The entire writing about film, I keep coming back to the idea that through marketing like trailers, we see WAY too much of any given film before it comes out. I want to know as little as possible walking into a movie. Especially movies like Avengers: Infinity War that are so highly anticipated by nerds like. Unfortunately, more than a few times per year over the past 5 years or so , there will be at least one or two moments, where I say to myself “Fuck! I didn’t want to KNOW that!” Or “Fuck! I didn’t want to SEE that”.
Ill give you a specific example without spoiling things myself. There is that really cool moment at the end of the final Avengers: Infinity War trailer where Cap is holding back Thanos with all his might. Here it is:
We’re all wondering: What’s going on here?! IS THIS THE END OF CAP? Thanos is MUCH stronger than him. Is Thanos toying with him? Is somebody going to come and rescue Cap at the last minute? Or something completely different going?
Unfortunately for me, because of the random TV spots that are everywhere these days leading up to this movie, the context surrounding that scene was spoiled for me. You would never guess in a million years what’s what’s going on and it’s really, really cool but it’s something I wish I didn’t know. It’s just really frustrating when you look forward to something like this so much and you want to go into it as fresh as possible. For the past few weeks on YouTube, every day there’s a new Infinity War promo or clip with a new piece of dialogue or a new scene. I don’t watch any of them and I try to avoid any TV promos. The last trailer I watched was the last major trailer they put out which ended in the scene I’m talking about here; Cap and Thanos. It just sucks that movie studios feel the need to spoil some really cool moments to sell the tickets. The lesson here is when selling a film that guaranteed to make big bucks like Avengers: Infinity War: Less is more.
I know I said I’d never do it again! I know some vows can’t be broken.! But dammit I was convinced to do this episode of “The World’s Best Podcast”;on the season finale of The Walking Dead! My Dad, Paul Sr. and I sat down, watched the season finale, and did an audio commentary throughout the entire Episode of the finale. You can definitely listen to this episode is by itself, but the best way to listen would be to put on your headphones to listen to our show and then put on The Walking Dead Season Finale on you TV or device and follow along with us. We let you know when to start the Episode and we tell you exactly where we are on the show if we pause to talk and start again. We had a great time recording this one, so I hoping you enjoy listening (and maybe watching/listeneing) as much as we did recording it! I keep saying I’m never going to do a Walking Dead episode again but God only knows this for eight so we’ll see. Anyway, listen here or subscribe on iTunes:
When fans look back at the Batman movies that took place in the same universe as the wonderful Batman: The Animated Series, they most likely remember the fantastic Batman Beyond: Return of The Joker or the classic Batman: Mask of The Phantasm. As of last summer, we can add 2017’s Batman and Harley Quinn to the list, but unfortunately that movie sucks.
However, there’s a hidden gem that a lot of people forget about; Batman & Mr. Freeze: Subzero. This was a direct to video animated film taking in the BTAS Universe that came out in 1998. No doubt hoping to capitalize on the Mr. Freeze buzz in that was in the air after Arnold Schwarzenegger’s heartbreaking, Oscar winning performance in the critical darling and mega hit, Batman & Robin. Oh wait, I forgot the movie was explosive diarrhea and killed the Batman live action film franchise for nearly a decade. I’m sure there’s an alternate reality out there where it was The Dark Knight of it’s day.
But I think that was definitely the intention. Animation takes longer than live action to produce especially in the 90’s. Even though this came out in 1998, it must have started production a few years earlier. So Warner Bros. probably thought Batman & Mr. Freeze: Subzero would tie in to what they believed would be another hit Batman movie. It really feels like somewhere around 95’or 96’, Warner Bros. told Bruce Timm and his crew that if we let you do another Batman Animated movie, it better be about Mr. Freeze. Of course, Batman & Robin was such a piece of shit, people eventually put it out of their minds after the film bombed. Unfortunately I think Batman & Mr. Freeze: Subzero was forgotten a little as well.
Which is a shame because it’s a hell of a little flick. Nowhere near as good as Mask of The Phantasm or Return of The Joker, but still solid as fuck. It’s certainly about one thousand times better than Batman & Robin, it feels wrong to even compare the two. The movie plays like a darker, longer episode of the show. But at only 66 minuets, it still feels like a movie with a 3 act structure as opposed to a multi part episode of the series.
Basically at some point during Batman: The Animated Series, Freeze found out his wife Nora was actually still alive and being kept in cryogenic stasis. They’re living a peaceful life in the arctic with Freeze’s 2 pet Polar Bears and an Inuit boy that Freeze rescued and adopted after his parents died. There’s an accident involving some poor bastards who stumble onto this little family (it doesn’t end well for them), Nora’s medical equipment is damaged and her condition deteriorates rapidly. Freeze and the whole Fam (including the fucking polar bears) head to Gotham where Freeze meets up with his old colleague, Dr. Benson another expert in cryogenics who’s a massive piece of shit with serious financial debt. Benson tells Freeze that the only way to save his wife is an organ transplant. Nora has a rare blood type so they need to kidnap some who’s alive, kill them, and harvest their organs. Benson the medical professional that he is, gets on board right away when Freeze drops a lump of gold the size of football on his desk and tells him it’s from a mine he discovered in the arctic, which is Benson’s if he successfully helps Freeze. And wouldn’t you know it? The perfect match: Barbara Gordon. Batgirl. Commission Gordons’s daughter and the love of Dick Grayson’s (Robin) life.
There are some great action sequences including the scene kidnapping Barbara while she’s out to dinner with Dick at upscale nightclub, which starts with Freeze coming for Barbara in the club, polar bears and all, and ends with Dick in badass motorcycle chase. The film’s finale on an oil rig that going up in flames is exciting and genuinely edge of your seat tense.
This is also arguably the darkest we see Freeze, who’s always been one of the most sympathetic members of Batman’s Rogues Gallery. Killing a man out of revenge for murdering your wife and destroying your life is one thing, but butchering an innocent young woman to harvest an organ is pretty fucking dark. Especially considering she was basically already dead and the procedure did not seem to have a high likelihood of success when it’s being performed on an abandoned oil rig by a criminally negligent doctor who hasn’t changed his clothes in days and is solely motivated by paying off his shady debts. We do see glimmers of the honorable man that still exists somewhere deep beneath the ice of Freeze, but his main mission here is kind of unforgivable. And those polar bears aren’t fucking around either!
I rewatched this because it just came out on Blu-ray, which includes all the other Mr. Freeze episodes in the Batman: The Animated series Universe (including Batman Beyond), and I found myself thinking it was kind of underrated. This movie is also notable because it came out in the time betweeen the original Batman: The Animated series ended and The New Batman/Superman Adventures began. It was the same show, same continuity, but there was a big character redesign. Also, there are some big character developments that happen between the change over on the show and this movie hints at some of those upcoming character developments.
I definitely recommend picking up Batman & Mr. Freeze: Subzero, I know I did. Especially if you have the other animated movies on Blu-Ray. It’s very good Batman movie and the Blu-Ray transfer looks good on the traditional animation. They experimented with some computer animation for certain shots and vehicles, that don’t work and look super dated. Other than that, this gets a big thumbs up from me. Give it a watch!
Oh FUCK! I forget about Batman: Mystery of The Batwoman! That’s one of the movies too..
You can pick up the Blu-Ray through our Amazon Affilliate link here:
In the latest episode of “The World’s Best Podcast”, I review the new thriller A Quiet Place starring John Krasinski and Emily Blunt. I also do a little speculation on casting for a possible Fantastic Four Movie in the MCU. Listen here or subscribe on iTunes:
I go into more detail in the podcast but I think John Krasinski and Emily Blunt would make a great Reed Richards and Sue Storm, as a lot of other people have speculated. But check out this picture below and tell me John Krasinski couldn’t pull it off …
Hopefully, I don’t need to catch you up on the history of the MCU, and I can just dive into what I want to see from Infinity War. This might be a pretty controversial take on it, and as always I’m very open to whatever they’re actually going to do, but this is what I would do if I were in charge.
I want to see Thanos, and his team lay waste to much of the MCU heroes. I don’t need to see him murder a bunch of them, (although I think we can agree there will likely be some major losses) but I want it to be a one-sided slaughter, I want the end of the second act to appear hopeless, like Han in carbonite, Luke handless level of hopeless. I want the audience to honestly be borderline upset at how poorly our heroes are doing.
Then as the third act begins, we see something falling towards the Earth, and it’s coming in too quick, and we see the heat trail as it burns through the atmosphere towards the ground, and it’s the Hulk who has been hurtling through space since whatever happens to the ship Thor and the Asgardians were on at the end of Ragnarok, and he slams into the ground, and is so pissed off from that ordeal, that he begins to pummel through each and every one of Thanos’ lackies and maybe they don’t win the fight (it seems as if this will not be the end since Avenger’s 4 comes out a year from now and originally was going to be Infinity War Part 2,) but he helps the team to at least hold off Thanos.
I’ve got to admit, with a 2 year-old who’s favorite phrase has been “Hulk Smash” ever since he saw Ragnarok, I want Hulk to not be in the film for long, but then come in and fuck shit up. I want to see Thanos over confident in his ability, and in his progress in destroying the Avengers and other assorted MCU heroes, and I want to have that moment everyone seems to have in the MCU where they think they know what’s going to happen, and then immediately realize they don’t have a clue. Hulk is amazing at delivering that moment, and I want him to give that to Thanos.
A big piece of speculation about the film has been that Thanos will not have all of the Infinity stones in this film, or at least not until the end of the film. I’m not sure how they cover him succeeding in getting the stones, and still have any kind of victory for the Avengers. It’s a plot point that seems—from a writing standpoint—to be insurmountable, but one that many seem to think is coming. If it’s coming, I hope it’s the very last moment, and I would enjoy seeing the Hulk have that same “oh shit” moment of realization that I want for Thanos. Then despite that, we see Hulk rampage forward, swing for a hit, and before it connects cut to black.
I want to see the Hulk smash, like he’s never smashed before…
On today’s episode of Paul’s Pulls I talk about the end of DC’s Big Batman event comic Dark Nights: Metal and the new issue of Doomsday Clock. I also spent some time talking about Thanos not only as a character, but his excellent book that Donny Cates works on, as well. Thanos is basically Marvel’s rip off of Darkseid and Jack Kirby‘s classic creations The New Gods, so we get into that a little bit as well. Listen here or subscribe on iTunes:
Since the “Death of Superman” in the 90’s, death being a revolving door has been somewhat of joke in the comic world. Unfortunately, frequent deaths and resurrections can often hurt the Superhero genre. Mainly because it pushes people away. To some readers it takes the sense of urgency from the story, they don’t feel any substance in a story they read because this is used so often it’s a trope of the genre. Once I realized how many Watchmen characters would actually be used in Doomsday Clock, I expected immediate negative backlash from the fan community. ESPECIALLY when The Comedian turned up alive. To be honest I wasn’t exactly thrilled by his return. This entire story needs to be handled very delicately to work. The Watchmen characters we saw before The Comedian showed up were used really well, but I felt like The Comedian might have been a bridge too far. Geoff Johns and Gary Frank better have a very important reason for bringing him into the story or else it will feel like bad fan service (I have faith that a good explanation will be given, especially because everything else in this miniseries has been excellent so far).
Having said all that, none of it really has much to do with THIS issue. I haven’t reviewed Doomsday Clock in awhile and since then I’ve noticed that some fans are unhappy with the return of certain characters. But lets focus on Doomsday Clock #4.
This is the most character driven issue of the series so far and it almost exclusively focuses on one main character: “New Rorschach”. I put the name “Rorschach” in quotes because we already know that this isn’t Walter Kovacs, Original Recipe Rorschach. This is Reggie, the young man how took on the mantle of the legendary crime fighter/ infamous lunatic vigilante.
For readers looking for a story that pushes the narrative further in a significant way, you may be disappointed. Otherwise this is an excellent character study of this new Rorschach. We not only get to see how he became the next Rorschach, we also find out exactly who Reggie is and where he fits in the Watchmen story (which I won’t spoil here). All I’ll say is that this person wasn’t even on my list of suspects.
Up until this issue, I was pretty sure that Reggie was an original character because, after going back to the Watchmen graphic novel there really wasn’t anyone who fit what we know about him (which is pretty much just; that he’s a relatively young man, African American, and more than a little bit of a psychopath.). But after reading the issue, I tip my hat to Johns and Frank because they have delivered an excellent vigilante origin story. They did a great job of creating Reggie’s backstory. My one criticism is that even though the creators found a very clever way of showing us how Reggie acquired his fighting skills, it doesn’t seem like enough to make into a fighter that would make even Veidt uneasy. But maybe there’s more to the puzzle coming up.
This was the perfect point to tell us Reggie’s backstory and what drives him. Because among the cast of new characters, we know a relatively significant amount about The Marionette and The Mime and what makes them tick (even though there are still some huge questions surrounding these two). Four issues into a 12 issue series, we need to understand the goals and motivations of all the main characters for the story to work. We also get a great appearance of a relatively obscure Watchmen character that’s both sweet and heartbreaking.
Though other issues of Doomsday Clock have wowed me in a ways that this chapter didn’t, it is nonetheless a beautiful character tale that’s tragic, sad, and illuminating. If you don’t mind one or two comic book tropes, I highly recommend Doomsday Clock as a series. This issue was definitely weaker than others, but it was still great. I can’t wait to see what Geoff Johns and Gary Frank have in store for the next 8 issues.
Check out the new episode of The World’s Best Podcast, where I talk about 2 new, but very different and intriguing shows: The Terror and Krypton. I only reviewed Part 1 Of The Terror, Part 2 airs Monday 3/26 on AMC. Definitely give it a listen if you curious about either series. Listen here or subscribe on iTunes (soon to be on Spotify):
As you all know, I’m a MASSIVE fan of the Marvel Netflix show. I thought the first 2 seasons of Daredevil and Jessica Jones Season 1 were some of the best content the Marvel Cinematic Universe had put out, period. And that includes the movies. As much as they don’t intersect for some bizzare reason I consider these shows just as much a part of the MCU as the movies. By the time we’d watched all of Daredevil Season 1, we’d spent more time with Matt Murdock than Tony Stark, which is kind of crazy.
Anyway despite the huge dip in the quality of the content Marvel Netflix had put out (Iron Fist, The Defenders), they seemed to be mounting a come back (The Punisher). So, I wasn’t quite as excited for Jessica Jones Season 2 as you may expect, but of course I love the character and was ready for the Netflix shows to take me back to their best days.
So, on this episode of “The World’s Best Podcast” I give my slightly overdue review for Jessica Jones Season 2 (As well as some fn detours along the way)! Enjoy! Listen here or subscribe on iTunes! Editor’s Note: We soon be, of we aren’t already available on SPOTIFY!:
This takes place years after THE PULSE. It was a new series focusing on Jessica returning to P.I. work while still being a mother and wife. The series in ending soon because Jessica Jones’ creator, Brian Michael Bendis, has left Marvel to work exclusively for DC Comics. I cant wait to see what he does there, but right now he’s wrapping up all the Marvel books he’s still working on. So one other graphic novel collection of this Jessica Jones series is out nowJessica Jones Vol.2 The Secrets of Maria Hill, with an untitled Vol. 3 coming out over the next few months.