In just a few weeks fans will finally get to see (for better or worse) Justice League as director Zack Snyder envisioned it. The film, clocking in at over a 4 hour running time, premieres on HBO Max on March 18th. Zack Snyder is a pretty divisive filmmaker, but I love Man of Steel and as far as I’m concerned, if you take Jessie Eisenberg’s god awful take on Lex Luthor out of the film, Batman V Superman: Dawn of Justice Extended Edition is a great fucking movie. I know some of you will think I’m crazy, but I can’t wait to watch Zack Snyder’s Justice League! Take a look at the new trailer below:
Check out the gallery below for new images of Steppenwolf, Darkseid, Wonder Woman, The Joker, and more…
Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!
In Batman: The Three Jokers, Geoff Johns sets out to answer a mystery, that he set in motion several years ago during the climactic story arc of his Justice League run. In the story, Batman interfaces with an alien super computer called The Mobius Chair, that can answer any question in the universe, no matter how seemingly impossible the question may be . One of the questions Batman asked was, “What is The Joker’s true name?”. Through it’s omniscience, The Mobius Chair gave an answer that threw even The World’s Greatest Detective for a loop: There are 3 Jokers. This three issue miniseries sets out to finally answer the mystery of The Three Jokers. I’ve read the first issue and while it answers some questions, it leaves us with even more.
There is no doubt that DC has two of their absolute best creators working on this book. There are very few comic book writers who have had the level of influence on modern comic books in the way that Geoff John’s has. With very few exceptions, there isn’t a major character in DC Comics that he hasn’t left his mark on. His enormous talent and impact on comic book storytelling, put him in rarefied air among legends like Stan Lee and Frank Miler. Geoff Johns is without a doubt one of the best superhero writers in the medium. No one does big, epic storytelling like Geoff Johns. Yet for some reason, he has always, in my opinion, struggled when writing Batman. Don’t get me wrong, even some of his weakest stories have fun and interesting elements at play. Despite any criticisms about his writing that I may have, John’s never fails to deliver an entertaining story.
Then there’s artist Jason Fabouk, who’s done some of the best superhero artwork I’ve ever seen in “The Darkseid War”, one his previous collaborations with Geoff Johns in the pages of Justice League. In a comic book, the storytelling done through the artwork is just as important, sometimes more so, than the storytelling being done in the script. It’s one of the things that makes the medium so unique. This issue opens with an exceptional example of how vital a fantastic artist is to telling a great comic book story. The issue begins with a close-up, on a large “W” engraved in stone. As the image pulls out, we see that this is the grave of Thomas Wayne. Surprisingly, the Batmobile suddenly crashes into it, partially destroying the gravestone. A seriously injured Batman emerges from the vehicle and stumbles towards Wayne Manor. A flurry of bats eventually reveals the Batcave. Filled with Batman‘s equipment and trophies, old costumes of allies and enemies. Finally, we see Alfred. Steady. Always there. We see both men from behind, as Alfred hauls Bruce in an improvised shoulder carry. Holding up his son, as Batman struggles to make it to the medical area. In a wavering voice Bruce says “My parents…” Referring to the gravestone he crashed into moments before. Again, Alfred steady as ever replies “I’ll fix their markers as soon as I fix you.”. Piece by piece, Batman‘s armor is removed, Alfred using surgical tools to remove parts of the uniform to get at Bruce’s wound, so Alfred can begin to treat whatever Bruce has suffered from this time.
Alfred begins to treat a puncture wound in the side Bruce‘s torso. “What was it this time?” Alfred asks. “An umbrella” Bruce replies. The image pulls back again, Bruce is naked from the waist up, with his back turned to the reader as Alfred begins stitching his latest wound. The image is stunning. What makes the artwork so powerful Is the dozens, maybe even hundreds of other scars and burns covering Bruce’s body (and we can only see him from the back). This is a grim ritual these two men have gone through together far too many times..Each scar is a dark reminder, a souvenir, of the nightly torture Bruce Wayne subjects himself to.
However, despite all the monsters he fought in the night, only one has left more scars than any other. Both on the inside and out. The Joker. As Bruce recalls each battle, each fight with The Clown Prince of Crime, the monsters horrifying laughter builds in his head until, for the first time in the story, we see Bruce’s eyes. And they are filled with fury… and something more, something dark.
Regardless of any criticisms that I may leveled at other aspects of this comic book, the art by Jason Fabouk is incredible. There are many amazing artists out there, who draw stunningly beautiful images, but it takes more than that to be an excellent comic book artist. A comic book artist is a storyteller just like the writer. The analogy I like to use, is that a comic book artist needs to be the director, the actors, the cinematography, and the editor all wrapped in one. Like a director they need to set up every image, the angle, what will be in the shot, etc. like a cinematographer they have to establish the look and visual tone of the story, and like an actor they need to convey all of the subtle emotions of every character in the story. An artist who can do all of that well and still make every image absolutely beautiful, is less common in the industry than you might think. I think somebody like the late, great Steve Dillon (Preacher, The Punisher) is a great example of an artist that was incredibly gifted at storytelling and conveying complex array of human emotions. With this comic, I think Jason Fabouk has taken his first step into becoming one of the most elite comic book storytellers in the business. The work on display here is some of the best visual storytelling I’ve seen in a comic book in a long time.
With that out of the way, what do I think about the comic? I think there are two major issues that ultimately plague this story. First, the problem with telling a story like this, is that part of what makes The Joker so terrifying and so fascinating is that he doesn’t have a definitive origin. Sure, there have been hints over the years. Possibilities of who or what he was before he became The Clown Prince of Crime. Writers like Alan Moore, Scott Snyder, Bruce Timm,and Paul Dini have all played with possible origins for The Joker. These stories worked because none of them were the character’s definitive origin. It was left ambiguous, the writers placed doubt in the minds of fans about how much of these possible backstories actually happened. Was any of it real? Even the recent JOKER film starring Joaquin Phoenix as Arthur Fleck/The Joker, made the audience question exactly how much of the films events actually took place and how much of it was all in Arthur’s head
The questions at the heart of this story are: How are there three Jokers? What does that even mean? Are there literally three different men, who have been The Joker over the years? What is the answer to the mystery of The Three Jokers? At least for me, the answer to that question is: I don’t fucking care. I would’ve been perfectly happy if DC never picked up this storyline again. In the JL story written by Geoff Johns that kicked this whole thing off, Batman asks the all-knowing Mobius Chair “What is The Joker’s true name?”. The chair replies and Batman is visibly shocked and disturbed by what he hears. He can only respond “That’s not possible“. On its own, that’s a cool moment. What the fuck did The Mobius Chair tell Batman? The Joker is already a character shrouded in mystery and darkness and this was a powerful and creepy moment. I think if it was left alone by DC, this could have been an intriguing addition to The Joker’s mythology. A question we’ll never get the answer to would’ve been so much more interesting to readers, because the unknown is always so much scarier than anything a writer can cook up.
To talk about my second major criticism of this story so far, I’m going to be discussing a pivotal scene in depth as an example of a larger concern I have with the project. So MAJOR, MAJOR SPOILER WARNINGS for the rest of the review!!!
Ok, still with me? Great. So, when Jason Todd AKA The Red Hood finally blows The Joker’s brains out, I thought: “About damn time!”.
You see, a common misconception is, that Batman has always adhered to a strict moral code, that kept him from ever taking a life. It’s important to point out that when Batman was created by Bill Finger and Bob Kane (It was actually MOSTLY Bill Finger, but Bob Kane gets all the credit). Batman‘s so-called “no kill“ rule, didn’t come from a creative decision by one of Batman’s creators. It came down as an editorial mandate from DC Comics. The Joker was originally supposed to die in his first appearance, but the character was so popular that the creators working on Batman at the time had to come up with a way for Joker to return. Batman couldn’t go around killing the entirety of what would become his whole rogues gallery! Of course this early version of Batman would kill The Joker! For a man willing to take a life, this was the exact situation where you take someone off the board. It was a way to keep Batman’s popular villains returning to the story. Another factor was that DC comics wanted to attract younger readers. Which was why Robin was introduced and Batman’s homicidal edge was softened. The hard-hitting, gritty, noir stores told in Batman’s early days, made way for more colorful and family friendly content.
So when someone tries to convince you that Batman never kills because of a deep moral belief in the sanctity of life, you can say that’s bullshit, he doesn’t kill because the publisher wanted to make more money by having more readers and reoccurring, colorful villains. From the very beginning of Batman‘s career, he had no compunction about killing criminals. Batman even carried a gun in many of his earliest appearances. Many of the unfortunate thugs he came across found them selves with a bullet in the chest, thrown into a vat of acid, or strangling a man with a steel cable attached to The Batplane and flying through Gotham with the corpse still hanging from The Batplane. While Batman muses that the villain is “better off this way“. In fact here are some fun instances of Batman straight up murdering people…
Which is why I find it so frustrating that certain writers, like Geoff John’s in particular, treat Batman‘s “no kill“ rule is if it was a sacred and fundamental part of the character’s ideology. It wasn’t a creative storytelling decision, it was a marketing one. Most of the other vigilantes in Gotham City have been trained by Bruce or work closely with him, so they also adhere to same, foolish “no kill” rule (with some notable exceptions). So when writers like Geoff John’s put Batman or one of his allies, in this case Barbara Gordon AKA Batgirl, in positions where all logic, emotion, and reason would lead to their character taking a life, the writers will go to extraordinary lengths to find reasons for their so-called heroes not to go through with it. This doesn’t make the heroes noble, it makes them look foolish and naïve. I’m not saying that Batman and his allies should start acting like The Punisher, but in extreme circumstances, extreme measures are appropriate. Unless a writer is willing to honestly tackle some potentially uncomfortable questions about his characters, then perhaps it’s a subject that is best left alone. If you’ve been successfully crime fighting crime in a cesspool like Gotham City for years, you’ve probably seen some of the ugliest things that humanity has to offer. Which is why it makes no sense that someone like Barbara Gordon, an intelligent, worldly, capable, and very tough woman would attempt to stop Jason Todd from murdering The Joker. The amount of suffering that The Joker has personally inflicted on Barbara and her family includes crippling and sexually molesting her, torturing her father, murdering her stepmother, and has killing literally thousands of people. Including successfully murdering Jason himself. Even though Jason eventually came back from the dead, as Jon Snow would tell you, that isn’t some shit you just forgive. For Barbara to feign outrage when The Joker is killed, is just silly and poor writing. However, I did enjoy what Jason says to Barbara after kills The Joker, posted below…
I’ll definitely read all 3 issues of Batman: The Three Jokers, but It’s mostly out of sense of obligation. New comic books come out each week and I still read every issue of my favorite ongoing titles. Batman is my favorite comic book character, so for better or worse, regardless of how this story ends it’s going to have a major impact of some kind on the Batman mythology. For that alone, I’d read all 3 issues just to see how it all plays out. That’s not exactly a ringing endorsement, especially if you don’t read comics every week like I do. I’m certain that DC is trying to attract new readers with a high profile book like this. In that regard, I suppose Three Jokers is successful. Most of my problems with the book were rooted in my long personal history with Batman and how I think the character and his world should be portrayed. As well as certain longtime comics books tropes present in the issue, that drive my nuts whenever they pop-up in a story. New readers might be the ideal audience for this comic book, even with my criticisms, it’s an undeniably entertaining book with beautiful art. Casual Batman fans wouldn’t bring as much baggage to the story as I did and it really only requires a basic knowledge of Batman and The Joker to follow what’s going on.
Final Words: In a vacuum, taken for what it is, Batman: The Three Jokers is pretty good read, but it fails to justify it’s own existence. This new miniseries suffers because of some poorly written characters and will leave a lot of readers questioning why this story needed to be told in the first place. On the other hand, The Three Jokers is a solid book for casual readers and the art work by Jason Fabouk is gorgeous.
Titans is a weird show. In a television landscape filled with superhero shows, Titans doesn’t quite feel like anything else on TV or streaming at the moment. It may share some superficial similarities to other comic book shows, but the series has an “X factor” that’s hard to define. Titans is about a group of young heroes (some only in their mid-teens) trying to find their place in the world. Though it isn’t made explicitly clear how old the most senior members of the Titans are, they seem to be in their 20s at the oldest. The series is also extremely dark, violent, and graphic. I have no doubt that the violence and language on this show would earn Titans a hard R-rating if it were a film instead of a streaming series. The combination of a young generation of heroes, the ultraviolent nature of the series, along with it’s willingness to dive headfirst into the rich character and story history of DC Comics, makes for a very unique tone.
The series borrows from some fantastic DC Comics stories and characters, both big and small. Some of which like Bruce Wayne (Iain Glen from Game of Thrones) who is recurring character throughout Season 2, were off-limits to television until just a few years ago. Warner Bros. used to have this pretty stupid rule where they did not want their A-list characters like Batman or Superman to ever appear on any of their live action TV shows when a big screen counterpart was currently being depicted in a movie series with a different actor in the same role. For example, while Christian Bale was still officially Batman, a show like Arrow could never introduce their own version of Bruce Wayne. I think people can tell the difference, it’s almost like they think the audience will be too confused by 2 versions of the same character in completely different mediums. Fortunately, this policy seems to slowly be going away bit by bit.
Titans always has a lot of balls in the air. I’m always surprised at the sheer amount of story and concepts that they introduce in any given season. I’d find myself thinking, how are they going to tell a cohesive, season long story with all of these disparate elements at play? For me at least, it works (in it’s own unconventional way). The strength of this series lies with it’s characters. The Titans themselves are the beating heart of the show. This might seem obvious or a necessity for any successful TV series (or streaming series, in this case), but some shows rely on the intricacies of a complex plot more than others. Shows like Lost, Battlestar Galactica, The Wire, and HBO’s recent Watchmen are all great examples of shows that work like a finely tuned watch (not to say that these shows don’t have fantastic characters, it’s just that these examples are much more dependent on plot driven storylines). All the pieces of the story come together to form something extraordinary. For Titans, the magic happens when the show is at it’s most character driven. DC hasn’t been quite as successful as Marvel at bringing some of it’s less well known characters to life, but when it comes to Titans, they have some deep enough cuts that there’s excitement in just seeing these characters brought to life and brought to life well. Whether it’s Dick Grayson violently confronting the man who murdered his parents, or Raven banishing her demonic father, Trigon, back to Hell to save the world and her newfound Titans family. Truly great shows can have their cake and eat it too: a thrilling, well plotted story and rich, fascinating characters. I enjoy the hell out of Titans, but keep your expectations in check if you decide to give it a watch. So for this review of the Season 2 finale of Titans, I’m going to be focusing on the characters first and foremost.
Season 1 was very much Rachel and Dick‘s season. Things are spread out much more evenly through Season 2, I think to the shows benefit. With new characters being introduced and some side characters from season one now having larger rules, the show has become more of an ensemble. Which is exactly what it should be because Titans is team show. Characters like Donna Troy, Connor Kent, and even Hawk and Dove had some great material this season. Gar felt like the odd man out. Very interesting character and I wish they gave him more to do. The same goes for Jason Todd, while he did have a good amount of screen time, he took a backseat in the latter half of the season and we didn’t get much closure regarding where he’s heading going into Season 3.
If I had to say there was a central character this season, I’d probably have to go with Dick. The last two years of the show have been about his emotional journey, culminating in his transformation into Nightwing. Season 1 was all about Dick’s search for identity. So much of who he is was defined by his relationship with Bruce Wayne, a man that he has a great deal of anger and resentment towards. A really nice recurring aspect to this season was that we slowly got to see Dick and Bruce rebuilding their relationship with one another.
Unfortunately, when you’re a superhero there’s always more torment and angst right around the corner. Dick may have worked through his issues with Bruce in Season 1, but Season 2 is all about him dealing with the guilt he for his role in how the Titans originally broke up and the lives that were destroyed during that time.
In case it’s not clear, years before Dick met Rachel and began this new version of The Titans or Titans 2.0, there was an original teen that formed years before the group we meet in Season 1. The original Titans included Dick as Robin, Donna Troy, Hawk and Dove, and the tragically fated Aqualad. Garth AKA Aqualad was in love with Donna Troy and had been for years. She loved him too, but her sense of duty clouded her judgement and she repressed her feelings for Garth. I think a lot of us can relate to that situation, especially when you’re young pining after someone for years. You want to be with them so bought bad your chest aches.
Speaking of Season 3, like the Superboy and Krypto teaser at the end of Season 1, we get a brief teaser at the end of the episode showing Kory’s sister Blackfire arriving on Earth, presumably to wreak havoc on her sisters life. Lex Luthor is also directly referenced at one point in the episode. When the shit hits the fan with Cadmus as the Titans fuck up that whole operation, Lex puts in an angry call to Mercy Graves. Mercy is Lex’s right hand woman and the person responsible for brainwashing and weaponizing Connor and Gar. With Superboy now a big part of the team and such a public disaster for Cadmus in the season finale, I wonder if we will get to see this show’s version of Lex Luthor, much in the same way we got to see the show’s version of Bruce Wayne this year? At the very least it seems like Blackfire (Kory’s evil sister) will be a major villain in Season 3 since it was just announced that she would be joining the show as a series regular in the next season.
By the end of the Season 2 Finale, the team finally looks and functions like a classic version of the Teen Titans from the comics. A big part of this is the fact that finally, at long last, Dick Grayson has become Nightwing. A debut that fans have been waiting for since pretty much the first episode of the series. This a good example of how the series can struggle with pacing and the problems with how they choose to unfold their stories. Most fans of the show would probably say Dick finally becoming Nightwing is about a season and a half overdue. However, despite the wait, the long overdue debut of Nightwing was pretty fucking awesome. The costume look great and seeing Nightwing swoop in to save his friends from Deathstroke was sick. Dick’s final face off with Slade, swords clashing against Nightwing’s classic electrified batons and all, was very fun and satisfying.
As much fun as the fight was, it was another example of how the series struggles to handle plot and pacing. Deathstroke has been the main Season 2 antagonist, but about half way through the season, a subplot was introduced involving Superboy (Connor Kent), Beast Boy (Gar Logan), and the sinister Cadmus Labs. Cadmus is a front for Lex Luthor, run by his right hand woman Mercy Graves, to sell meta-human weapons on the black market, with the captured Conner and Gar as the star products. Cadmus was certainly a cool and interesting element throughout the season, but it was a little jarring to see Deathstroke finished off so early in the episode with the focus of the finale entirely shifting to rescuing Connor and Gar and taking down Cadmus.
The sequence itself was a lot of fun and had some great moments, but then a major character is killed off almost out of nowhere with relatively little fanfare. Again, while it didn’t kill the episode, it was certainly an odd choice. This episode is a great showcase of what’s great and what doesn’t work with Titans.
I’d also be remiss if I didn’t comment on Iain Glen‘s great performance as Bruce Wayne throughout Season 2. I didn’t think he would be as much of a presence on the show as he was. I thought he would maybe have one or two cameos in a few episodes, but he ended up being in quite a few. I really liked his take on Bruce Wayne, it’s definitely not a side of the character we’ve seen much of and certainly not at all in live-action. He’s an older, more paternal version of the character and despite his darkness and cynicism, you can see the genuine happiness it brings him to reconcile with Dick. There are a few scenes where you see that Bruce is just as emotionally vulnerable about their relationship as Dick is. It’s in moments like those that show us glimpses of the man whose trauma stunted him somewhat developmentally. He never quite grew up completely. It’s a really insightful take on Bruce Wayne and I applaud the writers and Iain Glen for going there. My only complaint would be that a significant portion of Bruce Wayne‘s presence in the season was a hallucination in Dick’s mind. Since this wasn’t really Bruce, just Dick’s perception of Bruce within his subconscious, Glen is basically playing another character. There’s hallucination Bruce and there is real Bruce. Even though we got quite a bit of the real Bruce present throughout the season, the hallucination Bruce probably represented a third of his appearances throughout. I wanted to see much more of the real Bruce. I really like the actor and his take on one of the most complex and multifaceted individuals in all of fiction, was always fun to watch.
To wrap things up, Titans is by no means a perfect show but it is a lot of fun. Season 2 was a large improvement over Season 1, but they still have some work to be done when it comes to plotting and execution of their storylines. If you’re a DC fan in particular, there’s a lot to love here. The characters are great and by the end of the season the show is starting to look a lot like the Teen Titans we’ve read in the comic books for years. If you don’t have DC Universe, Titans Season 2 will probably be available on iTunes and Blu-ray soon. This show gets my recommendation as long as you go into it keeping your expectations in check.
TITANS Season 2 Finale = 8/10
Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again!
On this episode of “The World’s Best Podcast”, I have a minor mental breakdown as I freak out while discussing the cataclysmic, APOCALYPTIC changes in store for mankind as a result of climate change. Don’t judge me, this is scary shit! With The Bahamas suffering from the devastation of last weeks storm, I thought it might be a good time to talk about how we should all pay more attention to the negative consequence of climate change before it’s too late.
Oh, and I also review the Season 2 premiere of TITANS. even if you don’t have the DC UNIVERSE app where TITANS is available for streaming, you can also check it out on Blu-ray and iTunes. Once the season has been on DC UNIVERSE for a little while, they usually make the series available on Netflix for awhile.
TITANS isn’t without its flaws, but it’s a really cool superhero show that deserves more attention than it’s getting. With appearances by Bruce Wayne, Deathstroke, Superboy, and more classic DC characters, TITANS Season 2 is shaping up to be pretty entertaining.
During my review for the Season 2 premiere of TITANS on DC UNIVERSE, I discuss how extensive and impressive their comic book library is. Pretty much any great DC Comics story you would want to read is available on the app right now. With more being added all the time. So below I made a list of the 10 best comic book stories that are currently available on DC UNIVERSE, check it out…
The Top Ten Best Comic Books Available On DC UNIVERSE
The Dark Knight Returns (Writer: Frank Miller, Artist: Frank Miller/ Klaus Janson)
All Star Superman (Writer: Grant Morrison, Artist: Frank Quietly)
Batman: The Long Halloween (Writer: Jeph Loeb, Artist: Tim Sale)
Superman: Red Son (Writer: Mark Millar, Artist: Dave Johnson)
Batman: The Court of Owls (Writer: Scott Snyder, Artist: Greg Capullo)
Wonder Woman: Year One (Writer: Greg Rucka, Artist: Nicola Scott)
Swamp Thing (The New 52, Issue #1-40) (Writer: Scott Snyder/Charles Soule, Artist: Yanick Paquette/Jesus Saiz)
Justice League: The Darkseid War (Writer: Geoff Johns, Artist: Jason Fabok)
Green Lantern: Rebirth (Writer: Geoff Johns, Artist: Ethan Van Sciver)
Batman: Year One (Writer: Frank Miller, Artist: David Mazzucchelli)
These stories are just the tip of the iceberg. I honestly could’ve listed at least 20 more phenomenal, classic DC tales you can download and read, completely for free, as a DC UNIVERSE subscriber.
Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting the show. We really appreciate the loyalty shown to us by World’s Best Media fans, so thanks again!
*Editors Note (correction)- In this episode of the podcast, I mentioned Iceland’s melting glaciers. While there are glaciers in Iceland, experiencing melting due to Man made climate chang , some of the world’s most dangerous and major glacier melting is largely taking place in Greenland. I misspoke, sorry for the confusion. As a bonus, I’ve posted a brief, but informative video about Greenland’s melting glaciers you should definitely check out. Watch it right here:
I think it’s fair to say that the majority of people out there don’t have the DC Universe streaming service yet. I think the majority of subscribers are Superfans like myself. I don’t know what kind of numbers DC Universe is pulling down, but I think eventually Warner Bros., the parent company that owns DC Universe, will bundle the streaming services with others that Warner Bros. are developing. Just like some of their competition is doing. When Disney+ launches in November, subscribers will be able to purchase a bundle deal that will include Disney+, Hulu, and an ESPN streaming service of some kind. I’ve read reports that indicate the Disney+ bundle is going to be available for around $12 or $13 a month, which is a fucking steal in my opinion. I only mention this because I think that’s what will probably happen with DC Universe eventually.
Anyway, back to TITANS. Even though the show premiered on DC Universe, TITANS Season 1 was available on Netflix for a while, I’m not sure if it still is (I just checked, it isn’t). It’s also available on Blu-ray and digitally through iTunes. It takes a few episodes to get going, but once the show found it’s footing, I thought it was a really strong first season. TITANS has some very interesting characters, some stand out action sequences, and it’s actually fairly unique. Even among the over crowded market of superhero TV shows, TITANS managed to stand out . In fact, every series that DC Universe has produced has been more or less excellent across-the-board: Titans, Young Justice: Outsiders, Doom Patrol, and Swamp Thing are all fantastic shows.
Season 2 looks like it’s really upping the ante, the list of new characters include: Superboy, Krypto, Rose Wilson AKA Ravager, Aqualad, and Deathstroke, to name a few. However, the character I’m most excited to see is another new addition to Season 2, Bruce Wayne. Considering how large Bruce’s shady loomed in Dicks life and the series as a whole, he really felt like a character on the show despite not actually being featured in the first season (with the exception of dream sequences or partial views here and there). It will be great to finally see him in the flesh as a REAL character on the show this time. Also, I love the show’s excellent casting for Bruce Wayne, Ian Glenn a.k.a. Ser Jorrah Mormont himself from a Game of Thrones. I think that’s perfect casting for a older Bruce Wayne/Batman.
This almost seems like a almost The Dark Knight Returns era Bruce Wayne. Anyone who watched Game of Thrones knows that Ian Glenn is more than physically up to the challenge of playing Batman. I’ve heard the producer say that the focus won’t be as much on Batman, but Bruce Wayne instead. I think that’s a smart way for the show to have his cake and eat it too. Batman is such a huge figure, by not having him suit up he won’t overshadow the other heroes, but we still get to see and explore Bruce Wayne as a character. I can’t wait to see how he and Dick interact after all of the baggage that was built up between the two of them in the first season. The relationship between Dick Grayson and Bruce Wayne is one of the most interesting dynamics in comic books, finally seeing this pairing in live action for the first time (Batman Forever and Batman & Robin don’t count) is super exciting. You can check out the trailer for TITANS Season 2 below:
This week also saw the release of the final trailer for JOKER from director Todd Phillips, with Joaquin Phoenix playing the titular Clown Prince Of Crime. At World’s Best Media, I’ve dedicated little to no coverage to this movie. I don’t think I’d be exaggerating to say that I’m fundamental against the very concept of this movie’s existence.
The buzz surrounding JOKER has been great, Joaquin Phoenix looks like he’s going to deliver a fantastic performance, and the trailers have been solid as hell, but that’s not really the point. It’s essentially a Joker origin story and, for me at least, there in lies the problem. Don’t get me wrong, there’ve been fantastic Joker stories that teased possible origins for the character. The Killing Joke by Alan Moore and Brian Bolland, Batman: Endgame by Scott Snyder and Greg Capullo, Batman: Mask Of The Phantasm, all of these classics stories present a possible origin for The Joker, but none of them present the origin as definitive. The stories never give you the whole picture of who this guy really is, why he does what he does, and is the information we just learned about him even real? The stories always leaves a question mark at the end, things are left ambiguous. However, this new film is just a straight up origin. This is the story of how one man, Arthur Fleck, goes from A to B to C and becomes The Joker.
If there is one character in all of fiction that will only be hurt by definitive origin story it’s, The Joker. I always say the joker is to the normal people of Gotham white Batman is to the criminals. This almost supernatural force who seems to be everywhere at once and 10 steps ahead of every move you can make, The Boogeyman. Chaos and Madness incarnate. Which is why he such a compelling antagonist for a Batman, because a lot of what I just said about The Joker could be said about Batman. When you have a character as iconic as The Joker, the reveal that the story could possibly give you, can never live up to what you have built up in your head. Your imagination fills in the blanks in a way the storytellers never can.
Sure, I get JOKER is it’s own standalone movie, it’s not affecting anything other DC films, TV shows, or comics. But fictional characters have pop culture capital and a high-profile project like this can increase or decrease that capital. That’s just another way of saying, if a Joker origin movie sucks, it hurts this fantastic character outside of this movie. The Joker is bigger than one film. You could make an argument that the character of The Joker is almost as important as Batman himself. When a character is as compelling, beloved, and interesting as The Joker, you don’t want to see them fuck it up. Like I said before, I’ve heard nothing but positive things about this film and Joaquin phoenix looks like he’s putting on a hell of a performance. Still, Despite everything the movie has going for it, I’m just not that into this kind of Joker film. I’ll probably see Joker when it comes out. Then I can report back if I was right, or I was wrong and I need to eat a little crow, or things fell somewhere in the middle. Who knows? We’ll find out in a little over a month. Anyway check out the trailer below …
Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting the show. We really appreciate the loyalty shown to us by World’s Best Media fans, so thanks again!
I have some pretty surprising news to share with you good folks today, Titans, on the DCUNIVERSE streaming service, is pretty fucking great. Of course, like many of you, I was skeptical going into this show. It seemed like the negative buzz began when the first trailer dropped (I kind of dug it). I really don’t mind dark and gritty, I also know that you can’t judge a project by it’s trailer. So, a lot of people hated this show before it even premiered, based on what they saw in promotional material and trailers. Many felt it seemed reminiscent of the overly serious and violent DCEU, excuse me, The Worlds of DC (good luck getting that to stick). Personally, I don’t dislike the recent DC superhero films nearly as much as most fans do. Besides their only real critical and commercial success, Wonder Woman, I really like Man of Steel and though it’s hugely flawed, I kind of love Batman V Superman.
So why was I skeptical about the Titans series? Despite my excitement at the prospect of an adult oriented live action Titans series, the word behind the scenes was that the show wasn’t very good. Then there were the costumes. If you’re a comic book fan and you’ve ever read Teen Titans, you would know that they have very distinct styles, with colorful and bright costumes. Some of the set photos had leaked online and the pictures I saw of Starfire, Raven, and Beast Boy in costume looked absolutely horrendous. Especially Starfire, who is one of my favorite Titans. The pictures of her costume made her like a hooker from the 1970’s. With all of that in mind, things didn’t look good for Titans.
Now Robin, on the other hand, was a different story. I love the Robin costume on this series. It isn’t an easy superhero uniform to pull off in live action. Just look at Batman Forever and Batman & Robin. Besides the atrocious version of Robin played by Chris O’Donnell in those films, this is the first time we’ve really seen Robin on screen in the golden age of superhero storytelling. It looked like Titans nailed the Robin uniform in my opinion. It looked functional, not too bright, not too dark, and frankly it was just cool. Plus, I thought Brenton Thwaites was a perfect pick for Dick Grayson/Robin/Nightwing. At the very least I liked what I’d seen from Dick Grayson in the show’s trailers. Which was a big deal for me because Dick has always been one of my favorite superheroes. So I was still holding out some hope that Titans could be a great show.
It certainly didn’t help that when I signed up for a 15 month subscription to the DCUNIVERSE streaming service, the app was terrible. It felt like it wasn’t nearly ready to be launched. I couldn’t log into my account, there wasn’t nearly enough content, the whole thing was a shit show. Even now, months later, I can’t log into DCUNIVERSE on any other device except for my tablet. That’s a big problem. I had to contact the team that handles customer service multiple times. As much as I hated the app, I still really wanted to see Titans. More importantly, YoungJustice Season 3 premieres early next year on DCUNIVERSE after Titans Season 1 wraps up.
In spite of all the problems, I enjoyed the first episode of Titans. It didn’t blow me away, but I liked it. It certainly is not your classic version of the Teen Titans by any means, but it had enough going on to keep me interested.
The over arcing story of the season is about the Titans coming together to protect Raven from a cult, that is trying to unleash her demon father, Trigon, upon the Earth. The Raven stuff, especially in the early episodes, had a real Rosemary’s Baby/The Exorcist kind of vibe that worked really well. Raven is the character that really brings the team together in the story.
In the series, Dick Grayson left Gotham City to become a cop in Detroit after a massive falling out with Batman. The show manages to explore Dick‘s complicated relationship with Bruce Wayne, without actually having Batman present as a character. Seeing why Dick went out on his own and his character arc in general is by far my favorite part of the show.
You see how Batman was an incredibly violent and negative influence on Dick. Early on some people were concerned that the show seemed needlessly graphic. While Titans is an extremely brutal show, arguably even more so than something like Daredevil, the violence isn’t gratuitously used for shock value or edginess. The brutality is important to Dick Grayson’s story arc because you see just how close he came to losing himself under Bruce’s influence. Being Batman’s Robin brought out all of his worst instincts. This is most apparent in episode 6, “Jason Todd”, fittingly where we’re introduced to the new Robin, Jason Todd.
At this point, Dick certainly doesn’t have a very high opinion of Bruce. He more or less feels like Bruce Wayne just used him as a weapon, or tool in his war on crime. Meeting Jason just seems to confirm those beliefs. Despite the amount of time that’s passed, it’s still very raw emotionally for Dick. You can tell he hasn’t gotten over his issues from his time working with Batman. Meeting his replacement certainly doesn’t help. It’s one of several great passive aggressive “fuck you”s Batman throws at Dick. Which is impressive considering, again, we don’t actually see Batman. Brenton Thwaites is damn near perfect casting. Thwaites is very believable both physically and in the more dramatic aspects of the performance. Though Raven is the big through line of the season, Dick is really the main character. As a long time fan, it’s a lot of fun seeing how well Dick Grayson is handled.
Episode 6, “Jason Todd”, is also a good example of how the season has been structured. One episode will serve to further the main story and continue to build up the Titans coming together as team, while the next episode shifts the focus to showcasing and introducing new DC Comics characters into the narrative. The episodes switch from one to the other each week. For example, so far we’ve had episodes featuring Hawk and Dove, Doom Patrol, Jason Todd, and Donna Troy AKA Wonder Girl. The DC character episodes tend to be the stronger ones because so far each new character introduced from the DC cannon have been really fun and interesting.
I spent the bulk of this article talking about Dick Grayson, mainly because I like the character so much and he’s the most well developed on the show. I like the other Titans well enough. Certainly more than I thought I would when the series began. Starfire or Kory as she’s referred to on the show, has really grown on me. Even with very little time being given to her backstory, she’s probably my second favorite Titan so far. She’s basically an exiled alien princess, but the show hasn’t taken the time to get into any of that yet and it remains to be seen how the series will tie her origin into the Raven storyline.
Unless you’re a hardcore comic book fan like me, there isn’t a lot of incentive for even a moderate comic book fan or superhero geek to subscribe to DCUNIVERSE. Which is a shame because Titans is turning out to be a fun and unique look at the DC Comics Universe. I’ve heard rumors that eventually the show will become available on Netflix, but it’s not clear when that would happen. Regardless, if and when you have the opportunity to watch Titans, I highly recommended giving this series a shot. The show has already been renewed for Season 2 and I’m really looking forward to seeing how the show wraps up it’s first season.
Titans is by no means a perfect show, but there’s some great stuff in here despite it’s flaws. The big thing the show has going for it is that even with all the superhero movies and TV shows out there, Titans is showcasing characters and stories that have never been seen in live action. Although I’m sure very few of you are running out to subscribe to DCUNIVERSE, Titans is definitely a show to keep on your radar. If you go into it with your expectations in check, you may be surprised how much you enjoy this fun, new series.
I wanted to touch on a casting rumor that’s been going around recently: Jensen Ackles playing The Red Hood in one of the upcoming Batman film projects. Regardless of what you think of the final film, the inclusion of the suit of a dead Robin in The Batcave caught everyone’s attention in Batman V Superman: Dawn of Justice. As soon as the image was shown in the trailer for BvS, fans immediately speculated what this meant in the larger context of the DCEU.
As a weird side note that I think is indicative of the state of DC’s cinematic universe, the DCEU (or the DC Extended Universe) didn’t originate with Warner Bros. or DC. They never actually had a name for this cinematic universe they were creating. Apparently, it the name came from a writer at Entertainment Weekly and it just stuck. So, the powers that be finally got around to naming this shit show of a universe, with the official title now being: The Worlds of DC. Wow, there really is no one flying the fucking plane here…
Anyway, when fans saw the Robin suit displayed in The Batcave with “HA HA HA JOKE’S ON YOU BATMAN” spray painted on it, it was assumed that this was the former suit of Jason Todd. Jason Todd was the second Robin after Dick Grayson got tired of Bruce’s bullshit and went off to follow his own path as Nightwing. In the comics, after Jason died, Bruce eventually took in Tim Drake who became the new Robin. What do you get for the billionaire who has everything? Young boys to put in mortal danger every night!
In one of The Joker’s many acts of horrific violence, he brutally beat Jason with a crowbar in a warehouse and then left him for dead as the warehouse exploded with Jason inside. Arguably, Jason’s death was as much of a defining traumatic loss for Bruce Wayne as the death of his parents. Bruce (very rightly) felt responsible for Jason’s death and blamed himself for not being able to save him. But that didn’t stop Bruce from continuing to churn out Robin’s! No, sir! At least 3 or 4 of these poor little bastards have bit the dust since Jason. What’s that? Another Robin is dead? Must be Wednesday!
In comics, no one stays dead forever. So, after several years and an insanely convoluted series of events, but for the sake of this article lets just keep it simple and say Ra’s Al Ghul’s Lazarus Pit was involved, Jason was resurrected. (if you want, you can look up the whole story of EXACTLY how Jason came back to life, good luck and God be with you). The point is that Jason Todd was back.
So the story of Jason’s return to Gotham and taking on the persona of The Red Hood, was told in Judd Winnick’s excellent Batman: Under The Red Hood. I highly recommend you check it out, it’s a great read and I put the Amazon link below if you want to pick up the graphic novel. https://www.amazon.com/Batman-Under-Hood-Judd-Winick/dp/1401231454/ref=sr_1_3?ie=UTF8&qid=1535344301&sr=8-3&keywords=batman+under+the+red+hood
At this point, you guys probably know that I’m a big fan of the direct to Blu Ray and Digital DC Animated Movies, like The Death of Superman (you can read my review for that film right here: https://best-media-world.com/2018/07/29/movie-review-the-death-of-superman/ )
One of the best DC Animated movies is Batman: Under The Red Hood, based on the graphic novel of the same name. Again, I highly recommend this one so here’s the Amazon link to the Blu Ray: https://www.amazon.com/Batman-Under-Red-Hood-Blu-ray/dp/B003ITZBVI/ref=sr_1_2?ie=UTF8&qid=1535344301&sr=8-2&keywords=batman+under+the+red+hood
From here on in I’m going to be specifically referring to the Animated Movie version of Batman: Under The Red Hood, which combines story elements from A Death In The Family into the narrative. A new and brutal vigilante going by The Red Hood shows up in Gotham and starts killing criminals and crime bosses left and right. Batman can’t have this shit going on in his town, so he confronts the very well trained Red Hood and is horrified to find out that The Red Hood is his formally dead ward, Jason Todd.
Jason had always been a more violent Robin, but getting killed playing by Bruce’s rules seriously changed his perspective on dealing with criminals. Basically he subscribes to the “see bad guy, kill bad guy” philosophy of crime fighting. More than anything Jason isn’t angry at Bruce because he was killed. He forgives him for that, what he can’t forgive is: Why the fuck didn’t Bruce kill The Joker? Jason doesn’t think Bruce should go all Charles Bronson on the Gotham Rogues gallery, but if ever there was an exception to Bruce’s (bullshit) “No Killing” rule, it’s The Joker. As you can imagine Jason is pretty fucking pissed. I don’t want to go into too much more of the story in case you want to watch the movie or read the graphic novel.
I should probably point out that one of the reasons this movie is great is the voice performances. Bruce Greenwood is probably the second best actor behind Kevin Conroy to voice Batman. He plays him in the soon to be returning Young Justice animated series as well. Aaaaaaand finally we come to the point: Jason Todd is perfectly played by Jensen Ackles who plays Dean Winchester on one of my favorite TV shows, Supernatural.
If any of you listen to my podcast, The World’s Best Podcast, you may find this funny because my love of the show Supernatural is sort of a running joke on the show. But, like I said, the whole point of this article is that Jensen Ackels would make a fucking great live action Jason Todd. About a week ago a picture went viral of Ackles standing next to a Red Hood statue or costume or something.
Now this might mean nothing, but sometimes pictures like this are posted when actors are in talks with a studio to take a role. Or sometimes actors will post pictures like these to get conversations exactly like this one started, so they get on filmmakers radar. Regardless, this photo prompted a lot of fans to jockey for Ackles to be cast as The Red Hood in an upcoming Worlds of DC film. Rumor has it, Matt Reeve’s Batman film may contain elements of the Under The Red Hood story. With multiple Joker movies, a Nightwing film, and Gotham City Sirens all in different points of development, there are plenty of places The Red Hood could pop up. The flames of fandom were fanned when this fucking spectacular piece of artwork, featuring Ackles as The Red Hood, made the rounds online. The very cool piece was done by artist BossLogic, who’s done some incredible artwork over the years.
Supernatural is going into it’s 14th season this fall and there’s a reason a show like that has such staying power. Especially the last few season have been among the best in the show’s run. Jensen Ackles is a huge part of that. He’s an incredibly underrated actor who’s given some amazing performances on the show.
This isn’t the first time he’s been associated with a superhero project either. He was one of the front runners for Captain America before Chris Evans ultimately took up the shield. He was offered the role of Hawkeye in the MCU, but turned it down (I love Supernatural, but I bet he regrets that move a little bit). Personally, I always thought he would make a great Hal Jordan. Bottom line is, anyone familiar with Supernatural knows he would crush it as The Red Hood. He has the physicality for the role and he’s a great fucking actor. He has a raw edge to him that would work great for a character like Jason as opposed to say, Nightwing. Not to mention He already knows the character of The Red Hood well. He’s the appropriate age, because we’re dealing with an older Batman. Interestingly, Supernatural is producing 20 episodes this season instead of it’s usual 23. They gave a very plausible reason for this, basically that it’s easier on the cast. The main actors have families and they shoot the show in Vancouver, but they live in Texas. Or perhaps one of the two leads needed a few extra months off to shoot a high profile film project? Hmmm..
Nothing official has come from Warner Bros or DC about this potential casting, but DC fans seem to have really gotten behind it. The World’s of DC need solid, talented actors to fill out their universe. Whatever form the new Batman movie takes, I’ve always wanted to see more of the Bat Family in a Batman film. I don’t think Under The Red Hood would be the Batman story I’d like to see DC make, but that doesn’t mean Jason Todd couldn’t be a part of the film. Jensen Ackles would be a fucking awesome Red Hood. As always, thanks for reading!