com/s?fid=185563

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

Batwoman Season 1: The Good, The Bad, and What to Do in Season 2


Written by Michael Cole

*Note: This article was written before the announcement that Ruby Rose, the actress who plays Batwoman, has left the series and will be replaced in Season 2.

Batwoman Season 1 ended almost two weeks ago, and I had intended to write a review on here when that happened, but I hadn’t realized the season had ended because it was an abrupt, COVID interrupted season. I won’t hold that against Batwoman obviously, and please don’t hold my tardiness on this subject against me.

I’m going to be frank with you, and tell you that while I might be in the minority, I really enjoyed Batwoman. I think there was a ton of things that were done really well. I also recognize that it had several faults, and I’m not blind to those. I think, for the sake of redemption, I will start us off with the parts that I don’t like, and work towards the things that made this show work for me.

What Fails:

I think it was back before the mid-season break, I had a conversation with Paul about the show, and one of the things that he pointed out that made no sense what-so-ever was the idea of The Crows. As I watched the second half of the season with this in mind, I realized he was completely right. The Crows, are Gotham’s premium and private ‘police’ service. They don’t exist in place of The GCPD, but in addition to it. They’re essentially independent contractors acting like Police, but with less restriction, and seemingly less self-restraint. A local law enforcement version of Blackwater.

At best, their existence doesn’t make any sense. With the appearance of Batwoman, a vigilante acting outside of the law, of course The Crows declare her to be a dangerous criminal who must be brought to justice. Complicating matters, The Crows are lead by Commander Jacob Kane (Batwoman’s father, who has no idea that his daughter is the vigilante). In similar situations like Arrow, Batman, or even Spider-Man, if a hero or vigilante is seen as a criminal, they’re usually being accused as such by the police. While there is room for argument on the morality of vigilante justice on either side, the legality of the situation is clear because The Police Dept., The D.A., are all part of law enforcement that governments put in place to protect the public. It all makes some sense. This isn’t the case in Batwoman with The Crows because they’re a private company, not operating with any kind of government oversight. The potentially interesting morality/logic of that dynamic isn’t really touched upon until the last episode or two, and even then only in passing.

Along with The Crows and their non-sensical existence, is Commander Kane. I think he fails on pretty much every front. I think the performance, with him trying to sound grizzly and hardened comes off as two dimensional and uninteresting. As for the characterization, he’s written to have the same black and white moral code that someone like Quentin Lance on Arrow had, but again Lance existed within a real Police Dept which made much more sense. Also, while Lance may have been tough on his children and perhaps a bit too rigid, he never really wrote them off. Whereas Kane’s love is barely existent at best, and far from unconditional. Do I think we need to portray every parent as having unconditional love for their children? No, but in these types of characters and stories it leads to some interesting inner conflict. Trying to justify your unconditional love for your children, when your children test your own moral code, makes for fascinating character drama. Commander Kane doesn’t do that. There are very few, if any, moments when it appears that indicate if he finds out his daughter Kate is Batwoman, that he’ll hesitate to treat her like any other criminal.

My last complaint about the show will probably be more controversial and this is way more a matter of opinion, but Kate sporadically write’s letters to the missing Bruce Wayne. It’s not the idea that she’s writing them that doesn’t work for me, it’s more a matter of delivery. There is something about it that comes across as awkward and unnatural, it interrupts the flow of the show. I think it is possible that it’s Ruby Rose, who is Australian, trying to do an American accent in these long slow, uber-articulated monologues, that doesn’t work.

What Works:

Three characters work perfectly for me on this show, there will be some mild-spoilers.

I think The Big-Bad, Alice, head of the Wonderland Gang, works perfectly. I would make the argument that she may be the best villain in The Arrowverse this season. Alice, as we learn very early on, is Kate’s twin sister, Beth. Beth was believed to be killed in a car accident when they were both 12 or 13. As the season plays out, we get to see how Alice isn’t just a menacing thug, but a deeply troubled (and for good reason) woman, who is trying to get reconcile a sense of normalcy with her sister and revenge with her father, step-mother and sister. Every emotional twist and turn is believable within the circumstances, and the performance by Rachel Skarsten rides those emotions completely and makes you feel genuine empathy for her, while also understanding that she must be stopped. I would argue that her character’s complexity exacerbates how poorly Commander Kane’s character is developed.

Alice’s right-hand man, is Mouse, who we learn is the son of the man who took Beth from the accident, and through neglect and abuse, turned her into Alice. Mouse is himself a very damaged man from his father, in addition to some physical scarring. Mouse has the ability to mimic any voice, and with Beth’s help, to make skin masks. He can turn into nearly any one within the show. It’s not Mouse’s abilities that make him interesting though. It’s his relationship with Alice/Beth. He starts off as her best friend, trying to help her exact her revenge. But as soon as Alices plan shifts from revenge to reconciliation, he begins to fear she’ll abandon him for not being enough. As well as expressing his own desire to eventually get away from Gotham and the chaos and pain he sees as being a symptom of the place.

Lastly, is Mary, Kate’s step-sister. Mary starts the show off appearing to be a vapid socialite, but its quickly revealed that she’s actually running an underground clinic for those who cannot afford emergency medical attention. She helps Batwoman early on, making something of a connection with her. Even as she struggles throughout the season with her relationship with Kate, which is strained by Kate’s distance, and Kate’s inability to let go of Beth. Mary’s feelings of inadequacy and longing to bond with Kate are well developed and expressed, and it comes to a head when she finds out Kate is Batwoman and Kate still refuses to tell Mary her secret.

How to Move Forward

The other three main characters in the show are a bit of a mixed bag for me. I think Ruby Rose as Kate is very good at the aloof part of the character, but in the genuine moments of connection, I think she’s still seems to struggle. It’s likely that they are trying to draw a parallel between her and Bruce Wayne, (but as someone who knows very little of the comic version of Bruce Wayne, take that with a grain of salt). However when you have so many characters who do have an emotional connection with Kate, like her sisters, her father, Luke Fox , or Sophie (her ex-girlfriend who works for her father on The Crows) the performance doesn’t work as well for me.

I think Luke had a pretty good second half of the season, but he didn’t start off great. There was a flatness in the character or the performance and it just didn’t work. What eventually won me over, is two-fold, Luke is very clearly the voice for the absent Bruce. As his relationship to Kate developed, he even shares things that perhaps he never would, about his loneliness, his responsibility. We also see Luke’s own dedication and search for justice by finding his father Lucius’s killer, and how he will risk his own life in order to protect his father’s secrets. As a small side note, Luke is the guy back at HQ role, so I like that he is very different from similar characters in The Arrowverse like Cisco, Felicity, and even Winn.

Sophie probably would have made the first section, except that I’m not sure she’s made enough of an impact on the show yet to say she’s failing. Sophie is kind of a bland character, who’s at her most interesting as we see her and Kate struggle throughout the beginning of the series. With Sophie being closeted and Kate being out, how this tore them apart in military academy, and is married to a man. On top of all that she also works for Kate’s father, it’s impossibly complicated between the two of them. The writers seem to have trouble picking a lane with Sophie, she’s not bold and empowered, nor is she timid and weak. She kind of flip-flops back and forth.

Going forward, into season 2, I think that these three characters can all be improved and really work for the show. I think with Kate, they were starting to work on the aloofness problem in the last couple of episodes, (maybe if they’d been given the whole season run I wouldn’t have this complaint at all). The same can be said with Luke, I think he was a slow start, but they’re getting there, and I hope that they go even further with him. With Sophie, I think she kind of has to embrace herself more in season 2, even if she goes a bit overboard at first, it would make sense, and propel her forward.

I think they should find someway in season 2 (and I kind of think they may have been working toward this at the end of season 1) of getting rid of The Crows. They just don’t work. Getting rid of them wouldn’t be difficult from a writing stand-point, and I would argue that if you just put one character in (a Mayor or something) who realizes how ridiculous they are, dismantling them could take a couple of episodes tops.

As for Commander Kane, there are three options that I see, they could kill him off, try to turn him into a human with emotions (I don’t really think this works without ignoring some of what we already have seen of him), or lastly make him outright a villain. The series could dismantle The Crows and Kane could become a vigilante hell bent on avenging them, it’s the only way I think you can keep him on the show and have him work. I just really think the dude is broken beyond repair.

The letters to Bruce Wayne are maybe the toughest fix. I think the series has been fairly inconsistent in doing them to be completely honest, I think maybe they should just get rid of them altogether. At the end of the finale, Alice has transformed the villain Hush, into a doppelgänger of Bruce Wayne. I think having a few episodes of ‘Bruce Wayne’ around will make the letters redundant. Unless Kate knows right off the bat (I swear that wasn’t intended) that he’s not the real Bruce.

The Verdict:

The show has a lot of potential, and needs a lot of growth, but I think it’s a worthy inclusion to The Arrowverse. If they work out the kinks in Season 2, there could be some really cool opportunities for interesting character work. Don’t go in expecting a finely tuned machine, but a diamond in the rough.

Article by Michael Cole