On this episode of The World’s Best Podcast, the latest incarnation of The Dark Knight Detective has arrived in theaters! The Batman starring Robert Pattinson, Zoe Kravitz, Jeffery Wright, Colin Farrell and more! After attending The Gala World Premiere, here’s my straight out of the theatre take on The Batman!
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The Super Bowl is here once again and with some SICK, new trailers for the most exciting movies and TV shows coming in 2022! As each new trailer premieres, I’ll be posting and updating right here on the site. So keep it right her at World’s Best Media for all of you Super Bowl Trailer needs!
Doctor Strange In The Multiverse of Madness
Jurassic World: Dominion
The Lord of The Rings: The Rings of Power
Follow us on Twitter @PJWrightWBM, Instagram @worldsbestmedia2017, and our Facebook Page, Worlds Best Media. Those likes and follows, as well as iTunes reviews for the podcast, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!
In the immortal words of Kevin Smith, ”F*ck you, take my money!”. Damn, this looks fantastic. Oh, don’t get me wrong, I think Matt Reeves is a inspired choice for director, the cast is phenomenal (Colin Farrell as The Penguin? That’s worth the price of admission alone), I think Pattinson is going to crush it as Batman. However, I don’t think I really got truly excited until I watched this trailer.
I absolutely adore the looks of the rogues gallery in this movie. In a stroke of genius, The Riddler was clearly inspired by the infamous Zodiac serial killer, resulting in a profoundly disturbing look.
Colin Farrell is unrecognizable as Oswald Cobblepot and anyone who’s been following his work over the last 10 years or so, knows that he’s going to absolutely murder this role.
Finally, Zoe Kravitz looks amazing as Selina Kyle. I love her simple, back to basics look, which is clearly inspired by her appearance in a Frank Miller‘s Batman: Year One. After all, she’s supposed to still be relatively early in her career in this movie.
Then there are these guys, who I’m not quite sure what to make of. If I didn’t know anything about the movie, I would guess that there some version of The Jokerz, a violent gang first introduced in Batman Beyond, who saw themselves carrying on the anarchy and legacy of The Clown Prince of Crime. In Batman Beyond, most if not all were born years after the death of The Joker. They never saw what Gotham was like during a real Joker attack. Because of of The Joker’s “legend”, the gang revered him as an outlaw and anarchist, while in reality they don’t really understand the death and evil that The Joker represented.
Batman Beyond takes place decades in the future where Batman and the Joker haven’t been seen in years and are presumed missing or dead. A group of punks who didn’t really understand the evil that The Joker represented, thought he was just decided to start cool and started The Jokerz. In the years since their formation, they’ve been terrorizing the good, decent people of Gotham. While they aren’t a major threat like Bane, or any other major members of Batman’s rogues gallery, they can still be quite dangerous and violent.
I also have a sneaking suspicion that there may be a few more villains appearing in this film, that they’ve been able to keep hidden from the audience so far.
I’m not the first person to say this, but I have a sneaking suspicion that there’s more to this story than meets the eye. I think it’s possible that The Riddler could have a benefactor, someone pulling his strings. But who? The Joker? Hush? If there is indeed someone behind the curtain, I think villain(s) that makes the most sense in light of this new trailer, would be The Court Of Owls. Green
The Court of Owls are a secret society that have exerted their wealth, influence, and power over Gotham, from the shadows, since the founding of the city. This new trailer makes it clear that Riddler knows Batman is Bruce Wayne and that the central mystery of the story seems to have something to do with The Wayne family. The Waynes are of course, one of the oldest and most respected families in Gotham. In the comics, multiple members of The Wayne family (as well as their lifelong friends, The Pennyworths) had their run-ins with The Court and their deadly enforcers, The Talons.
The Court of Owls are among my favorite modern Batman villains and we haven’t seen them on the big screen yet. Not only would it be great to see something a little different from a Batman antagonist, they’re just plain cool. This is all just speculation, of course. Regardless, this is definitely a movie to keep your eyes on.
The Batman opens 3/4/2022
Thanks for reading! Follow us on Twitter @PJWrightWBM, Instagram @worldsbestmedia2017, and our Facebook Page, Worlds Best Media. Those likes and follows, as well as iTunes reviews for the podcast, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!
From the very beginning of World’s Best Media, one of my missions has been to show people how cool comic books are and why they’re such an incredible way to tell stories (and maybe, just maybe, get some folks to give comics a try). It’s been a little while since I’ve done a deep dive into a comic book series or graphic novel, but a fantastic new series inspired me to take you guys on another journey into weird and wonderful world of comics. Let’s do it!
The book we’re taking a look at, is Batman/Catwoman. One of DC’s flagship Batman books. In my opinion, it’s also one of the best mainstream superhero book being published at either of “The Big Two” right now (otherwise known as DC and Marvel). This is all due to the incredible talent of writer Tom King and artist Clay Mann. These are two of DC’s best creators operating at the top of their game (and it shows).
As a longtime comic book fan, the stories and characters are what draw me in. A book can have the most beautiful art in the world, but it doesn’t mount up to a whole lot without a great story at it’s core. The last thing I want to do is minimize the incredible achievements of the artists working in the comic book industry. Most people don’t understand how important and difficult the work of a comic book artist really is. They’re not just drawing images on a page, they’re performing the characters, they’re directing the story. It’s one thing to draw beautiful images, but to be a great comic book artist, you also have to a great storyteller.
As much as I respect comic book artists, it’s always the writer that will draw me to a particular book.Whenever a writer like Scott Snyder, Grant Morrison, or Neil Gaiman has a new comic coming out, it’s a guaranteed that I’m going to check it out regardless of the artist. Hell, some of my favorite writers have built up enough trust and good will, that I don’t even need to know what their latest book is about to give it a read. There are a lot of great comic book artists, but very few that would make me go out and buy a comic solely because they’re working on it.
This is a long winded way of me saying that artist Clay Mann’s work on Batman/Catwoman is nothing short of astonishing. I’ve been following his work for a while on Batman and Heroes In Crisis. However his work has just taken a massive leap forward with Batman/Catwoman. I don’t think I’ve been more impressed with an artists work in a long time. Mann’s work reminds me of Jim Lee or Tony Daniel, with its crisp detailed lines. It’s widely considered that Jim Lee drew the definitive modern Batman during his Hush story line. Jim Lee’s Batman from Hush is pretty much the basis for all modern versions of the character since. Now, Clay Mann has drawn the definitive modern Catwoman with this book and if things keep going the way they are, he may take the title away from Jim Lee for the definitive modern Batman as well.
It’s not just the art that makes this book so phenomenal. Batman: Mask of The Phantasm is arguably one of, if not THE best Batman film ever made. Unlike so many other Batman Films, even the great ones, Bruce Wayne is front and center in this story. Bruce Wayne is the most interesting character in any Batman story and most filmmakers get caught up in his flashy rogues gallery at the expense of exploring Batman himself. When I was a kid The Phantasm scared the shit out of me with its creepy look and unstoppable mission of vengeance. The Phantasm was an original character created by the people who made that film. Batman/Catwoman is a quasi-sequel to Batman: Mask of The Phatasm, making the character and the events of the film canon in DC lore.
This comic is really a continuation of the story that writer Tom King first began in his excellent run on the main Batman series. The question at the heart of the story was: Can Batman be happy? And If the answer if yes, can a happy Batman still be Batman? Can a Bruce Wayne who’s found some measure of peace still be The Dark Knight that Gotham City, and the world, needs? I thought it was a fantastic idea for a Batman story. It has so much potential and in the long history of the character it’s isn’t something that had been explored before. Also, let’s not forget that just because Bruce has found a woman who truly loves and understands him doesn’t mean he’s going start going on Costco runs. Their marriage consists of Selena joining Batman on cases and nightly patrols just like Nightwing or Robin would except after they go home and fuck each other‘s brains out (come to think of it, who’s to say that didn’t happen with Nightwing a few times? After all, Master Dick looks damn good in a lm skin tight leotard!). King explored this idea through Bruce’s growing romance with Selina Kyle. After years of hook ups and on again off again romances, Bruce and Selena finally get serious. They get engaged, and eventually, after some drama including Selena leaving bruise standing at the aisle during their first wedding attempt, things worked out and now they live as husband and wife. Living together in Wayne Manor.
Out of all the incredibly fascinating characters that populates Batman’s world, I was never particularly interested in Catwoman. I love Michelle Pfeiffer as the character in Batman Returns, but other than that, I was fairly ambivalent about Catwoman in general. It wasn’t until Tom King’s Batman run and Batman/Catwoman, that I started to really like her. Batman and Catwoman have had an off and on romance for years, one of their more notable attempts at a real relationship took place in the classic Jeph Loeb and Jim Lee story, “Hush”. Batman and Catwoman getting married may seem like another gimmick like the death or resurrection of a hero, but it makes perfect sense for the characters. So many storytelling possibilities open up. Catwoman is a character who lives in the gray, so what is it like being married to a man who only sees things in black-and-white? The story puts Selena in morally compromising situations in some really imaginative ways
This story is essentially a quasi-sequel to The Mask of Phantasm. Which is really cool because The Phantasm was an original character created for that film, so her inclusion here officially brings her into the main canon of DCU. But this is a Batman story after all, and if Andrea Beaumont has returned to Gotham City, you can be sure that she’s there for blood.
The story takes place simultaneously over three different time periods. The present, the past when Bruce and Selena we’re still more of an occasional romantic tryst than the serious couple and life partners that they’ve become, and decades into the future where Bruce has recently passed away. Leaving behind his beloved wife Selina and their beautiful daughter Helena. With Bruce gone the elderly Selina finally feels free to settle a vicious vendetta with The Joker. Specially for something that occurred years before with Andrea Beaumont, during the case involving The Phantasm that Batman and Catwoman are taking on in the present. Complicating matters in the future is Helena Wayne, who’s continuing the family business as Batwoman. She also seems to have inherited her father’s naive sense of absolute justice. Bringing the story full circle showing Selina keeping secrets about her morally questionable choices from the two most people in her life, Bruce in the past and her daughter Helena in the future.
Which brings me back to Clay Mann’s beautiful artwork. I love his design for Helena Wayne, the daughter of Bruce Wayne and Selina Kyle, the Batwoman of the future. Both in and out of costume, Helena is of course her mother and father‘s daughter. A Gorgeous, stunning young woman while having dinner with her mother in Wayne Manor and looking all kinds of cool and bad ass in her new Batwoman suit. Which looks like a combination of the Batman Beyond suit and the modern version of Catwoman’s costume Mann has designed for this series.
This series is a great jumping on point for new readers because you only need to have seen the movie Batman: Mask of The Phantasm. If you’re looking for a fantastic superhero story with fantastic art, writing, and characters, then you can’t go wrong with Batman/Catwoman.
Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!
I came across this video today as I was looking through YouTube today, and I realized that many of you may not have ever seen this cool animated short (or even knew it existed). Back in 2013 the amazing folks behind Batman: The Animated Series, Superman: The Animated Series, Batman Beyond, Justice League, and Justice League Unlimited, released this short animated film called “Chase Me”. It’s a fun, quick little story about Batman trying to catch Catwoman after a minor heist she’s pulled off. But the whole chase is really a metaphor for the romance and attraction that’s at the heart off their relationship. There’s always the folks behind Batman: The Animated Series understand what makes The Dark Knight tick, better than most. If you haven’t seen “Chase Me” before, you can check it out right here and if you have seen, any excuse to dive back into the world Batman: The Animated Series, is well worth your time. Watch it here:
What did you all think of this short film? Let me know in the comments below!
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It’s been an open secret in the world of comic books that The Joker knows, and has always known, that Bruce Wayne is Batman. He just doesn’t care. It wouldn’t be funny for him to sneak into Wayne Manor in the middle of the night and put a bullet in Bruce Wayne’s head while he’s sleeping. It’s Batman who he’s interested in, Batman is his playmate. Well after years of teasing it looks like The Joker is finally going to pull the ripcord on pretending he doesn’t know that Bruce Wayne and Batman are the same man. He’s finally going to play that Ace up up his sleeve. This awesome art from Jorge Jimenez gives us a little preview of things to come in the upcoming Joker War storyline. It certainly looks like The Clown Prince of Crime is not holding back.
To add another interesting wrinkle to the story, The Joker’s got a new girlfriend and her name is Punchline. The Joker and Harley has been consciously uncoupled for several years now, with Harley Quinn leaning more into hero than villain territory these days. So it looks like Mister J. has moved on to a woman who is more interested in keeping up with his bloody, homicidal antics. We’ve only seen a little bit of Punchline in the current Batman comics, but expect her to play a bigger role as we get closer to Joker War. Here’s more beautiful art by Jorge Jimenez, who designed Punchline, so you can get a better look at the character and how she is different from Harley Quinn.
Joker War will be written by James Tynion IV, the current writer of DC’s monthly Batman comic. Tynion’s been doing excellent Batman work at DC for several years now, on books like Detective Comics and his current run on Batman. He also worked closely with Scott Snyder, arguably the greatest modern Batman writer, on Snyder’s Batman books as well as co-writing multiple issues of Snyder’s recent run on Justice League. This storyline has been teased for awhile now and we’ve been treated to sneak peeks at The Joker while he’s planning his masterpiece.
As you can see in the images below, any doubt about how much knowledge The Joker really has about Batman and his family, is quickly erased…
Because of the national health crisis, there haven’t been any new monthly comic books shipped to vendors over the last few weeks. Regular comic book distribution to Comic Book Store‘s and apps like ComiXology, is expected to begin again in mid-May, in a few weeks. So the release dates of storylines like Joker War, that were supposed to start at the end of April or the beginning of May with Batman # 95, No loolike a late May or early June beginning for the joker war. Fortunately however long it takes, things will get back on track. This is definitely going to be a big story for the Batman franchise so look for more coverage when Joker War begins in late May or June. I know I’m excited!
Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!
We got our first look at the new Batmobile from the latest big screen incarnation of The Dark Knight, The Batman directed by Matt Reeves and starring Robert Pattinson. People always tend to get excited about the new Batmobile whenever a new Batman project is on the horizon. Folks get almost as excited about the car as they do about the Batman suit. I love the more grounded look of this design, something that looks it’s based on a souped up Dodge Charger. Take a look at the pictures posted below.
Personally, my two favorite versions of The Batmobile are The Tumbler from Nolan’s The Dark Knight Trilogy and the futuristic Batmobile from the classic animated series, Batman Beyond. But like I said before, I really like this new look for The Batmobile, it’s definitely a different direction to go in.
There has been a few rumors going around lately that The Batman will feature Robin in someway or another. This new Batmobile design lends some validity to the rumors because, as many others have pointed out, this Batmobile is very similar to the version Batman had when he met the boy who would go on to become the second Robin, Jason Todd. Batman caught him trying to steal the wheels off of the Batmobile and decided to take the orphan boy in. It shouldn’t have been much of a surprise to readers that Jason was eventually beaten to death by The Joker with a crowbar and was still inside the warehouse where The Joker was keeping him when the building exploded. A kid who tries to steal the rims off the fucking Batmobile isn’t exactly the brightest bulb around. Anyway, the similarity between the two designs are leaving some people to speculate that Jason Todd may appear in this new film in some way. Personally, I’d rather see Dick Grayson or Tim Drake, but I’ll take what I can get.
This is similar to the speculation that was taking place a few weeks ago after images of Robert Pattinson as Batman on his motorcycle surfaced online. The Bat-Suit Pattinson was wearing and the bike he was riding, were very similar to the suit and motorcycle Batman in Scott Snyder and Greg Capullo’s story Zero Year.
I really dig everything I’ve seen so far from The Batman. Do you like the new design?Let me know what you think in the comments below!
Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again!
I’ve said it before and I’ll say it again, I love the direct to Blu-Ray and Digital DC Animated Movies. There’ve been some real classics to come out of these projects. Movies like Batman: Year One, The Dark Knight Returns: The Deluxe Edition, Justice League: The Flashpoint Paradox, and Batman: Under The Red Hood, just to name a few. While there have been some enjoyable standouts, there hasn’t been a real homerun from these films in a while. Though Batman: Hush may not knock it out of the park, it comes damn near close. Based on the classic Batman run by writer Jeph Loeb (Batman: The Long Halloween) with art by the legendary Jim Lee (Justice League, X-Men), Batman: Hush does a great job of adapting this seminal Batman tale while still fitting the movie into the animated continuity (or DCAU) that DC created beginning with Justice League: War. The result is a pretty damn good movie that is less of a mystery and more of a tragic romance. Which may irk some fans, but I’ll get into more of that in a moment.
I’ve heard some people complain about the animation in these films lately. Critics say that copying the general aesthetic of The New 52 and attempting to adhere to a visual continuity, makes each of these movies feel overly similar and blocky. Well, that issue isn’t completely absent from this film, but there are some notable efforts to step up to quality of the animation. Some shots feature fantastic little details that immediately draw your eyes. How someone’s eyes and face move before something dramatic is about to happen, the way a fight move is pulled off, small moments scattered throughout the film that make it feel as if the animators were going the extra mile and it shows.
The real highlight of the movie is the relationship between Batman and Catwoman. It’s so rare to see Batman in a successful and a functioning relationship. I should mention that Selina doesn’t know that Bruce is Batman at the beginning of the story.
It’s only when things begin to get serious that he reveals himself to be Bruce Wayne. In fact, there is a funny scene when he brings her to the Batcave for the first time and she’s enthusiastically greeted by Dick in the Nightwing uniform without his mask and Alfred attempting to serve her tea. When she‘s surprised to realize that Dick and Alfred know that she’s Selina Kyle. She even half jokingly asks “Does everyone know who I am?“ Dick blurts out “No, just us and Damian.” Selena asks “Who’s Damian?”, “Oh he’s Bruce’s son… He’s Robin.” Replies Dick with an awkward look on his face. It’s easy to see how being an intimate part of Bruce’s life isn’t so simple, which is why he and Selena are so perfect for one another. He is drawn to Selina as both Batman and Bruce Wayne and that’s where the key to their success of the relationship lies.
If Bruce and Selina are out on a date and The Bat Signal appears in the sky, Bruce doesn’t have to make up some bullshit excuse. She’s more than capable of coming along with him to stop whatever threat he’s facing and it even feels like a natural part of their “date night” that they both seem to get off on. Catwoman may have been staying on the straight and narrow, but she loves this world, she loves being part of a good fight. In fact, I think if she was dating Bruce and he didn’t have the Batman aspect to his life, the relationship wouldn’t work. Selina needs those kind of thrills.The film is mature enough to acknowledge that this relationship wouldn’t have worked if it began when they were younger. Maybe there would’ve been an intense fling, but nothing more. They’ve both matured, changed, and they both want different things than they did years before. It’s at this point in their lives that they’re ready to be together as both Bruce Wayne/Batman and Selina Kyle/Catwoman.
When comparing the graphic novel to the film, it’s important to remember that the Batman: Hush graphic novel is a mystery at it’s heart. Who is Hush? Why are they doing this? Well the movie managed to do a great job with staying relatively faithful to the source material, while still managing to surprising fans of the graphic novel. Love it or hate it. Many of the iconic moments from the comic book are present in the film. Some are even slightly improved upon. However, there is one classic scene from Batman: Hush that was adapted to the film, but (without going into SPOILERS) the scene felt like it needed to be a little bit longer. I was impressed how Hush managed to both surprise those of us who’ve read the comic book, while still being faithful to the source material in a unique way. To say much more would be a SPOILER, but you’ll know what I’m talking about when you see it. You may think you know where the story is going, you may think you know the identity of Hush (and maybe you’re right), but things play out just different enough to make things fun, interesting, and surprising.
The final fight between Batman and Hush is particularly well animated, well choreographed, and thrilling. The animation of the fight has a very dynamic quality. Batman employs one of my favorite tactics of his, that we’ve seen in animation and comics many times, but almost never in live-action: He gets in the villains head to gain the upper hand. He plays mind games with his opponents and that’s used here to great effect. Batman use his genius, his ability to manipulate the psychosis of the villain he’s facing, to exploit their fears, insecurities, and weaknesses to give him that extra edge for the win. Batman’s greatest weapon is his intellect.
The combination of the surprising reveal of Hush’s identity, the fantastic animation, and Batman using his intellect to exploit the mental and emotional weaknesses of his opponent, make this for a pretty memorable final battle.
It should be noted that Selina Kyle/Catwoman is a notorious criminal and accomplished superhero in her own right. However, Batman can be such a larger than life figure, that it would be easy to make even the strongest of women look like a damsel in distress in one of his stories. The film does a great job of avoiding problems like this. Selina is her own woman. Her choices are not defined by Bruce’s choices. She doesn’t necessarily need his help to get out of some of the most serious jams she finds herself in throughout the movie. Particularly in the climax of the film, Selina finds herself in a very precarious life and death situation. I’m fairly certain she would’ve been fine, whether Batman showed up or not. The storytellers did a phenomenal job making her an interesting capable character.
At the end of the day this is still a love story between Batman and Catwoman. The sad realization of how, at least in this point in their lives, that love story is also a tragedy. Bruce lets Selina in, in a way we rarely see from this character. There comes a point in the story, when Bruce makes a decision that looks like madness to Selina. In fact, it would look like madness too many of us in the audience. Once the threat has been neutralized and the villain dealt with, Selina has an epiphany. She realizes that no matter how much she loves Bruce, no matter how much she changes for him, no matter how much more she’s willingto change for him, he won’t change himself.
There are things he will not become. There are lines he cannot cross. Because of that Selina will always come in second place to Bruce. She willing to let herself evolve with this relationship, but she realizes that in the end, Bruce is an immovable object she’ll break herself against. It’s profound, it’s sad, and it’s veryBatman.
Batman: Hush is a flawed, but solid Batman mystery/adventure with a fantastic romance story, great fight scenes, some stand out bits of animation, and some surprisingly thought-provoking character and story elements. Some things land better than others and I think the film may have benefited from another 20 minutes or so of storytelling to help flesh out some of it’s more interesting ideas. The climax in particular feels like it comes out of nowhere, when there should’ve been a bit more tension and build up to Batman‘s final confrontation with Hush. Whether you’ve read the original graphic novel or not, this movie will still keep you guessing.
While not the complete return to form I was hoping for from Warner Bros/DC Animation after the strong combination of The Death of Superman/Reign of the Supermen, I’d say this is still a MUST WATCH for any Batman fan!
Tonight the final season of Gotham premiered on Fox and honestly I was very excited to watch it. It’s hard to believe that this is the same show that just a few years ago had some of the absolute worst superhero writing on TV.When Gotham began, it was more or less a shittier Smallville, with proto-versions of Batman’s rogues gallery popping up each week for Ben McKenzie’s Jim Gordon to deal with. It was a shame because the show was very well cast and all the actors were perfect in their roles. Since the very first episode, Ben McKenzie has made a great Jim Gordon (he was also the voice of Batman in the animated film adaptation of Batman: Year One). Many of the great Batman stories are also great Jim Gordon stories, so it was very important for them to get this character right.
We even got to see a part of Bruce Wayne’s life that is very rarely explored, the years immediately following the murder of his parents. David Mazouz is easily one of the most compelling live action versions of Bruce Wayne we’ve seen. He conveys Bruce’s dark, brooding intelligence without ever sounding like a whiny brat. With excellent actors memorably playing classic Batman characters like Alfred, The Penguin, The Riddler, Selina Kyle and more, the series felt like a frustrating waste of great talent. Terrible writing hamstrung what could otherwise have been an excellent take on the Batman mythos.
About halfway through Season 3, specifically the mid-season finale, something fundamentally changed about the show for the better. I think there are two big reasons for this and one of them was how the series began to use Bruce Wayne. First of all, David Mazouz had grown up enough that he was just old enough to start becoming more crucial to the action going on in the story. Pretty much from the pilot on, Bruce has slowly been learning important skills that would become crucial on his journey to becoming Batman. Season 3’s mid-season finale saw Bruce being taken hostage at a circus by Jeremiah Valeska. If you’re not familiar with Gotham, Jeremiah (played by Cameron Monaghan) is basically their version of The Joker, and a damn good one too. The episode culminated with a show down in a hall of mirrors between Bruce and Jeremiah, where Bruce comes very close to killing Jeremiah. The whole episode was pretty great and I found myself watching the rest of the season once the show returned from it’s hiatus. You started to see Bruce take a more active role as a vigilante even though he wasn’t dressed like Batman.
The second reason the series changed for the better in my opinion, was because it stopped being a bad prequel series, building up to some day in the future where we get to see Bruce put on the Batman costume in the last 5 minutes of the final episode. In the same way that Smallville was entirely built around the show teasing Clark eventually putting on the Superman costume, that we only see him wear for about three seconds in the series finale. Instead, Gotham became more of an Elseworlds Batman story. I think it’s the smartest thing the show could’ve done because they took the mythology and made it their own. They were no longer slaves to the mythology of the Batman comic books. They allowed their story to be an alternate take on the mythos. This choice gave the show its own identity. It also made it more exciting for the audiences because things weren’t necessarily going to play out exactly as they had in the comic books. As a result the back half of Season 3 was a hell of a lot of fun and frankly I love Season 4. One of the reasons I love the show Krypton on Syfy is that the show isn’t a prequel, it’s more about the DC Universe’s past being changed by time travel. Changing Krypton‘s history, changes the history of the entire Superman story and by extension the entire DC Universe.
So coming into this final season, which was going to be drawing from classic Batman stories like No Man’ Land and Zero Year (In fact this episode’s title is “Year Zero”), I was pretty psyched to see what they were going to do. I’m happy to say I wasn’t disappointed.
After the events of last season, Gotham has been completely cut off from the outside world. The bridges are down in the city and it’s been 87 days since Gotham was officially declared a No Man’s Land by the US government. Unfortunately, not everyone who wanted to had the means to leave the city before it was cut off from the rest of the world. Children, families, innocent people have been trapped in a city that has become an almost post-apocalyptic dystopia. Gotham’s been carved up into territories, with different factions controlling different neighborhoods. Penguin Control City Hall and the surrounding area. He’s also the only person in the city manufacturing bullets for guns, which are more or less currency in the city. Scarecrow, Firefly, Mr. Freeze, Poison Ivy, and other villains have also carved up their own peace of the city.Somewhat ominously, Jerimiah Valeska hasn’t been seen since the beginning of No Man’s Land. I have a feeling he’s waiting to make his own suitably dramatic entrance.
The only part of Gotham City for the average citizen who’d been left behind is the area controlled by the GCPD. Gordon with Bullock and Lucius Fox by his side, are not only leading what’s left of the GCPD, they’re also protecting and feeding hundreds of refugees and supplies are running out. A lot of this is straight out of some iconic Batman storylines, so as a longtime Batman comic book fan this is cool to see.
Fortunately, Bruce Wayne and Alfred decided to stay behind as well and Bruce is doing everything he can to get supplies smuggled in. Not only to the people suffering in the city, but medicine for Selena Kyle as well. She was shot in the stomach at point-blank range by Jeremiah in the season finale last year and unless something drastic is done she could be paralyzed from the waist down for the rest of her life. Of course this heavily weighs on Bruce, who blames himself for her condition.
Part of the fun of this season is seeing how close Bruce is to becoming Batman, even though he isn’t ready yet. There’s an early scene where Bruce takes down a bunch of thugs trying to steal medical supplies. The power has gone out, so he uses night vision goggles courtesy of the Lucius Fox to take them out one by one, in very Batman fashion. However, just when it looks like he’s saved the day, the lights come back on, the night vision goggles blind him, and the thieves get away. This is an important scene because it shows us that while Bruce is well on his way to becoming The Batman that we know, who could’ve easily taken down a group of bad guys in a situation like this, but he’s not quite there yet. He’s still making crucial mistakes and he still has much to learn. It’s important the series didn’t just suddenly turn him into Batman over night. Bruce’s journey throughout the series has felt earned. Based on his training it makes perfect sense for him to be exactly at the level he’s at now.
The episode largely sets up the status quo for the season and puts the pieces in play for things to come. We know things are going to get a lot worse before they get better because the episode opens with a flash forward to No Mans Land Day 391 and shows Gordon, Bullock, The Penguin, The Riddler, and the rest of the GCPD fending off a full blown siege by… someone. For Penguin and The Riddler to be teaming up with Gordon, it must be a pretty serious common enemy.
All in all I really enjoyed this episode and considering that it was mostly set up, I have a feeling once the story really gets going this has the potential to be a fantastic final season for Gotham. I couldn’t help but love the scene when Gordon and Bruce were standing on the roof of the GCPD together. With Gordon shining a spotlight on the sky to give people hope, foreshadowing so many of their interactions in the years to come. As Bruce walks away at the end of the scene, Gordon ask him if he regrets staying behind in Gotham, Bruce replies “No. You?”. Jim Gordons smiles and says “Hell no”. Am I looking forward to the rest of Gotham’s Final Season? Hell, yes.