In the immortal words of Kevin Smith, ”F*ck you, take my money!”. Damn, this looks fantastic. Oh, don’t get me wrong, I think Matt Reeves is a inspired choice for director, the cast is phenomenal (Colin Farrell as The Penguin? That’s worth the price of admission alone), I think Pattinson is going to crush it as Batman. However, I don’t think I really got truly excited until I watched this trailer.
I absolutely adore the looks of the rogues gallery in this movie. In a stroke of genius, The Riddler was clearly inspired by the infamous Zodiac serial killer, resulting in a profoundly disturbing look.
Colin Farrell is unrecognizable as Oswald Cobblepot and anyone who’s been following his work over the last 10 years or so, knows that he’s going to absolutely murder this role.
Finally, Zoe Kravitz looks amazing as Selina Kyle. I love her simple, back to basics look, which is clearly inspired by her appearance in a Frank Miller‘s Batman: Year One. After all, she’s supposed to still be relatively early in her career in this movie.
Then there are these guys, who I’m not quite sure what to make of. If I didn’t know anything about the movie, I would guess that there some version of The Jokerz, a violent gang first introduced in Batman Beyond, who saw themselves carrying on the anarchy and legacy of The Clown Prince of Crime. In Batman Beyond, most if not all were born years after the death of The Joker. They never saw what Gotham was like during a real Joker attack. Because of of The Joker’s “legend”, the gang revered him as an outlaw and anarchist, while in reality they don’t really understand the death and evil that The Joker represented.
Batman Beyond takes place decades in the future where Batman and the Joker haven’t been seen in years and are presumed missing or dead. A group of punks who didn’t really understand the evil that The Joker represented, thought he was just decided to start cool and started The Jokerz. In the years since their formation, they’ve been terrorizing the good, decent people of Gotham. While they aren’t a major threat like Bane, or any other major members of Batman’s rogues gallery, they can still be quite dangerous and violent.
I also have a sneaking suspicion that there may be a few more villains appearing in this film, that they’ve been able to keep hidden from the audience so far.
I’m not the first person to say this, but I have a sneaking suspicion that there’s more to this story than meets the eye. I think it’s possible that The Riddler could have a benefactor, someone pulling his strings. But who? The Joker? Hush? If there is indeed someone behind the curtain, I think villain(s) that makes the most sense in light of this new trailer, would be The Court Of Owls. Green
The Court of Owls are a secret society that have exerted their wealth, influence, and power over Gotham, from the shadows, since the founding of the city. This new trailer makes it clear that Riddler knows Batman is Bruce Wayne and that the central mystery of the story seems to have something to do with The Wayne family. The Waynes are of course, one of the oldest and most respected families in Gotham. In the comics, multiple members of The Wayne family (as well as their lifelong friends, The Pennyworths) had their run-ins with The Court and their deadly enforcers, The Talons.
The Court of Owls are among my favorite modern Batman villains and we haven’t seen them on the big screen yet. Not only would it be great to see something a little different from a Batman antagonist, they’re just plain cool. This is all just speculation, of course. Regardless, this is definitely a movie to keep your eyes on.
The Batman opens 3/4/2022
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One of humanities greatest holiday’s, Batman Day, is upon us once again. In honor of this joyous occasion, it’s officially Batman Week here at World’s Best Media! It’s that special time of year when we can all take the time to reflect on the greatness of The Dark Knight Detectve. Like Superman, people will still be telling stories about The Batman, in one form or another, hundreds of years from now (unless of course, mankind doesn’t wipe itself from the face of the Earth in the near future). Characters like Batman and Superman are our modern day gods. Like Achilles or Beowulf, these heroes resonate with people because they’re such primal archetypes.
Even more so than Superman, the tragic tale of a boy who witnesses the brutal murder of his parents, is a fear we can all relate to. The boy made a vow to rid his city of the evil that took their lives, and turned himself into a monster to do it. The tragedy of Batman is that his war can never be won and he knows it. That’s deep, primal stuff. The brillliant simplicity of Batman allows for endless stories and reinventions.
Batman isn’t only my favorite comics book character, he’s by far my favorite character in all of literature. The complex psychology of Bruce Wayne, the greatest group of villains ever assembled, the sprawling urban nightmare that is Gotham City, and a phenomenal supporting cast… it all comes together to form the unforgettable tapestry of The Batman mythology. So in honor of Batman Day, I decided to put together a list of my favorite modern Batman stories. This was harder than you might think, because there are literally hundreds of classic Batman tales. I left out the obvious ones like “The Big 3”: The Dark Knight Returns, Batman: Year One, and The Killing Joke. Including those 3 classics on my list, seemed redundant and obvious, so I decided to focus on some great modern Batman stories. I was able to narrow it down to these amazing tales, that I encourage all of you to check out. Let’s dive in…
Batman: The Black Mirror
Written by Scott Snyder
Art by Jock & Francesco Francavilla
DC has a long history of “legacy heroes”. “Legacy heroes” are characters who take up the mantle of an iconic, classic superhero, when the original cannot or will not continue on. “Legacy heroes” are almost always characters who are close to the original incarnation of the superhero in question, usually a sidekick or a partner. For example, when the original Flash, Barry Allen, died in Crisis On Infinite Earths, his sidekick, Wally West AKA Kid Flash, inherited the role of The Scarlet Speedster. In fact, many fans believe Wally West surpassed his mentor to be the best version of The Flash in the history of DC Comics. Another good example, is when the entire Green Lantern Corp were wiped out (including Hal Jordan), artist Kyle Rayner was chosen to become the only living in Green Lantern in the universe. Eventually, he was instrumental in rebuilding the Corp. We tend tp not think of Batman as a character that ”passes on the mantle”. However, there has been some notable exceptions, like Dick Grayson, that were excellent and unique versions of The Dark Knight.
The Black Mirror took place at a time when, for reasons that are too complicated to get into, Bruce Wayne was MIA as Batman. Dick Grayson a.k.a. the original Robin a.k.a. Nightwing, reluctantly donned the Cape and Cowl to become the new Batman.
Like so many other excellent Batman tales, the story is just as much about Jim Gordon as it is Batman. The veteran Gotham police officer and the rookie Batman, must solve a grisly mystery that hits far too close to home for both men. With amazing art by Jock and Francesco Francavilla, it seems as if Gotham City itself is alive. A dark and hungry thing, ready to devour those that walk it’s streets. This was the breakout story that launched Scott Snyder’s career as one of the biggest creators in the industry. This isn’t the only time you’ll see Snyder’s name pop up on this list, because The Black Mirror was his first step on his journey to becoming one of the greatest Batman writers of all time.
Written by Grant Morrison
Art by Tony Daniel
Grant Morrison is not only a personal favorite of mine, he’s also one of the best and most celebrated comic writers in the history of the medium. All-Star Superman, Arkham Asylum: A Serious House On A Serious Earth, JLA, if you’ve ever read Morrison‘s work, it will come as no surprise that this is one hell of a weird, fucking Batman story. However, in this instance that’s a really good thing. Batman R.I.P. marks the end of ACT I of Morrison‘s epic Batman run. When I was reading this nightmarish and disturbing story for the first time, it genuinely felt like anything could happen, which is rare when you’re dealing with such a well-known character like Batman. The brilliance of Morrison‘s run, is how he mines some of the most ridiculous and wacked out Batman stories from the late-50’s, 60’s, and early 70’s, (that any other writer would just as soon forget) to tell a truly unique Batman tale. Some fantastic new villains, like demonic Dr. Hurt, and new spins on old dynamics, make this an unforgettable story about madness, evil, and the indomitable will of The Dark Knight.
Batman & Robin: Reborn
Written by Grant Morrison
Art by Frank Quietly
Another fantastic story taking place during Dick Grayson’s tenure as The Caped Crusader. Grant Morrison’s ambitious, and entertaining Batman run, consisted of a broad, 3 Act structure. If Batman RIP was the end of Act I of Morrison‘s epic, then Batman and Robin: Reborn is the beginning of Act II. This story follows Dick as he struggles to fit into his new role as Batman. One The most compelling parts of the story, is the relationship between Dick and the new Robin, Damian Wayne, Bruce’s son. Reborn puts a fun new spin on the Batman and Robin dynamic. Normally, Batman is the dark, brooding one, with Robin as the bright, quipping, colorful, and lighthearted side of The Dynamic Duo. This story completely flips that dynamic on its head. This Batman smiles, tells jokes, and has fun. Damian’s Robin is arrogant, violent, and brutal. Basically the kid is a real pain in the ass
Regardless, he is, after all, Bruce Wayne‘s biological son. To Dick and Alfred, Bruce was family, so they both feel a responsibility to keep Damian on the right path. Both men know that Bruce would want them to watch over Damian, a task that certainly isn’t easy given Damian’s violent upbringing before he came to live with his father. But Dick and Alfred would never give up on the boy because of their love for Bruce. After all, Damian was raised in The League of Assassins, under the tutelage of Tallia and Ra’s Al Ghul. He could kill grown men by the time he was four years old. With Damian, The House’s of Wayne and Al Ghul would finally be united. Talia and Ra’s were grooming him to stride across the world as a modern-day Alexander The Great. Fortunately, Damian had more of his father in him than his mother and grandfather thought. Inspired by his father, Damian chose his own path, even if that meant being branded as an adversary to The House of Al Ghul.
I really enjoyed the dynamic between Dick, Damian, and Alfred in this story. One of my favorite subplots that evolves as the story goes on, is how Damien, who has nothing but disdain for Dick and Alfred, gradually comes to love and respect them both, arguably even more than he loves his father. Add in some gorgeous art by the legendary Frank Quietly (who’s one of my favorite comic book artists), the introduction of one of my favorite and most disturbing modern day Batman villains: the grotesque Professor Pyg, and you’ve got yourself one hell of a Batman comic book. This story is a new era for Batman and it all comes together to make this a must read.
Batman: The Court of Owls
Written by Scott Snyder
Art by Greg Capullo
The Court of Owls marks the beginning of what would become, one of the greatest writer/artist teams in modern comics. Together, writer Scott Snyder and veteran artist Greg Capullo, would go on to create one of the best Batman runs in the long history of the character.
Gotham City is synonymous with The Dark Knight. He knows it’s broken streets and dark alleyways, as well as he knows his own reflection in the mirror. Gotham belongs to The Batman and he knows all it’s secrets. Or does he? After a series of bizarre murders, Batman is blindsided by the realization that a cunning and dangerous enemy has existed and operated right under his nose. This powerful adversary has had its claws in Gotham for hundreds of years, going all the way back to the founding of the city. Bruce Wayne might be the worlds greatest detective and the legendary Batman, but in his hubris, he forgot one of the most important lessons he learned in his years protecting the city: The second you think you know Gotham, is the moment it swallows you into the darkness.
What are your favorite Batman stories? Please let us know in the comments below or on social media!
Thanks for reading! Follow us on Twitter @PJWrightWBM, Instagram @worldsbestmedia2017, and our Facebook Page, Worlds Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!
I’ve said it before and I’ll say it again, I love the direct to Blu-Ray and Digital DC Animated Movies. There’ve been some real classics to come out of these projects. Movies like Batman: Year One, The Dark Knight Returns: The Deluxe Edition, Justice League: The Flashpoint Paradox, and Batman: Under The Red Hood, just to name a few. While there have been some enjoyable standouts, there hasn’t been a real homerun from these films in a while. Though Batman: Hush may not knock it out of the park, it comes damn near close. Based on the classic Batman run by writer Jeph Loeb (Batman: The Long Halloween) with art by the legendary Jim Lee (Justice League, X-Men), Batman: Hush does a great job of adapting this seminal Batman tale while still fitting the movie into the animated continuity (or DCAU) that DC created beginning with Justice League: War. The result is a pretty damn good movie that is less of a mystery and more of a tragic romance. Which may irk some fans, but I’ll get into more of that in a moment.
I’ve heard some people complain about the animation in these films lately. Critics say that copying the general aesthetic of The New 52 and attempting to adhere to a visual continuity, makes each of these movies feel overly similar and blocky. Well, that issue isn’t completely absent from this film, but there are some notable efforts to step up to quality of the animation. Some shots feature fantastic little details that immediately draw your eyes. How someone’s eyes and face move before something dramatic is about to happen, the way a fight move is pulled off, small moments scattered throughout the film that make it feel as if the animators were going the extra mile and it shows.
The real highlight of the movie is the relationship between Batman and Catwoman. It’s so rare to see Batman in a successful and a functioning relationship. I should mention that Selina doesn’t know that Bruce is Batman at the beginning of the story.
It’s only when things begin to get serious that he reveals himself to be Bruce Wayne. In fact, there is a funny scene when he brings her to the Batcave for the first time and she’s enthusiastically greeted by Dick in the Nightwing uniform without his mask and Alfred attempting to serve her tea. When she‘s surprised to realize that Dick and Alfred know that she’s Selina Kyle. She even half jokingly asks “Does everyone know who I am?“ Dick blurts out “No, just us and Damian.” Selena asks “Who’s Damian?”, “Oh he’s Bruce’s son… He’s Robin.” Replies Dick with an awkward look on his face. It’s easy to see how being an intimate part of Bruce’s life isn’t so simple, which is why he and Selena are so perfect for one another. He is drawn to Selina as both Batman and Bruce Wayne and that’s where the key to their success of the relationship lies.
If Bruce and Selina are out on a date and The Bat Signal appears in the sky, Bruce doesn’t have to make up some bullshit excuse. She’s more than capable of coming along with him to stop whatever threat he’s facing and it even feels like a natural part of their “date night” that they both seem to get off on. Catwoman may have been staying on the straight and narrow, but she loves this world, she loves being part of a good fight. In fact, I think if she was dating Bruce and he didn’t have the Batman aspect to his life, the relationship wouldn’t work. Selina needs those kind of thrills.The film is mature enough to acknowledge that this relationship wouldn’t have worked if it began when they were younger. Maybe there would’ve been an intense fling, but nothing more. They’ve both matured, changed, and they both want different things than they did years before. It’s at this point in their lives that they’re ready to be together as both Bruce Wayne/Batman and Selina Kyle/Catwoman.
When comparing the graphic novel to the film, it’s important to remember that the Batman: Hush graphic novel is a mystery at it’s heart. Who is Hush? Why are they doing this? Well the movie managed to do a great job with staying relatively faithful to the source material, while still managing to surprising fans of the graphic novel. Love it or hate it. Many of the iconic moments from the comic book are present in the film. Some are even slightly improved upon. However, there is one classic scene from Batman: Hush that was adapted to the film, but (without going into SPOILERS) the scene felt like it needed to be a little bit longer. I was impressed how Hush managed to both surprise those of us who’ve read the comic book, while still being faithful to the source material in a unique way. To say much more would be a SPOILER, but you’ll know what I’m talking about when you see it. You may think you know where the story is going, you may think you know the identity of Hush (and maybe you’re right), but things play out just different enough to make things fun, interesting, and surprising.
The final fight between Batman and Hush is particularly well animated, well choreographed, and thrilling. The animation of the fight has a very dynamic quality. Batman employs one of my favorite tactics of his, that we’ve seen in animation and comics many times, but almost never in live-action: He gets in the villains head to gain the upper hand. He plays mind games with his opponents and that’s used here to great effect. Batman use his genius, his ability to manipulate the psychosis of the villain he’s facing, to exploit their fears, insecurities, and weaknesses to give him that extra edge for the win. Batman’s greatest weapon is his intellect.
The combination of the surprising reveal of Hush’s identity, the fantastic animation, and Batman using his intellect to exploit the mental and emotional weaknesses of his opponent, make this for a pretty memorable final battle.
It should be noted that Selina Kyle/Catwoman is a notorious criminal and accomplished superhero in her own right. However, Batman can be such a larger than life figure, that it would be easy to make even the strongest of women look like a damsel in distress in one of his stories. The film does a great job of avoiding problems like this. Selina is her own woman. Her choices are not defined by Bruce’s choices. She doesn’t necessarily need his help to get out of some of the most serious jams she finds herself in throughout the movie. Particularly in the climax of the film, Selina finds herself in a very precarious life and death situation. I’m fairly certain she would’ve been fine, whether Batman showed up or not. The storytellers did a phenomenal job making her an interesting capable character.
At the end of the day this is still a love story between Batman and Catwoman. The sad realization of how, at least in this point in their lives, that love story is also a tragedy. Bruce lets Selina in, in a way we rarely see from this character. There comes a point in the story, when Bruce makes a decision that looks like madness to Selina. In fact, it would look like madness too many of us in the audience. Once the threat has been neutralized and the villain dealt with, Selina has an epiphany. She realizes that no matter how much she loves Bruce, no matter how much she changes for him, no matter how much more she’s willingto change for him, he won’t change himself.
There are things he will not become. There are lines he cannot cross. Because of that Selina will always come in second place to Bruce. She willing to let herself evolve with this relationship, but she realizes that in the end, Bruce is an immovable object she’ll break herself against. It’s profound, it’s sad, and it’s veryBatman.
Batman: Hush is a flawed, but solid Batman mystery/adventure with a fantastic romance story, great fight scenes, some stand out bits of animation, and some surprisingly thought-provoking character and story elements. Some things land better than others and I think the film may have benefited from another 20 minutes or so of storytelling to help flesh out some of it’s more interesting ideas. The climax in particular feels like it comes out of nowhere, when there should’ve been a bit more tension and build up to Batman‘s final confrontation with Hush. Whether you’ve read the original graphic novel or not, this movie will still keep you guessing.
While not the complete return to form I was hoping for from Warner Bros/DC Animation after the strong combination of The Death of Superman/Reign of the Supermen, I’d say this is still a MUST WATCH for any Batman fan!
Tonight the final season of Gotham premiered on Fox and honestly I was very excited to watch it. It’s hard to believe that this is the same show that just a few years ago had some of the absolute worst superhero writing on TV.When Gotham began, it was more or less a shittier Smallville, with proto-versions of Batman’s rogues gallery popping up each week for Ben McKenzie’s Jim Gordon to deal with. It was a shame because the show was very well cast and all the actors were perfect in their roles. Since the very first episode, Ben McKenzie has made a great Jim Gordon (he was also the voice of Batman in the animated film adaptation of Batman: Year One). Many of the great Batman stories are also great Jim Gordon stories, so it was very important for them to get this character right.
We even got to see a part of Bruce Wayne’s life that is very rarely explored, the years immediately following the murder of his parents. David Mazouz is easily one of the most compelling live action versions of Bruce Wayne we’ve seen. He conveys Bruce’s dark, brooding intelligence without ever sounding like a whiny brat. With excellent actors memorably playing classic Batman characters like Alfred, The Penguin, The Riddler, Selina Kyle and more, the series felt like a frustrating waste of great talent. Terrible writing hamstrung what could otherwise have been an excellent take on the Batman mythos.
About halfway through Season 3, specifically the mid-season finale, something fundamentally changed about the show for the better. I think there are two big reasons for this and one of them was how the series began to use Bruce Wayne. First of all, David Mazouz had grown up enough that he was just old enough to start becoming more crucial to the action going on in the story. Pretty much from the pilot on, Bruce has slowly been learning important skills that would become crucial on his journey to becoming Batman. Season 3’s mid-season finale saw Bruce being taken hostage at a circus by Jeremiah Valeska. If you’re not familiar with Gotham, Jeremiah (played by Cameron Monaghan) is basically their version of The Joker, and a damn good one too. The episode culminated with a show down in a hall of mirrors between Bruce and Jeremiah, where Bruce comes very close to killing Jeremiah. The whole episode was pretty great and I found myself watching the rest of the season once the show returned from it’s hiatus. You started to see Bruce take a more active role as a vigilante even though he wasn’t dressed like Batman.
The second reason the series changed for the better in my opinion, was because it stopped being a bad prequel series, building up to some day in the future where we get to see Bruce put on the Batman costume in the last 5 minutes of the final episode. In the same way that Smallville was entirely built around the show teasing Clark eventually putting on the Superman costume, that we only see him wear for about three seconds in the series finale. Instead, Gotham became more of an Elseworlds Batman story. I think it’s the smartest thing the show could’ve done because they took the mythology and made it their own. They were no longer slaves to the mythology of the Batman comic books. They allowed their story to be an alternate take on the mythos. This choice gave the show its own identity. It also made it more exciting for the audiences because things weren’t necessarily going to play out exactly as they had in the comic books. As a result the back half of Season 3 was a hell of a lot of fun and frankly I love Season 4. One of the reasons I love the show Krypton on Syfy is that the show isn’t a prequel, it’s more about the DC Universe’s past being changed by time travel. Changing Krypton‘s history, changes the history of the entire Superman story and by extension the entire DC Universe.
So coming into this final season, which was going to be drawing from classic Batman stories like No Man’ Land and Zero Year (In fact this episode’s title is “Year Zero”), I was pretty psyched to see what they were going to do. I’m happy to say I wasn’t disappointed.
After the events of last season, Gotham has been completely cut off from the outside world. The bridges are down in the city and it’s been 87 days since Gotham was officially declared a No Man’s Land by the US government. Unfortunately, not everyone who wanted to had the means to leave the city before it was cut off from the rest of the world. Children, families, innocent people have been trapped in a city that has become an almost post-apocalyptic dystopia. Gotham’s been carved up into territories, with different factions controlling different neighborhoods. Penguin Control City Hall and the surrounding area. He’s also the only person in the city manufacturing bullets for guns, which are more or less currency in the city. Scarecrow, Firefly, Mr. Freeze, Poison Ivy, and other villains have also carved up their own peace of the city.Somewhat ominously, Jerimiah Valeska hasn’t been seen since the beginning of No Man’s Land. I have a feeling he’s waiting to make his own suitably dramatic entrance.
The only part of Gotham City for the average citizen who’d been left behind is the area controlled by the GCPD. Gordon with Bullock and Lucius Fox by his side, are not only leading what’s left of the GCPD, they’re also protecting and feeding hundreds of refugees and supplies are running out. A lot of this is straight out of some iconic Batman storylines, so as a longtime Batman comic book fan this is cool to see.
Fortunately, Bruce Wayne and Alfred decided to stay behind as well and Bruce is doing everything he can to get supplies smuggled in. Not only to the people suffering in the city, but medicine for Selena Kyle as well. She was shot in the stomach at point-blank range by Jeremiah in the season finale last year and unless something drastic is done she could be paralyzed from the waist down for the rest of her life. Of course this heavily weighs on Bruce, who blames himself for her condition.
Part of the fun of this season is seeing how close Bruce is to becoming Batman, even though he isn’t ready yet. There’s an early scene where Bruce takes down a bunch of thugs trying to steal medical supplies. The power has gone out, so he uses night vision goggles courtesy of the Lucius Fox to take them out one by one, in very Batman fashion. However, just when it looks like he’s saved the day, the lights come back on, the night vision goggles blind him, and the thieves get away. This is an important scene because it shows us that while Bruce is well on his way to becoming The Batman that we know, who could’ve easily taken down a group of bad guys in a situation like this, but he’s not quite there yet. He’s still making crucial mistakes and he still has much to learn. It’s important the series didn’t just suddenly turn him into Batman over night. Bruce’s journey throughout the series has felt earned. Based on his training it makes perfect sense for him to be exactly at the level he’s at now.
The episode largely sets up the status quo for the season and puts the pieces in play for things to come. We know things are going to get a lot worse before they get better because the episode opens with a flash forward to No Mans Land Day 391 and shows Gordon, Bullock, The Penguin, The Riddler, and the rest of the GCPD fending off a full blown siege by… someone. For Penguin and The Riddler to be teaming up with Gordon, it must be a pretty serious common enemy.
All in all I really enjoyed this episode and considering that it was mostly set up, I have a feeling once the story really gets going this has the potential to be a fantastic final season for Gotham. I couldn’t help but love the scene when Gordon and Bruce were standing on the roof of the GCPD together. With Gordon shining a spotlight on the sky to give people hope, foreshadowing so many of their interactions in the years to come. As Bruce walks away at the end of the scene, Gordon ask him if he regrets staying behind in Gotham, Bruce replies “No. You?”. Jim Gordons smiles and says “Hell no”. Am I looking forward to the rest of Gotham’s Final Season? Hell, yes.