Last week, the DCUNIVERSE Streaming Service wrapped up the first season of it’s flagship original program, Titans. Considering that, initially, there was some negative buzz about the project, Titans turned out to be a damn good superhero show with a unique take on the DCU and a killer teaser for Season 2. There really isn’t a superhero show quite like Titans airing at the moment.
One of the coolest parts of the season was how the show alternated episodes by focusing on the overarching, season-long story in one episode. While the next showcased great, but more obscure characters from DC lore and giving them time to shine. We met characters like Jason Todd (the new, borderline psychotic Robin), Hawk & Dove, Donna Troy aka Wonder Girl, and Doom Patrol.
DoomPatrol popped up around the 4th episode of Titans and was a early highlight in Season 1. Raven is rescued by Garfield Logan aka Gar aka Beast Boy in his tiger form and then takes her to see the rest of his “family”, The Doom Patrol. The Doom Patrol lives in a mansion under the eye of The Chief whose real name is Dr. Niles Caulder. Each member of the Doom Patrol had been in some kind of sever accident and Dr. Caulder’s very bizarre methods saved their lives. However, though his strange methods saved their lives, the side effects of his treatments gave them special abilities. Some are so extreme that that they see themselves as freaks and become more or less shut ins. When Raven is ready to leave, Beast Boy decides to strikes out on his own with the Titans. The Doom Patrol will always be his family, but he needs to start his own journey. As happy as the rest of the Doom Patrol are for him, there’s a sense of tragedy because none of the rest can ever do that themselves. Gar’s the only one of them who can remotely pass as human. They want Gar to have what they can’t: Freedom to live his own life. Basically DoomPatrol is really, really, fucking weird.
I can’t say I was much of DoomPatrol fan or knew that much about them besides Grant Morrison’s acclaimed DoomPatrol run from the comics years ago. Seeing an episode with those characters front and center made me kind of like them. They’re kind of goofy, but if you don’t take it too seriously the DoomPatrol characters are a lot of fun.
For the moment, the plan for DCUNIVERSE is to make at least one episode of an original series available on the app each week. Of course, all of the the content the app provides, like free comic book downloads from DC’s library, DC films, and more.
YoungJustice: Outsiders (Part 1) will be available on DCUNIVERSE January 4, with 3 episode blocks coming out each week. YoungJustice returns for Part 2 of the seasonthis summer.
Shorty after Part 1 of YoungJustice: Outsiders finishes up, the DoomPatrol series will premiere on February 15th. Even though these are the same characters, in the same universe, there are 2 big differences from the DoomPatrol series and the DoomPatrol episode of Titans. The Chief, the somewhat menacing Dr. Caulder, will be payed by Timothy Dalton.While Cyborg has been added to the team in Beast Boy’s absence. Out of the many comic book series premiering in 2019, this has the potential to be a very fun and weird superhero show, so make sure to keep an eye out for this one.
Check out the teaser below and these cool character posters in our first official look at the series. I’ll sat this it looks weird as hell and I really dig that.
What do you guys think of DoomPatrol? Are you going to give it a try? I’d love to hear your comments below.
I’ve always been a big fan of the DC Animated movies that come out each year. For those of you that aren’t familiar, they’re animated adaptations of DC Comics stories that go directly to iTunes and Blu Ray. They usually release three a year, around January, April, and July. They’re PG-13 or R-Rated films marketed to adult and teenage DC superhero fans. They’re hit or miss, in terms of quality. They run the spectrum from “Ok” or “Fine” to “One Of The Best Superhero Movies I’ve Ever seen”.
Their latest release is “The Death of Superman” and you may be thinking: “Wait, didn’t they do this one already?” The answer is: Kind of. Way back in 2007, the very first DC Animated Movie was Superman: Doomsday, a very loose adaptation of the classic death of Superman story. So, as far as THIS movie is concerned, this current film I’m reviewing is a much more faithful adaptation. The Death of Superman is the first part of a 2 movie story.With Part 2 titled, Reign of The Supermen, premiering in January or February 2019.
Like I said before, they usually release three of these a year. Starting with 2013’s Justice League: The Flashpoint Paradox and 2014’s “Justice League: War” (A JL origin film FAR superior to the live action one we got in November 2017), 2 out of the 3 animated movies they released each year were part of an ongoing cinematic universe, like the MCU or whatever the fuck DC is trying to do in live action at the moment. Including Justice League: The Flashpoint Paradox, 11 movies that take place in this DC Animated Movie Universe have been released. The other stories are cool one offs, like the recent Batman: Gotham by Gaslight, for example. Which is a what if? tale that imagines a steampunk, Victorian era Batman hunting Jack The Ripper in late-19th Century Gotham. Most of these have been pretty solid across the board. It probably doesn’t say much about the overall quality of this Animated Movie Universe that there isn’t a sense that we got to know these characters over an 11 film continuity. Or that the movies had been leading to something like this.
At nearly an hour and half, this movie is slightly longer the most of the recent DC Animated Movies. However, it’s a smart move because the running time allows for a much deeper film that I was expecting. Going into this, I expected the whole thing to one big superhero punch up. Great animation, cool fights, but at the end of the day just a fun piece of entertainment. So, I was delighted when at least half of the film is about Clark and Lois and the issues that arise in their still relatively new romance. The movie is well paced considering all of the characters in play. Because this movie is about his death, everyone in Clark Kent’s life is in this film and they all get their moment to shine. The Justice League, The Daily Planet staff, Ma and Pa Kent, Lex Luthor, and few other local Metropolis citizens with ties to Superman all pop up in the movie. It’s a credit to the film that even with all these characters, it never feels over stuffed or loses it’s focus on Lois and Clark.
You don’t need to have seen any of the other DC Animated Movies to enjoy this wonderful film. All of the great character work and storytelling come straight from THIS movie. Real life husband and wife Jerry O’Connel and Rebecca Romijn are perfect as Clark and Lois. O’Connel has voiced Superman to good effect before in other animated movies and Romijn makes a solid debut as Lois Lane. They’re real life chemistry definitely translates into the film. We have all the usual suspects from the other films back to play their respective roles in the Justice League, as well as other returning supporting characters.
Before getting into the movie there’s one other bit of voice casting I want to touch on. Rainn Wilson (Dwight from The Office) voices Luthor and is surprisingly effective as the character. Lex is an interesting presence in this film. He’s not that dissimilar to the Lex we’ve seen in the comics over the past few years. He’s undeniably despicable, arrogant, and cold, but there’s a glimmer of something more underneath. Inside him’s the shadow of a man who could be better than he is. He adds a little something special to the overall film.
I’m going to make a bold statement here. I think this is the best film about Clark Kent that I’ve ever seen. This movie is Clark Kent’s story. Lois is very important, but this is Clark’s tale. This man’s death shows us who he is. This was just one more reason I loved this movie. Outside of the fights with Doomsday, I deliberately refer to the character as Clark, not Superman, throughout this review. This is one of the better onscreen portrayals of Superman I’ve seen and that’s because they understand who Clark Kent is. The kid who grew up on a farm in Kansas, that’s the real character. Not Kal-El, not Christopher Reeves’ mask of Clark Kent as pathetic buffoon, not Superman. He’s Clark Joseph Kent. Jonathan and Martha’s son. Even when he’s in costume at the beginning of the movie, interacting with the League or stopping bad guys with high tech weapons. He seems more man than god. He’s happy to stop and take a picture with a man he’s gotten to know, because he’s saved the guys life so many damn times. In these scenes before the fight with Doomsday, while he’s in costume as Superman, he feels like a citizen of Metropolis. Not a distant god, but more like a cop on his beat that gives you a nod and smile. Superman knows these people and they know him. It’s a brilliant way to humanize the character in a way live action films always struggle with.
At the heart of Clark’s story here is his romance with Lois. Unlike other takes on the Lois and Clark/Superman dynamic, Lois is into Clark, NOT Superman. She wants their relationship to move forward but she knows something’s holding them back. She knows there’s more going on with Clark, but doesn’t quite know what it is. She’s a little taken aback when, while asking Clark to dinner, he tells her he cant because his parents are in town and he’s having dinner with them. Lois is understandably a little insulted when Clark didn’t even mention the possibility of meeting his parents. It’s clear that they’ve been dating for at least several months if not more. But what she perceives as Clark being aloof and having an emotional wall up, is actually Clark wrestling with the idea that he’s falling in love with her and that he should tell her he’s Superman. He’s afraid that his parents will accidentally let something slip before he has a chance to tell Lois the truth about this part of his life. After all, besides a few fun DC Easter Eggs mentioned by Ma and Pa Kent, Clark’s ex- girlfriend knew had superpowers from the jump, this the first time Clark has been in a relationship like this. Not just with a normal person, but someone he’s falling in love with.
The movie does an excellent job of showing the audience exactly what an unstoppable, terrifying force Doomsday is. We’ve seen Doomsday in live action and animation before, but the threat he represents is much more impactful here. This is a creature that kills every single living thing it sees.
The Justice League faces Doomsday before Superman gets into the fight and they have some pretty heavy hitters. We see Doomsday go up against Wonder Woman, Green Lantern, Hawkman, Martian Manhunter, The Flash, Cyborg, and Batman all before the Monster’s fateful Confrontations with The Man of Steel. Even with out Superman, that’s a fucking stacked roster. Despite how powerful the Justice League is, they’re simply not up to facing Doomsday. They’re completely helpless to stop him.
So, when the fight between Clark and Doomsday finally goes down, there’s no backup or cavalry coming. Superman is the “last watcher on the wall”. If he doesn’t stop this Monster there and then, there will be no end to the death and destruction Doomsday will unleash. There’s an inevitability to Doomsday. As he slowly kills his way to Superman. We all slowly march towards death and this story shows us The Man of Steel is no different, but for him Death comes in the form of Doomsday.
The fight between Superman and Doomsday is easily the most brutal and bloody Superman fight I’ve seen in any medium. I found myself wincing or exclaiming “Jesus..”, as conflict went on. At a certain point, it stops being a fight. You realize you’re watch Superman slowly be beaten to death with each blow and it’s hard to watch. The fact that there’s such emotional heft shows that the storytellers did their job with this film. The movie is called The Death of Superman, OF COURSE HE’S GOING TO DIE! But the movie magic was that the filmmakers had me so engrossed in the story onscreen, I almost forget that there was no question to the outcome of this fight. The battle’s hard to watch not just because of the level of violence, but because you really care about Clark Kent and it’s heartbreaking seeing this man die in front of us.
The animation in this film is top notch. When the action goes full tilt there’s a level of detail that comes close to resembling anime, without completely going over into that style. Every once and awhile a western animation superhero project will use anime influenced sequences, Justice League Unlimited comes to mind for example. It’s not everyone’s cup of tea, but it’s used well here and only adds to the already visceral fight scenes. For those of you who aren’t fans of that animation style, It’s not so noticeable that it takes you out of the story.
I think its was smart that DC decided if they were going to tell this story, it should be a 2-Parter, like they did with their fantastic adaptation of The Dark Knight Returns. As impactful as the death of Superman is, the story of how the world, his friends, his enemies, his family, and his fellow superheroes react to his death is arguably more compelling . Who or what will step up to fill the void left by The Last Son of Krypton? Considering how well this story was told, I can’t wait to see what the filmmakers do in Reign of The Supermen. If you’re a DC Comics fan, there are some Easter Eggs in the movie that hint at some of the story and characters elements that’ll be used in Part 2. Make sure you stay for the end credits, there are multiple mid credit tags setting up the next movie.
I didn’t want to end this review without mentioning something I noticed that the writers chose to add to the story. As I said before, this movie is part of a DC Animated Movie Universe, this story doesn’t exist in a bubble. I don’t want to spoil this for anyone and I’ll let you draw your own conclusions, but pay attention to EXACTLY how Doomsday comes out of space, ultimately crashing on Earth. Also be sure to pay attention to the details when STAR Labs examines the high tech weapons Superman takes off the thugs at the beginning of the movie. None of these story elements are from the comics, so the writers deliberately chose to add them in. I have my own theory about what’s going on, but I wont spoil the fun here.
This is top notch superhero story telling from DC Animation. This movie is the best DC Animated Movie since Justice League: The Flashpoint Paradox (which is high praise). This a surprisingly moving story about love, death, family, friendship, and sacrifice. No DC fan worth their salt should miss this one. I know I cant wait to see Part 2, when Reign of The Supermen comes out early next year. The Death of Superman is an excellent film, the best DC Animated Movie in years, and a must watch. Don’t miss it.
Scott Snyder is probably one of the greatest comic books writers in the history of the medium. His run on Batman with artist Greg Capullo is already a modern classic and some of the best work ever done on the character.
Following the release of artwork by Francis Manapul, DC announced that Scott Snyder will writing the flagship book for DC, Justice League. Besides the incredible work he’s already done on characters like Batman, we’ve seen that Snyder has incredible talent working on almost any hero in the DC Universe. So this is something to be very excited about. Though it wasn’t formally announced I suspect that Francis Manapul will be the artist on the main Justice League book that Snyder is writing, considering his art was such a large part of the announcement.
To kick off this new era for the JL, DC has also announced a 4 issue miniseries called Justice League: No Justice, that will set up the new status quo for Snyder’s Justice League book. The miniseries will be co-written by Scott Snyder, James Tynion IV (Detective Comics) and Joshua Williamson (The Flash) with art by Francis Manapul. Issue #1 of that miniseries will be on sale 5/9.
DC unveiled artwork with a very diverse group of characters joining the League roster. It was a weird/awesome mix of classic Justice League members, villains, and younger heroes. There are a lot of cool possibilities with these characters. In fact each group of heroes was given subtitle to their team that I’ll include in the artwork captions. Apparently theses specific teams being brought together on separate missions, but with the same larger goal is part of the story in Justice League: No Justice.
As a side note, Francis Manapul is one of the most talented artists in the business. His gorgeous art is always a huge draw for me on any comic he works on. His run on The Flash in particular is absolutely beautiful.
This means there will probably be a few different JL books, each with a different focus. For example, one of the Justice League comics used to be called Justice League Dark and it featured all mystical based DC heroes like John Constantine and Zatanna facing supernatural threats. Writers James Tynion IV and Joshua Williamson were named as co-writers of the miniseries with Scott Snyder, so I’d bet that they’ll each be writing a Justice League book, probably with a specific focus like space or magic or something. But once again, the thing to be excited about is Scott Snyder writing the flagship Justice League book which will be your “classic Justice League style” adventures. Your Original Recipe Justice League, if you will
After Justice League: No Justice wraps up, Scott Snyder’s Justice League will hit shelves shortly after. These are usually excellent times for new readers to jump on the comic book bandwagon. A miniseries like No Justice is usually designed to acclimate new readers to the status quo and they’re great jumping on points. Keep an eye out here as we’ll publish new info as it becomes available.
Are you excited for Scott Snyder’s Justice League comic book?
Out of the four teams we see, which was your favorite?
Which team has the most interesting combo of characters?