Batman: The Three Jokers #1 – Review!

Hey Everyone,

Paul here…

In Batman: The Three Jokers, Geoff Johns sets out to answer a mystery, that he set in motion several years ago during the climactic story arc of his Justice League run. In the story, Batman interfaces with an alien super computer called The Mobius Chair, that can answer any question in the universe, no matter how seemingly impossible the question may be . One of the questions Batman asked was, “What is The Joker’s true name?”. Through it’s omniscience, The Mobius Chair gave an answer that threw even The World’s Greatest Detective for a loop: There are 3 Jokers. This three issue miniseries sets out to finally answer the mystery of The Three Jokers. I’ve read the first issue and while it answers some questions, it leaves us with even more. 

Batman while using The Mobius Chair, a repository of al the knowledge in the universe

There is no doubt that DC has two of their absolute best creators working on this book. There are very few comic book writers who have had the level of influence on modern comic books in the way that Geoff John’s has. With very few exceptions, there isn’t a major character in DC Comics that he hasn’t left his mark on. His enormous talent and impact on comic book storytelling, put him in rarefied air among legends like Stan Lee and Frank Miler. Geoff Johns is without a doubt one of the best superhero writers in the medium. No one does big, epic storytelling like Geoff Johns. Yet for some reason, he has always, in my opinion, struggled when writing Batman. Don’t get me wrong, even some of his weakest stories have fun and interesting elements at play. Despite any criticisms about his writing that I may have, John’s never fails to deliver an entertaining story. 

   Then there’s artist Jason Fabouk, who’s done some of the best superhero artwork I’ve ever seen in “The Darkseid War”, one his previous collaborations with Geoff Johns in the pages of Justice League. In a comic book, the storytelling done through the artwork is just as important, sometimes more so, than the storytelling being done in the script. It’s one of the things that makes the medium so unique. This issue opens with an exceptional example of how vital a fantastic artist is to telling a great comic book story. The issue begins with a close-up, on a large “W” engraved in stone. As the image pulls out, we see that this is the grave of Thomas Wayne. Surprisingly, the Batmobile suddenly crashes into it, partially destroying the gravestone. A seriously injured Batman emerges from the vehicle and stumbles towards Wayne Manor. A flurry of bats eventually reveals the Batcave. Filled with Batman‘s equipment and trophies, old costumes of allies and enemies. Finally, we see Alfred. Steady. Always there. We see both men from behind, as Alfred hauls Bruce in an improvised shoulder carry. Holding up his son, as Batman struggles to make it to the medical area. In a wavering voice Bruce says “My parents…” Referring to the gravestone he crashed into moments before. Again, Alfred steady as ever replies “I’ll fix their markers as soon as I fix you.”. Piece by piece, Batman‘s armor is removed, Alfred using surgical tools to remove parts of the uniform to get at Bruce’s wound, so Alfred can begin to treat whatever Bruce has suffered from this time. 

  Alfred begins to treat a puncture wound in the side Bruce‘s torso. “What was it this time?” Alfred asks. “An umbrella” Bruce replies. The image pulls back again, Bruce is naked from the waist up, with his back turned to the reader as Alfred begins stitching his latest wound. The image is stunning. What makes the artwork so powerful Is the dozens, maybe even hundreds of other scars and burns covering Bruce’s body (and we can only see him from the back). This is a grim ritual these two men have gone through together far too many times..Each scar is a dark reminder, a souvenir, of the nightly torture Bruce Wayne subjects himself to. 

However, despite all the monsters he fought in the night, only one has left more scars than any other. Both on the inside and out. The Joker. As Bruce recalls each battle, each fight with The Clown Prince of Crime, the monsters horrifying laughter builds in his head until, for the first time in the story, we see Bruce’s eyes. And they are filled with fury… and something more, something dark.

Regardless of any criticisms that I may leveled at other aspects of this comic book, the art by Jason Fabouk is incredible. There are many amazing artists out there, who draw stunningly beautiful images, but it takes more than that to be an excellent comic book artist. A comic book artist is a storyteller just like the writer. The analogy I like to use, is that a comic book artist needs to be the director, the actors, the cinematography, and the editor all wrapped in one. Like a director they need to set up every image, the angle, what will be in the shot, etc. like a cinematographer they have to establish the look and visual tone of the story, and like an actor they need to convey all of the subtle emotions of every character in the story. An artist who can do all of that well and still make every image absolutely beautiful, is less common in the industry than you might think. I think somebody like the late, great Steve Dillon (Preacher, The Punisher)  is a great example of an artist that was incredibly gifted at storytelling and conveying complex array of human emotions. With this comic, I think Jason Fabouk has taken his first step into becoming one of the most elite comic book storytellers in the business. The work on display here is some of the best visual storytelling I’ve seen in a comic book in a long time. 

  With that out of the way, what do I think about the comic? I think there are two major issues that ultimately plague this story. First, the problem with telling a story like this, is that part of what makes The Joker so terrifying and so fascinating is that he doesn’t have a definitive origin. Sure, there have been hints over the years. Possibilities of who or what he was before he became The Clown Prince of Crime.  Writers like Alan Moore, Scott Snyder, Bruce Timm,and Paul Dini have all played with possible origins for The Joker. These stories worked because none of them were the character’s definitive origin. It was left ambiguous, the writers placed doubt in the minds of fans about how much of these possible backstories actually happened. Was any of it real? Even the recent JOKER film starring Joaquin Phoenix as Arthur Fleck/The Joker, made the audience question exactly how much of the films events actually took place and how much of it was all in Arthur’s head

The questions at the heart of this story are: How are there three Jokers? What does that even mean? Are there literally three different men, who have been The Joker over the years? What is the answer to the mystery of The Three Jokers? At least for me, the answer to that question is: I don’t fucking care. I would’ve been perfectly happy if DC never picked up this storyline again. In the JL story written by Geoff Johns that kicked this whole thing off, Batman asks the all-knowing Mobius Chair “What is The Joker’s true name?”. The chair replies and Batman is visibly shocked and disturbed by what he hears. He can only respond “That’s not possible“. On its own, that’s a cool moment. What the fuck did The Mobius Chair tell Batman? The Joker is already a character shrouded in mystery and darkness and this was a powerful and creepy moment. I think if it was left alone by DC, this could have been an intriguing addition to The Joker’s mythology. A question we’ll never get the answer to would’ve been so much more interesting to readers, because the unknown is always so much scarier than anything a writer can cook up.

To talk about my second major criticism of this story so far, I’m going to be discussing a pivotal scene in depth as an example of a larger concern I have with the project. So MAJOR, MAJOR SPOILER WARNINGS for the rest of the review!!!

Ok, still with me? Great. So, when Jason Todd AKA The Red Hood finally blows The Joker’s brains out, I thought: “About damn time!”.

You see, a common misconception is, that Batman has always adhered to a strict moral code, that kept him from ever taking a life. It’s important to point out that when Batman was created by Bill Finger and Bob Kane (It was actually MOSTLY Bill Finger, but Bob Kane gets all the credit). Batman‘s so-called “no kill“ rule, didn’t come from a creative decision by one of Batman’s creators. It came down as an editorial mandate from DC Comics. The Joker was originally supposed to die in his first appearance, but the character was so popular that the creators working on Batman at the time had to come up with a way for Joker to return. Batman couldn’t go around killing the entirety of what would become his whole rogues gallery! Of course this early version of Batman would kill The Joker! For a man willing to take a life, this was the exact situation where you take someone off the board. It was a way to keep Batman’s popular villains returning to the story. Another factor was that DC comics wanted to attract younger readers. Which was why Robin was introduced and Batman’s homicidal edge was softened. The hard-hitting, gritty, noir stores told in Batman’s early days, made way for more colorful and family friendly content. 

So when someone tries to convince you that Batman never kills because of a deep moral belief in the sanctity of life, you can say that’s bullshit, he doesn’t kill because the publisher wanted to make more money by having more readers and reoccurring, colorful villains. From the very beginning of Batman‘s career, he had no compunction about killing criminals. Batman even carried a gun in many of his earliest appearances. Many of the unfortunate thugs he came across found them selves with a bullet in the chest, thrown into a vat of acid, or strangling a man with a steel cable attached to The Batplane and flying through Gotham with the corpse still hanging from The Batplane. While Batman muses that the villain is “better off this way“. In fact here are some fun instances of Batman straight up murdering people…


   Which is why I find it so frustrating that certain writers, like Geoff John’s in particular, treat Batman‘s “no kill“ rule is if it was a sacred and fundamental part of the character’s ideology. It wasn’t a creative storytelling decision, it was a marketing one. Most of the other vigilantes in Gotham City have been trained by Bruce or work closely with him, so they also adhere to same, foolish “no kill” rule (with some notable exceptions). So when writers like Geoff John’s put Batman or one of his allies, in this case Barbara Gordon AKA Batgirl, in positions where all logic, emotion, and reason would lead to their character taking a life, the writers will go to extraordinary lengths to find reasons for their so-called heroes not to go through with it. This doesn’t make the heroes noble, it makes them look foolish and naïve. I’m not saying that Batman and his allies should start acting like The Punisher, but in extreme circumstances, extreme measures are appropriate. Unless a writer is willing to honestly tackle some potentially uncomfortable questions about his characters, then perhaps it’s a subject that is best left alone. If you’ve been successfully crime fighting crime in a cesspool like Gotham City for years, you’ve probably seen some of the ugliest things that humanity has to offer. Which is why it makes no sense that someone like Barbara Gordon, an intelligent, worldly, capable, and very tough woman would attempt to stop Jason Todd from murdering The Joker. The amount of suffering that The Joker has personally inflicted on Barbara and her family includes crippling and sexually molesting her, torturing her father, murdering her stepmother, and has killing literally thousands of people. Including successfully murdering Jason himself. Even though Jason eventually came back from the dead, as Jon Snow would tell you, that isn’t some shit you just forgive. For Barbara to feign outrage when The Joker is killed, is just silly and poor writing. However, I did enjoy what Jason says to Barbara after kills The Joker, posted below…

I’ll definitely read all 3 issues of Batman: The Three Jokers, but It’s mostly out of sense of obligation. New comic books come out each week and I still read every issue of my favorite ongoing titles. Batman is my favorite comic book character, so for better or worse, regardless of how this story ends it’s going to have a major impact of some kind on the Batman mythology. For that alone, I’d read all 3 issues just to see how it all plays out. That’s not exactly a ringing endorsement, especially if you don’t read comics every week like I do. I’m certain that DC is trying to attract new readers with a high profile book like this. In that regard, I suppose Three Jokers is successful. Most of my problems with the book were rooted in my long personal history with Batman and how I think the character and his world should be portrayed. As well as certain longtime comics books tropes present in the issue, that drive my nuts whenever they pop-up in a story. New readers might be the ideal audience for this comic book, even with my criticisms, it’s an undeniably entertaining book with beautiful art. Casual Batman fans wouldn’t bring as much baggage to the story as I did and it really only requires a basic knowledge of Batman and The Joker to follow what’s going on.

Final Words:
In a vacuum, taken for what it is, Batman: The Three Jokers is pretty good read, but it fails to justify it’s own existence. This new miniseries suffers because of some poorly written characters and will leave a lot of readers questioning why this story needed to be told in the first place. On the other hand, The Three Jokers is a solid book for casual readers and the art work by Jason Fabouk is gorgeous.

Batman: The Three Jokers #16.5/10

Update On Justice League: The Snyder Cut!

Hey Everyone,

Paul here…


    I’m really looking forward to the Zack Snyder cut of Justice League premiering on HBO Max next year. The more I hear about it the more I’m excited by it. Zack Snyder is a very polarizing figure among fans, personally, I find much more to like in Zack Snyder‘s work than there is to dislike. I love Man of Steel and though it’s a very flawed film, I love Batman V. Superman: Dawn of Justice. Based on some statements made by Snyder in recent interviews, it sounds like this project is more of a remake of Justice League than a director’s cut. Snyder has said he’s not using any of the material that Joss Whedon shot and the current runtime of The Snyder Cut is around 4 hours. I don’t know if HBO Max is going to release this as one big piece of content or divide it into a miniseries, but the bottom line is there is going to be a shit load of new stuff in this movie. New characters, new storylines, major scenes playing out completely differently. 

A bad ass fan made poster for The Snyder Cut

  A recent clip from The Snyder Cut that was released online is a perfect example of what I’m talking about. The scene involved Superman visiting Alfred after his resurrection, to get the information he needed to help the rest of The League win the day against Steppenwolf and his forces from Apokolips. The key difference in this new clip is Superman‘s wearing his iconic post-resurrection, black costume, which is a cool call back to The Death and Return of Superman storyline from the original comic books. In a recent interview, Zack Snyder said that Warner Bros. was vehemently against a black suited Superman, but to keep his options open, he shot the scene with a version of the Superman suit with the traditional red and blue, but the colors and the tone were slightly different from other red and blue suits that were used. This was done because those slightly different color tones are easier to change in post-production using VFX. Now Snyder could go back and change the color of the costume to a sort of “ash” grey cape and Superman emblem, on a black body suit. I posted the short clip below. It’s a small, but cool change. And when it comes to sneak peeks at the upcoming “Snyder Cut”, the changes for the better don’t stop there…

One of the worst things about the theatrical cut of Justice League was it’s villain, Steppenwolf. Not only was he an uninteresting and boring character, but the CGI design was terrible. When Batman V. Superman came out, a deleted scene called “Communion” was released online that showed Lex Luthor using the Kryptonian ship to communicate with a very different looking Steppenwolf. Much cooler and much scarier. You can watch that below if you haven’t seen it:

I loved this design, Steppenwolf is one of The New Gods, a servant of Darkseid. I loved this almost demonic, monstrous take on the character. Thanks to these images released online, we know that Steppenwolf has been completely redesigned for The Snyder Cut. This is clearly much more in line with the creature we see in “Communion”. Take a look…

Zack Snyder posted this image of a WAY cooler looking Steppenwolf from The Snyder Cut
Steppenwolf concept art
More Steppenwolf concept art. A much cooler design, in the vein o& the “Alien” films

 I thought it would be very interesting to see that same aesthetic applied to Darkseid and the other New Gods. Now, with Zack Snyder’s Justice League, it looks like I’ll get my wish. Darkseid was originally going to be the main villain of the film and with the added emphasis put on The Lord of Apokolips in the first teaser for The Snyder Cut, we should expect to see Darkseid as a prominent figure in the film. Early in the theatrical cut of Justice League, we’re show an ancient battle sequence at the beginning of Justice League, which features Amazons, Atlanteans, human armies, the old gods, and even a Green Lantern, fighting together to push back the forces of Apokolips, lead by Steppenwolf, during their first invasion of Earth. In the teaser for The Snyder Cut that I just mentioned, the invasion is now lead by Darkseid. Here’s that teaser to refresh your memory:

A low res image of Darkseid during the first Apokolips invasion of Earth
Rough concept art of Darkseid during his invasion of Earth. In his younger days, Darkseid was known as Uxas.

Interestingly, in one of his recent interviews Zack Snyder mentioned that the film won’t even be called Justice League anymore. I’m not sure what the new title will be and if the change is for legal or creative reasons, but we’ll find out sooner or later. DC  is currently gearing up for a big event on August 22nd called DC FANDOME. The 24 hour online event will be showcasing DC characters and properties across all mediums. There’ll be some big announcements about upcoming DC projects in film, comics, TV, and more. We should definitely expect to get an update on The Snyder Cut in some form or another. It could be another trailer or new information, but regardless we will be comprehensively covering the DC FANDOME event here at World’s Best Media. For more on DC FANDOME, go to http://www.DCFanDome.com !

A young Darkseid battles Ares.

So are you looking forward to The Snyder Cut? Let me know you thoughts in the comments below!

This concept art shows an alternate design for the Parademons. This look will not be in the new film, it’s just a cool
“what if” that I wanted to share..

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

PODCAST: Is Michael Keaton Returning To Play Batman?!!!

Hey Everyone,

Paul here…

On this week’s episode of The World’s Best Podcast, Big Paul Sr. returns to the show for a sobering reminder of how aging can lead to a steep cognitive decline! More importantly, we cover the big news of the week: Michael Keaton may be returning to play Batman alongside Ezra Miller’s Flash, in the upcoming Flashpoint movie? The man who many people think is still the best to ever wear the cape and the cowl, returning to the role of The Dark Knight is extremely exciting!

Getting a Flash movie to the big screen has been an enormous struggle for DC and Warner Brothers. The film has already gone through multiple writers/directors and was originally scheduled for release more than two years ago. Barring anymore disasters, The Flash is going to be helmed by Andy Muschietti, who directed the recent hit horror films, IT and IT: Chapter Two. Despite all the drama behind the scenes, one thing has remain constant: The Flash film will be an adaptation of the seminal Flash storyline, Flashpoint.

Written by Geoff Johns with art by Andy Kubert, Flashpoint told the story of Barry Allen (The Flash) going back in time to prevent his mothers murder. However, changing this one event has dire and far reaching consequences that Barry never could have foreseen. Barry finds himself in a much darker and dangerous version of the DCU that he knows. Kind of like Back To The Future II. However, one of the most significant and interesting changes is revealed when Barry heads to Wayne Manor to seek out the help of his friend and fellow JL member, Batman. When Barry enters The Batcave, a nearly psychotic Batman attacks him. At which point Barry makes a horrifying discovery, the man underneath the bat cowl is actually Thomas Wayne, Bruce Wayne’s father! As a result of Barry‘s manipulation of the timeline, one of the major changes effected the creation of The Dark Knight on that fateful night in Crime Alley, in Gotham City all those years ago when The Wayne’s were attacked by a mugger. Bruce was now the one shot and killed, instead of his parents. So Thomas Wayne became Batman. A much more violent and unhinged Batman. Working together, Barry and Thomas Wayne set out to fix the timeline. That’s the set up.

This is just speculation on my part, but like a lot of comic book adaptations of specific stories, I think a lot of liberties will be taken with the source material with this Flashpoint film. A good example is Captain America: Civil War, that story was based on the miniseries Civil War and is vastly different from the source material. So what I think will happen is, maybe instead of an alternate timeline, Barry will enter an alternate universe, like the universe of Tim Burton’s Batman and that’s where he’ll meet and team up with Michael Keaton‘s Dark Knight. Maybe he travels to another alternate universe with Barry, I don’t know how it will work. But you can definitely see how they could fit Michael Keaton’s Batman into a story like this. 

I know DC also wants to use Keaton in a role similar to Nick fury in the MCU, one example that’s been rumored suggests Keaton’s Batman showing up in a Batgirl movie. However, I think if DC and Warner Bros. want to do a film about a young Bat-themed hero, they would be crazy not to adapt Batman Beyond. It works perfectly, an older Bruce Wayne played by Keaton, training Terry McGinnis as the next Batman in futuristic Gotham City. It was a phenomenal TV series and it could be a phenomenal film series, as well. 

Bottom line is, there a lot of thrilling possibilities with Michael Keaton returning to play Batman and all of them are exciting! We get into in all on this episode so, enjoy!

The Flash or Flashpoint (whatever they end up calling it) is currently set to hit theaters on June 3, 2022  

Lastly, DC Animation did an adaptation of Flashpoint, called Justice League: The Flashpoint Paradox. Not only is it one of their best animated films, it’s also one of my favorite superhero movies of all time, period. I highly recommend you checking it out, you can find it on iTunes and other streaming services and I have included a link where you can purchase Justice League: The Flashpoint Paradox (for pretty damn cheap) on Blu-ray: https://www.bestbuy.com/site/justice-league-the-flashpoint-paradox-blu-ray-2013/9343093.p?skuId=9343093&ref=212&loc=1&ref=212&loc=1&gclid=Cj0KCQjw3Nv3BRC8ARIsAPh8hgLwh_kLVKQR71iVmaxPM7yK8_G8RZxXtQSCwppslGvgdcOhDdynn2MaAjyHEALw_wcB&gclsrc=aw.ds

Listen here: https://www.spreaker.com/episode/33382238   Or subscribe on Stitcher, Spreaker, iHeartRadio, Deezer, Podchaser, Castbox, Podcast Addict, Google Podcasts, & Apple Podcasts/ITunes…

iTunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?i=1000479658504

Stitcher: https://www.stitcher.com/s?fid=185563

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

Batwoman Season 1: The Good, The Bad, and What to Do in Season 2


Written by Michael Cole

*Note: This article was written before the announcement that Ruby Rose, the actress who plays Batwoman, has left the series and will be replaced in Season 2.

Batwoman Season 1 ended almost two weeks ago, and I had intended to write a review on here when that happened, but I hadn’t realized the season had ended because it was an abrupt, COVID interrupted season. I won’t hold that against Batwoman obviously, and please don’t hold my tardiness on this subject against me.

I’m going to be frank with you, and tell you that while I might be in the minority, I really enjoyed Batwoman. I think there was a ton of things that were done really well. I also recognize that it had several faults, and I’m not blind to those. I think, for the sake of redemption, I will start us off with the parts that I don’t like, and work towards the things that made this show work for me.

What Fails:

I think it was back before the mid-season break, I had a conversation with Paul about the show, and one of the things that he pointed out that made no sense what-so-ever was the idea of The Crows. As I watched the second half of the season with this in mind, I realized he was completely right. The Crows, are Gotham’s premium and private ‘police’ service. They don’t exist in place of The GCPD, but in addition to it. They’re essentially independent contractors acting like Police, but with less restriction, and seemingly less self-restraint. A local law enforcement version of Blackwater.

At best, their existence doesn’t make any sense. With the appearance of Batwoman, a vigilante acting outside of the law, of course The Crows declare her to be a dangerous criminal who must be brought to justice. Complicating matters, The Crows are lead by Commander Jacob Kane (Batwoman’s father, who has no idea that his daughter is the vigilante). In similar situations like Arrow, Batman, or even Spider-Man, if a hero or vigilante is seen as a criminal, they’re usually being accused as such by the police. While there is room for argument on the morality of vigilante justice on either side, the legality of the situation is clear because The Police Dept., The D.A., are all part of law enforcement that governments put in place to protect the public. It all makes some sense. This isn’t the case in Batwoman with The Crows because they’re a private company, not operating with any kind of government oversight. The potentially interesting morality/logic of that dynamic isn’t really touched upon until the last episode or two, and even then only in passing.

Along with The Crows and their non-sensical existence, is Commander Kane. I think he fails on pretty much every front. I think the performance, with him trying to sound grizzly and hardened comes off as two dimensional and uninteresting. As for the characterization, he’s written to have the same black and white moral code that someone like Quentin Lance on Arrow had, but again Lance existed within a real Police Dept which made much more sense. Also, while Lance may have been tough on his children and perhaps a bit too rigid, he never really wrote them off. Whereas Kane’s love is barely existent at best, and far from unconditional. Do I think we need to portray every parent as having unconditional love for their children? No, but in these types of characters and stories it leads to some interesting inner conflict. Trying to justify your unconditional love for your children, when your children test your own moral code, makes for fascinating character drama. Commander Kane doesn’t do that. There are very few, if any, moments when it appears that indicate if he finds out his daughter Kate is Batwoman, that he’ll hesitate to treat her like any other criminal.

My last complaint about the show will probably be more controversial and this is way more a matter of opinion, but Kate sporadically write’s letters to the missing Bruce Wayne. It’s not the idea that she’s writing them that doesn’t work for me, it’s more a matter of delivery. There is something about it that comes across as awkward and unnatural, it interrupts the flow of the show. I think it is possible that it’s Ruby Rose, who is Australian, trying to do an American accent in these long slow, uber-articulated monologues, that doesn’t work.

What Works:

Three characters work perfectly for me on this show, there will be some mild-spoilers.

I think The Big-Bad, Alice, head of the Wonderland Gang, works perfectly. I would make the argument that she may be the best villain in The Arrowverse this season. Alice, as we learn very early on, is Kate’s twin sister, Beth. Beth was believed to be killed in a car accident when they were both 12 or 13. As the season plays out, we get to see how Alice isn’t just a menacing thug, but a deeply troubled (and for good reason) woman, who is trying to get reconcile a sense of normalcy with her sister and revenge with her father, step-mother and sister. Every emotional twist and turn is believable within the circumstances, and the performance by Rachel Skarsten rides those emotions completely and makes you feel genuine empathy for her, while also understanding that she must be stopped. I would argue that her character’s complexity exacerbates how poorly Commander Kane’s character is developed.

Alice’s right-hand man, is Mouse, who we learn is the son of the man who took Beth from the accident, and through neglect and abuse, turned her into Alice. Mouse is himself a very damaged man from his father, in addition to some physical scarring. Mouse has the ability to mimic any voice, and with Beth’s help, to make skin masks. He can turn into nearly any one within the show. It’s not Mouse’s abilities that make him interesting though. It’s his relationship with Alice/Beth. He starts off as her best friend, trying to help her exact her revenge. But as soon as Alices plan shifts from revenge to reconciliation, he begins to fear she’ll abandon him for not being enough. As well as expressing his own desire to eventually get away from Gotham and the chaos and pain he sees as being a symptom of the place.

Lastly, is Mary, Kate’s step-sister. Mary starts the show off appearing to be a vapid socialite, but its quickly revealed that she’s actually running an underground clinic for those who cannot afford emergency medical attention. She helps Batwoman early on, making something of a connection with her. Even as she struggles throughout the season with her relationship with Kate, which is strained by Kate’s distance, and Kate’s inability to let go of Beth. Mary’s feelings of inadequacy and longing to bond with Kate are well developed and expressed, and it comes to a head when she finds out Kate is Batwoman and Kate still refuses to tell Mary her secret.

How to Move Forward

The other three main characters in the show are a bit of a mixed bag for me. I think Ruby Rose as Kate is very good at the aloof part of the character, but in the genuine moments of connection, I think she’s still seems to struggle. It’s likely that they are trying to draw a parallel between her and Bruce Wayne, (but as someone who knows very little of the comic version of Bruce Wayne, take that with a grain of salt). However when you have so many characters who do have an emotional connection with Kate, like her sisters, her father, Luke Fox , or Sophie (her ex-girlfriend who works for her father on The Crows) the performance doesn’t work as well for me.

I think Luke had a pretty good second half of the season, but he didn’t start off great. There was a flatness in the character or the performance and it just didn’t work. What eventually won me over, is two-fold, Luke is very clearly the voice for the absent Bruce. As his relationship to Kate developed, he even shares things that perhaps he never would, about his loneliness, his responsibility. We also see Luke’s own dedication and search for justice by finding his father Lucius’s killer, and how he will risk his own life in order to protect his father’s secrets. As a small side note, Luke is the guy back at HQ role, so I like that he is very different from similar characters in The Arrowverse like Cisco, Felicity, and even Winn.

Sophie probably would have made the first section, except that I’m not sure she’s made enough of an impact on the show yet to say she’s failing. Sophie is kind of a bland character, who’s at her most interesting as we see her and Kate struggle throughout the beginning of the series. With Sophie being closeted and Kate being out, how this tore them apart in military academy, and is married to a man. On top of all that she also works for Kate’s father, it’s impossibly complicated between the two of them. The writers seem to have trouble picking a lane with Sophie, she’s not bold and empowered, nor is she timid and weak. She kind of flip-flops back and forth.

Going forward, into season 2, I think that these three characters can all be improved and really work for the show. I think with Kate, they were starting to work on the aloofness problem in the last couple of episodes, (maybe if they’d been given the whole season run I wouldn’t have this complaint at all). The same can be said with Luke, I think he was a slow start, but they’re getting there, and I hope that they go even further with him. With Sophie, I think she kind of has to embrace herself more in season 2, even if she goes a bit overboard at first, it would make sense, and propel her forward.

I think they should find someway in season 2 (and I kind of think they may have been working toward this at the end of season 1) of getting rid of The Crows. They just don’t work. Getting rid of them wouldn’t be difficult from a writing stand-point, and I would argue that if you just put one character in (a Mayor or something) who realizes how ridiculous they are, dismantling them could take a couple of episodes tops.

As for Commander Kane, there are three options that I see, they could kill him off, try to turn him into a human with emotions (I don’t really think this works without ignoring some of what we already have seen of him), or lastly make him outright a villain. The series could dismantle The Crows and Kane could become a vigilante hell bent on avenging them, it’s the only way I think you can keep him on the show and have him work. I just really think the dude is broken beyond repair.

The letters to Bruce Wayne are maybe the toughest fix. I think the series has been fairly inconsistent in doing them to be completely honest, I think maybe they should just get rid of them altogether. At the end of the finale, Alice has transformed the villain Hush, into a doppelgänger of Bruce Wayne. I think having a few episodes of ‘Bruce Wayne’ around will make the letters redundant. Unless Kate knows right off the bat (I swear that wasn’t intended) that he’s not the real Bruce.

The Verdict:

The show has a lot of potential, and needs a lot of growth, but I think it’s a worthy inclusion to The Arrowverse. If they work out the kinks in Season 2, there could be some really cool opportunities for interesting character work. Don’t go in expecting a finely tuned machine, but a diamond in the rough.

Article by Michael Cole

Awesome Art From The Upcoming BATMAN Story Arc From DC Comics: JOKER WAR!

Hey Everyone,

Paul here…

It’s been an open secret in the world of comic books that The Joker knows, and has always known, that Bruce Wayne is Batman. He just doesn’t care. It wouldn’t be funny for him to sneak into Wayne Manor in the middle of the night and put a bullet in Bruce Wayne’s head while he’s sleeping. It’s Batman who he’s interested in, Batman is his playmate.
Well after years of teasing it looks like The Joker is finally going to pull the ripcord on pretending he doesn’t know that Bruce Wayne and Batman are the same man. He’s finally going to play that Ace up up his sleeve. This awesome art from Jorge Jimenez gives us a little preview of things to come in the upcoming Joker War storyline. It certainly looks like The Clown Prince of Crime is not holding back.

To add another interesting wrinkle to the story, The Joker’s got a new girlfriend and her name is Punchline. The Joker and Harley has been consciously uncoupled for several years now, with Harley Quinn leaning more into hero than villain territory these days. So it looks like Mister J. has moved on to a woman who is more interested in keeping up with his bloody, homicidal antics. We’ve only seen a little bit of Punchline in the current Batman comics, but expect her to play a bigger role as we get closer to Joker War. Here’s more beautiful art by Jorge Jimenez, who designed Punchline, so you can get a better look at the character and how she is different from Harley Quinn.

Joker War will be written by James Tynion IV, the current writer of DC’s monthly Batman comic. Tynion’s been doing excellent Batman work at DC for several years now, on books like Detective Comics and his current run on Batman. He also worked closely with Scott Snyder, arguably the greatest modern Batman writer, on Snyder’s Batman books as well as co-writing multiple issues of Snyder’s recent run on Justice League. This storyline has been teased for awhile now and we’ve been treated to sneak peeks at The Joker while he’s planning his masterpiece.


As you can see in the images below, any doubt about how much knowledge The Joker really has about Batman and his family, is quickly erased…

Because of the national health crisis, there haven’t been any new monthly comic books shipped to vendors over the last few weeks. Regular comic book distribution to Comic Book Store‘s and apps like ComiXology, is expected to begin again in mid-May, in a few weeks. So the release dates of storylines like Joker War, that were supposed to start at the end of April or the beginning of May with Batman # 95, No loolike a late May or early June beginning for the joker war. Fortunately however long it takes, things will get back on track. This is definitely going to be a big story for the Batman franchise so look for more coverage when Joker War begins in late May or June. I know I’m excited!

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul,

FIRST LOOK: The NEW Batmobile!

Hey Everyone,

Paul here…

  We got our first look at the new Batmobile from the latest big screen incarnation of The Dark Knight, The Batman directed by Matt Reeves and starring Robert Pattinson. People always tend to get excited about the new Batmobile whenever a new Batman project is on the horizon. Folks get almost as excited about the car as they do about the Batman suit. I love the more grounded look of this design, something that looks it’s based on a souped up Dodge Charger. Take a look at the pictures posted below.

Personally, my two favorite versions of The Batmobile are The Tumbler from Nolan’s The Dark Knight Trilogy and the futuristic Batmobile from the classic animated series, Batman Beyond. But like I said before, I really like this new look for The Batmobile, it’s definitely a different direction to go in.

Batman Beyond Batmobile
Batmobile AKA The Tumbler from Nolan’s The Dark Knight Trilogy

There has been a few rumors going around lately that The Batman will feature Robin in someway or another. This new Batmobile design lends some validity to the rumors because, as many others have pointed out, this Batmobile is very similar to the version Batman had when he met the boy who would go on to become the second Robin, Jason Todd. Batman caught him trying to steal the wheels off of the Batmobile and decided to take the orphan boy in. It shouldn’t have been much of a surprise to readers that Jason was eventually beaten to death by The Joker with a crowbar and was still inside the warehouse where The Joker was keeping him when the building exploded. A kid who tries to steal the rims off the fucking Batmobile isn’t exactly the brightest bulb around. Anyway, the similarity between the two designs are leaving some people to speculate that Jason Todd may appear in this new film in some way. Personally, I’d rather see Dick Grayson or Tim Drake, but I’ll take what I can get.

This is similar to the speculation that was taking place a few weeks ago after images of Robert Pattinson as Batman on his motorcycle surfaced online. The Bat-Suit Pattinson was wearing and the bike he was riding, were very similar to the suit and motorcycle Batman in Scott Snyder and Greg Capullo’s story Zero Year.

Batman from the “Zero Year” storyline

I really dig everything I’ve seen so far from The Batman. Do you like the new design?Let me know what you think in the comments below!

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again!

-Paul,

FIRST LOOK: Robert Pattinson In The New Costume From The Upcoming Film, THE BATMAN!

Hey Everyone,

Paul here…

  A cool little surprise hit the Internet today, with our first official look at Robert Pattinson suited up as The Dark Knight Detective himself, in the upcoming film directed by Matt Reeves, The Batman. This first look came courtesy of some test footage released of Pattinson in the new costume. It’s only about a minute long and we don’t get to see the full costume, but what we do see is very intriguing.  I don’t want to over analyze things because we really only see the costumes from the mid-torso up. I will say, from what we do see, I thought it looked great. Pattinson certainly held himself well in the costume.

The Bat-Suit has been clearly influenced by the popular Arkham games, which has an armored, segmented design that you can see in the torso. Taking inspiration from the classic Arkham game series is a smart idea because the costumes on display in the games look both functional and beautifully designed. They are fantastic.





I also felt that there was a hint of Batman Beyond in the suit’s look, I can’t put my finger on. exactly what, but something about it felt a little Batman Beyond to me. Anyway, take a look at the costume in the video below and judge for yourself:

The Batman” hits theaters on June 25, 2021.

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again!

-Paul

Get Ready for Crisis On Infinite Earths With Our CRISIS PRIMER!

Hey Everyone,

Paul here…

   After almost a year of build up, The CW’s DC Mega-Crossover Crisis On Infinite Earths is about to begin. So I thought this would be the perfect time to post my Crisis Primer, something to give you a little bit of information you might not otherwise have known. Here you’ll find out where and when to watch everything Crisis, as well as some fun little side projects that you may want to take a look at! I hope you like it!

     By far the most ambitious project taken up by The Arrowverse, the 5-part crossover starts Sunday, with Chapter 1 on Supergirl, Chapter 2 on Batwoman, and Chapter 3 on The Flash. Chapter 3 will presumably end on a cliffhanger of some kind when all of the shows go on their annual winter hiatus. The epic story will finish off it’s final 2 chapters, with both installments airing on the same night , January 14th with Arrow at 8pm and Legends of Tomorrow at 9pm. 

  The CW will also be airing a 2-part special, Crisis Aftermath, hosted by mega-fan and frequent Arrowverse director, Kevin Smith (Smith has directed multiple episodes of Supergirl and The Flash, including what is widely considered to be one of the best episodes of The Flash, “The Runaway Dinosaur”). Part 1 of the special will air Sunday night after Supergirl and Part 2 will air after what is sure to a huge cliffhanger installment of The Flash on Tuesday night. The special will include interviews, behind the scenes looks, and more! Including host Kevin Smith, breaking down the big moments and reveals of the crossover along with a panel of guests including various cast members from The Arrowverse shows like Jon Cryer, as well as the series writers and showrunners. Also appearing on the panel, will be the legendary Kevin Conroy, who after playing The Caped Crusader in Batman The Animated Series as well as countless other movies, video games, and TV shows, will be making his live action debut as Bruce Wayne during Crisis (Conroy’s appearance in Crisis is one of the things that has me most excited about the crossover). 

  In one of the most recent trailers for Crisis On Infinite Earths, The Monitor tells the gathered heroes that they must find seven champions throughout time and space, that can help stop The Anti-Monitor and Crisis. I’m sure there will be more to the story than this, but I think that’s a great idea because it’s a cool way to get interesting characters off on missions together who don’t always interact with one another. Watching them find other cool DC character that will certainly be fun to see. So with Crisis coming right up, I thought it might be fun to share my picks (or my guesses) for who exactly“The Seven Paragons” or heroes that The Monitor needs assembled to help save The Multiverse. A group I’m calling… THE MONITOR’S MAGNIFICENT SEVEN! So let’s get started!

  1. Kingdom Come Superman –

This one seems like a no brainer. Despite the many flaws of Superman Returns, Brandon Routh was not one of them. If early buzz is to be believed Routh absolutely crushes it in his return to The Man of Steel.

2. Future and/or alternate reality Bruce Wayne (played by Kevin Conroy)

We already know that Brandon Routh Superman is from the classic Mark Waid and Alex Ross story Kingdom Come. From what little we’ve seen of Bruce Wayne in in the trailers he is wearing some sort of exoskeleton from the neck down that helps him move around. In Kingdom Come, Batman wore something very similar. After decades of crime fighting, his body was essentially broken so he wore a full body brace much like the one we see in the promos. Which leads me to believe that this version of Batman/Bruce Wayne is also from the Kingdom Come universe. Bruce Wayne is another sure bad for the seven heroes.

3. Tom Wellings’ Clark Kent (Smallville’s Universe)

This is another obvious one, but it won’t be any less fun to see. I can’t wait to see a scene that has all three superman together in one room.

4. Black Lightening

They kind of give this one away in the trailer. It’s pretty apparent that Black Lightening is very important to the heroes’ plan to stop The Anti-Monitor and the antimatter wave. Another good bet.

5. Lex Luthor

Considering that The Monitor resurrected him from a lethal gunshot wound delivered by his sister and has been keeping him in his own weird, little, pocket dimension where Lex continuously beats him at chess, I think Lex is a strong contender for one of The Seven. As The Monitor says to Lex, this is his chance to prove he’s the hero that he’s always said he is, but will Lex take it?

6. John Wesley Shipp’s Barry Allen


Even though his Earth was seemingly destroyed in Elseworlds last year, he was certainly able to stay one step ahead of The Monitor. He seems like a prime candidate for The Monitor’s Magnificent Seven.

7. Ryan Choi AKA The Atom (Osric Chau)

Sadly this will be Brandon Routh‘s last season on Legends Of Tomorrow. However, that doesn’t mean The Atom will be leaving the team. In the comics, Ray Palmer has a protégé who becomes the second Atom and he will be introduced during Crisis. After the crossover, he’ll be taking up residence with the rest of the crew of The Waverider. I still think they’re going to throw a few surprise characters at us, so this one is a longshot but I figured, what the hell?

  DC and The CW also took the opportunity to drop our first look at the new season of Legends of Tomorrow. Legends typically has a shorter season than the rest of The Arrowverse shows, so the first episode of Legends this season will be in the crossover. However, it’s technically not the season premiere. It’s being billed as a “special episode“ with the official season premiere airing January 21st. Check out the trailer:

    DC is also publishing a 2 issue tie-in comic to go along with the crossover. Usually tie-in comics like these follow characters or events that may have been mentioned in the main story, but weren’t heavily featured or touched upon. They can be a cool look at what some of the other characters may have been up to that we don’t see on screen during the main crossover. The stories are co-written by original Crisis on Infinite Earths writer Marv Wolfman and Arrow showrunner Marc Guggenheim.

The very cool cover was drawn by classic DC artist, Jerry Ordway, who worked on the original Crisis as well. Ordway’s cover features Green Arrow, The Flash, Kid Flash, Supergirl, The Ray, and Felicity Smoak. Kid Flash, The Ray, and Felicity aren’t appearing in Crisis, which shows my point that these tie-in comics typically feature side adventures focusing on characters that aren’t in the spotlight of the main story. I couldn’t find an exact release date for either issue, but they’re expected to hit stands in January and February 2020, 

Finally, we have one last trailer for Crisis before it begins and I think it’s my favorite so far. One of the previous trailers had that fantastic line from Brandon Routh’s Superman, “Hope is the light that leads us through the darkness“, but it is a think this one has it beat with Kevin Conroy‘s Bruce Wayne delivering this killer line: “Battle not with monsters, lest you become a monster.” Hell yeah, Batman. Watch it here:

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, which go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again!

-Paul

*Oh! I almost forgot! One last thing, I really think we are going to see Diggle wield a Green Lantern power ring in Crisis. They’ve been teasing it for years and if there’s any place to do it, it’s here. Fingers crossed!

REVIEW: Titans Season 2 Finale!

Hey Everyone,

Paul here…

Titans is a weird show. In a television landscape filled with superhero shows, Titans doesn’t quite feel like anything else on TV or streaming at the moment. It may share some superficial similarities to other comic book shows, but the series has an “X factor” that’s hard to define. Titans is about a group of young heroes (some only in their mid-teens) trying to find their place in the world. Though it isn’t made explicitly clear how old the most senior members of the Titans are, they seem to be in their 20s at the oldest. The series is also extremely dark, violent, and graphic. I have no doubt that the violence and language on this show would earn Titans a hard R-rating if it were a film instead of a streaming series. The combination of a young generation of heroes, the ultraviolent nature of the series, along with it’s willingness to dive headfirst into the rich character and story history of DC Comics, makes for a very unique tone.

The series borrows from some fantastic DC Comics stories and characters, both big and small. Some of which like Bruce Wayne (Iain Glen from Game of Thrones) who is recurring character throughout Season 2, were off-limits to television until just a few years ago. Warner Bros. used to have this pretty stupid rule where they did not want their A-list characters like Batman or Superman to ever appear on any of their live action TV shows when a big screen counterpart was currently being depicted in a movie series with a different actor in the same role. For example, while Christian Bale was still officially Batman, a show like Arrow could never introduce their own version of Bruce Wayne. I think people can tell the difference, it’s almost like they think the audience will be too confused by 2 versions of the same character in completely different mediums. Fortunately, this policy seems to slowly be going away bit by bit.

Iain Glen looking cool as fuck as Bruce Wayne

Titans always has a lot of balls in the air. I’m always surprised at the sheer amount of story and concepts that they introduce in any given season. I’d find myself thinking, how are they going to tell a cohesive, season long story with all of these disparate elements at play? For me at least, it works (in it’s own unconventional way). The strength of this series lies with it’s characters. The Titans themselves are the beating heart of the show. This might seem obvious or a necessity for any successful TV series (or streaming series, in this case), but some shows rely on the intricacies of a complex plot more than others. Shows like Lost, Battlestar Galactica, The Wire, and HBO’s recent Watchmen are all great examples of shows that work like a finely tuned watch (not to say that these shows don’t have fantastic characters, it’s just that these examples are much more dependent on plot driven storylines). All the pieces of the story come together to form something extraordinary. For Titans, the magic happens when the show is at it’s most character driven.  DC hasn’t been quite as successful as Marvel at bringing some of it’s less well known characters to life, but when it comes to Titans, they have some deep enough cuts that there’s excitement in just seeing these characters brought to life and brought to life well. Whether it’s Dick Grayson violently confronting the man who murdered his parents, or Raven banishing her demonic father, Trigon, back to Hell to save the world and her newfound Titans family. Truly great shows can have their cake and eat it too: a thrilling, well plotted story and rich, fascinating characters. I enjoy the hell out of Titans, but keep your expectations in check if you decide to give it a watch. So for this review of the Season 2 finale of Titans, I’m going to be focusing on the characters first and foremost.

Season 1 was very much Rachel and Dick‘s season. Things are spread out much more evenly through Season 2, I think to the shows benefit. With new characters being introduced and some side characters from season one now having larger rules, the show has become more of an ensemble. Which is exactly what it should be because Titans is team show. Characters like Donna Troy, Connor Kent, and even Hawk and Dove had some great material this season. Gar felt like the odd man out. Very interesting character and I wish they gave him more to do. The same goes for Jason Todd, while he did have a good amount of screen time, he took a backseat in the latter half of the season and we didn’t get much closure regarding where he’s heading going into Season 3.

Jason Todd – The 2nd Robin after Dick. He’s the kind of guy who for example.,

If I had to say there was a central character this season, I’d probably have to go with Dick. The last two years of the show have been about his emotional journey, culminating in his transformation into Nightwing. Season 1 was all about Dick’s search for identity. So much of who he is was defined by his relationship with Bruce Wayne, a man that he has a great deal of anger and resentment towards. A really nice recurring aspect to this season was that we slowly got to see Dick and Bruce rebuilding their relationship with one another. 

      Unfortunately, when you’re a superhero there’s always more torment and angst right around the corner. Dick may have worked through his issues with Bruce in Season 1, but Season 2 is all about him dealing with the guilt he for his role in how the Titans originally broke up and the lives that were destroyed during that time. 

The original Titans team: Donna Troy, Aqualad, Dick Grayson as Robin, Hawk, and Dove.

    In case it’s not clear, years before Dick met Rachel and began this new version of The Titans or Titans 2.0, there was an original teen that formed years before the group we meet in Season 1. The original Titans included Dick as Robin, Donna Troy, Hawk and Dove, and the tragically fated Aqualad. Garth AKA Aqualad was in love with Donna Troy and had been for years. She loved him too, but her sense of duty clouded her judgement and she repressed her feelings for Garth. I think a lot of us can relate to that situation, especially when you’re young pining after someone for years. You want to be with them so bought bad your chest aches.

Garth AKA Aqualad not only had sick water-kinesis powers, but he was also in love with Donna Troy. Very shortly after they finally got together, Garth is killed by Deathstroke

Speaking of Season 3, like the Superboy and Krypto teaser at the end of Season 1, we get a brief teaser at the end of the episode showing Kory’s sister Blackfire arriving on Earth, presumably to wreak havoc on her sisters life. Lex Luthor is also directly referenced at one point in the episode. When the shit hits the fan with Cadmus as the Titans fuck up that whole operation, Lex puts in an angry call to Mercy Graves. Mercy is Lex’s right hand woman and the person responsible for brainwashing and weaponizing Connor and Gar. With Superboy now a big part of the team and such a public disaster for Cadmus in the season finale, I wonder if we will get to see this show’s version of Lex Luthor, much in the same way we got to see the show’s version of Bruce Wayne this year? At the very least it seems like Blackfire (Kory’s evil sister) will be a major villain in Season 3 since it was just announced that she would be joining the show as a series regular in the next season.

Connor Kent AKA Superboy and his superpowered dog, Krypto

 By the end of the Season 2 Finale, the team finally looks and functions like a classic version of the Teen Titans from the comics. A big part of this is the fact that finally, at long last, Dick Grayson has become Nightwing. A debut that fans have been waiting for since pretty much the first episode of the series. This a good example of how the series can struggle with pacing and the problems with how they choose to unfold their stories. Most fans of the show would probably say Dick finally becoming Nightwing is about a season and a half overdue. However, despite the wait, the long overdue debut of Nightwing was pretty fucking awesome. The costume look great and seeing Nightwing swoop in to save his friends from Deathstroke was sick. Dick’s final face off with Slade, swords clashing against Nightwing’s classic electrified batons and all, was very fun and satisfying. 

This Nightwing uniform is pretty damn perfect.
Slade’s estranged daughter jumps into the fray to help Dick, now Nightwing, take her father down.

    As much fun as the fight was, it was another example of how the series struggles to handle plot and pacing. Deathstroke has been the main Season 2 antagonist, but about half way through the season, a subplot was introduced involving Superboy (Connor Kent), Beast Boy (Gar Logan), and the sinister Cadmus Labs. Cadmus is a front for Lex Luthor, run by his right hand woman Mercy Graves, to sell meta-human weapons on the black market, with the captured Conner and Gar as the star products. Cadmus was certainly a cool and interesting element throughout the season, but it was a little jarring to see Deathstroke finished off so early in the episode with the focus of the finale entirely shifting to rescuing Connor and Gar and taking down Cadmus. 

Gar and Connor shortly before they’re captured by Cadmus.
Gar AKA Beast Boy in his Tiger form

  The sequence itself was a lot of fun and had some great moments, but then a major character is killed off almost out of nowhere with relatively little fanfare. Again, while it didn’t kill the episode, it was certainly an odd choice. This episode is a great showcase of what’s great and what doesn’t work with Titans. 

This man has Batarangs and he knows how to fucking use them.

     I’d also be remiss if I didn’t comment on Iain Glen‘s great performance as Bruce Wayne throughout Season 2. I didn’t think he would be as much of a presence on the show as he was. I thought he would maybe have one or two cameos in a few episodes, but he ended up being in quite a few. I really liked his take on Bruce Wayne, it’s definitely not a side of the character we’ve seen much of and certainly not at all in live-action. He’s an older, more paternal version of the character and despite his darkness and cynicism, you can see the genuine happiness it brings him to reconcile with Dick. There are a few scenes where you see that Bruce is just as emotionally vulnerable about their relationship as Dick is. It’s in moments like those that show us glimpses of the man whose trauma stunted him somewhat developmentally. He never quite grew up completely. It’s a really insightful take on Bruce Wayne and I applaud the writers and Iain Glen for going there. My only complaint would be that a significant portion of Bruce Wayne‘s presence in the season was a hallucination in Dick’s mind. Since this wasn’t really Bruce, just Dick’s perception of Bruce within his subconscious, Glen is basically playing another character.  There’s hallucination Bruce and there is real Bruce. Even though we got quite a bit of the real Bruce present throughout the season, the hallucination Bruce probably represented a third of his appearances throughout. I wanted to see much more of the real Bruce. I really like the actor and his take on one of the most complex and multifaceted individuals in all of fiction, was always fun to watch.  

To wrap things up, Titans is by no means a perfect show but it is a lot of fun. Season 2 was a large improvement over Season 1, but they still have some work to be done when it comes to plotting and execution of their storylines. If you’re a DC fan in particular, there’s a lot to love here. The characters are great and by the end of the season the show is starting to look a lot like the Teen Titans we’ve read in the comic books for years. If you don’t have DC Universe, Titans Season 2 will probably be available on iTunes and Blu-ray soon. This show gets my recommendation as long as you go into it keeping your expectations in check.

TITANS Season 2 Finale = 8/10

Thanks for reading! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again!

-Paul

Why Making A Sequel To JOKER Is A Bad Idea

Hey Everyone,

Paul here…

A man dressed as a clown writhing in pain, in a filthy alley, as he clutches at his groin. Hey man, we’ve ALL been there.

It’s been recently announced that director Todd Phillips and actor Joaquin Phoenix, may be returning for a sequel to their critical and commercial smash hit, JOKER. A lot of fans, may initially be very happy to hear this news, but today I’d like to put forth the argument that making a sequel to JOKER is a bad idea. 

Hey guys, let’s take the enthusiasm down a few notches. This a Hollywood premiere, not a frat party!

    Throughout the making of this film, right up to press interviews before the premiere Phoenix and Phillips stuck to their guns, as they did from the very beginning. Even when the box office juggernaut opened to critical and commercial success, Phoenix and Phillips said loud and clear that this was a one off. This was meant to be a standalone story. Which is partially what made the movie so interesting. Every movie studio, especially when it comes to comic book properties, is always looking for their next franchise. So when the trailers for JOKER dropped and the movie garnered seriously positive buzz, mostly due to what looked to be an incredible performance from Joaquin Phoenix, chatter began about the possibility of a sequel. When asked if a sequel could possibly be in the cards, the answer from Joaquin Phoenix and Todd Phillips was always an unequivocal NO. That’s not how they approached this project, it was a character study with a beginning, middle, and end. 

    In this franchise driven environment, it’s refreshing to hear filmmakers say we’re here to make one movie and one movie alone. Especially when every film studio is trying to copy the success of Marvel and make a 20 film series. These guys came along and said, we want to do this one, fucked up little movie, on the cheap, let us do it our way and fuck off. 

   Clearly that strategy paid off. Though it’s by no means perfect, JOKER is one of the best films of the year. The movie coming close to $1 billion in box office revenue with such a low budget, makes it one of the most financially successful comic book films ever made.  Not to mention, Joaquin Phoenix is all but a shoe in for an Oscar nomination next year. So, with the film being complete home run, one can see why Warner Bros would have serious interest in reuniting their director and star for a sequel. I’d argue the film’s success is due to audience’s looking for some diversity in their entertainment. Instead of making a sequel to a film that was designed to stand alone, get another talented filmmaker with a unique, singular vision for a different DC property, keep the budget low and let them have at it. Evolution is the only way that superhero films will survive. Change or die.

  I would also argue I’m not sure where the sequel to JOKER would go from here. Todd Phillips has been on record saying that pitched JOKER to Joaquin Phoenix as “sneaking a gritty, art house character study through the studio system”. Phoenix’s interest was in telling a story about a man’s descent into madness, not a story about The Joker we know from the comics. In fact, Joaquin Phoenix didn’t even want Todd Phillips to have Thomas Wayne in the movie, he wanted the character to have a different name, even that was too much of a connection to the comic book for him. The connections to the greater Batman mythology in JOKER are minimal to say the least. Todd Phillips basically bullshitted Joaquin Phoenix and kept in things like the Thomas Wayne character and the murder of The Wayne’s at the end of the film.

    Now this is just my opinion, but I think there are two ways to go with a sequel to JOKER. The first would be add a Batman into the mix. However, keep him at the periphery, don’t make him a main character and keep him very grounded. As grounded as they made The Joker in the first film. It would be incredibly fascinating to see how Arthur Fleck, who has now become The Joker would approach the emergence of someone like The Batman.

  The problem is Joaquin Phoenix would never make a movie like that. While doing the interview rounds for JOKER, one of the reporters asked Joaquin Phoenix, how his version of The Joker would react to someone like Batman appearing in Gotham. Phoenix smiled, he seemed to genuinely like the question, and after a moment of thought he said “That’s great question. I don’t know I’ve never thought about it.”. Really?! C’mon! YOU NEVER THOUGHT ABOUT IT?! Batman is only the most important and fundamentally driving force in the life of the character you’re playing, but you’ve never thought of it, OK that makes sense (in case you can’t tell I’m oozing sarcasm and mild disgust as I write this).Batman and the Joker are one of the great yin and yang characters in all of popular culture. They are defined by one another. But hey, he never really thought about it! (….fucking dipshit...).

How fucking SICK is this poster? It was made by a company called Mondo and unfortunately they don’t carry this poster anymore. But God damn, is it cool.

  So if Phoenix never once gave a fuck about how his character would feel about Batman, I think it’s safe to say he would never agree to appear in a movie featuring Batman alongside his version of The Joker. Now, the second way to go for a JOKER sequel, would be to do some version of the classic Bruce Timm and Paul Dini story Mad Love about the creation of Harley Quinn and the beginning of her love story with The Joker. I’m not talking about the bullshit nonsensical version of their love story we saw in the god awful Suicide Squad film, I’m to I’m talking about the classic graphic novel Mad Love.

Dr. Harleen Quinnzel is a new psychiatrist at Arkham. She’s young, beautiful, and ambitious. She imagines getting rich writing some kind of breakthrough book about the psychology of these colorful super criminals. She manages to arrange sessions to meet with and attempt to treat The Joker, confident that she can handle him. As their sessions go on, The Joker begins to completely manipulate and control her. She falls completely under his spell, breaks him out of Arkham and becomes the now iconic Harley Quinn.  A film like that could really work, but it has the same problems my first proposed scenario does. It has too many ties to the comic book source material, which Joaquin Phoenix has no interest in whatsoever. 

An even bigger mistake would be for the studio to try to replicate the “JOKER Formula” of a gritty, dressed down, no frills take on another Batman villain. Admittedly, I think there are a few members of Batman’s rogues gallery that this could work with, but who the fuck really wants to see that?

Don’t get me wrong, I’d be very interested to see what a sequel to JOKER would look like. However, it’s all a question of if they even have a story to tell. If Joaquin Phoenix didn’t even want the name of Thomas Wayne to even be in the movie, he’s certainly not going to want to include some version of Batman or Harley Quinn in a potential sequel. There is a third way they could go, but I don’t think it really works either. They make a movie that’s a continuation of the first film and focus on The Joker and his continued transformation into one of the greatest super villains in all of fiction.

Here’s why that concept doesn’t quite work either. Based on where we leave The Joker at the end of this film, The only way to go for him is to fall deeper and deeper into the persona of The Joker. He would have to evolve into a more “classic”, for lack of a better word, version of The Joker. As he becomes more insane and embraces his identity as The Joker, we’d see things like his deadly Joker laughing gas, elaborate plots against the city, the personification of terror and evil. Just as I don’t think Joaquin Phoenix would ever do a movie with Batman and Harley Quinn, I also don’t think he would want to play a version of The Joker that’s more like the Jack Nicholson or Heath Ledger version. The character’s natural evolution is to get more “comic book-y” and it seems, based on multiple interviews that I’ve seen and articles that I’ve read, the aspects of JOKER that were connected to the comic book were the things he was always least interested in.

One might counter with the point, So, Paul what’s wrong with that? Couldn’t they just continue to tell the story of Arthur Fleck becoming The Joker? Well, if you continue this character’s story when you don’t want comic book elements to be a significant part of the story, the problem becomes, he’s just some lunatic guy. He’s not The Joker. If the character is nothing like The Joker, then what’s the point in doing the movie? The biggest flaw of JOKER was how derivative the story was. It was very reminiscent of other films about men being broken by society, like Falling Down, Taxi Driver, or Fight Club. What made JOKER great was Joaquin Phoenix and his mesmerizing performance as the man who would become The Joker, not necessarily the film itself. If we ever see a JOKER 2, we want to see The goddamn Joker.

If they want to move forward with a sequel, Joaquin Phoenix and Todd Phillips have to really understand what kind of movie they want to make. At the end of the day, you have an extremely successful comic book film that was designed to be a standalone story, with a star who has absolutely no interest in anything from the DC Universe becoming a part of the story he’s acting in. I think the best thing for Warner Bros and the movie going public, would be to get another visionary filmmaker, to tell another small budget story from the DC Universe. Re-create the success of JOKER by giving the audience what they really responded to in their first place, a unique movie going experience, not another financially driven sequel.

As alway, thanks for reading!

-Paul