Superman is mostly portrayed as such a wholesome, pure character. A lot of people mentally associate him with classic Americana, like apple pie and Norman Rockwell. However, the best writers understand that the key to writing Superman is to highlight his humanity. Take the recent Superman #7 written by Brian Michael Bendis and drawn by Ivan Reis, for example. Something I’ve enjoyed in some of the recent Superman comics, especially Bendis’ Superman comics is, without being gratuitous, it’s clear that Clark and Lois have a healthy sex life. Yet Clark is still a big old Kansas farm boy, raised to be a respectful and decent son.
So I loved a small moment in Issue #7, during a scene involving Clark and Lois’ adolescent son Jonathan. Jon who’s about 12 or 13, has been out traveling the cosmos with his grandfather, in what I guess is the Kryptonian version of backpacking through Europe. An unexpected problem presents itself When Clark quickly realizes that his son who is only been gone for a month or so has aged at least three years. At first he thinks this has something to do with one of those weird colored Kryptonites. You know, the yellow Kryptonite or the pink Kryptonite or … something like that. What was supposed to be a summer vacation has turned, through the weirdness of space travel (think the movie Interstellar) into Clark and Lois missing a pretty large portion of their sons life and development. It comes as no surprise that it’s quite a shock.
After Clark’s emotional, but joyous reunion with his son, they of course go to see his mother, Lois whose been living out of a hotel in Metropolis for awhile now as she puts the finishing touches on her latest book. It’s implied that it is not uncommon for Clark to fly on by for a little afternoon delight semi-frequently, which is where the fun begins.
Clark flies up to her balcony and Lois is at her computer, writing, in nothing but a fluffy white hotel bathrobe and black underwear. Lois sees Clark before she realizes Jonathan is there, she begins to undo her bathrobe with a sultry little smirk, just as their son peaks around from behind Clark. It’s such a perfect moment seeing the absolute embarrassment on Clark’s face is he quickly shoots his arm up to cover his sons eyes and Lois’ mortified expression as she attempts to cover up and make herself look a bit more modest in front of her son. The small scene is a good example of how you can take a god and tell a story about a man.
What’s more human then those million little moments that make up life? Some good, some bad, and some, like this one, hilariously embarrassing. Writers often complain that Superman is a difficult character to write, I just think many of them don’t understand him. Like I said at the beginning, the key to any great Superman story is his humanity and this small scene illustrates that perfectly.
Tonight, Part 1 of the 3-part DC superhero crossover event Elseworlds aired on The CW. As I’ve often said, these annual crossovers are always a delight for me to watch. They’re always wildly entertaining and they seem to get more ambitious year after year. After watching the first episode of Elseworlds, I came away from the episode thinking of one word: Fun. This episode was fun as all hell.
All of the Arrowverse crossovers have been really fun, but compared to something like last year’s epic CrisisonEarth–X, Elseworlds feels more exuberant and joyful. Don’t get me wrong, CrisisonEarth–X was an absolute blast. However, watching Elseworlds, I don’t think I’ve ever seen this cast looking like they’re having more fun and It’s easy to see why.
Barry and Oliver are very different characters and the episode gets a lot of entertainment mileage and comedy out of them switching lives and abilities. I don’t think I’ve ever laughed more watching an episode of an Arrowverse show. It’s really funny seeing Oliver’s bewilderment at suddenly waking up with superspeed and the world believing that he is Barry Allen. While Oliver immediately feels out of his element, Barry seems to be getting much more of a kick out of suddenly having all of Green Arrow’s skills and fighting ability.
For the purposes of this review, I’m not really going to touch on the overarching threat and the circumstances that altered reality. This episode focuses more on the “What do we do now?” than “How did this happen?”. Though we briefly see how this was set in motion, it’s a very minor part of the episode. I’m sure they’ll be covering much more of that territory in the next 2 installments.
I only have one real criticism of the episode. Considering all of the insane things that Team Flash have seen and been through over the years, I found their reluctance to believe that Barry and Oliver had somehow switched powers and identities a little odd and out of character for the team. It really only exists in the story to give Barry and Oliver an excuse to go to Supergirl’s Earth and seek out Kara’s help. They figure that if something is wrong with their reality, another universe like Supergirl’s may not be affected. Of course they’re right and Supergirl recognizes them for who they are right away.
To my utter delight, Kara just so happens to be visiting her cousin, Clark Kent and his wife Lois Lane, on The Kent Family Farm when Barry and Oliver pop up in her universe. In a nice Easter Egg that will make many long time superhero TV show fans happy, The Kent Farm where they filmed this episode is the same Kent Farm that was used on the TV series Smallville. When we see the farm for the first time “Save Me” by Remy Zero, the them song to Smallville, kicks in and I’ll admit that had me grinning ear to ear. It was a hot mess at times, but I’ll always have a soft spot for Smallville.
As a long time DC Comics fan, it was so much fun seeing Barry, Oliver, and Kara interacting with Clark Kent and Lois Lane on The Kent Family Farm. In what I think was my favorite moment of the episode, as soon as Oliver meets Clark, he immediately starts puffing up his chest and Barry instantly calls him out on it. It’s great.
Though we’ve seen relatively little of him over the last few years, Tyler Hoechlin is probably my favorite the live action Superman right now. Anytime he shows up in the Arrowverse is cause for celebration and his inclusion here does not disappoint. While it seems like he may be out of the picture at the end of the episode, I know for a fact we’ll be seeing him again throughout the crossover. I was equally impressed with Elizabeth Tulloch as Lois Lane. In what little screen time she has, she instantly embodies Lois Lane. She’s tough, funny, smart, and likable. As much as I like Amy Adams’ Lois Lane, Tulloch seemed really dialed in to the character and I can’t wait to see more of her as the crossover progresses.
Another very pleasant surprise was the inclusion of an iconic DC villain that’s the perfect enemy to have a Superman, Supergirl, The Flash, and Green Arrow go up against. Apparently in this new altered reality, Professor Ivo, the psychopathic scientist responsible for torturing Oliver and his fellow castaways on Lian Yu, killing Shado, and indirectly creating Deathstroke in Arrow Season 2, somehow got off the island alive. He opened his own lab in Central City and created the iconic, ultra powerful android A.M.A.Z.O. using advanced robotics, computer programming, and the Mirakuru super soldier serum that was such an intricate plot point in Arrow Season 2. A.M.A.Z.O. has the ability to immediately replicate the powers of any meta-human it comes into contact with. In the comics, it’s so powerful that even the Justice League have a difficult time handling this thing. So this was the perfect bad guy for the heroes to go up against in the climax of the episode.
Elseworlds only has three episodes, unlike last year which had four episodes and a much bigger cast. Legends of Tomorrow isn’t officially part of the crossover this year (part of me thinks that’s a shame because I would have loved seeing someone like John Constantine interact with the characters featured in Elseworlds ). This year has a much tighter focus so far on Barry, Oliver, and Kara. As a result more money went into these 3 episodes and it really shows on screen. More money means better special effects. You can really see how well that money was spent because A.M.A.Z.O. looks incredible and his final fight with our heroes is really, really fucking cool. The Arrowverse in general and The Flash In particular, has always had excellent special effects considering they’re on The CW. Which makes the fight with A.M.A.Z.O. all the more impressive.
Last year the 4-part CrisisonEarth–X aired over two night, with each night featuring two episodes of the crossover. This year we’re getting 3 episodes spread out over 3 nights. So it definitely felt like the whole thing was over way too fast. Which is really a testament to how well Part 1 of Elseworlds was executed, because it leaves the audience wanting to see the next installment immediately. I know I certainly did.
Part 1 leaves you with one hell of a set up for Part 2. The episode wraps up with our heroes heading off to the legendary Gotham City in search for answers. We catch a glimpse of Wayne Tower and a quick glance at Batwoman looking out over the Gotham City skyline. After seeing how good this episode was and how so many amazing characters and pieces of DC lore show up, the promise of seeing iconic places like Arkham Asylum and Gotham City leaves me incredibly excited for the next installment of Elseworlds. I don’t want to speak too soon, but at the rate Elseworlds is going it’s shaping up to possibly be the best Arrowverse crossover yet.
I’ve always been a big fan of the DC Animated movies that come out each year. For those of you that aren’t familiar, they’re animated adaptations of DC Comics stories that go directly to iTunes and Blu Ray. They usually release three a year, around January, April, and July. They’re PG-13 or R-Rated films marketed to adult and teenage DC superhero fans. They’re hit or miss, in terms of quality. They run the spectrum from “Ok” or “Fine” to “One Of The Best Superhero Movies I’ve Ever seen”.
Their latest release is “The Death of Superman” and you may be thinking: “Wait, didn’t they do this one already?” The answer is: Kind of. Way back in 2007, the very first DC Animated Movie was Superman: Doomsday, a very loose adaptation of the classic death of Superman story. So, as far as THIS movie is concerned, this current film I’m reviewing is a much more faithful adaptation. The Death of Superman is the first part of a 2 movie story.With Part 2 titled, Reign of The Supermen, premiering in January or February 2019.
Like I said before, they usually release three of these a year. Starting with 2013’s Justice League: The Flashpoint Paradox and 2014’s “Justice League: War” (A JL origin film FAR superior to the live action one we got in November 2017), 2 out of the 3 animated movies they released each year were part of an ongoing cinematic universe, like the MCU or whatever the fuck DC is trying to do in live action at the moment. Including Justice League: The Flashpoint Paradox, 11 movies that take place in this DC Animated Movie Universe have been released. The other stories are cool one offs, like the recent Batman: Gotham by Gaslight, for example. Which is a what if? tale that imagines a steampunk, Victorian era Batman hunting Jack The Ripper in late-19th Century Gotham. Most of these have been pretty solid across the board. It probably doesn’t say much about the overall quality of this Animated Movie Universe that there isn’t a sense that we got to know these characters over an 11 film continuity. Or that the movies had been leading to something like this.
At nearly an hour and half, this movie is slightly longer the most of the recent DC Animated Movies. However, it’s a smart move because the running time allows for a much deeper film that I was expecting. Going into this, I expected the whole thing to one big superhero punch up. Great animation, cool fights, but at the end of the day just a fun piece of entertainment. So, I was delighted when at least half of the film is about Clark and Lois and the issues that arise in their still relatively new romance. The movie is well paced considering all of the characters in play. Because this movie is about his death, everyone in Clark Kent’s life is in this film and they all get their moment to shine. The Justice League, The Daily Planet staff, Ma and Pa Kent, Lex Luthor, and few other local Metropolis citizens with ties to Superman all pop up in the movie. It’s a credit to the film that even with all these characters, it never feels over stuffed or loses it’s focus on Lois and Clark.
You don’t need to have seen any of the other DC Animated Movies to enjoy this wonderful film. All of the great character work and storytelling come straight from THIS movie. Real life husband and wife Jerry O’Connel and Rebecca Romijn are perfect as Clark and Lois. O’Connel has voiced Superman to good effect before in other animated movies and Romijn makes a solid debut as Lois Lane. They’re real life chemistry definitely translates into the film. We have all the usual suspects from the other films back to play their respective roles in the Justice League, as well as other returning supporting characters.
Before getting into the movie there’s one other bit of voice casting I want to touch on. Rainn Wilson (Dwight from The Office) voices Luthor and is surprisingly effective as the character. Lex is an interesting presence in this film. He’s not that dissimilar to the Lex we’ve seen in the comics over the past few years. He’s undeniably despicable, arrogant, and cold, but there’s a glimmer of something more underneath. Inside him’s the shadow of a man who could be better than he is. He adds a little something special to the overall film.
I’m going to make a bold statement here. I think this is the best film about Clark Kent that I’ve ever seen. This movie is Clark Kent’s story. Lois is very important, but this is Clark’s tale. This man’s death shows us who he is. This was just one more reason I loved this movie. Outside of the fights with Doomsday, I deliberately refer to the character as Clark, not Superman, throughout this review. This is one of the better onscreen portrayals of Superman I’ve seen and that’s because they understand who Clark Kent is. The kid who grew up on a farm in Kansas, that’s the real character. Not Kal-El, not Christopher Reeves’ mask of Clark Kent as pathetic buffoon, not Superman. He’s Clark Joseph Kent. Jonathan and Martha’s son. Even when he’s in costume at the beginning of the movie, interacting with the League or stopping bad guys with high tech weapons. He seems more man than god. He’s happy to stop and take a picture with a man he’s gotten to know, because he’s saved the guys life so many damn times. In these scenes before the fight with Doomsday, while he’s in costume as Superman, he feels like a citizen of Metropolis. Not a distant god, but more like a cop on his beat that gives you a nod and smile. Superman knows these people and they know him. It’s a brilliant way to humanize the character in a way live action films always struggle with.
At the heart of Clark’s story here is his romance with Lois. Unlike other takes on the Lois and Clark/Superman dynamic, Lois is into Clark, NOT Superman. She wants their relationship to move forward but she knows something’s holding them back. She knows there’s more going on with Clark, but doesn’t quite know what it is. She’s a little taken aback when, while asking Clark to dinner, he tells her he cant because his parents are in town and he’s having dinner with them. Lois is understandably a little insulted when Clark didn’t even mention the possibility of meeting his parents. It’s clear that they’ve been dating for at least several months if not more. But what she perceives as Clark being aloof and having an emotional wall up, is actually Clark wrestling with the idea that he’s falling in love with her and that he should tell her he’s Superman. He’s afraid that his parents will accidentally let something slip before he has a chance to tell Lois the truth about this part of his life. After all, besides a few fun DC Easter Eggs mentioned by Ma and Pa Kent, Clark’s ex- girlfriend knew had superpowers from the jump, this the first time Clark has been in a relationship like this. Not just with a normal person, but someone he’s falling in love with.
The movie does an excellent job of showing the audience exactly what an unstoppable, terrifying force Doomsday is. We’ve seen Doomsday in live action and animation before, but the threat he represents is much more impactful here. This is a creature that kills every single living thing it sees.
The Justice League faces Doomsday before Superman gets into the fight and they have some pretty heavy hitters. We see Doomsday go up against Wonder Woman, Green Lantern, Hawkman, Martian Manhunter, The Flash, Cyborg, and Batman all before the Monster’s fateful Confrontations with The Man of Steel. Even with out Superman, that’s a fucking stacked roster. Despite how powerful the Justice League is, they’re simply not up to facing Doomsday. They’re completely helpless to stop him.
So, when the fight between Clark and Doomsday finally goes down, there’s no backup or cavalry coming. Superman is the “last watcher on the wall”. If he doesn’t stop this Monster there and then, there will be no end to the death and destruction Doomsday will unleash. There’s an inevitability to Doomsday. As he slowly kills his way to Superman. We all slowly march towards death and this story shows us The Man of Steel is no different, but for him Death comes in the form of Doomsday.
The fight between Superman and Doomsday is easily the most brutal and bloody Superman fight I’ve seen in any medium. I found myself wincing or exclaiming “Jesus..”, as conflict went on. At a certain point, it stops being a fight. You realize you’re watch Superman slowly be beaten to death with each blow and it’s hard to watch. The fact that there’s such emotional heft shows that the storytellers did their job with this film. The movie is called The Death of Superman, OF COURSE HE’S GOING TO DIE! But the movie magic was that the filmmakers had me so engrossed in the story onscreen, I almost forget that there was no question to the outcome of this fight. The battle’s hard to watch not just because of the level of violence, but because you really care about Clark Kent and it’s heartbreaking seeing this man die in front of us.
The animation in this film is top notch. When the action goes full tilt there’s a level of detail that comes close to resembling anime, without completely going over into that style. Every once and awhile a western animation superhero project will use anime influenced sequences, Justice League Unlimited comes to mind for example. It’s not everyone’s cup of tea, but it’s used well here and only adds to the already visceral fight scenes. For those of you who aren’t fans of that animation style, It’s not so noticeable that it takes you out of the story.
I think its was smart that DC decided if they were going to tell this story, it should be a 2-Parter, like they did with their fantastic adaptation of The Dark Knight Returns. As impactful as the death of Superman is, the story of how the world, his friends, his enemies, his family, and his fellow superheroes react to his death is arguably more compelling . Who or what will step up to fill the void left by The Last Son of Krypton? Considering how well this story was told, I can’t wait to see what the filmmakers do in Reign of The Supermen. If you’re a DC Comics fan, there are some Easter Eggs in the movie that hint at some of the story and characters elements that’ll be used in Part 2. Make sure you stay for the end credits, there are multiple mid credit tags setting up the next movie.
I didn’t want to end this review without mentioning something I noticed that the writers chose to add to the story. As I said before, this movie is part of a DC Animated Movie Universe, this story doesn’t exist in a bubble. I don’t want to spoil this for anyone and I’ll let you draw your own conclusions, but pay attention to EXACTLY how Doomsday comes out of space, ultimately crashing on Earth. Also be sure to pay attention to the details when STAR Labs examines the high tech weapons Superman takes off the thugs at the beginning of the movie. None of these story elements are from the comics, so the writers deliberately chose to add them in. I have my own theory about what’s going on, but I wont spoil the fun here.
This is top notch superhero story telling from DC Animation. This movie is the best DC Animated Movie since Justice League: The Flashpoint Paradox (which is high praise). This a surprisingly moving story about love, death, family, friendship, and sacrifice. No DC fan worth their salt should miss this one. I know I cant wait to see Part 2, when Reign of The Supermen comes out early next year. The Death of Superman is an excellent film, the best DC Animated Movie in years, and a must watch. Don’t miss it.