FIRST LOOK: Stargirl Season 2!

Hey Everyone

Paul here…

Stargirl was a pleasant surprise when it premiered on DC Universe Streaming and The CW last year. Good villains, a likable cast, above average VFX, and a healthy dose of DC Comics mythology, made Stargirl one of my favorite shows of 2020. So I’m happy to say that everything I’ve heard about Season 2, premiering August 10th on The CW, sounds very cool. After defeating the Injustice Society last season, Courtney, Pat, and rest of their newly formed JSA members, will have not one, but two Big Bads on their hands in Season 2! Both of whichwere teased in the Season 1 finale. But first, take a look at the new trailer for Stargirl Season 2 and then we can get into some other cool surprises to expect in the show’s upcoming sophomore year

Looks awesome to me! It looks like Season 2 will add JSA members like Jade, the new Green Lantern ,and Jakeem Thunder, that weird, purple living energy-thing.

Jay Garrick, The Flash of The JSA, who first appeared on The CW series The Flash will also be making an appearance this season.

With that in mind, here are a few important things to know bet] thatWithin the mythology of DC Comics, decades before The Justice League, The JSA or Justice Society of America, were the original superhero team. Gettineag their start decades before the modern day Justice League. The JSA are the elder statesmen (and women) of The DCU. The classic team roster usually consists of the original Green Lantern Alan Scott, Jay “The Flash” Garrick, Wildcat, Hourman, BlackCanary, Dr. Mid-Nite, The Sandman (Not the Neil Gaiman version, Hawkman & Hawkgirl, and Starman. The team first formed around WWII in the comics and each member age at a much slower rate then normal. As a result, almost all of th e JSA appear to be in their 50’s for early 60’s and while they’re all well past their prime, they can still operate at peak condition or beyond while in the field.

On the show things play out a little differently. First of all, though there are certain recognizable heroes and villains from DC Comics, a Justice League seems to have never taken form on this Earth. The JSA appear to be the only major superhero team to have formed in this universe. Though the series is technically apart of The Arrrowverse, Stargirl takes place on a different Earth than Arrrow, The Flash, and Supergirl. On Stargirl, The JSA and other heroes and villains have been active for decades. About 15 years in the past, most of The JSA were killed by the Injustice Society, a group of dangerous villains. In the present day, with the help of her step father and former JSA memberPat (Luke Wilson), Courtney Whitmore becomes Stargirl and begins to reform The JSA with a new generation of heroes.

From what we see in the trailer, it looks like the next generation of The JSA will only be expanding their roster. They’ll need all the help they can get while dealing with multiple major threats on the horizon. Both were teased in the final moments of the Season 1 finale.

First, as shown in the trailer, is the classic DC villain The Shade. He’s immortal and he can control living shadow. What makes The Shade interesting is that while he’s a serious threat, who you fuck with at your own peril, he has honor. He lives by a code.

He’s definitely a villain, but he’s not a monster. On one or two rare occasions, he even made alliances with heroes. So it should be compelling to see how the show handles the only member of the Injustice Society, that was present the night the original JSA were slaughtered, who we haven’t met on screen yet.

A brief glimpse at The Shade from the Season 1 Finale.

The second villain the show will be introducing this year is Eclipso. This guy is no joke. He’s easily a Justice League level threat. Eclipso is an ancient alien entity who, as we saw in the Season 1 finale been trapped inside a small diamond stone (as is often the case with evil, eldritch monsters).

Eclipso feeds on the negative psychic energy of mankind. Grief, hate, anger, and sadness sustain him, so he tries to create as much suffering and chaos as possible.

Unfortunately for this young incarnation of The JSA, Eclipso is WAY out of their league, so it’ll be cool to see how they handle him on the show. So this new season of Stargirl looks like it’s shaping up to be pretty interesting, so I definitely recommend checking out Seaon 1, which you can find On Demand and Streaming.

Thanks for reading! Follow us on Twitter @PJWrightWBM, Instagram @worldsbestmedia2017, and our Facebook Page, Worlds Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

MUST WATCH: Beware The Batman!

Hey Everyone,

Paul here…

If you’re a frequent visitor to World’s Best Media, you probably already know that I love Batman and Superhero Animation. So I tend to get excited when I hear about a new animated Batman project. Warner Bros. and HBO recently announced a new Batman animated series in the works for HBO Max, called Batman: The Caped Crusader. The new series is being developed by Matt Reeves (the director of the upcoming film The Batman), JJ Abrams, and Bruce Timm (one of the creators of Batman: The Animated Series). There’ve been rumors floating around for a while now that Warner Bros. was developing a sequel series to the beloved and classic Batman: The Animated Series. While Batman: The Caped Crusader is not a direct sequel series or continuation of Batman: The Animated Series, it’s definitely a spiritual successor. When The Caped Crusader was announced Reeves and Abrams explicitly stated that BTAS (Batman: The Animated Series, for all you cool kids) was the new show’s biggest influence. Through the involvement of Bruce Timm as well as this promo art released during The Caped Crusader’s announcement, served to reinforce how much of an influence BTAS will have on this new show. As I mentioned before, Bruce Timm was one of the creators of Batman: The Animated Series and an icon in DC animation, and as you can clearly see in the promo art, which I posted below, Batman: The Caped Crusader is very evocative of the neo noir look of the 90s Batman series.


However, when I read the announcement for Batman: The Caped Crusader, I couldn’t help but think that I’d heard this all somewhere else once before. Which brings me to the main topic of this article, an animated series that you may not have even heard of called Beware The Batman. An extremely underrated animated series that I’ve been wanting to write about for a long time, Beware The Batman. The announcement about The Caped Crusader reminded me a lot of how Beware The Batman was described when it was first announced. Especially because of the comments made by Abrams and Reeves about “reinvention” and “reimagining” the Batman mythos. It was very similar to how Beware The Batman was pitched when first heard about it, just with some keywords turned around here and there. Beware The Batman was “pitched” to the audience as a darker, grittier animated Batman story, that wasn’t going to do the same old thing. The series certainly lived up to the claim, because it isn’t quite like any other adaptation of the character. The core of the show was something we see far too little of, in on screen adaptations of The Dark Knight, Batman: The World’s Greatest Detective. This was still a relatively early days Batman, at least a few years into his grand mission. The series really played up the “World’s Greatest Detective“ aspect of the character, which many of you may know, I fucking love.

The writers weren’t afraid to play up some of Batman’s other underutilized character attributes. For example. I loved how they played Bruce Wayne as a really fucking weird guy. Because of course he would be. This guys lives a pretty fucked up lifestyle, so he’s bound to be at little… off. It wasn’t over the top or anything like that, but this is not a normal dude and i thought it brought out something special in this version of Batman.


Bruce Wayne wasn’t the only character who went through some changes on Beware The Batman. Wherever Batman goes, so goes Alfred Pennyworth. There’s been a slow moving trend over the last 10 years or so, to change Alfred from an elderly butler into a slightly younger, badass in his own right, with a more active role in Bruce Wayne’s war on crime. This version leaned into Alfred’s history as a military combat vet/spy. Beware The Batman drew upon parts of the character seen in projects like the Epix TV series Pennyworth, the Batman: Earth One graphic novels, and arguably Jeremy Irons’ Alfred in the DCEU. In this animated series, Alfred was former MI-6 and his past catching up to him drives a surprising amount of the story throughout the season, but it works.


Batman may seem like a loner, but he surrounds himself with a lot of surrogate family. So when it came to figuring out who would be Batman‘s partner, the writers chose to buck the trend once again. Instead of Nightwing, Robin, or Batgirl, Batman‘s main partner in crime was Tatsu Yamashiro also known as Katana. Alfred brought her in as potential back up for Bruce. Tatsu was formally a member of both The League of Assassins (where she picked up the alias Katana) and MI-6, a formidable combination. Katana was also Alfred’s protege, Alfred having served with her father in MI-6. Alfred looked at Tatsu as a surrogate daughter. Which makes it almost poetic that he would call upon the woman he sees as a daughter, to help protect the man he sees as his son. Her presence in the story added a unique dynamic that wasn’t present in other animated Batman projects.

Beware The Batman also distinguished itself by not using any of the major Batman villains for the majority of the first and only season. Which I thought that was a really smart and cool way to go. You didn’t see villains like The Joker or The Penguin pop up immediately, which gave the show the opportunity to showcase lesser known villains. Batman has such a fucking incredible rogues gallery, you have to go real far down the list to find a character that is genuinely lame. Kite Man! Yes, there’s a Batman villain called Kite Man! Shockingly enough, in the right hands, even Kite Man is interesting.

So Instead of the usual suspects, Beware The Batman offers up villains like the horrifying Professor Pyg, or Magpie, a thief Bruce becomes infatuated with, or Simon Stagg, everyone’s favorite piece of dog shit industrialist. The overarcing villain for the series was Anarky, a white clad terrorist and madman with skills and fighting abilities dangerously close to Batman’s own.

The writers framed him as the polar opposite opposite of Batman. Anarky, the broken funhouse mirror version of The Dark Knight. Anarky adorned himself in white to Batman’s black, where Batman embraced order, Anarky embraced chaos. Watching Anarky and Batman playing an elaborate game of cat and mouse across the entire season, with Gotham City hanging in the balance, was a hell of a lot of fun.

But Anarky wasn’t the only Big Bad putting Batman to the test over this 26 episode series. The League of Assassins were present early on in the season, which gave Lady Shiva (another awesome, but under utilized Batman villain) some time to shine as the face of The League.

Until about halfway through the season when Ra’s Al Ghul himself enters the fray, menacingly played by The Wire’s Lance Reddick.

As the season went on, some other familiar faces began to pop up, like Killer Croc and Man- Bat. There was also a fair amount of set up dedicated to stories that would have played out had their been second season.

Harvey Dent was introduced in the final few episodes and had already suffered his infamous facial scarring by the end of the season. Presumably setting up Two-Face as the Big Bad for Season 2.

It really is a shame that we never got to see more of this show because the season ended with a cool mystery involving Deathstroke and Alfred’s past once again coming back to haunt him and the people he loves. I would’ve loved to have seen how these writers would’ve interpreted some of Batman’s other classic villains.

The animation style can be a little jarring at first, but it works once you get used to it. I really loved how the shine and texture of The Bat-Suit makes it looks like it’s made out of the same material as the Michael Keaton Batman suit‘s, but has the flexibility and range of motion of a much lighter material. The CGI animation also allows for some choreographed fight scenes that wouldn’t be possible in 2-D animation.


As I wrap it up here, I’ll also add that the show doesn’t really hit it’s stride until Episode 6 “Toxic“. That’s not to say that the first 5 episodes are bad by any means, but Episode 6 was really the one that clicked for me and made me begin to fall in love with the show. So if you plan on giving this series a try, make sure you give the show until at least Episode 6 “Toxic”, it only gets better from there. Honestly, you could probably go straight to Episode 6 without missing that much. Then once you’re really into the show, you can always go back and watch those first 5 episodes.
Beware The Batman: The Complete Series is available to watch on HBO Max, iTunes, and Blu-Ray. If you a fan of superhero animation, I highly recommend you check out this unique hidden gem.

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!


-Paul

TRAILERS OF THE WEEK: Batman: The Long Halloween Part 2! LOKI!

Hey Everyone,

Paul here…

We have some exciting trailers for you to check out this week! First up is the first trailer for part two of DC Animation’s adaptation of Batman: The Long Halloween! I’ve been waiting for this one for a long time, The Long Halloween is one of the quintessential Batman stories. After spectacular adaptations of Batman: Year One and The Dark Knight Returns, DC Animation dropped the ball a little bit with their adaptation of Batman: The Killing Joke. After the aforementioned 3 stories, The Long Halloween is the last of Batman’s most iconic stories for the animation studio to tackle. Let’s hope it ends up closer to Year One and The Dark Knight Returns than The Killing Joke! Take a look:

Batman: The Long Halloween Part 1 is available for digital download and Blu-Ray/4K on June 22, with Part 2 arriving July 27 on digital and August 10 on Blu-ray.

Now we move from The DC Universe over to Marvel…

Next up, Marvel has been giving us a few quick looks at the upcoming LOKI series on Disney+


Every time I get another look at this series, the more excited I am. I really like how the trailers are very cool without showing or spoiling too much. I’ve heard that this is fantastic, there have even been rumors that Marvel is already working on a season two. Which shows their confidence in this series. LOKI was one of the first shows to be announced when Marvel revealed that they would be doing programming on Disney+. While I love the character, I didn’t really know what they would do with it, so I wasn’t as hyped as you might think. But once information about the show started to come out and we saw some footage, I think this is going to be total blast! Marvel is 2 for 2 with their Disney+ shows so far after WandaVision and The Falcon and The Winter Soldier and I have a feeling LOKI will make it a hat trick.

Thanks for reading (and watching)! Follow us on Twitter @PJWrightWBM, Instagram @worldsbestmedia2017, and our Facebook Page, Worlds Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

MUST READ: Batman/Catwoman

Hey Everyone,

Paul here…

  From the very beginning of World’s Best Media, one of my missions has been to show people how cool comic books are and why they’re such an incredible way to tell stories (and maybe, just maybe, get some folks to give comics a try). It’s been a little while since I’ve done a deep dive into a comic book series or graphic novel, but a fantastic new series inspired me to take you guys on another journey into weird and wonderful world of comics. Let’s do it!

   The book we’re taking a look at, is Batman/Catwoman. One of DC’s flagship Batman books. In my opinion, it’s also one of the best mainstream superhero book being published at either of “The Big Two” right now (otherwise known as DC and Marvel).  This is all due to the incredible talent of writer Tom King and artist Clay Mann. These are two of DC’s best creators operating at the top of their game (and it shows).

  As a longtime comic book fan, the stories and characters are what draw me in. A book can have the most beautiful art in the world, but it doesn’t mount up to a whole lot without a great story at it’s core. The last thing I want to do is minimize the incredible achievements of the artists working in the comic book industry. Most people don’t understand how important and difficult the work of a comic book artist really is. They’re not just drawing images on a page, they’re performing the characters, they’re directing the story. It’s one thing to draw beautiful images, but to be a great comic book artist, you also have to a great storyteller.

    As much as I respect comic book artists, it’s always the writer that will draw me to a particular book. Whenever a writer like Scott Snyder, Grant Morrison, or Neil Gaiman has a new comic coming out, it’s a guaranteed that I’m going to check it out regardless of the artist. Hell, some of my favorite writers have built up enough trust and good will, that I don’t even need to know what their latest book is about to give it a read. There are a lot of great comic book artists, but very few that would make me go out and buy a comic solely because they’re working on it.

    This is a long winded way of me saying that artist Clay Mann’s work on Batman/Catwoman is nothing short of astonishing. I’ve been following his work for a while on Batman and Heroes In Crisis. However his work has just taken a massive leap forward with Batman/Catwoman. I don’t think I’ve been more impressed with an artists work in a long time. Mann’s work reminds me of Jim Lee or Tony Daniel, with its crisp detailed lines. It’s widely considered that Jim Lee drew the definitive modern Batman during his Hush story line. Jim Lee’s Batman from Hush is  pretty much the basis for all modern versions of the character since. Now, Clay Mann has drawn the definitive modern Catwoman with this book and if things keep going the way they are, he may take the title away from Jim Lee for the definitive modern Batman as well.

 It’s not just the art that makes this book so phenomenal. Batman: Mask of The Phantasm is arguably one of, if not THE best Batman film ever made. Unlike so many other Batman Films, even the great ones, Bruce Wayne is front and center in this story. Bruce Wayne is the most interesting character in any Batman story and most filmmakers get caught up in his flashy rogues gallery at the expense of exploring Batman himself. When I was a kid The Phantasm scared the shit out of me with its creepy look and unstoppable mission of vengeance. The Phantasm was an original character created by the people who made that film. Batman/Catwoman is a quasi-sequel to Batman: Mask of The Phatasm, making the character and the events of the film canon in DC lore. 

This comic is really a continuation of the story that writer Tom King first began in his excellent run on the main Batman series. The question at the heart of the story was: Can Batman be happy? And If the answer if yes, can a happy Batman still be Batman? Can a Bruce Wayne who’s found some measure of peace still be The Dark Knight that Gotham City, and the world, needs? I thought it was a fantastic idea for a Batman story. It has so much potential and in the long history of the character it’s isn’t something that had been explored before. Also, let’s not forget that just because Bruce has found a woman who truly loves and understands him doesn’t mean he’s going start going on Costco runs. Their marriage consists of Selena joining Batman on cases and nightly patrols just like Nightwing or Robin would except after they go home and fuck each other‘s brains out (come to think of it, who’s to say that didn’t happen with Nightwing a few times? After all, Master Dick looks damn good in a lm skin tight leotard!). King explored this idea through Bruce’s growing romance with Selina Kyle. After years of hook ups and on again off again romances, Bruce and Selena finally get serious. They get engaged, and eventually, after some drama including Selena leaving bruise standing at the aisle during their first wedding attempt, things worked out and now they live as husband and wife. Living together in Wayne Manor.

Out of all the incredibly fascinating characters that populates Batman’s world, I was never particularly interested in Catwoman. I love Michelle Pfeiffer as the character in Batman Returns, but other than that, I was fairly ambivalent about Catwoman in general. It wasn’t until Tom King’s Batman run and Batman/Catwoman, that I started to really like her. Batman and Catwoman have had an off and on romance for years, one of their more notable attempts at a real relationship took place in the classic Jeph Loeb and Jim Lee story, “Hush”. Batman and Catwoman getting married may seem like another gimmick like the death or resurrection of a hero, but it makes perfect sense for the characters. So many storytelling possibilities open up. Catwoman is a character who lives in the gray, so what is it like being married to a man who only sees things in black-and-white? The story puts Selena in morally compromising situations in some really imaginative ways

This story is essentially a quasi-sequel to The Mask of Phantasm. Which is really cool because The Phantasm was an original character created for that film, so her inclusion here officially brings her into the main canon of DCU. But this is a Batman story after all, and if Andrea Beaumont has returned to Gotham City, you can be sure that she’s there for blood.

The story takes place simultaneously over three different time periods. The present, the past when Bruce and Selena we’re still more of an occasional romantic tryst than the serious couple and life partners that they’ve become, and decades into the future where Bruce has recently passed away. Leaving behind his beloved wife Selina and their beautiful daughter Helena. With Bruce gone the elderly Selina finally feels free to settle a vicious vendetta with The Joker. Specially for something that occurred years before with Andrea Beaumont, during the case involving The Phantasm that Batman and Catwoman are taking on in the present. Complicating matters in the future is Helena Wayne, who’s continuing the family business as Batwoman. She also seems to have inherited her father’s naive sense of absolute justice. Bringing the story full circle showing Selina keeping secrets about her morally questionable choices from the two most people in her life, Bruce in the past and her daughter Helena in the future.

  Which brings me back to Clay Mann’s beautiful artwork. I love his design for Helena Wayne, the daughter of Bruce Wayne and Selina Kyle, the Batwoman of the future. Both in and out of costume, Helena is of course her mother and father‘s daughter. A Gorgeous, stunning young woman while having dinner with her mother in Wayne Manor and looking all kinds of cool and bad ass in her new Batwoman suit. Which looks like a combination of the Batman Beyond suit and the modern version of Catwoman’s costume Mann has designed for this series. 

This series is a great jumping on point for new readers because you only need to have seen the movie Batman: Mask of The Phantasm. If you’re looking for a fantastic superhero story with fantastic art, writing, and characters, then you can’t go wrong with Batman/Catwoman.

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

WBM SPRING 2021 Preview! – Loki, Batman: The Long Halloween, Jupiter’s Legacy, Black Widow!

Hey Everyone,

Paul here…

World’s Best Media’s SPRING 2021 Movie & TV Preview, Week 2\Week 3 continues! An insane amount of awesome trailers have dropped online over the past 24 hours, including some of the most anticipated projects of the year. Each of them looks fantastic in their own way, but I’ll let you be the judge! Check them out below…

LOKI

Jupiter’s Legacy

Batman: The Long Halloween Part 1


Black Widow

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

TRAILER: Zack Snyder’s Justice League

Hey Everyone,

Paul here…

In just a few weeks fans will finally get to see (for better or worse) Justice League as director Zack Snyder envisioned it. The film, clocking in at over a 4 hour running time, premieres on HBO Max on March 18th. Zack Snyder is a pretty divisive filmmaker, but I love Man of Steel and as far as I’m concerned, if you take Jessie Eisenberg’s god awful take on Lex Luthor out of the film, Batman V Superman: Dawn of Justice Extended Edition is a great fucking movie. I know some of you will think I’m crazy, but I can’t wait to watch Zack Snyder’s Justice League! Take a look at the new trailer below:

Check out the gallery below for new images of Steppenwolf, Darkseid, Wonder Woman, The Joker, and more…

The Bat-Tank
Some stunning concept art

Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

PODCAST: BEST & WORST MOVIES of 2020!

Hey Everyone,

Paul here…

On this episode of The World’s Best Podcast, we’re going over The Best & Worst Movies of 2020! Normally, choosing the best and worst movies at the end of the year, is one of my favorite movie rituals. Unfortunately, this year didn’t have quite as many opportunities to see new films in theaters, due to the obvious mitigating circumstances. I still manage to see quite a few movies nonetheless. It just meant watching a lot more steaming content and movies On Demand. So GODDAMMIT!, I was gonna do my best and worst movies of 2020 list, so help me God! Because if I don’t the virus wins! So here it is! It’s nothing to write home about, but hey they can’t all the gems! Please let me know in the comments what movies you loved, or hated, 2020!

Listen here: https://www.spreaker.com/episode/42893825  Or subscribe/listen on Spotify, Stitcher, Spreaker, iHeartRadio, Deezer, Podchaser, Castbox, Podcast Addict, Google Podcasts, & Apple Podcasts/ITunes…

iTunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441#episodeGuid=https%3A%2F%2Fapi.spreaker.com%2Fepisode%2F42893825

Spotify: https://open.spotify.com/show/11mA9kClyevVZjWYMQB1Io?si=7TfnqkBiShqTQpZhh2UDsA

Stitcher: https://www.stitcher.com/s?fid=185563

We are also going to be posting either an article or a podcast about our favorite TV shows of 2020, as well as the projects we’re p most looking forward to in 2021! Those will be up in the very near future, so keep an eye out…

Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

Batman: The Three Jokers #1 – Review!

Hey Everyone,

Paul here…

In Batman: The Three Jokers, Geoff Johns sets out to answer a mystery, that he set in motion several years ago during the climactic story arc of his Justice League run. In the story, Batman interfaces with an alien super computer called The Mobius Chair, that can answer any question in the universe, no matter how seemingly impossible the question may be . One of the questions Batman asked was, “What is The Joker’s true name?”. Through it’s omniscience, The Mobius Chair gave an answer that threw even The World’s Greatest Detective for a loop: There are 3 Jokers. This three issue miniseries sets out to finally answer the mystery of The Three Jokers. I’ve read the first issue and while it answers some questions, it leaves us with even more. 

Batman while using The Mobius Chair, a repository of al the knowledge in the universe

There is no doubt that DC has two of their absolute best creators working on this book. There are very few comic book writers who have had the level of influence on modern comic books in the way that Geoff John’s has. With very few exceptions, there isn’t a major character in DC Comics that he hasn’t left his mark on. His enormous talent and impact on comic book storytelling, put him in rarefied air among legends like Stan Lee and Frank Miler. Geoff Johns is without a doubt one of the best superhero writers in the medium. No one does big, epic storytelling like Geoff Johns. Yet for some reason, he has always, in my opinion, struggled when writing Batman. Don’t get me wrong, even some of his weakest stories have fun and interesting elements at play. Despite any criticisms about his writing that I may have, John’s never fails to deliver an entertaining story. 

   Then there’s artist Jason Fabouk, who’s done some of the best superhero artwork I’ve ever seen in “The Darkseid War”, one his previous collaborations with Geoff Johns in the pages of Justice League. In a comic book, the storytelling done through the artwork is just as important, sometimes more so, than the storytelling being done in the script. It’s one of the things that makes the medium so unique. This issue opens with an exceptional example of how vital a fantastic artist is to telling a great comic book story. The issue begins with a close-up, on a large “W” engraved in stone. As the image pulls out, we see that this is the grave of Thomas Wayne. Surprisingly, the Batmobile suddenly crashes into it, partially destroying the gravestone. A seriously injured Batman emerges from the vehicle and stumbles towards Wayne Manor. A flurry of bats eventually reveals the Batcave. Filled with Batman‘s equipment and trophies, old costumes of allies and enemies. Finally, we see Alfred. Steady. Always there. We see both men from behind, as Alfred hauls Bruce in an improvised shoulder carry. Holding up his son, as Batman struggles to make it to the medical area. In a wavering voice Bruce says “My parents…” Referring to the gravestone he crashed into moments before. Again, Alfred steady as ever replies “I’ll fix their markers as soon as I fix you.”. Piece by piece, Batman‘s armor is removed, Alfred using surgical tools to remove parts of the uniform to get at Bruce’s wound, so Alfred can begin to treat whatever Bruce has suffered from this time. 

  Alfred begins to treat a puncture wound in the side Bruce‘s torso. “What was it this time?” Alfred asks. “An umbrella” Bruce replies. The image pulls back again, Bruce is naked from the waist up, with his back turned to the reader as Alfred begins stitching his latest wound. The image is stunning. What makes the artwork so powerful Is the dozens, maybe even hundreds of other scars and burns covering Bruce’s body (and we can only see him from the back). This is a grim ritual these two men have gone through together far too many times..Each scar is a dark reminder, a souvenir, of the nightly torture Bruce Wayne subjects himself to. 

However, despite all the monsters he fought in the night, only one has left more scars than any other. Both on the inside and out. The Joker. As Bruce recalls each battle, each fight with The Clown Prince of Crime, the monsters horrifying laughter builds in his head until, for the first time in the story, we see Bruce’s eyes. And they are filled with fury… and something more, something dark.

Regardless of any criticisms that I may leveled at other aspects of this comic book, the art by Jason Fabouk is incredible. There are many amazing artists out there, who draw stunningly beautiful images, but it takes more than that to be an excellent comic book artist. A comic book artist is a storyteller just like the writer. The analogy I like to use, is that a comic book artist needs to be the director, the actors, the cinematography, and the editor all wrapped in one. Like a director they need to set up every image, the angle, what will be in the shot, etc. like a cinematographer they have to establish the look and visual tone of the story, and like an actor they need to convey all of the subtle emotions of every character in the story. An artist who can do all of that well and still make every image absolutely beautiful, is less common in the industry than you might think. I think somebody like the late, great Steve Dillon (Preacher, The Punisher)  is a great example of an artist that was incredibly gifted at storytelling and conveying complex array of human emotions. With this comic, I think Jason Fabouk has taken his first step into becoming one of the most elite comic book storytellers in the business. The work on display here is some of the best visual storytelling I’ve seen in a comic book in a long time. 

  With that out of the way, what do I think about the comic? I think there are two major issues that ultimately plague this story. First, the problem with telling a story like this, is that part of what makes The Joker so terrifying and so fascinating is that he doesn’t have a definitive origin. Sure, there have been hints over the years. Possibilities of who or what he was before he became The Clown Prince of Crime.  Writers like Alan Moore, Scott Snyder, Bruce Timm,and Paul Dini have all played with possible origins for The Joker. These stories worked because none of them were the character’s definitive origin. It was left ambiguous, the writers placed doubt in the minds of fans about how much of these possible backstories actually happened. Was any of it real? Even the recent JOKER film starring Joaquin Phoenix as Arthur Fleck/The Joker, made the audience question exactly how much of the films events actually took place and how much of it was all in Arthur’s head

The questions at the heart of this story are: How are there three Jokers? What does that even mean? Are there literally three different men, who have been The Joker over the years? What is the answer to the mystery of The Three Jokers? At least for me, the answer to that question is: I don’t fucking care. I would’ve been perfectly happy if DC never picked up this storyline again. In the JL story written by Geoff Johns that kicked this whole thing off, Batman asks the all-knowing Mobius Chair “What is The Joker’s true name?”. The chair replies and Batman is visibly shocked and disturbed by what he hears. He can only respond “That’s not possible“. On its own, that’s a cool moment. What the fuck did The Mobius Chair tell Batman? The Joker is already a character shrouded in mystery and darkness and this was a powerful and creepy moment. I think if it was left alone by DC, this could have been an intriguing addition to The Joker’s mythology. A question we’ll never get the answer to would’ve been so much more interesting to readers, because the unknown is always so much scarier than anything a writer can cook up.

To talk about my second major criticism of this story so far, I’m going to be discussing a pivotal scene in depth as an example of a larger concern I have with the project. So MAJOR, MAJOR SPOILER WARNINGS for the rest of the review!!!

Ok, still with me? Great. So, when Jason Todd AKA The Red Hood finally blows The Joker’s brains out, I thought: “About damn time!”.

You see, a common misconception is, that Batman has always adhered to a strict moral code, that kept him from ever taking a life. It’s important to point out that when Batman was created by Bill Finger and Bob Kane (It was actually MOSTLY Bill Finger, but Bob Kane gets all the credit). Batman‘s so-called “no kill“ rule, didn’t come from a creative decision by one of Batman’s creators. It came down as an editorial mandate from DC Comics. The Joker was originally supposed to die in his first appearance, but the character was so popular that the creators working on Batman at the time had to come up with a way for Joker to return. Batman couldn’t go around killing the entirety of what would become his whole rogues gallery! Of course this early version of Batman would kill The Joker! For a man willing to take a life, this was the exact situation where you take someone off the board. It was a way to keep Batman’s popular villains returning to the story. Another factor was that DC comics wanted to attract younger readers. Which was why Robin was introduced and Batman’s homicidal edge was softened. The hard-hitting, gritty, noir stores told in Batman’s early days, made way for more colorful and family friendly content. 

So when someone tries to convince you that Batman never kills because of a deep moral belief in the sanctity of life, you can say that’s bullshit, he doesn’t kill because the publisher wanted to make more money by having more readers and reoccurring, colorful villains. From the very beginning of Batman‘s career, he had no compunction about killing criminals. Batman even carried a gun in many of his earliest appearances. Many of the unfortunate thugs he came across found them selves with a bullet in the chest, thrown into a vat of acid, or strangling a man with a steel cable attached to The Batplane and flying through Gotham with the corpse still hanging from The Batplane. While Batman muses that the villain is “better off this way“. In fact here are some fun instances of Batman straight up murdering people…


   Which is why I find it so frustrating that certain writers, like Geoff John’s in particular, treat Batman‘s “no kill“ rule is if it was a sacred and fundamental part of the character’s ideology. It wasn’t a creative storytelling decision, it was a marketing one. Most of the other vigilantes in Gotham City have been trained by Bruce or work closely with him, so they also adhere to same, foolish “no kill” rule (with some notable exceptions). So when writers like Geoff John’s put Batman or one of his allies, in this case Barbara Gordon AKA Batgirl, in positions where all logic, emotion, and reason would lead to their character taking a life, the writers will go to extraordinary lengths to find reasons for their so-called heroes not to go through with it. This doesn’t make the heroes noble, it makes them look foolish and naïve. I’m not saying that Batman and his allies should start acting like The Punisher, but in extreme circumstances, extreme measures are appropriate. Unless a writer is willing to honestly tackle some potentially uncomfortable questions about his characters, then perhaps it’s a subject that is best left alone. If you’ve been successfully crime fighting crime in a cesspool like Gotham City for years, you’ve probably seen some of the ugliest things that humanity has to offer. Which is why it makes no sense that someone like Barbara Gordon, an intelligent, worldly, capable, and very tough woman would attempt to stop Jason Todd from murdering The Joker. The amount of suffering that The Joker has personally inflicted on Barbara and her family includes crippling and sexually molesting her, torturing her father, murdering her stepmother, and has killing literally thousands of people. Including successfully murdering Jason himself. Even though Jason eventually came back from the dead, as Jon Snow would tell you, that isn’t some shit you just forgive. For Barbara to feign outrage when The Joker is killed, is just silly and poor writing. However, I did enjoy what Jason says to Barbara after kills The Joker, posted below…

I’ll definitely read all 3 issues of Batman: The Three Jokers, but It’s mostly out of sense of obligation. New comic books come out each week and I still read every issue of my favorite ongoing titles. Batman is my favorite comic book character, so for better or worse, regardless of how this story ends it’s going to have a major impact of some kind on the Batman mythology. For that alone, I’d read all 3 issues just to see how it all plays out. That’s not exactly a ringing endorsement, especially if you don’t read comics every week like I do. I’m certain that DC is trying to attract new readers with a high profile book like this. In that regard, I suppose Three Jokers is successful. Most of my problems with the book were rooted in my long personal history with Batman and how I think the character and his world should be portrayed. As well as certain longtime comics books tropes present in the issue, that drive my nuts whenever they pop-up in a story. New readers might be the ideal audience for this comic book, even with my criticisms, it’s an undeniably entertaining book with beautiful art. Casual Batman fans wouldn’t bring as much baggage to the story as I did and it really only requires a basic knowledge of Batman and The Joker to follow what’s going on.

Final Words:
In a vacuum, taken for what it is, Batman: The Three Jokers is pretty good read, but it fails to justify it’s own existence. This new miniseries suffers because of some poorly written characters and will leave a lot of readers questioning why this story needed to be told in the first place. On the other hand, The Three Jokers is a solid book for casual readers and the art work by Jason Fabouk is gorgeous.

Batman: The Three Jokers #16.5/10

Dark Nights: Death Metal #1 Review!

Hey Everyone,

Paul here…


Dark Nights: Death Metal #1

Written by Scott Snyder

Art by Greg Capullo 

  The long awaited and much anticipated new miniseries from DC Comics, Dark Nights: Death Metal, is finally here and today I’m reviewing the first issue! About once a year, usually in the summer, both of “The Big Two” comic book publishers, DC and Marvel, will put out an epic miniseries “Event”. These are the no holds barred stories, where seemingly anything can happen! Typically, even though one character or one particular team will be the focus of the story, these Events affect and involve the entire DCU or Marvel Universe. These stories tend to have casts of thousands! With huge, status quo changing moments! Whenever the publishers at Marvel or DC are talking about their latest Event Miniseries, they like to say things like, “After this story nothing will ever be the same!”. When you’ve been reading comics as long as I have, there are certain things that you tend to expect to see when one of these big stories come out. There are usually some major character deaths, surprise resurrections, heroes turning into villains and vice versa, things like that. Classic DC and Marvel stories like Crisis On Infinite Earths, Infinity Gauntlet, and Civil War are some examples of Event Comics. Like many things, some of them suck and other become classics.

One of the best superhero Events of the last decade was Dark Nights: Metal written by Scott Snyder and art by Greg Capullo. That story saw the DCU being invaded by the evil, cosmic forces of the previously unknown Dark Mutiverse. The Dark Multiverse is a nightmare realm where the deep fears of everyone in The DCU are made manifest. These are the worlds where everything that could go wrong, does go wrong. The Dark Multiverse was ruled by an evil god-like entity called Barbatos. When he came to attack and claim the DCU, his generals were all dark, twisted versions of Batman. 

   The most terrifying and formidable of the evil Bruce Waynes from across The Dark Multiverse was, without a doubt, The Batman Who Laughs. In his home reality, after The Joker killed Jim Gordon and a shit load of other people, Bruce Wayne finally had enough of the atrocities committed by The Joker and killed him by snapping his neck. BUT The Clown Prince of Crime had one last surprise for his longtime nemesis, The Joker created a toxin that would be released from his body at the moment of his death and turn whoever killed him into the next Joker. The insidious toxin burned  away Bruce’s humanity. Batman lost of all his morality, compassion, and empathy. Batman, under normal circumstances, is already as Superman once put it, “The most dangerous man alive.”.  This version Batman, without the moral code that stops him from going too far, is a terrifying and unbeatable cosmic horror. Now he’s the apex predator of The Multiverse. Because a Batman Who Laughs is a Batman who always wins. 

  The Justice League managed to defeat Barbatos and his army of evil Batmen (The Batman Who Laughs managed to stick around The DCU), but it came with huge unforeseen consequences. In defeating one dark god, they unknowingly unleashed another: Perpetua, The Mother and Creator of The Multiverse. However, when Perpetua was freed, it took time for her to regain her full power. She needed help and a certain bald, alien hating, billionaire businessman/scientific genius was just the megalomaniac for the job…

Perpetua: Creator of The Multiverse

   One of the major ongoing stories in DC Comics over the last few years has followed Lex Luthor (with the help of The Legion of Doom) as he attempted to pull off his most ambitious cosmic power grab to date. Luthor set out to unlock the hidden powers of the universe and restore Perpetua to her full strength. Luthor’s endgame was to help Perpetua regain control of The Multiverse and rule over all of creation alongside her as her right hand and most trusted disciple. Everything was going according to Luthor’s plan, that is until The Batman Who Laughs showed up. He managed to make the case to Perpetua that he, not Luthor, was the one worthy of becoming her most valuable acolyte. Luthor had done all the work and The Batman Who Laughs snatched everything right out from under him. Perpetua agreed, and Luthor was cast aside.

    Dark Nights: Death Metal is not only a sequel to Dark Nights: Metal, it also builds upon many of the major stories Scott Snyder and others have been telling in the DCU since the end of the first Dark Nights: Metal. Elements from Snyder‘s Justice League run, Doomsday Clock, Snyder’s Batman Who Laughs miniseries, The Flash, and more are all at play. I think one of the things that the story does really well, is that despite all of the groundwork the story has been built upon, it doesn’t feel like you need to have read all of those other stories to understand this one. It’s a more accessible tale than you might think. The story starts very much in the middle of the action, so even if you have read every single DC Comic Book that’s connected to this story, you’re still going to be playing catch-up. Everything in the story is so insane that, part of the fun is figuring out how the hell our heroes have found themselves in this crazy situation.

Without going into major spoilers, Earth has been pulled into The Dark Multiverse. The planet has become a terrifying nightmare-scape, ruled over by the cruel and sadistic Batman Who Laughs. Countless twisted and evil versions of Batman from throughout The Dark Multiverse act as his lieutenants and help enforce his will. Our heroes have lost so badly that to keep what’s left of humanity alive, heroes like Swamp Thing, Aquaman, Wonder Woman, and others are forced work for The Batman Who Laughs and do his bidding. He’s given his version of the Justice League different roles to play in his new kingdom. They know that they can’t beat him. He holds all the cards in such a way that, the only way our heroes can protect the people that are left is to play his sick game and grudgingly work for him. The Batman Who Laughs is essentially holding a gun to the head of what’s left of humanity, to keep the former Justice League in line. It’s sort of reminds me of something out of Game of Thrones where noble characters have to bow down before a despicable ruler in the name of serving a greater good. Of course Batman, the real Batman that is out there somewhere, fighting almost like a guerrilla insurgency, desperately trying to pull off whatever ever he can to save whatever’s left of this broken Multiverse.

Despite the fact that the whole story is wrapped in Batman iconography and there are evil Batmen everywhere, Wonder Woman is the central character in this story. Themyscira, Wonder Woman’s former home, has literally become Hell, a jail for people that The Batman Who Laughs wants to keep out of the way and imprisoned. With Swamp Thing (who’s seen better days to say the least) as her right hand man and confidant, Wonder Woman has become Hell’s Jailer, The Warden of her desecrated homeland. Despite her dark circumstances, Wonder Woman is pretty fucking cool in this story and I love the choice to make her one of the central characters. She’s really the main character, at least in this issue.  but considering what goes down in the first issue alone, I think it’s fair to say she’ll probably be taking center stage for the whole story. If this issue is any indication, that’s a fantastic idea. As cool as Batman is, as smart as he is, and is tough as he is, no one will fight to their last breath like Wonder Woman. She is not content to play her fucked up role in The Batman Who Laugh’s wasteland. Bruce thinks the fight is already lost and all they can hope to do is save whatever good is left. Wonder woman is not having that shit, she knows there must be a way to make things right, to put the universe back together again. And when a very important prisoner is sent to her by The Batman Who Laughs, Diana thinks she may have found her last chance to save the world.

To say anymore would spoil the fun. I will say this, they are not fucking around with this story. Snyder and Capullo have pulled out all of the fucking stops. This is only the first issue and there were at least three or four jaw-dropping moments in this comic book. I was fucking blown away. It’s impressive that while so much of what is going on in the story is dark and bleak, the story never loses it’s thrilling sense of fun. The heroes of the DCU are in rough shape, but it looks like watching them try to set things right is going to be a blast!

   I think it’s safe to say at this point that Snyder and Capullo have established themselves as one of the best writer/artist teams in the history of comics. These are two guys operating at the absolute top of their game and it shows in the story. When Greg Capullo’s name is on a comic book, it’s a given that the art inside will be fantastic, but he really knocked it out of the park on this one. It would be easy to take Capullo’s incredible art for granted, because his work has produced so many phenomenal stories over the years. In Dark Nights: Death Metal, literally everything on each page is something totally new, even all of the classic DC heroes in this story are sporting completely new looks. There are so few artists that could pull off a story like this, with the level of excellence that Capullo delivers. Then there’s the coloring by FCO Plascencia (another long time collaborator of Snyder and Capullo’s) which is gorgeous in this issue. The way the bright, vivid colors of Wonder Woman contrast with the dark, more muted tones of the desolate wasteland that surrounds her, is beautiful to behold.

I’ll definitely say this I loved Dark Nights: Metal and this is a much better first issue than that story. I’m sure Snyder and Capullo would be happy to hear, that the comic book is definitely “Metal”. It rocks the fucking doors off, blows out the windows, and leaves you desperately wanting more. I cannot wait for the next issue, because Dark Nights: Death Metal fucking rules! 🤘

Dark Nights: Death Metal #19/10

Note: DC has put out a prelude story that takes place right before issue #1 begins. You can read it for free on instagram! It’s pretty cool, so I definitely recommend checking it out. Read for free right here: https://t.co/vIJ8HkiZ23

Check out this art from issue #2 hitting stands in July…