Here at World’s Best Media, Halloween is our favorite holiday! So in this mini-episode of The World’s Best Podcast, I give you his favorite movies (and a few TV shows) to get you into Halloween spirit! This episode is just a little something to tide you over. We have a much cooler, more expensive episode coming up in the next few days that falls in line with our Halloween theme, which I think everyone will really enjoy! So make sure you check back here for updates! In the meantime please enjoy this episode…
Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!
One of the most successful series of 2019, The Mandalorian, returns for Season 2 on 10/30 on Disney+. As we see in this new trailer, Mando and The Kid will still be on the run from Giancarlo Esposito’s Dark Saber wielding, Moff Gideon. However what’s really exciting this year is the inclusion of new characters from Star Wars lore joining the show in Season 2. Of course some familiar faces from Season 1, like Carl Weathers and Gina Carano are returning to the show. However, many fans will be focused on the new characters, some of which are making their live action debut. Rosario Dawson has joined the cast as the former apprentice of Anakin Skywalker, Ashoka Tano. Ashoka left the Jedi Order shortly before Anakin went to the Darkside. She never quite left the fight though and has continued on as a Grey Jedi of sorts. Ashoka is one of the stand characters in both Star Wars: The Clone Wars and Star Wars: Rebels, seeing Rosario Dawson‘s take on the live action version of the character is very exciting. We can also expect to see Battlestar Galactica’s Katee Sakoff as Bo Katan, a Mandalorian rebel leader who fought in The Clone Wars. Finally, in what has been the years in the making for many fans, personally I could take it or leave it, Boba Fett will be making his official appearance on the show this season. So we’ve got a lot of exciting stuff to look forward to starting October 30th…
With the possible exception of The Dark Tower series, many consider The Stand to be Stephen King’s magnum opus. The story follows the survivors of a deadly pandemic that has wiped out the vast majority of the earths population. The survivors find themselves caught in a very real struggle between the forces of good and evil, personified in the form of the loving Mother Abigail played by Whoppi Goldberg and the evil supernaturally powered Randal Flagg, played by Alexander Skarsgard.
The cast also includes James Marsden, Amber Heard, and Nat Wolff. The limited series premieres on CBS All Access on 12/17/20…
The Stand has been of Stephen King’s most influential novels. To this day, genre shows like Lost cite the book as a huge inspiration for the series. Here are some cool images released along with the trailer:
Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!
One of the things I love about having a platform like World’s Best Media, is that I have the opportunity to share content from other talented creators, that people might not otherwise see. There are so many fantastic filmmakers, artists, musicians, and more out there, whose work often gets overlooked. So when I found this very cool video I knew I had to post it. This animated video basically shows us a possible alternate narrative for Star Wars. Using a unique style of animation, this video asks the question: What if Order 66 failed? Anakin has still gone to The Dark Side and a lot of Jedi have died. But what if it wasn’t quite the decimation of The Jedi Order that we see in Revenge of The Sith? In this cool video I’ve posted below, we get to see what might have been. Enjoy…
I think this is probably how things would’ve played out if Order 66 failed. I love the idea of seeing an older Anakin Skywalker, who has gone full Dark Side, but without the debilitating injuries that put him in his iconic Darth Vader suit. Then escaping prison after years of confinement, to face his grown Jedi children. Very cool. It’s almost like “elseworlds” stories frequently seen in comic books.
This project was done by Star Wars Theory on YouTube. They have a lot of awesome videos and I definitely recommend checking them out. You can subscribe to their YouTube channel through this link: https://www.youtube.com/c/StarWarsTheory
You can follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!
I came across this video today as I was looking through YouTube today, and I realized that many of you may not have ever seen this cool animated short (or even knew it existed). Back in 2013 the amazing folks behind Batman: The Animated Series, Superman: The Animated Series, Batman Beyond, Justice League, and Justice League Unlimited, released this short animated film called “Chase Me”. It’s a fun, quick little story about Batman trying to catch Catwoman after a minor heist she’s pulled off. But the whole chase is really a metaphor for the romance and attraction that’s at the heart off their relationship. There’s always the folks behind Batman: The Animated Series understand what makes The Dark Knight tick, better than most. If you haven’t seen “Chase Me” before, you can check it out right here and if you have seen, any excuse to dive back into the world Batman: The Animated Series, is well worth your time. Watch it here:
What did you all think of this short film? Let me know in the comments below!
Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media.
As a diehard Marvel Cinematic Universe fan, I feel like I’m going through MCU withdrawals. If it wasn’t for this fucking COVID-19 pandemic, we’d have already seen the much anticipated Black Widow movie, The Falcon and The Winter Soldier would be streaming on Disney+, and we’d be gearing up for the release of The Eternals in a little over a month. I know there are much, much worse things that are happening because of the COVID-19 outbreak and the pandemic is just one of the many shitty things that have happened during this awful year. In my lifetime, I don’t think there’s been a more horrific year for America than 2020 (Let’s just hope 2021 will be an improvement). So by comparison it may seem a little silly to be complaining about a few movies and TV shows that we weren’t able to watch. However, the stories told like the ones in the MCU, allow people an escape from the terrible things going on in the real world, even if it’s just for a little while. It’s like I always say, you can’t underestimate the profound effect of storytelling. Stories are huge part of what makes us human.
On the bright side, they say absence makes the heart grow fonder. It almost seems appropriate for audiences to get a break from the MCU for a little while. Marvel just finished telling one epic story with The Infinity Saga and the next Marvel project to come out will be the beginning of a whole new chapter in The MCU. Finally after delays and rescheduling we finally know what story is going to kick off Phase 4 of The MCU: WandaVision on Disney+. The first trailer for the new miniseries has just been released and you can check it out below. It looks trippy as hell in the best possible way. I have a little bit more I want to say about this very unique looking story, but for now I’ll just start by posting the new trailer. Take a look:
WandaVision doesn’t have a definitive release date yet, but it will premiere before the end of the year. Expect to see WandaVision premiere on Disney+ sometime around early December. So what did you folks think of the trailer for WandaVision? Let me know in the comments below!
Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Stay healthy and stay safe!
With Season 2 of the hit Disney+ show, The Mandalorian, premiering on October 30, I knew it was only a matter of time before we got our first look at the new season. At long last, the first trailer for The Mandalorian Season 2 ha dropped online. Let’s be honest here, we would all be excited for this show no matter what, The Mandalorian was one of the best new series to come out last year. Disney + and Lucasfilm didn’t even really need to put out a trailer and fans would still watch the series in droves. That doesn’t mean I’m thankful as hell that we did get to see this cool new trailer. With Star Wars: The Ride of Skywalker being such a massive disappointment, at least to me, The Mandalorian was the saving grace of The Star Wars Universe in 2019. Earlier this year on Disney+, we got some of the best new Star Wars content in years with the fantastic final season of Star Wars: The Clone Wars. So hopefully, The Mandalorian Season 2 will be just as killer as Season 1, and make 2020 a great year to be a Star Wars fan. Take a look at the trailer right here:
What do you think of the trailer? Let me know in the comments below!
Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media.
In Batman: The Three Jokers, Geoff Johns sets out to answer a mystery, that he set in motion several years ago during the climactic story arc of his Justice League run. In the story, Batman interfaces with an alien super computer called The Mobius Chair, that can answer any question in the universe, no matter how seemingly impossible the question may be . One of the questions Batman asked was, “What is The Joker’s true name?”. Through it’s omniscience, The Mobius Chair gave an answer that threw even The World’s Greatest Detective for a loop: There are 3 Jokers. This three issue miniseries sets out to finally answer the mystery of The Three Jokers. I’ve read the first issue and while it answers some questions, it leaves us with even more.
There is no doubt that DC has two of their absolute best creators working on this book. There are very few comic book writers who have had the level of influence on modern comic books in the way that Geoff John’s has. With very few exceptions, there isn’t a major character in DC Comics that he hasn’t left his mark on. His enormous talent and impact on comic book storytelling, put him in rarefied air among legends like Stan Lee and Frank Miler. Geoff Johns is without a doubt one of the best superhero writers in the medium. No one does big, epic storytelling like Geoff Johns. Yet for some reason, he has always, in my opinion, struggled when writing Batman. Don’t get me wrong, even some of his weakest stories have fun and interesting elements at play. Despite any criticisms about his writing that I may have, John’s never fails to deliver an entertaining story.
Then there’s artist Jason Fabouk, who’s done some of the best superhero artwork I’ve ever seen in “The Darkseid War”, one his previous collaborations with Geoff Johns in the pages of Justice League. In a comic book, the storytelling done through the artwork is just as important, sometimes more so, than the storytelling being done in the script. It’s one of the things that makes the medium so unique. This issue opens with an exceptional example of how vital a fantastic artist is to telling a great comic book story. The issue begins with a close-up, on a large “W” engraved in stone. As the image pulls out, we see that this is the grave of Thomas Wayne. Surprisingly, the Batmobile suddenly crashes into it, partially destroying the gravestone. A seriously injured Batman emerges from the vehicle and stumbles towards Wayne Manor. A flurry of bats eventually reveals the Batcave. Filled with Batman‘s equipment and trophies, old costumes of allies and enemies. Finally, we see Alfred. Steady. Always there. We see both men from behind, as Alfred hauls Bruce in an improvised shoulder carry. Holding up his son, as Batman struggles to make it to the medical area. In a wavering voice Bruce says “My parents…” Referring to the gravestone he crashed into moments before. Again, Alfred steady as ever replies “I’ll fix their markers as soon as I fix you.”. Piece by piece, Batman‘s armor is removed, Alfred using surgical tools to remove parts of the uniform to get at Bruce’s wound, so Alfred can begin to treat whatever Bruce has suffered from this time.
Alfred begins to treat a puncture wound in the side Bruce‘s torso. “What was it this time?” Alfred asks. “An umbrella” Bruce replies. The image pulls back again, Bruce is naked from the waist up, with his back turned to the reader as Alfred begins stitching his latest wound. The image is stunning. What makes the artwork so powerful Is the dozens, maybe even hundreds of other scars and burns covering Bruce’s body (and we can only see him from the back). This is a grim ritual these two men have gone through together far too many times..Each scar is a dark reminder, a souvenir, of the nightly torture Bruce Wayne subjects himself to.
However, despite all the monsters he fought in the night, only one has left more scars than any other. Both on the inside and out. The Joker. As Bruce recalls each battle, each fight with The Clown Prince of Crime, the monsters horrifying laughter builds in his head until, for the first time in the story, we see Bruce’s eyes. And they are filled with fury… and something more, something dark.
Regardless of any criticisms that I may leveled at other aspects of this comic book, the art by Jason Fabouk is incredible. There are many amazing artists out there, who draw stunningly beautiful images, but it takes more than that to be an excellent comic book artist. A comic book artist is a storyteller just like the writer. The analogy I like to use, is that a comic book artist needs to be the director, the actors, the cinematography, and the editor all wrapped in one. Like a director they need to set up every image, the angle, what will be in the shot, etc. like a cinematographer they have to establish the look and visual tone of the story, and like an actor they need to convey all of the subtle emotions of every character in the story. An artist who can do all of that well and still make every image absolutely beautiful, is less common in the industry than you might think. I think somebody like the late, great Steve Dillon (Preacher, The Punisher) is a great example of an artist that was incredibly gifted at storytelling and conveying complex array of human emotions. With this comic, I think Jason Fabouk has taken his first step into becoming one of the most elite comic book storytellers in the business. The work on display here is some of the best visual storytelling I’ve seen in a comic book in a long time.
With that out of the way, what do I think about the comic? I think there are two major issues that ultimately plague this story. First, the problem with telling a story like this, is that part of what makes The Joker so terrifying and so fascinating is that he doesn’t have a definitive origin. Sure, there have been hints over the years. Possibilities of who or what he was before he became The Clown Prince of Crime. Writers like Alan Moore, Scott Snyder, Bruce Timm,and Paul Dini have all played with possible origins for The Joker. These stories worked because none of them were the character’s definitive origin. It was left ambiguous, the writers placed doubt in the minds of fans about how much of these possible backstories actually happened. Was any of it real? Even the recent JOKER film starring Joaquin Phoenix as Arthur Fleck/The Joker, made the audience question exactly how much of the films events actually took place and how much of it was all in Arthur’s head
The questions at the heart of this story are: How are there three Jokers? What does that even mean? Are there literally three different men, who have been The Joker over the years? What is the answer to the mystery of The Three Jokers? At least for me, the answer to that question is: I don’t fucking care. I would’ve been perfectly happy if DC never picked up this storyline again. In the JL story written by Geoff Johns that kicked this whole thing off, Batman asks the all-knowing Mobius Chair “What is The Joker’s true name?”. The chair replies and Batman is visibly shocked and disturbed by what he hears. He can only respond “That’s not possible“. On its own, that’s a cool moment. What the fuck did The Mobius Chair tell Batman? The Joker is already a character shrouded in mystery and darkness and this was a powerful and creepy moment. I think if it was left alone by DC, this could have been an intriguing addition to The Joker’s mythology. A question we’ll never get the answer to would’ve been so much more interesting to readers, because the unknown is always so much scarier than anything a writer can cook up.
To talk about my second major criticism of this story so far, I’m going to be discussing a pivotal scene in depth as an example of a larger concern I have with the project. So MAJOR, MAJOR SPOILER WARNINGS for the rest of the review!!!
Ok, still with me? Great. So, when Jason Todd AKA The Red Hood finally blows The Joker’s brains out, I thought: “About damn time!”.
You see, a common misconception is, that Batman has always adhered to a strict moral code, that kept him from ever taking a life. It’s important to point out that when Batman was created by Bill Finger and Bob Kane (It was actually MOSTLY Bill Finger, but Bob Kane gets all the credit). Batman‘s so-called “no kill“ rule, didn’t come from a creative decision by one of Batman’s creators. It came down as an editorial mandate from DC Comics. The Joker was originally supposed to die in his first appearance, but the character was so popular that the creators working on Batman at the time had to come up with a way for Joker to return. Batman couldn’t go around killing the entirety of what would become his whole rogues gallery! Of course this early version of Batman would kill The Joker! For a man willing to take a life, this was the exact situation where you take someone off the board. It was a way to keep Batman’s popular villains returning to the story. Another factor was that DC comics wanted to attract younger readers. Which was why Robin was introduced and Batman’s homicidal edge was softened. The hard-hitting, gritty, noir stores told in Batman’s early days, made way for more colorful and family friendly content.
So when someone tries to convince you that Batman never kills because of a deep moral belief in the sanctity of life, you can say that’s bullshit, he doesn’t kill because the publisher wanted to make more money by having more readers and reoccurring, colorful villains. From the very beginning of Batman‘s career, he had no compunction about killing criminals. Batman even carried a gun in many of his earliest appearances. Many of the unfortunate thugs he came across found them selves with a bullet in the chest, thrown into a vat of acid, or strangling a man with a steel cable attached to The Batplane and flying through Gotham with the corpse still hanging from The Batplane. While Batman muses that the villain is “better off this way“. In fact here are some fun instances of Batman straight up murdering people…
Which is why I find it so frustrating that certain writers, like Geoff John’s in particular, treat Batman‘s “no kill“ rule is if it was a sacred and fundamental part of the character’s ideology. It wasn’t a creative storytelling decision, it was a marketing one. Most of the other vigilantes in Gotham City have been trained by Bruce or work closely with him, so they also adhere to same, foolish “no kill” rule (with some notable exceptions). So when writers like Geoff John’s put Batman or one of his allies, in this case Barbara Gordon AKA Batgirl, in positions where all logic, emotion, and reason would lead to their character taking a life, the writers will go to extraordinary lengths to find reasons for their so-called heroes not to go through with it. This doesn’t make the heroes noble, it makes them look foolish and naïve. I’m not saying that Batman and his allies should start acting like The Punisher, but in extreme circumstances, extreme measures are appropriate. Unless a writer is willing to honestly tackle some potentially uncomfortable questions about his characters, then perhaps it’s a subject that is best left alone. If you’ve been successfully crime fighting crime in a cesspool like Gotham City for years, you’ve probably seen some of the ugliest things that humanity has to offer. Which is why it makes no sense that someone like Barbara Gordon, an intelligent, worldly, capable, and very tough woman would attempt to stop Jason Todd from murdering The Joker. The amount of suffering that The Joker has personally inflicted on Barbara and her family includes crippling and sexually molesting her, torturing her father, murdering her stepmother, and has killing literally thousands of people. Including successfully murdering Jason himself. Even though Jason eventually came back from the dead, as Jon Snow would tell you, that isn’t some shit you just forgive. For Barbara to feign outrage when The Joker is killed, is just silly and poor writing. However, I did enjoy what Jason says to Barbara after kills The Joker, posted below…
I’ll definitely read all 3 issues of Batman: The Three Jokers, but It’s mostly out of sense of obligation. New comic books come out each week and I still read every issue of my favorite ongoing titles. Batman is my favorite comic book character, so for better or worse, regardless of how this story ends it’s going to have a major impact of some kind on the Batman mythology. For that alone, I’d read all 3 issues just to see how it all plays out. That’s not exactly a ringing endorsement, especially if you don’t read comics every week like I do. I’m certain that DC is trying to attract new readers with a high profile book like this. In that regard, I suppose Three Jokers is successful. Most of my problems with the book were rooted in my long personal history with Batman and how I think the character and his world should be portrayed. As well as certain longtime comics books tropes present in the issue, that drive my nuts whenever they pop-up in a story. New readers might be the ideal audience for this comic book, even with my criticisms, it’s an undeniably entertaining book with beautiful art. Casual Batman fans wouldn’t bring as much baggage to the story as I did and it really only requires a basic knowledge of Batman and The Joker to follow what’s going on.
Final Words: In a vacuum, taken for what it is, Batman: The Three Jokers is pretty good read, but it fails to justify it’s own existence. This new miniseries suffers because of some poorly written characters and will leave a lot of readers questioning why this story needed to be told in the first place. On the other hand, The Three Jokers is a solid book for casual readers and the art work by Jason Fabouk is gorgeous.
At this point, I’m sure most of you know that actor Chadwick Boseman tragically passed away a few days ago at the age of 43, after a long bout with colon cancer. Everyone processes death and grief differently, but following the death of a celebrity that I like, I’m usually surprised and I think something like “Well, that really unfortunate. I’m sorry to see them go“. But on the rare occasions, there are celebrity deaths that genuinely upset me. Unfortunately, Chadwick Boseman’s death has been one of them. The last time I felt something real after the passing another of a public figure like this was when Robin Williams died. I’m in my mid-30s and I feel like, to a lot of people in my generation, Robin Williams was a real cultural icon growing up. Williams starred in some of the most important films of my formative years. The fact that Chadwick Boseman, whose career was almost just getting started, can hit me as hard as the death of an icon and legend like Robin Williams speaks to exactly how special Chadwick Boseman really was.
Obviously, I’m a massive comic book fan and I love the Marvel Cinematic Universe. One of the characters I most wanted to see on the big screen was Black Panther, he’s always been one of Marvel’s most interesting and compelling characters. Even though he has cool superhuman abilities and bad ass tech at his disposal, he isn’t fascinating because of his extraordinary powers. In fact, he’s one of the relatively weaker Avengers, at least when it comes to his power set. But like Batman in the DC Universe, Black Panther is arguably the most dangerous man alive in the Marvel Universe. Black Panther, or King T’Challa, is unique among other superheroes. Not only does he protects the world as an Avenger (and often the leader of The Avengers at that), but he’s also a king, who rules the most technologically advanced society on the planet. He’s a genius on par with Tony Stark or Bruce Banner. He’s the guy who would make the tough calls when the shit really hit the fan. However, there was always an innate compassion and humanity to the character that added a whole additional layer of heroic depth.
Marvel found the perfect actor to embody this character in Chadwick Boseman. The actor perfectly portrayed T’Challa’s brilliance as a tactician and warrior. He was regal and he carried himself with all of the strength and dignity that was necessary to bring this incredible figure to life. Boseman has already given us so much from this character to look back on and enjoy. I was extremely excited to see what he and Marvel were going to do with the character next.
Of course, Chadwick Boseman’s performance as Black Panther had a whole other meaning to millions of people around the world, that I can never understand. It cannot be understated how culturally important Chadwick Boseman’s Black Panther was to people of color all over the world. There had never been a superhero movie like Black Panther, with a black lead, an almost entirely black cast , and a black crew behind the camera. I’ve heard so many people say that both Chadwick Boseman and King T’Challa were both role models to so many children around the world. I believe with all my heart that stories give people hope, they show them what they can be, and what they can achieve. With the wrong actor it might not have worked, but Chadwick Boseman was simply the man for the job. Clearly, off screen he was a man of incredible character and integrity. He radiated confidence, poise, grace, and humility. Through his incredible talent he was able to play characters as different as Jackie Robinson, Thurgood Marshall, James Brown, and King T’Challa. It was nothing short of extraordinary that he brought so many important figures from black culture to life, even the fictional ones. The tragedy of his death is that Chadwick Boseman was just getting started. He was one of the greats in the making. More importantly, he seemed like a genuinely wonderful human being and the world is a little less bright without him in it. I think we can take solace in the fact that, in his all too short time on Earth, he touched billions of lives for the better. How few people can say that? To do all of it while he was fighting cancer showed his indomitable courage. The worst of this disease hit him during his time in the Marvel Cinematic Universe, but he still gave us one of the most memorable characters, in a series of films with dozens of iconic characters. He truly stood out among the pack. To do all of this, while going through what he did, is incredibly brave. Chadwick Boseman showed us all how stories can change the world. That will be his legacy. Wakanda forever.
“Reed Richards: T’Challa, if this doesn’t work… If we fail, then that will mean this is the end, and… Black Panther: And then I will see you on the other side, my friend. Trust me. Death is just a different kind of journey… To the land that I am King.” – Secret Wars #7 (2015)
Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!
I recently appeared as a guest on the hit podcast Cuff’s Basement, hosted by longtime friends and contributors to World’s Best Media, Tim Cuff and Ryan McDonald! It’s a hell of a lot of fun, so we decided to include it here for your listening pleasure. On this episode of Cuff’s Basement, we discuss one of the best TV shows of all time, HBO’s The Wire. This was a 4-Part series of episodes that Tim and Ryan we’re recording. Each part had a special guest possessing both encyclopedic knowledge and love of HBO’s The Wire. I was the fourth and final guest, so as the old saying goes: Save the best for last! In all seriousness though, all four installments are very entertaining and thought provoking, so if you enjoy this episode I highly recommend listening to the first 3-Parts of,Cuff’s Basement Presents: The Wire – A Podcast Analysis In 4-Parts! If you happen to be a fan of The Wire, then this is a MUST LISTEN! (Cuff’s Basement is available on iTunes/Apple Podcasts)
For those of you that may not know, The Wire was a series that ran on HBO for five seasons in the early 2000s. This amazing show was equal parts comedy and tragedy. Taking place in Baltimore with a stellar ensemble cast, the show began as an exploration of the Baltimore drug trade. Specially focusing on The Barksdale Organization, the most successful and power drug traffickers in the city and the police unit trying to take this criminal organization down. Unfortunately, higher ups in the department only cared about statistics and arrest numbers. The heads of the department only wanted crime statistics that reflected favorably on them, even though the numbers were not an accurate representation of crime in the city of Baltimore. For political reasons, the bosses in The BPD didn’t want to commit time, money, and manpower to the type of long term investigations that would ultimately yield an actual drop of crime and violence in the city. Yet through a combination of intelligence, subterfuge, determination, and out right luck, this group of officers managed to effectively mount a serious investigation into The Barksdale Organization, without the help or even sometimes permission, of the higher ups in the Police Department.
While the Baltimore drug trade and the Baltimore police department would continue to be a major part of the show throughout its entire run, the series was really a deep examination of a broken American city and how all our major institutions like political representatives, The Police Department, school systems, and the media, ultimately fail the people they’re supposed to serve. Those who attempt to enact real change and reform are ultimately destroyed by the systemic corruption of these broken institutions. The creators of the show once referred to The Wire as a Greek tragedy. The parallel being that, in those stories, nothing good ever comes from mortals mixing themselves up with the gods. In The Wire the gods are the institutions, like City Hall or the public school system for example, and the mortals are the citizens and well-meaning individuals working within those systems. The show was like a mesmerizing novel and it was one of the first series to showcase what the television medium was capable of. Along side The Sopranos, The Wire was a huge part of ushering in the golden age of television that we are experiencing now.
I wanted to include this video, featuring some of the best moments of one of the most iconic characters from The Wire, stick up artist and urban Robin Hood, Omar Little.
Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!
-Paul *Cuff’s Basement is available on iTunes/Apple Podcasts