TRAILERS OF THE WEEK: Godzilla Vs Kong! Superman & Lois!

Hey Everyone,

Paul here…

TRAILERS OF THE WEEK is back! My favorite trailers this week are two projects that could not be more different, but they both look cool as hell! We have an awesome trailer for an upcoming movie and and great trailer for a new TV series. Let’s dive in!

Continuing The Monsterverse Series: Godzilla Vs Kong

First up, we have Godzilla Vs Kong! I think the “Monster-Verse”, which includes Godzilla (2014), Kong: Skull Island, Godzilla: King of The Monsters, and the upcoming Godzilla Vs. Kong, is one of the only attempts at a cinematic universe, outside of The MCU that actually works. After the massive success of the MCU, every movie studio in Hollywood wanted to get their own connected universe of films up and running, with very few achieving any kind of success. In 2017, Universal attempted to get a series of interconnected movies off the ground with Tom Cruise headlining their reboot of The Mummy, which even featured Russell Crowe as Dr. Jekyll/Mr. Hyde. The Mummy would have been the first in a series of films referred to as the Dark Universe, focusing on Universal’s line up of Classic Monster, including the Creature From The Black Lagoon, Frankenstein, The Invisible Man, and Dracula among others. Stars like Javier Bardem, Angelina Jolie, and Johnny Depp had all signed on to take up roles as the various monsters. After 2017’s The Mummy was a critical and commercial failure, Universal scrapped plans their plans for the Dark Universe. Even Marvel’s main competition, DC/Warner Bros, has struggled with their DCEU or The Worlds of DC (or whatever the hell else they’re calling it). While I‘ve personally enjoyed most of their films, with Justice League being there only out right terrible movie in my opinion, the studio’s only true home run has been the first Wonder Woman. I love Man of Steel and BvS, and quite liked WW84 film, but DC/Warner Bros have yet to recapture the magic of Patty Jenkin’s 2017 Wonder Woman. They do have some pride in some promising projects coming down the pipe, so I guess we’ll have to wait and see. Anyway, this is all just a really long winded way of saying that these monster verse films yes Have quietly slipped under the radar developing a fan base and a catalog of solid movies. Another bonus as far as I’m concerned, is that the movie has been bumped up to March and will simultaneously be available to watch in the theaters and on HBO Max. Along with the trailer, a new poster for Godzilla Vs. Kong, which I have posted above was dropped looks pretty damn cool. Check out the new trailer right here:

New Series From The Arrowverse: Superman & Lois

The second trailer that I wanted to highlight this week is our best look yet at the upcoming Superman and Lois series on The CW. The latest in TV series to join The CW‘s Arrowverse, the show seems to be telling a Superman story that’s very different from what we’ve seen before. I’ve been a huge fan of Tyler Hoechlin as Clark Kent/Superman since he first debuted in the Season 2 premiere of Supergirl. It’s been great to see how they’ve chosen to include his character more and more in crossovers and frequent guest appearances. Elizabeth Tulloch has been equally strong as Lois Lane. It’s unlikely the series will significantly include Jon Cryer’s PHENOMENAL Lex Luthor because he’s already been used so much on Supergirl. Which is a shame because we’ve never seen a great Superman going up against a great Lex Luthor in any live action project. Surprisingly Jon Cryer has made for a fucking incredible Lex Luthor when he debuted in Season 4 of Supergirl (the best season of the series due in no small part to Cryer). His character worked so well that he went on to be a major player in the biggest and most ambitious Arrowverse crossover, Crisis On Infinite Earths. By far the best and most comic book accurate, live-action version of the character. Regardless I am really looking forward to this new show. I really love the idea of Clark and Lois at a point in their life where they’re having to juggle being a world famous reporters, parents to two teenage boys, and all the insanity that comes with being a superhero family. This new trailer in particular, is much more cinematic and stylish than I expected from this series. I hope this isn’t one of those situations where the show put all their money into the pilot episode, just so it would look cool enough to garner a larger audience, only to have the quality of the special effects and production value drop in subsequent episodes. On the other hand, as both Arrow and The Flash showed us, if there’s one thing The Arrowverse does well, it’s incredible action sequences and impressive CGI on a television budget.

Unfortunately, as long time fan, it seems like The Arrowverse’s best days are behind it and with Arrow gone the remaining shows just aren’t what they used to be. At one point The Arrowverse was one of my favorite things in the world. It would almost got me excited as Game of Thrones or The MCU! (I’m not comparing The Arrowverse to The MCU or GoT in quality at all, I’m talking about the amount of fun and sheer joy that The Arrowverse used to bring me) The Arrowverse is definitely at a crossroads. Now that Arrow has come to an end, The Flash is the flagship show of it’s universe. Sadly, after 3 seasons of what was once the most thrilling, live-action superhero project in any medium, The Flash has been in a downward spiral that it never recovered from. The series is now a shadow of its former self. With the exception of Arrow, the only other Arrowverse show that has consistently continued to be a blast, has been Legends of Tomorrow. Maybe as long as Legends continues to do it’s thing and this exciting new Superman & Lois series delivers, perhaps The Arrowverse will get its second wind. The two hour series premiere will air on The CW on the February. Check out the new trailer for Superman & Lois right here:

Thanks for reading (and watching)! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

MUST WATCH: WandaVision

Hey Everyone,

Paul here…

As crazy as it must sound, it’s been just over a year and half since Spider-Man: Far From Home hit theaters. The film served as an epilogue of sorts to The Infinity Saga and our last piece of new content from The Marvel Cinematic Universe. When WandaVision premiered on January 15th, it ended what almost became the longest gap in new content since the studio’s inception. Second only to the 1 year 11 month gap between The Incredible Hulk and Iron Man 2. Fortunately, it looks like we have an insane amount of new MCU content coming our way this year, with WandaVision  as the first out of the gate..

  If going to talk about WandaVision, if you’ve seen the trailers, which I’m sure most of you have, you know the deal. But just in case, I’m posting a trailer right here to refresh your memory. Take one last look if you need a brief reminder:

I’m not gonna waste time going over the set up. Instead, I’m going to dive right in to what worked, and what didn’t, in The MCU’s first and highly anticipated new Disney+ shows. So, what did I think of the first 3 episodes of WandaVision? Does it live up to the hype? Was this the right project It kick off Phase 4 for Marvel Studios? Honestly, I don’t know yet.

The Big Problem: Weekly Episode Release Vs. Binge Format

My biggest take away from WandaVision was that streaming services desperately need to go back to the format that made them so intriguing and unique in the first place: Release all episodes of their original programming on the premiere date! It was so exciting things when a new season of Daredevil or Stranger Things, would premiere on Netflix and I could watch the entire story at my leisure! It was like getting to watch a trilogy of your favorite movie series over one weekend!

I understand that when Disney+ launched, the service needed to build up its library of original content and it’s subscriber base. The concern being, that people would just sign up, watch the first season of The Mandalorian over the weekend, and then cancel the subscription. Disney+ is successful enough now that it can move beyond that way of thinking and remember what drew people to streaming services in the first place.

    For a series like WandaVision, the weekly format actually hurts the show. In fact, it’s WandaVision’s biggest weakness. Each episode of the show is formatted to replicate and pay homage to a classic sitcom era. Episode 1 feels very much like The Dick Van Dyke Show, while Episode 2 feels more like Bewitched, with Episode 3 turning into something like The Brady Bunch or Happy Days. While this is certainly extremely unique and innovative for a superhero story, it’s too earnest for its own good. Let’s be real, we don’t really give a shit about the sitcom format, we’re all here to watch this series because we know this is The MCU and something extremely strange afoot. We care about the mystery of WHY Wanda and Vision are stuck in this weird TV sitcom reality. The series takes the sitcom gimmick that they’re replicating each week, way too seriously. It seems like the creators didn’t just use the aesthetic and style of a 1960s sitcom, they also seem to be following the rules of storytelling that you’d see in a sitcom in the 60’s, which isn’t all that interesting. Like I mentioned before, innovations like this need to continue for superhero films to survive and thrive. But WandaVision would’ve been much better served leaning into the creepy and unsettling aspects of the whole TV sitcom format, more like something out of The Twilight Zone. As it stands we get a pretty earnest and straightforward series that’s basically a sitcom staring Wanda and Vision, with hints of something darker and mysterious in the background. How did the characters find themselves in this strange TV world? Who or what is doing this? Is it Wanda herself? The answers to those mysteries are what we’re here to see. 

Know Your Audience & Why They’re Watching

They don’t have to show their hand right away, but we want more than just a silly sitcom with hints of something more interesting down the line. It couldn’t help but make me think of the film, Natural Born Killers, where Juliette Lewis’ abusive upbringing is shown in flashback form as a 60’s style TV sitcom, complete with a laugh track, while keeping the dark and twisted nature of her family life in tact. Seeing a horrible childhood juxtaposed with the wholesome sitcoms of yesteryear is what made that sequence so disquieting. Even Supernatural once did a crossover episode with Scooby-Doo, without ever compromising the tone or identity of either series.

    WandaVision would’ve been much better served to up the creepy factor by 100%. The sitcom format would work so much better if we were more frequently reminded of the unsettling truth that something sinister is causing this. As it stands it’s basically just a sitcom that occasionally reminds us that there’s something unusual and dangerous at the heart of these events. There are more creepy and disturbing moments, as well as more overt clues about what’s actually be going on, in Episodes 2 & 3. Which is why I think the 2nd and 3rd installment are so much stronger than the 1st. Now it feels like we’re going to have to sit through weeks of a sitcom that we’re not really interested in watching, to get to the part of the story that really matters, which will probably be around the last three episodes. I’m old enough to have watched many of these old shows when they aired in the “Nick-At-Night” days. A large part of the audience won’t even know what show’s WandaVision is drawing inspiration from.

    If the whole season dropped at once, the first 3 episodes would seem so much more charming and intriguing because we wouldn’t have to wait weeks to find out where this is going. We could dive right in and finish it out over a weekend. After all, it’s only six hours of content. Having said all that, I definitely like the show. Despite some of the creative choices that I disagree with, WandaVision is as fun as something like this could possibly be. Mainly because Wanda and Vision are such great characters and Elizabeth Olsen and Paul Bettany are excellent actors who really give it their all. They’re a fun duo to watch and they have great chemistry as a couple. 

The bottom line is I encourage any superhero or MCU fan to check out WandaVision, just know what you’re getting into first. This is not an action adventure series. It’s very deliberate and with it’s own methodical and sometimes slow pacing. Which can be frustrating at times, but the potential of the underlying mystery as well as the performances by the excellent cast, will keep me coming back for more each week.

Like any good Marvel fan, or fanatic in my case, I kept my eyes peeled for Easter Eggs and believe me there are a ton of them! Wanda and Vision both have such storied history‘s as characters that there is a lot of storytelling there for the show to pull from. There are a lot of cool callbacks, Easter Eggs, and clues to previous MCU projects, comic book characters and storylines, as well as upcoming shows and films, in The MCU.

Easter Eggs, Clues, & References

 First of all, Wanda seems to have undergone a massive power upgrade. She can seemingly create and manipulate matter at will. Conjuring up objects from thin and altering existing ones. There’s a neat end credits sequence at the end of each episode with a musical score that’s creepy as hell and works as a unsettling contrast to the bright and bubbly nature of everything that comes before. It reminded me quite a bit of how Wanda’s powers would manifest in miniseries House of M with these sort of blocks. When she creates or destroys, something it comes apart or is put back together again small squares much like what we see in the end credits.

All 3 episodes drop huge clues that the people monitoring Wanda and Vision are S.W.O.R.D., we see their symbol in the van monitoring thing at the end of Episode 1 and it appears again in on a red and yellow toy helicopter that Wanda finds in Episode 2.

From Episode 1, the SWORD insignia appears on the notebook in front of the monitor, as well as on the computer screen on the left, in the bottom right corner of the screen

The inclusion of SWORD is extremely interesting because they’re basically SHIELD for space. They monitor extraterrestrials threats to Earth and other dangers to the planet from outer space. This would imply that something extraterrestrial is at play in WandaVision, which opens up all sorts of fun possibilities. In one of the Spider-Man: Far From Home post-credits scenes Nick Fury is seen on an alien ship or space station, which led many to theorize that he was setting up S.W.O.R.D.

Wanda makes a new friend in Episode 2, a young African-American woman who introduces herself as Geraldine. They meet while attending a planning event on a sunny afternoon, under gazebo filled with other women from the community.

Geraldine (Real Name: Monica Rambeau AKA Spectrum)

They’re all there to discuss the upcoming talent show fundraiser that the town is putting on. Right off the bat, there’s some really weird shit going down at this gathering of happy homemakers. Within her first few seconds of interacting with Wanda, Geraldine looks almost frightened and appears confused as to why she’s even at this meeting in the first place. As if she just woke up from an upsetting and disorienting dream. In Episode 3, we see that she’s wearing a necklace bearing the insignia of SWORD . She may introduce herself as Geraldine, but we know better. She is in fact Monica Rambeau a.k.a. Spectrum. We’ve actually encountered Monica in The MCU already, we met her as a child, in Captain Marvel. Monica is the daughter of Carol Danvers’ best friend. Monica is clearly following in the footsteps of the woman she look up to since she was a little girl. The next time we see her in The MCU outside of WandaVision will be as a full fledged superhero in Captain Marvel 2 which will likely involve SWORD in someway.

  Someone, presumably SWORD,  are tattempting to contact Wanda through the radio. You very clearly hear them asking her “Who is doing this to you, Wanda?”The voice on the radio is Agent Woo who we first met in Ant-Man and The Wasp.

Wanda and Vision perform a magic act in the town’s talent show school fundraiser. One of the props they use in their act, “The Cabinet of Mysteries”, has a symbol on it that looks a lot like The Mind Stone. An artifact key to the origins of both Wanda and Vision.

The commercial in Episodes 2 is for a watch made by Baron Strucker, who gave Wanda and her brother their powers. The watch also has the HYDRA symbol and says HYDRA on its face. Episode 3 has a commercial for a bath product made by HYDRA

In Episode 2, Wanda goes from normal to what looks to be about six months pregnant in a matter of moments. In episode three she gives birth to twin boys named Billy and Tommy. Shortly after their birth Wanda tells Geraldine (AKA Monica) that she was a twin and she had a brother named Pietro. This causes Geraldine to snap out of it for a moment and mention how Pietro was killed by Ultron.

At which point Wanda makes note of Geraldine’s SWORD necklace and hurls her out of town, back into the real world. She’s intercepted by what looks to be a massive government operation that seems to be monitoring the strange dome that has encased this town. Which reminded me a lot of the facility SHIELD constructs around Thor’s hammer, Mijonir, when it falls to Earth in the first Thor film. 

It was also really cool just to hear Ultron referenced in Episode 3. He was an underrated villain who I’ve always wanted to see return. I had a theory that Ultron could somehow be involved in the events of WandaVision. I’ll just hold out hope that he’ll possibly make an appearance by the end of the season, who knows?

    In the comics, Wanda and Vision have twin children (Billy and Tommy), who are later revealed to be constructs created by Wanda’s powers. The knowledge that her children were never “real” eventually leads to her mental break with reality that results in the deaths of Hawkeye, Scott Lang, and Vision. The fallout causes The Avengers to briefly disband. Which would seem to suggest that these children will likely be a very important part of the series going forward.

Left: Billy AKA Wiccan; Right: Tommy AKA Speed

  In the comics, It’s later revealed that the children were in fact real and survived. Eventually becoming the Young Avengers known as Speed (Tommy) and Wiccan (Billy), whose powers mirror those of Wanda and her brother Pietro AKA Quicksilver. Other members of Young Avengers include Scott Lang’s daughter, Cassie, who will develop size changing powers in Ant-Man 3. As well as, Hawkeye’s protege Kate Bishop, who will be making her debut in the upcoming Hawkeye Disney+ series with Hailee Steinfeld in the role.

Expect us to continue covering WandaVision as the series continues!

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

FIRST LOOK: Superman and Lois!

Hey Everyone,

Paul here…

Superman and Lois is one of my most highly anticipated new shows of 2021. The latest series in The CW’s ever expanding Arrowverse. While Supergirl hasn’t always been one of my favorite Arrowverse shows, the series has had it’s moments of greatness. It’s done an excellent job at adapting some classic pieces of the Superman mythology, including this iteration of Superman and Lois Lane. Ever since he made his debut in the Season 2 premiere of Supergirl, I’ve been a big fan of Tyler Hoechlin’s Clark Kent. I’d have to say it’s a toss up between Hoechlin and Cavill, as my favorite live action versions of Superman. 

  Over the last several years, the main Superman comics have really focused on his life as a hero and family man. With Clark and Lois juggling superheroics, their careers as world renowned journalists at The Daily Planet, and raising their young son Jon Kent AKA Superboy, DC’s power couple always have their hands full. The biggest change this series seems to be making, is that Clark and Lois have 2 sons, instead of the one son they have in the comics.


Despite frequent trips to Metropolis, Clark and Lois wanted to raise their family in as much of a normal, healthy environment that they could reasonably find, under their unique circumstances. It seems as if Clark has decided to move his family back to The Kent Farm in Smallville. As the concept art below shows, the wholesome small town of Clark’s childhood is one of the major settings of the new series.

Their are an abundance of Superman villains and stories that haven’t even been touched yet in The Arrowverse, so there’s a great deal of potential for some exciting stuff in this new series. As the show moves closer to its release date, DC & The CW dropped some great images that I’ve posted throughout the article. as well as a brief trailer have been released, which you can watch below, but it’s really not much more than a teaser. You can take a look for yourself right here…

If there’s one thing we can count on, whenever a new TV show or movie comes out based on a classic superhero property, we’re going to get a new version of the suit. You can take a look a Superman’s new uniform yourself below, but I think they knocked it out of the park. It is absolutely beautiful. It was made by the same team behind the costumes for the hit Amazon Prime series The Boys, so it should come as no surprise that they did such an amazing job on this latest version of the classic Superman uniform. To be honest if I had one critique, it would be that I’d like to see the symbol a little bit larger on his chest. It’s a little too small for my liking but it looks fucking awesome nonetheless.


Like it’s predecessors, Superman and Lois will be just as interconnected to the other shows that make up The Arrowverse. In fact, it looks like we won’t have to wait long to see a crossover. While the series that started it all, Arrow, may have ended its 7 season run in Spring 2020, the rest of The Arrowverse is still very much alive and interconnected. Which leaves the door wide open for characters from the flagship series, to pop up in other Arrowverse shows. So I was very happy to hear the recent announcement that Arrowverse mainstay, David Ramsey, will be returning the DC TV Universe as John Diggle for a 5 -episodes arc focusing on his character beginning on Superman and Lois. Diggle will also be appearing in several other Arrowverse shows as part of the 5-episode arc. David Ramsey will even be directing a few episodes.

This is exciting news for couple of reasons. For 7 seasons on Arrow and dozens of appearances on other Arrowverse shows, Ramsey played John “Digg” Diggle, Oliver Queen’s closest friend and confidant. His special forces training, bravery, and contacts in the espionage community, made him one of Team Arrow’s most valuable assets. He joined Oliver’s mission to save their city, eventually suiting up as the vigilante, Spartan. With the exception of Oliver Queen and Sarah Lance, Diggle is one of the most skilled and dangerous hand-to-hand combatants in The Arrowverse. He even took up the mantle of The Green Arrow on several occasions. Out of all of the Arrow characters that could possibly continue on in other DC shows on The CW, I think his character has the most potential for some interesting stories.

(On the left is a piece of art done by the amazing BossLogic, showing Diggle as a Green Lantern. Top right is John Stewart from Justice League: The Animated Series, Below is Ernie Hudson as Diggle’s Father.)

The details of his return have deliberately been kept under wraps for now, which in my opinion can only mean one thing: We’re finally going to see Diggle become a Green Lantern! The idea of Diggle joining The Green Lantern Corps, has been teased for years and references to the existence The Green Lantern Corps go as far back as Season 1 of The Flash. The last time we saw Diggle in the Arrow Series Finale, something small and strange plummets out of space, landing directly in front of Diggle, blowing him off his feet into the side of his van. Almost as if it was sent directly to him, Digg picks the object up out of the small crater it created on impact, and opens it to find a glowing Green Lantern ring! It was pretty awesome. If I’m right, after years of teases and hints, I think this 5-episode story will be about Diggle making his debut as the first Green Lantern in The Arrowverse. Digg becoming a Green Lanter was a popular fan theory for long time, that the creators gave more legitimacy to as time went on. For example, we find out that Diggle’s father (played by Ernie Hudson) is a high-ranking military officer whose last name is in fact, Stewart, making Diggle’s real, legal name: John Stewart. 

    John Stewart is one of the classic, fan favorite, Green Lanterns from DC Comics. The character is an African-American former soldier (just like Diggle) and for an entire generation of fans who grew up watching John Stewart as Green Lantern in the classic Justice League Animated Series and Justice League Unlimited, John Stewart IS THEIR Green Lantern. One of the running jokes in The Arrowverse was that Digg was always the most uncomfortable with the crazy, bizarre shit involving super powers and meta-humans that the characters would frequently encounter. So it makes a lot of sense that he might go to someone like Clark Kent/Superman, if he’s freaked out about the situation he suddenly finds himself in. Green Lanterns, power rings, and alien species can all be pretty stressful things for a relatively grounded guy deal with. So Superman and Lois seems like the perfect place to debut Diggle as John Stewart, Green Lantern of Space Sector-2817. I’m extremely excited to see what they do with this!  Becoming a Green Lantern isn’t exactly easy, which is why I imagine he’ll be making appearances over multiple Arrowverse shows. Perhaps he’ll be learning some thing about his new powers and abilities from each of the heroes he guest stars with? These are all just more great reasons for me to be excited about this new series.

Superman and Lois premieres this January on The CW.

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

PODCAST: Wonder Woman 1984 Review!

Hey Everyone,

Paul here…

To all of our readers, listeners, and supporters, I want to say thank you and extend a heartfelt and sincere Happy Holidays from all of us here at World’s Best Media! We appreciate each and every time you click on one of out article or listen to one of our podcasts. We couldn’t do any of this without you and we’re so grateful for all of your support! We hope you’re all having a safe and Happy Holiday season! As the year comes to an end, keep an eye out for our Best & Worst of 2020, where pick the highs and lows in movies, TV, and comics, over the last year. We should have out Best/Worst Lists posted before New Years Day. We also have big, big plans for 2021, so stay tuned…

    Despite how happy we are that World’s Best Media continues to grow, we know that 2020 has been a brutal year for way too many people. With all of the suffering and hardship so many have endured this year, I’ve been reminded to appreciate the little things in life. I know from experience, that sometimes the simplest of things, can mean the world when times are at their darkest. Which is one of several reasons I was so thrilled that Wonder Woman 1984 was finally available to watch, Christmas Day on HBOMax. 

   When times get tough, going to the movies has always been my favorite way to escape for a little while (Well, my favorite escape that doesn’t involve drugs or alcohol anyway. But there’s no reason you can’t enjoy all 3 at once, right? Go ahead, you’ve earned it!). I think a lot of people out there miss the simple joy of going to their local movie theater to see a feel good, blockbuster and let their troubles slip away from a few hours. I know it’s not much, but folks had the opportunity to watch a great big, superhero, comic book movie, without having to worry about the dangers of going to a movie theater. 

    However, these aren’t the only reasons that the release WW84 is special, this also marks an important milestone for The World’s Best Podcast. Tim Cuff and I reviewed 2017’s Wonder Woman for the very first episode of The World’s Best Podcast! Longtime listeners of the podcast will recognize Tim Cuff and Ryan McDonald as two of my most frequent co-hosts on the show (Tim even helped me co-create the podcast in the first place). In case you don’t know, Ryan and Tim co-host their own podcast, Cuff’s Basement. In the spirit of the superhero comic books that feature characters like Wonder Woman, to review and discuss WW84 we needed a crossover! So get ready for The SUPER-MEGA-AWESOME WORLD’S BEST PODCAST/CUFF’S BASEMENT CROSSOVER EVENT! 

    Since The DCEU (or The World’s of DC or whatever the hell they’re calling it now) launched with 2013’s Man of Steel, Wonder Woman has proven to be the studio’s only true critical and commercial hit. Sure, many of these other DC movies made a lot of money, but they were critically trashed and divisive at best among the Fanbase. Does Wonder Woman 1984 live up to the promise of the original movie? Listen below to find  out! Enjoy!

Listen here: https://www.spreaker.com/episode/42685229   Or subscribe/listen on Spotify, Stitcher, Spreaker, iHeartRadio, Deezer, Podchaser, Castbox, Podcast Addict, Google Podcasts, & Apple Podcasts/ITunes…

iTunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?i=1000503651674

Spotify: https://open.spotify.com/show/11mA9kClyevVZjWYMQB1Io?si=7TfnqkBiShqTQpZhh2UDsA

Stitcher: https://www.stitcher.com/s?fid=185563

I’m always looking for an opportunity to get more people interested in comics. None of these incredible films and beautiful stories would be possible, without the amazing comic book source material. So if you enjoyed Wonder Woman 1984 and want to learn more about the character, takes a look at some of the books I’ve posted below. They’re great places to star for anyone new to comics, if you’ve seen either Wonder Woman movie, you’re good to go! All of these books are available at your local Comic Book Store, I recommend Googling the closest comic book retailer in your area. The Hall of Comics in Southborough, MA is my local spot for comics and graphic novels and I’ve had nothing, but great experiences with them over the years! If you don’t want to leave the comfort of your own home, you can alway read these stories on your tablet with the ComiXology app. Finally, you can always order any of these graphic novels online through Amazon. I posted links below for you to order any of my recommendations. I hope you give them a chance!

Wonder Woman: Year One (writer- Greg Rucka/Art- Nicola Scott)

Wonder Woman by Greg Rucka Vol.1

Wonder Woman: Earth One Vol.1 (W. Grant Morrison/A. Yanick Paquette)

Wonder Woman: Blood (A. Brian Azzarello/A. Cliff Chiang

Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

The Walt Disney Co. 2020 Investors Meeting

Hey Everyone,

Paul here…

Disney is currently live streaming their 2020 investor presentation, which is highlighting the success of initiatives like Disney+, as well officially announcing the future of their major brands. Though this is a business event, meant to be speaking directly to their investors, there will be major announcements about the future of the MCU, Star Wars, and Disney+ during this event. The company has already announced that they have a planned 10 new MCU shows for Disney+ and 10 new Star Wars shows for Disney+, with more content news coming very soon in the event. Though you can watch the entire event on the Disney website, I’m specifically including The John Campea Show’s watch along and commentary. John Campea is one of my favorite YouTube personalities and a fantastic commentator on film, television, and genre entertainment in general. For those of you who are little less in the know, he’s the perfect commentator to walk you through this event. John will help clarify some of the major announcements the company is making. So if you’re interested in the future of Marvel, Star Wars, streaming services like Disney+ and Hulu, ESNP content,and much more. Check out this live event…

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

-Paul

Trailer of The Week: Marvel Comic’s Eternals

Hey Everyone,

Paul here…

I wanted to post something a little different for my Trailer of the Week. I think it’s really cool that comic book companies like Marvel and DC, have started to actually make trailers for their upcoming comic books and graphic novels. Marvel Comics released a trailer for their new series, Eternals, which you can check out below. Two of the companies most talented creators will be at the helm of a new Eternals series scheduled to hit digitally and comic book stores early next year. Written by industry vet Kieron Gillen, along with art by the spectacular Esad Ribic (Secret Wars, Thor: God of Thunder), Eternals is going to be a must read. 

One of the most interesting upcoming projects in the MCU is the film, Eternals, scheduled to hit theaters next year. Marvel Comics is always looking for a way to attract new readers, so when a particular character or team is going to be featured in a upcoming movie or television project, they make sure to capitalize on the exposure. Which means putting out a new comic book series featuring the characters from whatever movie or television series is about to drop. Which is exactly what Marvel plans on doing with Eternals. Take a look at the trailer below:

If you want to read a comic book featuring Eternals right away, I recommend checking out The Eternals mini series written by Neil Gaiman that came out a few years back. It’s a great read and you can pick up a copy right here: https://www.amazon.com/Eternals-Neil-Gaiman/dp/1302913123/ref=sr_1_2?crid=3BTQ1U1LDFXFF&dchild=1&keywords=eternals+neil+gaiman&qid=1606623891&sprefix=Eternals+nei%2Caps%2C146&sr=8-2

Or purchase it digitally on your tablet or at your local comic book store.

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

Batman: The Three Jokers #1 – Review!

Hey Everyone,

Paul here…

In Batman: The Three Jokers, Geoff Johns sets out to answer a mystery, that he set in motion several years ago during the climactic story arc of his Justice League run. In the story, Batman interfaces with an alien super computer called The Mobius Chair, that can answer any question in the universe, no matter how seemingly impossible the question may be . One of the questions Batman asked was, “What is The Joker’s true name?”. Through it’s omniscience, The Mobius Chair gave an answer that threw even The World’s Greatest Detective for a loop: There are 3 Jokers. This three issue miniseries sets out to finally answer the mystery of The Three Jokers. I’ve read the first issue and while it answers some questions, it leaves us with even more. 

Batman while using The Mobius Chair, a repository of al the knowledge in the universe

There is no doubt that DC has two of their absolute best creators working on this book. There are very few comic book writers who have had the level of influence on modern comic books in the way that Geoff John’s has. With very few exceptions, there isn’t a major character in DC Comics that he hasn’t left his mark on. His enormous talent and impact on comic book storytelling, put him in rarefied air among legends like Stan Lee and Frank Miler. Geoff Johns is without a doubt one of the best superhero writers in the medium. No one does big, epic storytelling like Geoff Johns. Yet for some reason, he has always, in my opinion, struggled when writing Batman. Don’t get me wrong, even some of his weakest stories have fun and interesting elements at play. Despite any criticisms about his writing that I may have, John’s never fails to deliver an entertaining story. 

   Then there’s artist Jason Fabouk, who’s done some of the best superhero artwork I’ve ever seen in “The Darkseid War”, one his previous collaborations with Geoff Johns in the pages of Justice League. In a comic book, the storytelling done through the artwork is just as important, sometimes more so, than the storytelling being done in the script. It’s one of the things that makes the medium so unique. This issue opens with an exceptional example of how vital a fantastic artist is to telling a great comic book story. The issue begins with a close-up, on a large “W” engraved in stone. As the image pulls out, we see that this is the grave of Thomas Wayne. Surprisingly, the Batmobile suddenly crashes into it, partially destroying the gravestone. A seriously injured Batman emerges from the vehicle and stumbles towards Wayne Manor. A flurry of bats eventually reveals the Batcave. Filled with Batman‘s equipment and trophies, old costumes of allies and enemies. Finally, we see Alfred. Steady. Always there. We see both men from behind, as Alfred hauls Bruce in an improvised shoulder carry. Holding up his son, as Batman struggles to make it to the medical area. In a wavering voice Bruce says “My parents…” Referring to the gravestone he crashed into moments before. Again, Alfred steady as ever replies “I’ll fix their markers as soon as I fix you.”. Piece by piece, Batman‘s armor is removed, Alfred using surgical tools to remove parts of the uniform to get at Bruce’s wound, so Alfred can begin to treat whatever Bruce has suffered from this time. 

  Alfred begins to treat a puncture wound in the side Bruce‘s torso. “What was it this time?” Alfred asks. “An umbrella” Bruce replies. The image pulls back again, Bruce is naked from the waist up, with his back turned to the reader as Alfred begins stitching his latest wound. The image is stunning. What makes the artwork so powerful Is the dozens, maybe even hundreds of other scars and burns covering Bruce’s body (and we can only see him from the back). This is a grim ritual these two men have gone through together far too many times..Each scar is a dark reminder, a souvenir, of the nightly torture Bruce Wayne subjects himself to. 

However, despite all the monsters he fought in the night, only one has left more scars than any other. Both on the inside and out. The Joker. As Bruce recalls each battle, each fight with The Clown Prince of Crime, the monsters horrifying laughter builds in his head until, for the first time in the story, we see Bruce’s eyes. And they are filled with fury… and something more, something dark.

Regardless of any criticisms that I may leveled at other aspects of this comic book, the art by Jason Fabouk is incredible. There are many amazing artists out there, who draw stunningly beautiful images, but it takes more than that to be an excellent comic book artist. A comic book artist is a storyteller just like the writer. The analogy I like to use, is that a comic book artist needs to be the director, the actors, the cinematography, and the editor all wrapped in one. Like a director they need to set up every image, the angle, what will be in the shot, etc. like a cinematographer they have to establish the look and visual tone of the story, and like an actor they need to convey all of the subtle emotions of every character in the story. An artist who can do all of that well and still make every image absolutely beautiful, is less common in the industry than you might think. I think somebody like the late, great Steve Dillon (Preacher, The Punisher)  is a great example of an artist that was incredibly gifted at storytelling and conveying complex array of human emotions. With this comic, I think Jason Fabouk has taken his first step into becoming one of the most elite comic book storytellers in the business. The work on display here is some of the best visual storytelling I’ve seen in a comic book in a long time. 

  With that out of the way, what do I think about the comic? I think there are two major issues that ultimately plague this story. First, the problem with telling a story like this, is that part of what makes The Joker so terrifying and so fascinating is that he doesn’t have a definitive origin. Sure, there have been hints over the years. Possibilities of who or what he was before he became The Clown Prince of Crime.  Writers like Alan Moore, Scott Snyder, Bruce Timm,and Paul Dini have all played with possible origins for The Joker. These stories worked because none of them were the character’s definitive origin. It was left ambiguous, the writers placed doubt in the minds of fans about how much of these possible backstories actually happened. Was any of it real? Even the recent JOKER film starring Joaquin Phoenix as Arthur Fleck/The Joker, made the audience question exactly how much of the films events actually took place and how much of it was all in Arthur’s head

The questions at the heart of this story are: How are there three Jokers? What does that even mean? Are there literally three different men, who have been The Joker over the years? What is the answer to the mystery of The Three Jokers? At least for me, the answer to that question is: I don’t fucking care. I would’ve been perfectly happy if DC never picked up this storyline again. In the JL story written by Geoff Johns that kicked this whole thing off, Batman asks the all-knowing Mobius Chair “What is The Joker’s true name?”. The chair replies and Batman is visibly shocked and disturbed by what he hears. He can only respond “That’s not possible“. On its own, that’s a cool moment. What the fuck did The Mobius Chair tell Batman? The Joker is already a character shrouded in mystery and darkness and this was a powerful and creepy moment. I think if it was left alone by DC, this could have been an intriguing addition to The Joker’s mythology. A question we’ll never get the answer to would’ve been so much more interesting to readers, because the unknown is always so much scarier than anything a writer can cook up.

To talk about my second major criticism of this story so far, I’m going to be discussing a pivotal scene in depth as an example of a larger concern I have with the project. So MAJOR, MAJOR SPOILER WARNINGS for the rest of the review!!!

Ok, still with me? Great. So, when Jason Todd AKA The Red Hood finally blows The Joker’s brains out, I thought: “About damn time!”.

You see, a common misconception is, that Batman has always adhered to a strict moral code, that kept him from ever taking a life. It’s important to point out that when Batman was created by Bill Finger and Bob Kane (It was actually MOSTLY Bill Finger, but Bob Kane gets all the credit). Batman‘s so-called “no kill“ rule, didn’t come from a creative decision by one of Batman’s creators. It came down as an editorial mandate from DC Comics. The Joker was originally supposed to die in his first appearance, but the character was so popular that the creators working on Batman at the time had to come up with a way for Joker to return. Batman couldn’t go around killing the entirety of what would become his whole rogues gallery! Of course this early version of Batman would kill The Joker! For a man willing to take a life, this was the exact situation where you take someone off the board. It was a way to keep Batman’s popular villains returning to the story. Another factor was that DC comics wanted to attract younger readers. Which was why Robin was introduced and Batman’s homicidal edge was softened. The hard-hitting, gritty, noir stores told in Batman’s early days, made way for more colorful and family friendly content. 

So when someone tries to convince you that Batman never kills because of a deep moral belief in the sanctity of life, you can say that’s bullshit, he doesn’t kill because the publisher wanted to make more money by having more readers and reoccurring, colorful villains. From the very beginning of Batman‘s career, he had no compunction about killing criminals. Batman even carried a gun in many of his earliest appearances. Many of the unfortunate thugs he came across found them selves with a bullet in the chest, thrown into a vat of acid, or strangling a man with a steel cable attached to The Batplane and flying through Gotham with the corpse still hanging from The Batplane. While Batman muses that the villain is “better off this way“. In fact here are some fun instances of Batman straight up murdering people…


   Which is why I find it so frustrating that certain writers, like Geoff John’s in particular, treat Batman‘s “no kill“ rule is if it was a sacred and fundamental part of the character’s ideology. It wasn’t a creative storytelling decision, it was a marketing one. Most of the other vigilantes in Gotham City have been trained by Bruce or work closely with him, so they also adhere to same, foolish “no kill” rule (with some notable exceptions). So when writers like Geoff John’s put Batman or one of his allies, in this case Barbara Gordon AKA Batgirl, in positions where all logic, emotion, and reason would lead to their character taking a life, the writers will go to extraordinary lengths to find reasons for their so-called heroes not to go through with it. This doesn’t make the heroes noble, it makes them look foolish and naïve. I’m not saying that Batman and his allies should start acting like The Punisher, but in extreme circumstances, extreme measures are appropriate. Unless a writer is willing to honestly tackle some potentially uncomfortable questions about his characters, then perhaps it’s a subject that is best left alone. If you’ve been successfully crime fighting crime in a cesspool like Gotham City for years, you’ve probably seen some of the ugliest things that humanity has to offer. Which is why it makes no sense that someone like Barbara Gordon, an intelligent, worldly, capable, and very tough woman would attempt to stop Jason Todd from murdering The Joker. The amount of suffering that The Joker has personally inflicted on Barbara and her family includes crippling and sexually molesting her, torturing her father, murdering her stepmother, and has killing literally thousands of people. Including successfully murdering Jason himself. Even though Jason eventually came back from the dead, as Jon Snow would tell you, that isn’t some shit you just forgive. For Barbara to feign outrage when The Joker is killed, is just silly and poor writing. However, I did enjoy what Jason says to Barbara after kills The Joker, posted below…

I’ll definitely read all 3 issues of Batman: The Three Jokers, but It’s mostly out of sense of obligation. New comic books come out each week and I still read every issue of my favorite ongoing titles. Batman is my favorite comic book character, so for better or worse, regardless of how this story ends it’s going to have a major impact of some kind on the Batman mythology. For that alone, I’d read all 3 issues just to see how it all plays out. That’s not exactly a ringing endorsement, especially if you don’t read comics every week like I do. I’m certain that DC is trying to attract new readers with a high profile book like this. In that regard, I suppose Three Jokers is successful. Most of my problems with the book were rooted in my long personal history with Batman and how I think the character and his world should be portrayed. As well as certain longtime comics books tropes present in the issue, that drive my nuts whenever they pop-up in a story. New readers might be the ideal audience for this comic book, even with my criticisms, it’s an undeniably entertaining book with beautiful art. Casual Batman fans wouldn’t bring as much baggage to the story as I did and it really only requires a basic knowledge of Batman and The Joker to follow what’s going on.

Final Words:
In a vacuum, taken for what it is, Batman: The Three Jokers is pretty good read, but it fails to justify it’s own existence. This new miniseries suffers because of some poorly written characters and will leave a lot of readers questioning why this story needed to be told in the first place. On the other hand, The Three Jokers is a solid book for casual readers and the art work by Jason Fabouk is gorgeous.

Batman: The Three Jokers #16.5/10

Dark Nights: Death Metal #1 Review!

Hey Everyone,

Paul here…


Dark Nights: Death Metal #1

Written by Scott Snyder

Art by Greg Capullo 

  The long awaited and much anticipated new miniseries from DC Comics, Dark Nights: Death Metal, is finally here and today I’m reviewing the first issue! About once a year, usually in the summer, both of “The Big Two” comic book publishers, DC and Marvel, will put out an epic miniseries “Event”. These are the no holds barred stories, where seemingly anything can happen! Typically, even though one character or one particular team will be the focus of the story, these Events affect and involve the entire DCU or Marvel Universe. These stories tend to have casts of thousands! With huge, status quo changing moments! Whenever the publishers at Marvel or DC are talking about their latest Event Miniseries, they like to say things like, “After this story nothing will ever be the same!”. When you’ve been reading comics as long as I have, there are certain things that you tend to expect to see when one of these big stories come out. There are usually some major character deaths, surprise resurrections, heroes turning into villains and vice versa, things like that. Classic DC and Marvel stories like Crisis On Infinite Earths, Infinity Gauntlet, and Civil War are some examples of Event Comics. Like many things, some of them suck and other become classics.

One of the best superhero Events of the last decade was Dark Nights: Metal written by Scott Snyder and art by Greg Capullo. That story saw the DCU being invaded by the evil, cosmic forces of the previously unknown Dark Mutiverse. The Dark Multiverse is a nightmare realm where the deep fears of everyone in The DCU are made manifest. These are the worlds where everything that could go wrong, does go wrong. The Dark Multiverse was ruled by an evil god-like entity called Barbatos. When he came to attack and claim the DCU, his generals were all dark, twisted versions of Batman. 

   The most terrifying and formidable of the evil Bruce Waynes from across The Dark Multiverse was, without a doubt, The Batman Who Laughs. In his home reality, after The Joker killed Jim Gordon and a shit load of other people, Bruce Wayne finally had enough of the atrocities committed by The Joker and killed him by snapping his neck. BUT The Clown Prince of Crime had one last surprise for his longtime nemesis, The Joker created a toxin that would be released from his body at the moment of his death and turn whoever killed him into the next Joker. The insidious toxin burned  away Bruce’s humanity. Batman lost of all his morality, compassion, and empathy. Batman, under normal circumstances, is already as Superman once put it, “The most dangerous man alive.”.  This version Batman, without the moral code that stops him from going too far, is a terrifying and unbeatable cosmic horror. Now he’s the apex predator of The Multiverse. Because a Batman Who Laughs is a Batman who always wins. 

  The Justice League managed to defeat Barbatos and his army of evil Batmen (The Batman Who Laughs managed to stick around The DCU), but it came with huge unforeseen consequences. In defeating one dark god, they unknowingly unleashed another: Perpetua, The Mother and Creator of The Multiverse. However, when Perpetua was freed, it took time for her to regain her full power. She needed help and a certain bald, alien hating, billionaire businessman/scientific genius was just the megalomaniac for the job…

Perpetua: Creator of The Multiverse

   One of the major ongoing stories in DC Comics over the last few years has followed Lex Luthor (with the help of The Legion of Doom) as he attempted to pull off his most ambitious cosmic power grab to date. Luthor set out to unlock the hidden powers of the universe and restore Perpetua to her full strength. Luthor’s endgame was to help Perpetua regain control of The Multiverse and rule over all of creation alongside her as her right hand and most trusted disciple. Everything was going according to Luthor’s plan, that is until The Batman Who Laughs showed up. He managed to make the case to Perpetua that he, not Luthor, was the one worthy of becoming her most valuable acolyte. Luthor had done all the work and The Batman Who Laughs snatched everything right out from under him. Perpetua agreed, and Luthor was cast aside.

    Dark Nights: Death Metal is not only a sequel to Dark Nights: Metal, it also builds upon many of the major stories Scott Snyder and others have been telling in the DCU since the end of the first Dark Nights: Metal. Elements from Snyder‘s Justice League run, Doomsday Clock, Snyder’s Batman Who Laughs miniseries, The Flash, and more are all at play. I think one of the things that the story does really well, is that despite all of the groundwork the story has been built upon, it doesn’t feel like you need to have read all of those other stories to understand this one. It’s a more accessible tale than you might think. The story starts very much in the middle of the action, so even if you have read every single DC Comic Book that’s connected to this story, you’re still going to be playing catch-up. Everything in the story is so insane that, part of the fun is figuring out how the hell our heroes have found themselves in this crazy situation.

Without going into major spoilers, Earth has been pulled into The Dark Multiverse. The planet has become a terrifying nightmare-scape, ruled over by the cruel and sadistic Batman Who Laughs. Countless twisted and evil versions of Batman from throughout The Dark Multiverse act as his lieutenants and help enforce his will. Our heroes have lost so badly that to keep what’s left of humanity alive, heroes like Swamp Thing, Aquaman, Wonder Woman, and others are forced work for The Batman Who Laughs and do his bidding. He’s given his version of the Justice League different roles to play in his new kingdom. They know that they can’t beat him. He holds all the cards in such a way that, the only way our heroes can protect the people that are left is to play his sick game and grudgingly work for him. The Batman Who Laughs is essentially holding a gun to the head of what’s left of humanity, to keep the former Justice League in line. It’s sort of reminds me of something out of Game of Thrones where noble characters have to bow down before a despicable ruler in the name of serving a greater good. Of course Batman, the real Batman that is out there somewhere, fighting almost like a guerrilla insurgency, desperately trying to pull off whatever ever he can to save whatever’s left of this broken Multiverse.

Despite the fact that the whole story is wrapped in Batman iconography and there are evil Batmen everywhere, Wonder Woman is the central character in this story. Themyscira, Wonder Woman’s former home, has literally become Hell, a jail for people that The Batman Who Laughs wants to keep out of the way and imprisoned. With Swamp Thing (who’s seen better days to say the least) as her right hand man and confidant, Wonder Woman has become Hell’s Jailer, The Warden of her desecrated homeland. Despite her dark circumstances, Wonder Woman is pretty fucking cool in this story and I love the choice to make her one of the central characters. She’s really the main character, at least in this issue.  but considering what goes down in the first issue alone, I think it’s fair to say she’ll probably be taking center stage for the whole story. If this issue is any indication, that’s a fantastic idea. As cool as Batman is, as smart as he is, and is tough as he is, no one will fight to their last breath like Wonder Woman. She is not content to play her fucked up role in The Batman Who Laugh’s wasteland. Bruce thinks the fight is already lost and all they can hope to do is save whatever good is left. Wonder woman is not having that shit, she knows there must be a way to make things right, to put the universe back together again. And when a very important prisoner is sent to her by The Batman Who Laughs, Diana thinks she may have found her last chance to save the world.

To say anymore would spoil the fun. I will say this, they are not fucking around with this story. Snyder and Capullo have pulled out all of the fucking stops. This is only the first issue and there were at least three or four jaw-dropping moments in this comic book. I was fucking blown away. It’s impressive that while so much of what is going on in the story is dark and bleak, the story never loses it’s thrilling sense of fun. The heroes of the DCU are in rough shape, but it looks like watching them try to set things right is going to be a blast!

   I think it’s safe to say at this point that Snyder and Capullo have established themselves as one of the best writer/artist teams in the history of comics. These are two guys operating at the absolute top of their game and it shows in the story. When Greg Capullo’s name is on a comic book, it’s a given that the art inside will be fantastic, but he really knocked it out of the park on this one. It would be easy to take Capullo’s incredible art for granted, because his work has produced so many phenomenal stories over the years. In Dark Nights: Death Metal, literally everything on each page is something totally new, even all of the classic DC heroes in this story are sporting completely new looks. There are so few artists that could pull off a story like this, with the level of excellence that Capullo delivers. Then there’s the coloring by FCO Plascencia (another long time collaborator of Snyder and Capullo’s) which is gorgeous in this issue. The way the bright, vivid colors of Wonder Woman contrast with the dark, more muted tones of the desolate wasteland that surrounds her, is beautiful to behold.

I’ll definitely say this I loved Dark Nights: Metal and this is a much better first issue than that story. I’m sure Snyder and Capullo would be happy to hear, that the comic book is definitely “Metal”. It rocks the fucking doors off, blows out the windows, and leaves you desperately wanting more. I cannot wait for the next issue, because Dark Nights: Death Metal fucking rules! 🤘

Dark Nights: Death Metal #19/10

Note: DC has put out a prelude story that takes place right before issue #1 begins. You can read it for free on instagram! It’s pretty cool, so I definitely recommend checking it out. Read for free right here: https://t.co/vIJ8HkiZ23

Check out this art from issue #2 hitting stands in July…

Awesome Art From The Upcoming BATMAN Story Arc From DC Comics: JOKER WAR!

Hey Everyone,

Paul here…

It’s been an open secret in the world of comic books that The Joker knows, and has always known, that Bruce Wayne is Batman. He just doesn’t care. It wouldn’t be funny for him to sneak into Wayne Manor in the middle of the night and put a bullet in Bruce Wayne’s head while he’s sleeping. It’s Batman who he’s interested in, Batman is his playmate.
Well after years of teasing it looks like The Joker is finally going to pull the ripcord on pretending he doesn’t know that Bruce Wayne and Batman are the same man. He’s finally going to play that Ace up up his sleeve. This awesome art from Jorge Jimenez gives us a little preview of things to come in the upcoming Joker War storyline. It certainly looks like The Clown Prince of Crime is not holding back.

To add another interesting wrinkle to the story, The Joker’s got a new girlfriend and her name is Punchline. The Joker and Harley has been consciously uncoupled for several years now, with Harley Quinn leaning more into hero than villain territory these days. So it looks like Mister J. has moved on to a woman who is more interested in keeping up with his bloody, homicidal antics. We’ve only seen a little bit of Punchline in the current Batman comics, but expect her to play a bigger role as we get closer to Joker War. Here’s more beautiful art by Jorge Jimenez, who designed Punchline, so you can get a better look at the character and how she is different from Harley Quinn.

Joker War will be written by James Tynion IV, the current writer of DC’s monthly Batman comic. Tynion’s been doing excellent Batman work at DC for several years now, on books like Detective Comics and his current run on Batman. He also worked closely with Scott Snyder, arguably the greatest modern Batman writer, on Snyder’s Batman books as well as co-writing multiple issues of Snyder’s recent run on Justice League. This storyline has been teased for awhile now and we’ve been treated to sneak peeks at The Joker while he’s planning his masterpiece.


As you can see in the images below, any doubt about how much knowledge The Joker really has about Batman and his family, is quickly erased…

Because of the national health crisis, there haven’t been any new monthly comic books shipped to vendors over the last few weeks. Regular comic book distribution to Comic Book Store‘s and apps like ComiXology, is expected to begin again in mid-May, in a few weeks. So the release dates of storylines like Joker War, that were supposed to start at the end of April or the beginning of May with Batman # 95, No loolike a late May or early June beginning for the joker war. Fortunately however long it takes, things will get back on track. This is definitely going to be a big story for the Batman franchise so look for more coverage when Joker War begins in late May or June. I know I’m excited!

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul,