BATMAN DAY: The Best Modern Day Batman Stories!

Hey Everyone.

Paul here…

One of humanities greatest holiday’s, Batman Day, is upon us once again. In honor of this joyous occasion, it’s officially Batman Week here at World’s Best Media! It’s that special time of year when we can all take the time to reflect on the greatness of The Dark Knight Detectve. Like Superman, people will still be telling stories about The Batman, in one form or another, hundreds of years from now (unless of course, mankind doesn’t wipe itself from the face of the Earth in the near future). Characters like Batman and Superman are our modern day gods. Like Achilles or Beowulf, these heroes resonate with people because they’re such primal archetypes.

Even more so than Superman, the tragic tale of a boy who witnesses the brutal murder of his parents, is a fear we can all relate to. The boy made a vow to rid his city of the evil that took their lives, and turned himself into a monster to do it. The tragedy of Batman is that his war can never be won and he knows it. That’s deep, primal stuff. The brillliant simplicity of Batman allows for endless stories and reinventions.

Batman isn’t only my favorite comics book character, he’s by far my favorite character in all of literature. The complex psychology of Bruce Wayne, the greatest group of villains ever assembled, the sprawling urban nightmare that is Gotham City, and a phenomenal supporting cast… it all comes together to form the unforgettable tapestry of The Batman mythology. So in honor of Batman Day, I decided to put together a list of my favorite modern Batman stories. This was harder than you might think, because there are literally hundreds of classic Batman tales. I left out the obvious ones like “The Big 3”: The Dark Knight Returns, Batman: Year One, and The Killing Joke. Including those 3 classics on my list, seemed redundant and obvious, so I decided to focus on some great modern Batman stories. I was able to narrow it down to these amazing tales, that I encourage all of you to check out. Let’s dive in…


Batman: The Black Mirror

Written by Scott Snyder

Art by Jock & Francesco Francavilla

DC has a long history of “legacy heroes”. “Legacy heroes” are characters who take up the mantle of an iconic, classic superhero, when the original cannot or will not continue on. “Legacy heroes” are almost always characters who are close to the original incarnation of the superhero in question, usually a sidekick or a partner. For example, when the original Flash, Barry Allen, died in Crisis On Infinite Earths, his sidekick, Wally West AKA Kid Flash, inherited the role of The Scarlet Speedster. In fact, many fans believe Wally West surpassed his mentor to be the best version of The Flash in the history of DC Comics. Another good example, is when the entire Green Lantern Corp were wiped out (including Hal Jordan), artist Kyle Rayner was chosen to become the only living in Green Lantern in the universe. Eventually, he was instrumental in rebuilding the Corp. We tend tp not think of Batman as a character that ”passes on the mantle”. However, there has been some notable exceptions, like Dick Grayson, that were excellent and unique versions of The Dark Knight.

The Black Mirror took place at a time when, for reasons that are too complicated to get into, Bruce Wayne was MIA as Batman. Dick Grayson a.k.a. the original Robin a.k.a. Nightwing, reluctantly donned the Cape and Cowl to become the new Batman.

Like so many other excellent Batman tales, the story is just as much about Jim Gordon as it is Batman. The veteran Gotham police officer and the rookie Batman, must solve a grisly mystery that hits far too close to home for both men. With amazing art by Jock and Francesco Francavilla, it seems as if Gotham City itself is alive. A dark and hungry thing, ready to devour those that walk it’s streets. This was the breakout story that launched Scott Snyder’s career as one of the biggest creators in the industry. This isn’t the only time you’ll see Snyder’s name pop up on this list, because The Black Mirror was his first step on his journey to becoming one of the greatest Batman writers of all time.


Batman: R.I.P.

Written by Grant Morrison

Art by Tony Daniel

Grant Morrison is not only a personal favorite of mine, he’s also one of the best and most celebrated comic writers in the history of the medium. All-Star Superman, Arkham Asylum: A Serious House On A Serious Earth, JLA, if you’ve ever read Morrison‘s work, it will come as no surprise that this is one hell of a weird, fucking Batman story. However, in this instance that’s a really good thing. Batman R.I.P. marks the end of ACT I of Morrison‘s epic Batman run. When I was reading this nightmarish and disturbing story for the first time, it genuinely felt like anything could happen, which is rare when you’re dealing with such a well-known character like Batman. The brilliance of Morrison‘s run, is how he mines some of the most ridiculous and wacked out Batman stories from the late-50’s, 60’s, and early 70’s, (that any other writer would just as soon forget) to tell a truly unique Batman tale. Some fantastic new villains, like demonic Dr. Hurt, and new spins on old dynamics, make this an unforgettable story about madness, evil, and the indomitable will of The Dark Knight.

Batman & Robin: Reborn


Written by Grant Morrison

Art by Frank Quietly

Another fantastic story taking place during Dick Grayson’s tenure as The Caped Crusader. Grant Morrison’s ambitious, and entertaining Batman run, consisted of a broad, 3 Act structure. If Batman RIP was the end of Act I of Morrison‘s epic, then Batman and Robin: Reborn is the beginning of Act II. This story follows Dick as he struggles to fit into his new role as Batman. One The most compelling parts of the story, is the relationship between Dick and the new Robin, Damian Wayne, Bruce’s son. Reborn puts a fun new spin on the Batman and Robin dynamic. Normally, Batman is the dark, brooding one, with Robin as the bright, quipping, colorful, and lighthearted side of The Dynamic Duo. This story completely flips that dynamic on its head. This Batman smiles, tells jokes, and has fun. Damian’s Robin is arrogant, violent, and brutal. Basically the kid is a real pain in the ass

Regardless, he is, after all, Bruce Wayne‘s biological son. To Dick and Alfred, Bruce was family, so they both feel a responsibility to keep Damian on the right path. Both men know that Bruce would want them to watch over Damian, a task that certainly isn’t easy given Damian’s violent upbringing before he came to live with his father. But Dick and Alfred would never give up on the boy because of their love for Bruce. After all, Damian was raised in The League of Assassins, under the tutelage of Tallia and Ra’s Al Ghul. He could kill grown men by the time he was four years old. With Damian, The House’s of Wayne and Al Ghul would finally be united. Talia and Ra’s were grooming him to stride across the world as a modern-day Alexander The Great. Fortunately, Damian had more of his father in him than his mother and grandfather thought. Inspired by his father, Damian chose his own path, even if that meant being branded as an adversary to The House of Al Ghul.

I really enjoyed the dynamic between Dick, Damian, and Alfred in this story. One of my favorite subplots that evolves as the story goes on, is how Damien, who has nothing but disdain for Dick and Alfred, gradually comes to love and respect them both, arguably even more than he loves his father. Add in some gorgeous art by the legendary Frank Quietly (who’s one of my favorite comic book artists), the introduction of one of my favorite and most disturbing modern day Batman villains: the grotesque Professor Pyg, and you’ve got yourself one hell of a Batman comic book. This story is a new era for Batman and it all comes together to make this a must read.


Batman: The Court of Owls

Written by Scott Snyder

Art by Greg Capullo

The Court of Owls marks the beginning of what would become, one of the greatest writer/artist teams in modern comics. Together, writer Scott Snyder and veteran artist Greg Capullo, would go on to create one of the best Batman runs in the long history of the character.

Gotham City is synonymous with The Dark Knight. He knows it’s broken streets and dark alleyways, as well as he knows his own reflection in the mirror. Gotham belongs to The Batman and he knows all it’s secrets. Or does he? After a series of bizarre murders, Batman is blindsided by the realization that a cunning and dangerous enemy has existed and operated right under his nose. This powerful adversary has had its claws in Gotham for hundreds of years, going all the way back to the founding of the city. Bruce Wayne might be the worlds greatest detective and the legendary Batman, but in his hubris, he forgot one of the most important lessons he learned in his years protecting the city: The second you think you know Gotham, is the moment it swallows you into the darkness.

What are your favorite Batman stories? Please let us know in the comments below or on social media!

Thanks for reading! Follow us on Twitter @PJWrightWBM, Instagram @worldsbestmedia2017, and our Facebook Page, Worlds Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

FIRST LOOK: Robert Pattinson In The New Costume From The Upcoming Film, THE BATMAN!

Hey Everyone,

Paul here…

  A cool little surprise hit the Internet today, with our first official look at Robert Pattinson suited up as The Dark Knight Detective himself, in the upcoming film directed by Matt Reeves, The Batman. This first look came courtesy of some test footage released of Pattinson in the new costume. It’s only about a minute long and we don’t get to see the full costume, but what we do see is very intriguing.  I don’t want to over analyze things because we really only see the costumes from the mid-torso up. I will say, from what we do see, I thought it looked great. Pattinson certainly held himself well in the costume.

The Bat-Suit has been clearly influenced by the popular Arkham games, which has an armored, segmented design that you can see in the torso. Taking inspiration from the classic Arkham game series is a smart idea because the costumes on display in the games look both functional and beautifully designed. They are fantastic.





I also felt that there was a hint of Batman Beyond in the suit’s look, I can’t put my finger on. exactly what, but something about it felt a little Batman Beyond to me. Anyway, take a look at the costume in the video below and judge for yourself:

The Batman” hits theaters on June 25, 2021.

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again!

-Paul

Why Making A Sequel To JOKER Is A Bad Idea

Hey Everyone,

Paul here…

A man dressed as a clown writhing in pain, in a filthy alley, as he clutches at his groin. Hey man, we’ve ALL been there.

It’s been recently announced that director Todd Phillips and actor Joaquin Phoenix, may be returning for a sequel to their critical and commercial smash hit, JOKER. A lot of fans, may initially be very happy to hear this news, but today I’d like to put forth the argument that making a sequel to JOKER is a bad idea. 

Hey guys, let’s take the enthusiasm down a few notches. This a Hollywood premiere, not a frat party!

    Throughout the making of this film, right up to press interviews before the premiere Phoenix and Phillips stuck to their guns, as they did from the very beginning. Even when the box office juggernaut opened to critical and commercial success, Phoenix and Phillips said loud and clear that this was a one off. This was meant to be a standalone story. Which is partially what made the movie so interesting. Every movie studio, especially when it comes to comic book properties, is always looking for their next franchise. So when the trailers for JOKER dropped and the movie garnered seriously positive buzz, mostly due to what looked to be an incredible performance from Joaquin Phoenix, chatter began about the possibility of a sequel. When asked if a sequel could possibly be in the cards, the answer from Joaquin Phoenix and Todd Phillips was always an unequivocal NO. That’s not how they approached this project, it was a character study with a beginning, middle, and end. 

    In this franchise driven environment, it’s refreshing to hear filmmakers say we’re here to make one movie and one movie alone. Especially when every film studio is trying to copy the success of Marvel and make a 20 film series. These guys came along and said, we want to do this one, fucked up little movie, on the cheap, let us do it our way and fuck off. 

   Clearly that strategy paid off. Though it’s by no means perfect, JOKER is one of the best films of the year. The movie coming close to $1 billion in box office revenue with such a low budget, makes it one of the most financially successful comic book films ever made.  Not to mention, Joaquin Phoenix is all but a shoe in for an Oscar nomination next year. So, with the film being complete home run, one can see why Warner Bros would have serious interest in reuniting their director and star for a sequel. I’d argue the film’s success is due to audience’s looking for some diversity in their entertainment. Instead of making a sequel to a film that was designed to stand alone, get another talented filmmaker with a unique, singular vision for a different DC property, keep the budget low and let them have at it. Evolution is the only way that superhero films will survive. Change or die.

  I would also argue I’m not sure where the sequel to JOKER would go from here. Todd Phillips has been on record saying that pitched JOKER to Joaquin Phoenix as “sneaking a gritty, art house character study through the studio system”. Phoenix’s interest was in telling a story about a man’s descent into madness, not a story about The Joker we know from the comics. In fact, Joaquin Phoenix didn’t even want Todd Phillips to have Thomas Wayne in the movie, he wanted the character to have a different name, even that was too much of a connection to the comic book for him. The connections to the greater Batman mythology in JOKER are minimal to say the least. Todd Phillips basically bullshitted Joaquin Phoenix and kept in things like the Thomas Wayne character and the murder of The Wayne’s at the end of the film.

    Now this is just my opinion, but I think there are two ways to go with a sequel to JOKER. The first would be add a Batman into the mix. However, keep him at the periphery, don’t make him a main character and keep him very grounded. As grounded as they made The Joker in the first film. It would be incredibly fascinating to see how Arthur Fleck, who has now become The Joker would approach the emergence of someone like The Batman.

  The problem is Joaquin Phoenix would never make a movie like that. While doing the interview rounds for JOKER, one of the reporters asked Joaquin Phoenix, how his version of The Joker would react to someone like Batman appearing in Gotham. Phoenix smiled, he seemed to genuinely like the question, and after a moment of thought he said “That’s great question. I don’t know I’ve never thought about it.”. Really?! C’mon! YOU NEVER THOUGHT ABOUT IT?! Batman is only the most important and fundamentally driving force in the life of the character you’re playing, but you’ve never thought of it, OK that makes sense (in case you can’t tell I’m oozing sarcasm and mild disgust as I write this).Batman and the Joker are one of the great yin and yang characters in all of popular culture. They are defined by one another. But hey, he never really thought about it! (….fucking dipshit...).

How fucking SICK is this poster? It was made by a company called Mondo and unfortunately they don’t carry this poster anymore. But God damn, is it cool.

  So if Phoenix never once gave a fuck about how his character would feel about Batman, I think it’s safe to say he would never agree to appear in a movie featuring Batman alongside his version of The Joker. Now, the second way to go for a JOKER sequel, would be to do some version of the classic Bruce Timm and Paul Dini story Mad Love about the creation of Harley Quinn and the beginning of her love story with The Joker. I’m not talking about the bullshit nonsensical version of their love story we saw in the god awful Suicide Squad film, I’m to I’m talking about the classic graphic novel Mad Love.

Dr. Harleen Quinnzel is a new psychiatrist at Arkham. She’s young, beautiful, and ambitious. She imagines getting rich writing some kind of breakthrough book about the psychology of these colorful super criminals. She manages to arrange sessions to meet with and attempt to treat The Joker, confident that she can handle him. As their sessions go on, The Joker begins to completely manipulate and control her. She falls completely under his spell, breaks him out of Arkham and becomes the now iconic Harley Quinn.  A film like that could really work, but it has the same problems my first proposed scenario does. It has too many ties to the comic book source material, which Joaquin Phoenix has no interest in whatsoever. 

An even bigger mistake would be for the studio to try to replicate the “JOKER Formula” of a gritty, dressed down, no frills take on another Batman villain. Admittedly, I think there are a few members of Batman’s rogues gallery that this could work with, but who the fuck really wants to see that?

Don’t get me wrong, I’d be very interested to see what a sequel to JOKER would look like. However, it’s all a question of if they even have a story to tell. If Joaquin Phoenix didn’t even want the name of Thomas Wayne to even be in the movie, he’s certainly not going to want to include some version of Batman or Harley Quinn in a potential sequel. There is a third way they could go, but I don’t think it really works either. They make a movie that’s a continuation of the first film and focus on The Joker and his continued transformation into one of the greatest super villains in all of fiction.

Here’s why that concept doesn’t quite work either. Based on where we leave The Joker at the end of this film, The only way to go for him is to fall deeper and deeper into the persona of The Joker. He would have to evolve into a more “classic”, for lack of a better word, version of The Joker. As he becomes more insane and embraces his identity as The Joker, we’d see things like his deadly Joker laughing gas, elaborate plots against the city, the personification of terror and evil. Just as I don’t think Joaquin Phoenix would ever do a movie with Batman and Harley Quinn, I also don’t think he would want to play a version of The Joker that’s more like the Jack Nicholson or Heath Ledger version. The character’s natural evolution is to get more “comic book-y” and it seems, based on multiple interviews that I’ve seen and articles that I’ve read, the aspects of JOKER that were connected to the comic book were the things he was always least interested in.

One might counter with the point, So, Paul what’s wrong with that? Couldn’t they just continue to tell the story of Arthur Fleck becoming The Joker? Well, if you continue this character’s story when you don’t want comic book elements to be a significant part of the story, the problem becomes, he’s just some lunatic guy. He’s not The Joker. If the character is nothing like The Joker, then what’s the point in doing the movie? The biggest flaw of JOKER was how derivative the story was. It was very reminiscent of other films about men being broken by society, like Falling Down, Taxi Driver, or Fight Club. What made JOKER great was Joaquin Phoenix and his mesmerizing performance as the man who would become The Joker, not necessarily the film itself. If we ever see a JOKER 2, we want to see The goddamn Joker.

If they want to move forward with a sequel, Joaquin Phoenix and Todd Phillips have to really understand what kind of movie they want to make. At the end of the day, you have an extremely successful comic book film that was designed to be a standalone story, with a star who has absolutely no interest in anything from the DC Universe becoming a part of the story he’s acting in. I think the best thing for Warner Bros and the movie going public, would be to get another visionary filmmaker, to tell another small budget story from the DC Universe. Re-create the success of JOKER by giving the audience what they really responded to in their first place, a unique movie going experience, not another financially driven sequel.

As alway, thanks for reading!

-Paul