On this episode of The World’s Best Podcast, I’m here to give you everything you need to know about The CW’s upcoming annual EPIC DC Superhero Crossover Event… CRISIS ON INFINITE EARTHS! All of The CW’s DC shows, Arrow, The Flash, Supergirl, Legends of Tomorrow, and Batwoman, along with an all star cast of characters from throughout the DC Multiverse, are crossing over for their most ambitious event yet: an adaptation of the classic DC maxiseries, Crisis On Infinite Earths! “Worlds will live, worlds will die and nothing will ever be the same!” As the old saying goes. On this week’s show I go over when you can watch the event, what you need to know before watching, all of the amazing guest stars and characters scheduled to appear, and what The Arrowverse might look like when the dust settles. This a MUST LISTEN for fans of ANY of The CW DC superhero shows and DC fans in general.
When Crisis On Infinite Earths hit stand.30 years ago, it set the standard for massive, comic book superhero, crossover events. I can say without hyperbole, that Crisis makes The Infinity Gauntlet seem like a minor skirmish by comparison and that’s not a knock at the The Infinity Gaunlet. Which is a great story in it’s own right that was largely the inspiration for The MCU’s The Infinity Saga. While TheInfinity Gauntlet was about saving The Universe, Crisis is about saving The ENTIRE Multiverse. Countless realities face total annihilation at the hands of a being of immeasurable power. More of a cosmic force of nature than a being with any kind of human motivation. He is know throughout The Multiverse by many names: The Anti-God, The Unmaker, he is… The Anti-Monitor.
We’re getting a lot of cool cameos and characters new and old in this Crossover. So after you listen to the episode (or before, it’s a free country… for now), come and check out some spectacular art work showcasing the characters appearing in Crisis. Some of the images are actually concept art from the incredibly talented design teams that work on these shows and some are fantastic pieces of fan art from some of the best online artists from around the world, depicting what these characters will most likely look like in the Crossover. The great artists create these images based on character descriptions from people who work on the shows, what the actors playing the characters look like, and their most iconic looks from the comics. You can find all of the concept art on this page, below the links to this episode of The World’s Best Podcast!
Kevin Conroy as Batman Beyond era Bruce Wayne (Plus Additional Batman Beyond Images)-
With Kevin Conroy coming on to play Batman in Crisis there’s rumors that Mark Hamill, who iconically played The Joker in Batman: The Animated Series, Justice League, and Batman Beyond will be returning to plan the character in live action for Crisis. Hamill has already made multiple appearances in The Arrowverse as The Trickster on The Flash. Here’s some concept art of Hamill as The Joker and it’s pretty fucking creepy:
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On this week’s episode of The World’s Best Podcast, after this year’s EPIC San Diego Comic-Con, co-host Paul Sr. and I break down all of the coolest announcements, including the huge presentation from Marvel Studios revealing the movies and TV series that will be apart of MCU PHASE 4! The Eternals, Shang-Chi and The Legend Of The Ten Rings, Doctor Strange and The Multiverse Of Madness, Thor: Love & Thunder, & more! We also discuss this year’s massive Arrowverse crossover, Crisis On Infinite Earths! Finally, we review the new series from Amazon Prime, The Boys!
We also have some cool news we didn’t get a chance to cover in the podcast that we have posted below for you to check out.
DC’s Arrowverse panels had a lot of cool details and trailers from the upcoming seasons of each show. Perhaps more excitingly, we got some more info on their EPIC crossover: Crisis On Infinite Earths…
Considering this crossover will be dealing with The Multiverse and Parallel Realities, it comes as no surprise that we will be seeing different versions of characters we already know, but in different roles. In addition to hearing that Burt Ward will be making a cameo as Robin from another reality, we also learned that Brandon Routh who plays Ray Palmer on Legends Of Tomorrow will be taking on an exciting new role in the crossover. Routh famously played Superman in Bryan Singer’s 2006 Superman Returns, in the crossover he’ll also be playing Superman once again for Crisis On Infinite Earths, but not just any Superman, Kingdom Come Superman! It hasn’t been confirmed if Ray AKA The Atom and this version of Superman will actually meet face to face, but that would be pretty damn cool.
Kingdom Come is a classic Justice League story written by Mark Waid with art by Alex Ross, about the twilight of the classic DC heroes and the new, violent generation of meta-humans who are trying to replace them. Featuring this older, world weary version of Superman into the crossover is very exciting. It’s also been confirmed that Tyler Hoechlin will be returning as Clark Kent/Superman and Jon Cryer will be returning as Lex Luthor.
We also got what may be our first look at THE BIG BAD of Crisis On Infinite Earths, The Anti-Monitor with this concept art that popped up during Comic-Con…
We also got these pictures of new looks for Diggle and Laurel on Arrow.
Finally, here’s a better look at Supergirl’s cool new uniform from her upcoming season…
THE MCU: PHASE 4 (Pictures and Concept Art)
Below we have some cool pieces of concept art and behind the scene pictures from Marvel’s Phase 4 projects. Take a look…
It’s been a while since I’ve written an article on comic books. As I’ve often said, one of my main goals at World’s Best Media has been to be an advocate for comic books. To champion comics as a beautiful, thought provoking, worthwhile literature. Like all mediums, comics books and graphic novels can run the gamut from complete garbage to transcendent pieces of art. To use television as an example, for every “Big Bang Theory” (ugh) to masterpieces like “The Wire” or “Game of Thrones”. As we head into Spring with Summer around the corner, DC and Marvel are gearing up for some high profile books from their top writers and artists to tell big event stories. Think of it like the comic book world’s version the Summer Blockbuster Season at the movies. This year is no exception and even after years of reading comics for a couple of decades now I still get excited. (Jesus Christ! Wait a second. When did I do ANYTHING “decades ago”?! When did THAT happen?! Time is a cruel mistress, I suppose)
In this article I’m going to give you folks a look at some of the coolest comics DC and Marvel have hitting stands over the next couple of months. There are some pretty damn cool books here and like I said I never fail to get excited about the Summer Comic Book Events.
However, it can be difficult to get into comics especially if you’re a newcomer. So even if this’ll be your first time picking up a comic book or you’re a lapsed fan comings looking to get back into comics, I have something here that I think will help you out. * if you’re a comic book readers and understand the basics, you can skip right ahead to out Spring/Summer Comic Book Preview. Otherwise…
Here’s a quick refresher: New to Comic 101. This will help you appreciate some very sick new comics and graphic novels coming out this spring and summer when they hit stores and Apps. If you’ve seen a Marvel movie, for example, and are trying to decide where to start, it can be intimidating. No is much is I love Marvel, DC Comics is much better at making comic books accessible to newcomers. They tend to make their stories available in simple, easy to grasp formats. They tend to publish their graphic novels as individual stories that you can pick up like a regular novel and understand without having read anything else about the character (more or less). Then you can go out and grab another story featuring the same character and (more or less) be able to follow along. There might be some confusion here and there about small details, but that’s why god invented Google. Let’s say you’ve read one or two Wonder Woman or Superman graphic novels or collected editions, as you begin to read more, you start to understand when stories take place in a a books history, the overall continuity of a character or universe, the best writers and artists. Basically you start to become a comic book reader.
As I’ve explained in the past, what we call graphic novels are really mostly collected editions which are just collections of individual comics that make up one larger story, in easy to read book/graphic novel form. DC seems to really understand that graphic novels and collected editions are incredibly important because they help draw in new readers. Right now drawing in new readers is by far the most important priority of every comic book publisher.
Now, without further ado…
2019 SPRING/SUMMER COMIC BOOK PREVIEW
DC’S YEAR OF THE VILLAIN #1 (One-Shot)
Release Date: 5/1/19
Writers – Brian Michael Bendis, Scott Snyder, & James Tynion IV
Artist- Jim Cheung, Alex Maleev, & Francis Manapul
Cover- Greg Capullo
This is the must buy comic book of the season. This special one shot is made up of three separate stories from DC’s top writers and artists. Each of the three stories serve to set up the major story arcs and plot points in DC‘s biggest books, featuring their most prominent characters. With a theme like “Year of the Villain“, these stories feature some of the most dangerous and deadly threats that have been brewing in books like Justice League, Action Comics, Batman and more all year. Threats like The Batman Who Laughs, the terrifying and powerful secret society/terrorist group Leviathan, and Lex Luthor’s continuing quest to unlock the secret cosmic powers of the Universe with his Legion Of Doom. Considering the wild cards at play here, expect some big surprises and shocking reveals in this book. Plus, you can’t beat the rock bottom price of $0.25. This book is a good jumping on point if you have been a DC Comics reader in the past and want to start reading them again. This is a MUST READ. Below we have some fantastic art, each of whch accompanies the different stories in this book
Doomsday Clock #11
Release Date: 5/22/19
Writer- Geoff Johns
Artist- Gary Frank
Man, this great fucking series. Don’t listen to the haters. What’s interesting is Doomsday Clock is kind of a microcosm of all superhero comics. It’s a big gimmicky “Event”, it’s a crossover, it’s messes with classic characters and stories that were previously viewed as untouchable sacred cows, surprise character returns, there are big deaths, surprise resurrections, RETCONING! You find each of those thing a lot in superhero comics. However, none of that takes away from the fact that Doomsday Clock is a fucking incredible comic book. In fact, It’s one of the best books currently being published. When the story was first announced, it was presented as a story that would’ve been about a sort of battle for the soul of the DC Universe. With Superman‘s hope and optimism versus Dr. Manhattan’s cold, inhuman, rationalism. While that still seems to be an element of the story, it quickly became apparent that this story was really a Watchmen sequel. Some fans will always be against the idea of a sequel to Alan Moore’s superhero masterpiece, but I am of the opinion that if there has to be a sequel to Watchmen, this is the best one we’re going to get. It’s a fantastic story that feels both very true to the world Alan Moore and Dave Gibbons created all those years ago as well as the DC comics universe. The art by Gary Frank is beyond phenomenal. I have no idea where the story is going to end up and that’s one of the things I love about it. At the time of writing this, issue # 10 will have been published, With the penultimate chapter (Issue #11) of this saga hitting spinner racks in May. With the grand finale following issue #11. Will we finally get the epic confrontation between Superman and Dr. Manhattan that the series seems to be inexorably heading towards? I’m sure there’s going to be at least some confrontation, but what kind…. I don’t know, but I can’t fucking wait to find out.Though we’ve seen a lot of delays on this series, it seems to be getting back on track with a pretty regular shipping schedule.
Batman: Last Knight On Earth
Release Date: 5/29/19
Writer- Scott Snyder
Artist- Greg Capullo
For nearly a decade, writer Scott Snyder has become the definitive Batman storyteller of his time. Frank Miller had the 80’s, the 21st-century belongs to Scott Snyder. Snyder has often told the story of, how when he was first starting out on the New 52 Batman and how he asked legendary writer Grant Morrison for his advice on writing Batman. Morrison himself had his own successful Batman run and wrote the classic Batman graphic novel Arkham Asylum: A Serious House On A Serious Earth. Morrison told Snyder that the key to writing Batman is to write him as if he created the character himself. Morrison then asked Snyder if he knew HIS version the beginning or “birth” of the character and the ending or “death” of the character. Snyder followed this advice and his story about Batman’s birth is the excellent Zero Year story. Now we’re getting Snyder’s story about Batman’s “death” or the last story of Snyder’s Batman with Batman: Last Knight On Earth #1. It if Scott Snyder is telling his version of the last Batman story, there can be only one artist to draw the book, and that is of course Greg Capullo.
His New 52 Batman run with artist Greg Capullo Is probably in the top two or three best Batman runs of all time, if not number one. A massive part of that book’s success was his collaboration with artist Greg Capullo. Not all comic book artists and writers work this way, but the right artist and writer come together who are an absolute perfect match, you get magic. That Batman run would not have been the masterpiece it is had Snyder not worked with Capullo on the book. There are several more, but it’s more rare than you’d think. Garth Ennis and Steve Dillon’s work on Preacher together comes to mind as a similar example of what you get when you put the right creative people together.
This three issue prestige format miniseries follows Bruce Wayne waking up in Arkham Asylum; young, fit, and very much sane. Without any memory of how he got there or what has happened before, he finds himself in a post apocalyptic, ruined DC Universe. With a frozen, severed, but very much alive Joker head as his only companion, Batman begins in his trek across what was once the DC Universe he knew, to you find the answers he needs. Considering the pedigree of the talent involved in this project and what phenomenal Batman stories they’ve already told, I’m going to say this is one of the Top 3 absolute MUST BUYS of the summer.
The Flash: Year One
Begins in issues #70 and #71
Writer- Joshua Williamson
Artist- Howard Porter
Release Dates: 5/8/19 & 5/22/19
I’m actually really looking forward to this one. I don’t read The Flash on a monthly basis, but I check it out every once in awhile and Joshua Williams is a great writer. May kicks off the first two issues of The Flash: Year One. There’s not a whole lot to say with this one. It’s pretty much all in the title. I’m a sucker for a good Year One story and we haven’t receive one of those for Barry Allen before. The art is phenomenal. The creative team is excellent; Williamson had been putting out some good Flash stories since DC REBIRTH and Howard Porter is an all time great Flash artist. If you like The Flash TV series or you dig The Flash in general, I’d say this looks like a pretty sure bet for a great book.
Superman: Leviathan Rising Special #1 (One-Shot)
Release Date: 5/29/19
Writers- Brian Michael Bendis
This is a special prelude to the next comic book event, I’ll be talking about below….
Release Date: 6/12/19
Writer – Brian Michael Bendis
Artist- Alex Maleev
LEVIATHAN is rising. Seemingly out of nowhere, intelligence agencies, terrorist groups, cults, some of the most powerful organizations in the DC Universe are taken out by a powerful secret terrorist society, Leviathan. A.R.G.US. Headquarters (DC’s version of SHIELD) is destroyed in a powerful and mysterious blast, the terrorist group Kobra Cult, The D.E.O. (The government organization Supergirl works with if you watch her show on The CW), and more, all destroyed. This story has been building up in the Superman books for the past few months and it was only recently revealed that the Leviathan storyline would have a larger affect on the DC Universe.
A few years ago, in an attempt to take the Batman concept global, Bruce Wayne started Batman Inc. An organization in which Batman and Wayne Enterprises would give vigilantes who had been inspired by Batman, in cities all over the world, access to Wayne Tech resources and technology. Batman was going global. As part of their very twisted and fucked up love-hate relationship Talia Al-Ghul, daughter of The Demon’s Head, Ra’s Al-Ghul, mother to Damian Wayne, Son of Batman; created a terrorist organization called Leviathan specifically to counter Batman Inc., it’s not clear how much, if any connection this Leviathan has to the previous one, but there appears to be some. The books leading up to this have been a lot of fun and I like how Bendis seems to be opening up the story into the larger DC Universe. You should be reading all of Bendis’ Superman books right now, so definitely check this one out as well. Event Leviathan will be a 6 Issue miniseries that Bendis has described as more of shadowy thriller than a typical huge, bombastic event comic. I’d definitely recommend checking out Action Comics also written by Bendis which looks like it’ll be a key tie-in book. Action Comics is great anyway so you should definitely be reading it, event or no event. In fact Action Comics by Bendis vol.1 hits comic book stores on 4/3 and it get my highest recommendation.
Superman: Year One
Writer: Frank Miller
Artist: John Romita Jr.
Release Dates: 6/19/19, August, & October
Like many comic fans, after train wrecks like The Dark Knight Strikes Again and All Star Batman & Robin The Boy Wonder, I found myself thinking “What the FUCK happened to Frank Miller?”. Where was the man who gave us Batman: Year One and The Dark Knight Returns? The answer, as far as I was concerned as a comic reader, was that he was long gone. The Frank Miller we knew was no more.
Now all of a sudden he’s giving Superman the Year One treatment after years of being a longtime, vocal Superman hater. What to make of all this? Hmmmm…
Well, unlike many of you, I kind of loved The Dark Knight III The Master Race. So, are we seeing a Frank Miller comeback? Well, one good piece of work does not a comeback make. Even if we all agree that The Dark Knight III The Master Race was a very good Batman/DC Universe miniseries, a big caveat comes along with giving Frank Miller any points in the comeback column from this project. There’s a big metaphorical asterisk next to Frank Miller’s name on this book. TDK III was co-written with Miller by the very talented Brian Azzarello and the book was drawn by the legendary Andy Kubert. I strongly suspect that Frank Miller’s contribution to that book consisted of some variant covers, the brief back up stories at the end of each issue, and giving his input to the very broad outline of the story. While Azzarello was responsible for truly writing the issues. However, I could be wrong, who knows?
Now having said all that, will I be reading Superman: Year One? Absolutely. I am a complete sucker for a Year One story and John Romita Jr.’s art looks fantastic. That’s got to be worth the price of admission alone. Even if it’s garbage, it’ll be beautiful garbage. Also John Romita Jr. handling art duties on this miniseries tips things positively in the book’s favor a little. The first of the three prestige format issues will be released on 6/19/19, with books two and three being released in August and October.
I’m a pretty optimistic guy when it comes to my pop-culture. I want it to be good. That’s why I enjoyed The Dark Knight III The Master Race so much, I allowed myself to be open to enjoy it. However, though John Romita Jr.’s art is definitely a huge draw. Hopefully, he’ll be able to help Miller tell a solid Superman story. This miniseries has been described as being Frank Miller’s story, unlike the collaborative nature of TDK III. Basically, he doesn’t have the help he did on his last major project to catch him when he falls. I have great respect for Romita Jr., then again Jim Lee produced some of his best work on All Star Batman and Robin The Boy Wonder and look how that turned out. Finally, even though I’ll definitely be picking up at least the first issue of this series, I have come to the conclusion that this is going to be a shit show. Everything I know about Frank Miller makes me think Superman: Year One is going to be another massive, flaming, Hindenburg-like failure from the once great Frank Miller. I’ll be the first to tell you how happy I am to be wrong on this one.
I hope you enjoyed my spring/summer comic book preview and as always thank you for reading! This article focused on DC Comics exclusively. DC does a better job of Marvel than putting out accessible, more or less self contained, easy to explain event books and mini series. So if you enjoyed this preview and you’d like to see what Marvel Comics has cooking for the spring and summer, please comment below
So there you have it, a lot of exciting comics coming out over the next few months. Word has it there are some even bigger things coming on the horizon and this is all just from DC Comics! I’ll probably write up a similar article highlighting Marvel’s spring and summer comics to check out this year. Comics are an incredible medium. So, whether you’re reading single issue comics, waiting for the collected editions, reading them on your tablet, or going to your local comic book store, as long as you’re supporting the medium, that’s all that matters.
I wanted to take a minute to talk about Supergirl on the CW. Before I get into the show, I want to put something in context first. Lex Luthor is by far one of my favorite comic book characters. I think different generations have their own definitive superman. To many people of a certain age Richard Donner’s Superman with Christopher Reeves as the Man of Steel, is the standard by which all other portrayals of the character are judged.
For a lot of people in my generation, Superman The Animated Series is THEIR Superman in the same way Christopher Reeves was for previous generations. Superman The Animated Series ( or STAS or brevity’s sake) is by far my favorite interpretation of the Superman mythos. However, the show doesn’t only have what is, in my opinion, the best on screen Superman that we’ve had it also has the best Lex Luthor. Anytime a new Superman film is being made I’m always hoping to see the filmmakers will portray Lex Luthor as the incredibly interesting and complex character that he is. Unfortunately, my hopes are never realized. When Lex inevitably gets fucked up, I always find myself saying why the fuck don’t they just do the Lex Luthor from the animated series? Clancy Brown, who did the voice of Lex are on STAS is my iconic Luthor.
I’ve said this many times, but Lex Luthor for at least the last 30 years has been portrayed in the comic books as what I describe as a slightly more amoral Tony Stark. In fact, the argument could be made that Tony Stark is more dangerous than Lex Luthor in many ways. Yet I keep seeing these goofy, stupid portrayals of Lex on the big screen. Have these people even bothered to pick up a Superman comic book from the past three decades besides The Death of Superman?
Kevin Spacey was just playing Gene Hackman as Lex. In Superman Returns, Lex has what is without a doubt the stupidest master plan from a super villain in a comic book movie. The master plan involving real estate is another example of a generation that is so overly reverent towards the Christopher Reeves Superman that it actually hurts the film. Jesse Eisenberg as Lex Luthor was an abortion for the eyes (I REFUSE to even include a photograph of him as the character in this article). It’s was a fucking disgrace and everyone involved in the decisions that resulted that version of ”Lex”. * A quick side note: I’ve heard a few people insist that Jesse Eisenberg‘s Lex Luthor is actually supposed to be the son of the real, more traditional Lex Luthor, that would’ve been introduced down the line. I never took that from BvS at any point. I could be wrong, but I’m almost 100% sure that this was supposed to be straight up Lex Luthor, not Lex Jr. I’m not sure of people where people are getting that one from and if anyone could clarify in the comments, I’d love to hear your thoughts. The only live action take on the character that I thought was done well, was Michael Rosenbaum on Smallville. Smallville was a silly and sometimes campy show, but Lex was always one of the show’s strongest aspects.
To my surprise, it was announced that this season of Supergirl would be introducing Lex Luthor for the first time. It was it wasn’t going to be a one off either, he was going to be on the show for a good while. For some reason Warner Bros. and DC have had this weird rule for a long time, that they seem to be bending now for some reason, that prohibits character’s like Batman, Superman, Wonder Woman, and some other big characters like Lex Luthor from appearing in a live action television show and a film at the same time. The reasoning that they seem to give is that the audience will just be baffled at the idea of two different people portraying this character, which tells you everything you really need to know about how the creative intelligence off Hollywood executives.
In Supergirl’s second season, the two part premiere episodes introduced Tyler Hoechlin as Superman. He did a fantastic job and there’s an argument to be made that he’s the best live-action Superman right now. I like this version of the character so much that I’d like to see more of him, but I’m happy they didn’t make his appearance a one off. He appeared on Supergirl later in season two and has popped up a few more times on the series in the last couple of years. Even cooler was when Superman was a big part of this year‘s excellent Arrowverse Crossover Elseworlds, where they also introduced Lois Lane for the first time. Like I said, it always seems like those characters were off-limits, so I was pleasantly surprised that we’ve seen as much of Superman as we have.
The same thing happened when they announced Lex was going to be on Supergirl. Then they announced Jon cryer would be playing Lex Luthor. At first glance this would seem like a terrible idea because he seem like just another skinny geek and that’s the last thing we want to see after Jesse Eisenberg‘s portrayal. But I was willing to give him the benefit of the doubt. I figured this guy is so incredibly loaded from his years on Two and a Half Men that he does not have to do any project he doesn’t want to do. So there must’ve been something he saw in this character that would allow him to stretch his acting muscles in a completely different way. He just spent over a decade doing comedy, I figured maybe he’s up for a darker role.
We are now two episodes in to Lex’s stint on Supergirl and goddamnit if he is not fantastic in this role. So far he’s been pretty close to what I’ve been looking for with this character. He’s a genius, manipulative, he has his cool battle armor. It’s much more in line with the Lex Luthor we see in modern comics.
His second episode really impressed me because we saw how he had been behind (in one way or another) much what has happened on the show in the last few years. It was established early on in the series that Lex Luthor was in prison when Supergirl began. Using flashbacks, this weeks episode showed what Lex has been up to since he’d been convicted of Crimes Against Humanity. It was fantastic it showcase for John Cryer is in this role.
I’ve always been a huge Arrowverse fan, even though it’s best days are behind it in many ways. Despite my love of the Arrowverse, I’ve never really been that big of a fan of Supergirl (the series not the character). I think the series has done an excellent job with their portrayal of the character. Mellissa Benoist is great as The Girl of Steel, for some reason I find her at her most charming and entertaining in the crossover episodes. She’s a very interesting contrast to Barry Allen and especially Oliver Queen.
However, in my opinion the show really excels at using characters and stories from Superman‘s mythology. For example, they did an episode that was an adaptation for the classic Alan Moore Superman story For The Man Who Has Everything. This season also saw the introduction of Manchester Black and The Elite who were first introduced in another iconic Superman story What’s So Funny About Truth, Justice, And The American Way?. Even in the first season, they reveal about halfway through that one of the main characters was actually J’onn J’onnz; The Martian Manhunter. That blew my fucking mind. He’s been a fixture in the Arrowverse ever since and I love seeing him shape shift into his classic Martian form. Most of the time he appears as a human man because he’s a shape shifter and it would be way too expensive for the show to have him in full Martian Manhunter mode all the time.
I even loved how they’ve used classic Superman villains like Metallo, Parasite, White Martians and the Kryptonian villain Non, one of the general Zod’s right hand men. He is usually portrayed as muscle for General Zod, just a big, dumb, strong antagonist for Superman to fight. But he actually has a pretty tragic backstory. He was lobotomized by The Kryptonian Council as punishment for crimes he committed. There was a time that he was a mentor to Jor-El, one of Krypton‘s most brilliant scientists.
All of this has just been a very long winded way of saying how great it is to see a fantastic live action Lex Luthor. The season in general has been strong even though I have problems with some of their heavy handed attempts at making the story a real world to allegory. Despite that big flaw, there have been some very cool and exciting stories and characters being used on Supergirl that make a fan like me pay attention. I would definitely recommend going to iTunes or on-demand and checking out the last two episodes of Supergirl, the first one with Lex Luthor’s appearance is O’ Brother Where Art Thou. Cryer had a great start in that installment, but I was even more impressed with how good he is in this role in his second episode. I wouldn’t say I’m that big enough fan of Supergirl to recommend diving into the series as a whole, but I definitely think if you’re a big DC fan and you finally want to see a solid Lex Luthor, check out these episodes. I’d also recommend checking out any of the episodes where Superman makes an appearance and this year’s crossover with Arrow and The Flash: Elseworlds. While I’m on the subject of crossovers, with the most ambitious and thrilling crossover the Arrowverse has ever attempted, Crisis on Infinite Earths, debuting this fall, Lex being a major player in the Arrowverse now makes that already exciting crossover even more interesting.
With Lex seemingly not going anywhere for the rest of the season, I cannot wait to see what else the show’s writers and John Cryer do with this extremely interesting take on Lex Luthor. As always thank you for reading!
For the first two Seasons of The Flash, it was one of my top shows. I loved The Flash and The Arrowverse in general as much as shows like Game of Thrones or Netflix’s Daredevil (before you freak out, I’m not saying that The Flash, at its best, was as good as those shows. I’m just saying I enjoyed The Flash almost as much as those series). The first two Seasons are among the best live action superhero stories brought to any screen. Things started to get dicey in the 3rd Season, it wasn’t reaching the heights of what had come before. However, because the way the story in Season 3 is told, the audience doesn’t have the full picture of what’s been going on until much later in the season. Giving Season 3 a rewatch reveals a flawed, but very good/great season. Sadly, after the Season 3 finale, the show had it’s best days behind it. Season 4 sucked and Season 5 (the current season) has me barely interested in the show anymore. However, despite my waning interest, I was really looking forward to Tuesday night’s episode, “Time Bomb”, for reasons I’ll explain below. Imagine my surprise when The Flash put out it’s best episode (non-crossover) episode in a few years with this heartbreaking installment.
The over arcing story of the season revolves around, Nora Allen, Barry and Iris’s speedster daughter from roughly 30 years in the future, who has come back in time to correct a mistake she made by messing with the timeline. According to Nora, basically Team Flash has to stop a super villain called Cicada, which will somehow correct the timeline, and Nora will return to her own time period. I feel like this show doesn’t do a good job of explaining why Nora needs to fix the timeline in the first place. I get that a dangerous villain called Cicada has become even more dangerous due to the change in the timeline, but beyond that the plans for Nora’s return home are unclear. To me, with time travel being so dangerous in this universe the longer she stays in the past the more damage she would be doing. By hanging around with her parents decades before she was born, seems far more dangerous than stopping any villain. So I haven’t been that invested in the show until the mid season finale when they reveal that 30 years in the future Nora‘s mentor, the person who is giving her instructions on how to properly manipulate the timeline and use the Speed Force is none other than Eobard Thawne! He’s being held in a Supermax version of Iron Heights Prison In 2049 and he seems to genuinely want to help Nora. As we learn from the very first episode of the series, in Thawne’s Timevault there’s a futuristic front page hologram newspapers from the year 2024 that reads “THE FLASH VANISHES IN CRISIS“. So, Nora was a little girl who grew up without her legendary, hero father and then develops the superspeed she inherited from him. She needed a mentor to instructor her in how to use the Speed Force. In Nora’s defense, it’s clear that she didn’t understand just how much damage The Reverse-Flash had done to Barry and his life. Even though I am certain Thawne has an ulterior motive that benefits himself, he seems to truly care about Nora and almost views her as a surrogate daughter.
But time has run out, the shit has hit the fan, their plan has fallen apart. A desperate Nora runs into the future to find a despondent Thawne who says there’s nothing else they can do. Thawne tells Nora to do something that terrifies her: tell her father everything. Tell him about working with Thawne, Tell him about their attempts to change the timeline, and tell him the painful reality that she has been lying to him about working with his greatest enemy
What really fucked up the timeline was that Dwyer’s niece, Grace, all grown up, has come to the present from the future, using the Time Sphere the team built in Season 1. To continue what she saw as her now “meta-cured” Uncle’s “Mission” to kill all meta humans. She remarks that in her time, about 30 years from now, that meta humans have has grown at an exponential rate. Which makes sense because there are a shitload of other super heroes and super villains in the future. She has become the new Cicada.
Dwyer killed Metas as Cicada to protect and avenge his niece. He wanted to make the world a safer for a place for her when she comes out of her coma. He just wanted her to have a happy life. He is somewhat horrified that his beloved niece is so filled with the same hate and anger that led to him down his path to being Cicada. Grace becoming Cicada is the last thing he wants for her. So during her battle with Team Flash. Dwyer shows up, without his powers because he’s been cured, and tries to talk her down. He tells her that she needs to let go of her anger and move on. I saw this coming a mile away, but just as it looks like he might be getting through to her, she kills him with the meta dampening dagger that now belongs to her. This is where we really see just how much more of a psychopath she is compared to her uncle. As her dies in The Flash’s arms, Dwyer’s touching last words to Barry are “Save my Grace.” Even though she just murdered him, she’s the only thing he’s truly loved. Even if he’s dying all he really cares about is his niece Grace. When he asks Barry to save her I think he means save her from the path to Cicada. From one father to another, Dwyer asks Barry to save his child’s soul.
Team flash manages to track down Cicada’s next target, a woman named Vickie Bolen. Several years ago, without quite understanding how her powers worked, she accidentally blew up an ATM, seemingly killing Grace’s parents. Because at the time of the explosion meta-humans were being kept under wraps in Central City, so Bolen remarks that she takes blame for the ATM explosion but “Thanks God that no one was hurt”. She was blissfully ignorant to the fact that she’s probably the person who killed Grace’s parents. I say “probably” because who the fuck knows on a show like this sometimes. CCPD/Team Flash, which is essentially the same thing for all intents and purposes on this mission because everyone involved works for CCPD and Team Flash, realize the incident wasn’t her fault and the team insist on protecting her and her family from this very dangerous new Cicada. Bolen’s daughter was slightly injured, so they wait for the attack at Central City Hospital.
This leads to an excellent action sequence that relied on special FX, when Grace shows up to kill this woman Team Flash is protecting. Standing outside the hospital, Grace unleashes the Dagger with Barry realizing a split second before anybody that the dagger is coming, which will take away their powers and it’s headed right at the woman they’re trying to protect. In a really cool piece of special FX, everything slows way down to flash time the dagger crashes through the window of the hospital. Nora’s powers start to drain away in the presence of the dagger as she and Barry take off in the other direction to try to save Bolen. However, Barry is a little bit ahead of Nora and he’s able to get around the corner, get his Flash suit on as it blows out of his ring, and get to Bolen just before she’s about to be killed by the dagger. Nora super speeds Bolen out of there with the dagger flying behind them like a heat seeking missile close behind. Meanwhile Barry goes to face off with Grace. It was a really cool scene and I liked seeing Nora try to out run this weapon and save this woman, while Team Flash comes up with a plan to save them. It seems that lately the special Fx haven’t lived up to the amazing standard set by the show’s first three seasons. Their FX is usually great, especially for a network show. Even though I think the FX has dipped a little recently, this was a very cool action sequence.
And then we come to the end of things…. The team has saved the day, for now, and are looking to head out to grab a well deserved drink together. This is when Cecile picks up on the fact that Nora wants to tell them all something and everything from this moment on in the episode is pretty brutal.
Grant Gustin, Jessica Parker Kennedy, and Tom Cavanuogh each give Excellent performances in this episode. Stand outs include: Barry’s look of utter betrayal and horror when he finds out his daughter was working with Thawne. Nora’s opening scene with Thawne; everything they’ve risked, everything they’ve been working towards has been completely fucked. Nora’s panic and terror that the plan failed and Thawne’s crushed acceptance made for a memorable scene. Jessica Parker Kennedy knocked it out of the park throughout the entire episode; portraying the utter terror and desperation Nora feels at the prospect of her secret coming to light. Especially in the first scene with Thawne and the final scene with Sherloque, (two very different men with the same face, intense scenes that bookend the episode) she wanted to to tell her family the truth about working with Thawne, she even tried to confess to Barry a few times only to be interrupted. But she waited to long and Sherloque had finally put all the pieces together, which leads to Sherloque’s big speech telling the team how he followed the trail and solved this mystery (It’s a classic troupe of great detective stories, where the brilliant detective like Sherlock Holmes or Hercule Poirot lays out all the facts in front of the characters in the story. Sherloque is definitely more Poirot than Holmes, especially in this scene. I LOVE the “Detective Solved The Mystery And Gives His Speech About What’s Really Going On” scene in any story with a master detective. Tom Cavanough does a great job in this scene.
There were a couple of times that almost got me a little misty in this episode. Like the wires dying words and the look of a hot air but trail on Barry‘s face when he realizes that Nora and Sean are working together. The final few seconds of nor is it breaking down in one of the pipeline cells was one of the most downbeat endings to a flash episode ever. Like I said before, I don’t think the Flash has had such a strong episode in a few seasons. I look forward to watching the next episode which won’t be airing again until April where we find out the back story of how Nora and Thawne got together in the first place, but this does not mean I’m back on The Flash bandwagon. This was just one excellent episode in a sea of mediocrity over the last several years. If you’re like me and you’ve liked The Flash in the past and maybe have given up on it a little bit, watch this episode. However, It’s so well done that the episode deserved appreciation on its own merits.
Anyway, thank you so much for reading as always I appreciate it! I’d love to hear your thoughts about this episode or about The Flash in general, you can leave your comments below or send me a message on Facebook or Twitter.
Spider–Man: IntoTheSpider–Verse has come along and done what so many people didn’t think was possible, the film yet again reinvents the superhero genre. For the past several years, a number of people in the industry, including individuals like Stephen Spielberg, called the comic book or superhero movie phenomena “a bubble” that will eventually burst like the Western, for example. They argued it’s a genre that will eventually no longer be relevant.
In my opinion, there are major flaws in this kind of thinking. First of all, the terms “comic book” and “superhero” are incorrectly, interchangeable used. Comic Books aren’t a genre, they’re a medium. Just like film, television, or prose literature. While superheroes are certainly the most recognizable type of comic book storytelling by far, comics tell a vast array of stories in dozens of different genres. Comic books and Graphic Novels tell hard boiled mysteries, fantasy sagas, countless sub-genres of science-fiction, coming-of-age romance stories, World War II memoirs, and many others. Comic books, like film and prose tell incredible tales in every genre. So, my point is, to say that there is some kind of “bubble” that will eventually burst, not only misunderstands the current business landscape in Hollywood, it also fundamentally misunderstands what comic books and superheroes stories are.
What’s so brilliant, what’s so genius about IntoTheSpider–Verse is that it is a superhero film that truly reinvents the genre. Just when the critics thought there was no longer anything unique, compelling, or wildly original to find in a superhero film, here comes Spider–Man: IntoTheSpider–Verse. Without a doubt the biggest thrill ride you will have at the movies all year.
I know these are very bold statements, especially coming from me. After all, this is the same year that saw the release of Avengers: InfinityWar, which is certainly up there vying for the top spot of my favorite MCU film. However, I feel to compare InfinityWar andIntoTheSpider–Verse is missing the point. These are very different movies, trying to do very different things for their audience. What’s so wonderful is that we can get two completely different superhero epics that are both game changers for the genre. They’re both brilliant pieces of entertainment, yet they’re nothing alike. I feel wonderfully grateful that in addition to several of the other very good superhero movies we saw this year, we get two genre redefining superhero film masterpieces that don’t feel like more of the same.
Now, onto the podcast!
It’s been a long time coming, but I’m finally here to give my two cents on the terrifying, the terrible, the AMAAAAAAZING SPIDER–MAN: INTOTHESPIDER–VERSE!!!!! Even though it’s been out for a hot minuet, I still wanted to do an in-depth recap and review of what may be one of the best superhero movies ever made. Period. That’s some pretty high praise. There are SOME spoilers here, so proceed with caution, but this is NOT a full SPOILER-FILLED extravaganza. Also, I take some time to discuss the recent Arrowverse Crossover, Elseworlds! How does it rank among the other crossovers? Where is the Arrowverse heading from here? All this and more! Enjoy! Listen here or subscribe on Stitcher and iTunes:
I had the opportunity to sit down my with comic book artist Craig Rousseau and interview him about his work for Marvel, DC, and his creator owned projects! Craig has worked on characters like Impulse, Batman, Captain America, and The Avengers and has done excellent work with his creator owned projects such as PERHAPANAUTS and KYRRA published at Image and Darkhorse.When I met with Craig during an event at The Hall of Comics in Southborough, MA, we had a great discussion about his career in the comic book industry and I thank him for taking the time to answer my questions. Please enjoy my interview with Craig Rousseau! Listen here or subscribe on Stitcher and iTunes:
On this episode of The World’s Best Podcast, Writer and Filmmaker Mike Cole returns to the podcast as guest co-host where we discuss movie and TV fan theories. We cover popular fan theories from Harry Potter, Pixar films, The Flash and more. Of course with some fun detours along the way! Enjoy! Listen here or subscribe on Stitcher and iTunes:
Also, if you get a chance, check out our Facebook page, World’s Best Media, to see my video breakdown of the new trailer for the highly anticipated Avengers: Endgame! It’s one of my best trailer breakdown videos, so I’d love for you all to give it a watch. Please feel free to leave any questions or comments below. We love hearing feedback from you guys, good or bad! Thanks for listening!
Tonight, Part 1 of the 3-part DC superhero crossover event Elseworlds aired on The CW. As I’ve often said, these annual crossovers are always a delight for me to watch. They’re always wildly entertaining and they seem to get more ambitious year after year. After watching the first episode of Elseworlds, I came away from the episode thinking of one word: Fun. This episode was fun as all hell.
All of the Arrowverse crossovers have been really fun, but compared to something like last year’s epic CrisisonEarth–X, Elseworlds feels more exuberant and joyful. Don’t get me wrong, CrisisonEarth–X was an absolute blast. However, watching Elseworlds, I don’t think I’ve ever seen this cast looking like they’re having more fun and It’s easy to see why.
Barry and Oliver are very different characters and the episode gets a lot of entertainment mileage and comedy out of them switching lives and abilities. I don’t think I’ve ever laughed more watching an episode of an Arrowverse show. It’s really funny seeing Oliver’s bewilderment at suddenly waking up with superspeed and the world believing that he is Barry Allen. While Oliver immediately feels out of his element, Barry seems to be getting much more of a kick out of suddenly having all of Green Arrow’s skills and fighting ability.
For the purposes of this review, I’m not really going to touch on the overarching threat and the circumstances that altered reality. This episode focuses more on the “What do we do now?” than “How did this happen?”. Though we briefly see how this was set in motion, it’s a very minor part of the episode. I’m sure they’ll be covering much more of that territory in the next 2 installments.
I only have one real criticism of the episode. Considering all of the insane things that Team Flash have seen and been through over the years, I found their reluctance to believe that Barry and Oliver had somehow switched powers and identities a little odd and out of character for the team. It really only exists in the story to give Barry and Oliver an excuse to go to Supergirl’s Earth and seek out Kara’s help. They figure that if something is wrong with their reality, another universe like Supergirl’s may not be affected. Of course they’re right and Supergirl recognizes them for who they are right away.
To my utter delight, Kara just so happens to be visiting her cousin, Clark Kent and his wife Lois Lane, on The Kent Family Farm when Barry and Oliver pop up in her universe. In a nice Easter Egg that will make many long time superhero TV show fans happy, The Kent Farm where they filmed this episode is the same Kent Farm that was used on the TV series Smallville. When we see the farm for the first time “Save Me” by Remy Zero, the them song to Smallville, kicks in and I’ll admit that had me grinning ear to ear. It was a hot mess at times, but I’ll always have a soft spot for Smallville.
As a long time DC Comics fan, it was so much fun seeing Barry, Oliver, and Kara interacting with Clark Kent and Lois Lane on The Kent Family Farm. In what I think was my favorite moment of the episode, as soon as Oliver meets Clark, he immediately starts puffing up his chest and Barry instantly calls him out on it. It’s great.
Though we’ve seen relatively little of him over the last few years, Tyler Hoechlin is probably my favorite the live action Superman right now. Anytime he shows up in the Arrowverse is cause for celebration and his inclusion here does not disappoint. While it seems like he may be out of the picture at the end of the episode, I know for a fact we’ll be seeing him again throughout the crossover. I was equally impressed with Elizabeth Tulloch as Lois Lane. In what little screen time she has, she instantly embodies Lois Lane. She’s tough, funny, smart, and likable. As much as I like Amy Adams’ Lois Lane, Tulloch seemed really dialed in to the character and I can’t wait to see more of her as the crossover progresses.
Another very pleasant surprise was the inclusion of an iconic DC villain that’s the perfect enemy to have a Superman, Supergirl, The Flash, and Green Arrow go up against. Apparently in this new altered reality, Professor Ivo, the psychopathic scientist responsible for torturing Oliver and his fellow castaways on Lian Yu, killing Shado, and indirectly creating Deathstroke in Arrow Season 2, somehow got off the island alive. He opened his own lab in Central City and created the iconic, ultra powerful android A.M.A.Z.O. using advanced robotics, computer programming, and the Mirakuru super soldier serum that was such an intricate plot point in Arrow Season 2. A.M.A.Z.O. has the ability to immediately replicate the powers of any meta-human it comes into contact with. In the comics, it’s so powerful that even the Justice League have a difficult time handling this thing. So this was the perfect bad guy for the heroes to go up against in the climax of the episode.
Elseworlds only has three episodes, unlike last year which had four episodes and a much bigger cast. Legends of Tomorrow isn’t officially part of the crossover this year (part of me thinks that’s a shame because I would have loved seeing someone like John Constantine interact with the characters featured in Elseworlds ). This year has a much tighter focus so far on Barry, Oliver, and Kara. As a result more money went into these 3 episodes and it really shows on screen. More money means better special effects. You can really see how well that money was spent because A.M.A.Z.O. looks incredible and his final fight with our heroes is really, really fucking cool. The Arrowverse in general and The Flash In particular, has always had excellent special effects considering they’re on The CW. Which makes the fight with A.M.A.Z.O. all the more impressive.
Last year the 4-part CrisisonEarth–X aired over two night, with each night featuring two episodes of the crossover. This year we’re getting 3 episodes spread out over 3 nights. So it definitely felt like the whole thing was over way too fast. Which is really a testament to how well Part 1 of Elseworlds was executed, because it leaves the audience wanting to see the next installment immediately. I know I certainly did.
Part 1 leaves you with one hell of a set up for Part 2. The episode wraps up with our heroes heading off to the legendary Gotham City in search for answers. We catch a glimpse of Wayne Tower and a quick glance at Batwoman looking out over the Gotham City skyline. After seeing how good this episode was and how so many amazing characters and pieces of DC lore show up, the promise of seeing iconic places like Arkham Asylum and Gotham City leaves me incredibly excited for the next installment of Elseworlds. I don’t want to speak too soon, but at the rate Elseworlds is going it’s shaping up to possibly be the best Arrowverse crossover yet.