I’m a massive comic books fan. Every week I read my Must Read comics on my tablet and I go to my favorite comic book store, The Hall of Comics In Southborough, MA, to get all of my graphic novels (More on The Hall of Comics below). There are a lot of great comics being published right now, but my favorite writer by far is Scott Snyder. His 50 plus issue run on Batman with Artist Greg Capullo is without question the best Batman run of this generation. Anytime Snyder and Capullo come together, they make magic. Stories like The Court Of Owls, The Death of The Family, Zero Year, and Dark Nights: Metal are all modern classics. Of course, there’s also Snyder’s incredible introduction to the world of The Dark Knight, The Black Mirror (as fantastic as that story is, it wasn’t with Artist Greg Capullo). Now, after putting their stamp on Batman’s origin in the excellent story Zero Year, they’re closing the circle by telling their version of the final Batman story: Batman: Last Knight on Earth. The miniseries is a 3-issue prestige format book, shipping bi-monthly under DC’s Black Label, with Issue #1 coming out on 5/29/19. DC’s Black Label was created for their best writers and artists to tell stories that are the best of the best. If Zero Year was their Batman: Year One, Batman: Last Knight on Earth is their The Dark Knight Returns. Below is the official synopsis from DC Comics:
Bruce Wayne wakes up in Arkham Asylum. Young. Sane.
And…he was never Batman.
So begins this sprawling tale of the Dark Knight as he embarks on a quest through a devastated DC landscape featuring a massive cast of familiar faces from the DC Universe. As he tries to piece together the mystery of his past, he must unravel the cause of this terrible future and track down the unspeakable force that destroyed the world as he knew it…
From the powerhouse creative team of writer Scott Snyder and artist Greg Capullo, the team that reinvented Batman from the emotional depths of “Court of Owls” to the bombastic power of DARK NIGHTS: METAL, DC Black Label is proud to present the bimonthly, three-issue miniseries BATMAN: LAST KNIGHT ON EARTH, published at DC’s standard comic trim size.
This could be the last Batman story ever told…
Snyder and Capullo NEVER fail to deliver a spectacular Batman story and this one doesn’t look like it will disappoint. With the book’s 5/29 release date right around the corner, DC put out a trailer for Batman: Last Knight on Earth#1, to get people hyped for the event miniseries. Check it out below:
We also have some great interior art from the book, released by DC Comics. These pages are from Issue #1:
Below we have the cover for issue #2 of the 3-issue miniseries, which hits stands on 7/31/19.
You have to give Snyder and Capullo credit because they’re certainly swinging for the fences on this one. I love how this series looks batshit insane. This book looks nuts in the best possible way and it is this month’s pick for Must Read Comic Book!!!!!!
Earlier in the article I mention the comic book store The Hall of Comics in Southborough, MA. I just wanted to take a minuet to sing their praises and why you should check them out if you’re in the Boston area. Whether you’re a long time comic book reader, a lapsed fan who wants to get back into comics, or someone who’s never picked up a comic before, but you love superhero films and don’t know where to start, the guys at The Hall of Comics will hook you up with anything you need. Not only do you feel welcome when you walk in the door, but they also have awesome special events like Midnight Release Parties, INCREDIBLE Cosplay appearances, and their coolest events are when they frequently have some of the best comic book writers and artists in the business come by for signings and meet and greet with the fans. As I mentioned in one of my recent podcasts, I had the chance to meet and chat with iconic comic book artist Bob Layton and it was a wonder full experience. So, if you want to check out Batman: Last Knight On Earth (you’d be crazy not to) and you’re in the area, The Hall of Comics is the place to go! You can check out their website right here: https://thehallofcomics.com
Batman: Last Knight on Earth #1 (of 3) hits stands on 5/29/2019
The Red Hood. The Pale Man. The Clown Prince of Crime… THE JOKER. Without a doubt the best villain in comic book history and one of the best characters in all of fiction.
Batman is the best superhero in comics, so his arch nemesis should reflect his greatness. All of Batman’s villains, the best rogues gallery in superhero fiction, reflect Batman in some way, some aspect of his psyche. Harvey Dent represents Batman’s struggle with duality, Ra’s Al Ghul represents Batman’s temptation to take his mission too far and commit to a darker way of trying to save society, The Penguin represents the idea of the wealth and privilege he was born with turning into something ugly, greedy, and gluttonous, and so on…
Then, there’s The Joker. Batman’s true, broken reflection. To paraphrase better writers than me, Batman is an engine of meaning. He turns tragedy into purpose. As The Dark Knight Detective himself once famously said “My parents taught me a different lesson, dying in the gutter for not reason at all. They taught me that the world only makes sense… when you force it to.” Everything Batman does is built upon the foundation of that idea. That his actions and his mission have meaning.
That’s why The Joker is Batman’s greatest antagonist. The Joker’s point to Batman is that nothing we do has meaning. It’s all pointless. The Joker is trying to prove to Batman that his mission, his ideology, is pathetic. It’s a joke. There is no greater meaning to life. Nothing you do matters. He’s inviting Batman to abandon his beliefs, to come with him and embrace how The Joker sees the world. In doing so, he’ll become truly transcendent and immortal, but most of all, free.
Which brings me to the upcoming film JOKER starring Joaquin Phoenix….
Over the past several years DC has announced literally dozens of films. Many of which will never see the light of day. Remember that Flash movie that came out back in March 2018? Yeah, me neither, because they didn’t fucking make it. They’ve announced so many movies at this point it’s hard to take them seriously when they do. So when a stand alone film focusing on The Joker was announced I really thought it would never be made. DC seemed to be trying to build a coherent movie universe like Marvel and I didn’t see them realistically making a movie focusing on Jared Leto’s Joker, who was divisive at best.
Then I started to here that they were going in a different direction. That Martin Scorsese and Robert DeNiro were involved and my skepticism grew. No way was Martin Scorsese directing a DC film. Finally, it became clear that this was a stand alone movie existing OUTSIDE the established DC movie universe that Aquaman, Wonder Woman, and SHAZAM! exist in. Todd Phillips would be directing, whose credits include Road Trip, Old School, The Hangover Trilogy, and War Dogs. Martin Scorsese would produce the film, co-staring DeNiro, with Joaquin Phoenix as The Joker in an origin movie telling the story of the man who becomes The Clown Prince of Crime. This is the movie hitting theatres this October and you can check out the trailer below:
Looks pretty good, right? However, at no point have I had any interest in this project. Despite the fact that the trailer seems to show a genuinely good movie with what could be a great performance from Joaquin Phoenix, the only reaction I can have to this movie is ambivalence. The reason being that I think telling a straight up origin story for The Joker is kind of missing the point of a large part of the character. If this were “officially part of the DC movie universe”, I’d be genuinely pissed this movie is being made. However, because the movie is it’s own thing, a one off crime story that doesn’t involve Batman (even though we do see a young Bruce Wayne and Thomas Wayne is a major character) I can live with them telling their fucking Joker origin movie.
Oh, I almost forgot! Here’s a real fucking shocker the movie is drawing inspiration from comic book stories like… wait for it… THE KILLING JOKE! Brav-fucking-vo! How original!
Don’t give me wrong, the comics have hinted at possible origins for The Joker in the past. But that’s what they were: HINTS, possibilities, not a concrete origin. That was one of the reasons The Dark Knight was so brilliant, the story of how The Joker got his scars was different every time he told it, one of my favorite aspects of the film. They had no fucking idea who this guy was. He had no past, he came out of nowhere, he was like the fucking bogeyman. I’ve always said that The Joker is to the normal citizens of Gotham, what Batman is to it’s criminals: a terrifying, unexplainable nightmare.
The only reason DC is choosing to tell an origin story for The Joker is because everyone and their fucking grandmother knows who The Joker is. Even if you fucking hate comic books or comic book movies you know who The Joker is.
I think it’s kind of a shame that Joaquin Phoenix looks like he may be giving an excellent performance as The Joker. Wouldn’t it be so much more entertaining to see that performance in a real Batman film?
If he knocks it out of the park in the role, it would be kind of a shitty scenario because we always want to see Batman go up against a great Joker. As I wrote earlier in the article, Batman and The Joker have this very complex relationship that spans years. Yet we’ve only ever seen them face off against one another in one film in their different incarnations. In Tim Burton‘s Batman they killed the character off and the tragic death of Heath Ledger meant we wouldn’t see that character in Nolan’s Batman universe beyond The Dark Knight. One thing we genuinely haven’t seen from the Batman and Joker dynamic on film, is how that relationship plays out over years of twisted, violent confrontations.
Well, that’s my two cents anyway. I’m sure there’s a lot of you out there who will disagree with me and that’s fine. For now, I just needed to comment on this project, but this is not a film I’ll be rushing out to the theater to see.
Tonight the final season of Gotham premiered on Fox and honestly I was very excited to watch it. It’s hard to believe that this is the same show that just a few years ago had some of the absolute worst superhero writing on TV.When Gotham began, it was more or less a shittier Smallville, with proto-versions of Batman’s rogues gallery popping up each week for Ben McKenzie’s Jim Gordon to deal with. It was a shame because the show was very well cast and all the actors were perfect in their roles. Since the very first episode, Ben McKenzie has made a great Jim Gordon (he was also the voice of Batman in the animated film adaptation of Batman: Year One). Many of the great Batman stories are also great Jim Gordon stories, so it was very important for them to get this character right.
We even got to see a part of Bruce Wayne’s life that is very rarely explored, the years immediately following the murder of his parents. David Mazouz is easily one of the most compelling live action versions of Bruce Wayne we’ve seen. He conveys Bruce’s dark, brooding intelligence without ever sounding like a whiny brat. With excellent actors memorably playing classic Batman characters like Alfred, The Penguin, The Riddler, Selina Kyle and more, the series felt like a frustrating waste of great talent. Terrible writing hamstrung what could otherwise have been an excellent take on the Batman mythos.
About halfway through Season 3, specifically the mid-season finale, something fundamentally changed about the show for the better. I think there are two big reasons for this and one of them was how the series began to use Bruce Wayne. First of all, David Mazouz had grown up enough that he was just old enough to start becoming more crucial to the action going on in the story. Pretty much from the pilot on, Bruce has slowly been learning important skills that would become crucial on his journey to becoming Batman. Season 3’s mid-season finale saw Bruce being taken hostage at a circus by Jeremiah Valeska. If you’re not familiar with Gotham, Jeremiah (played by Cameron Monaghan) is basically their version of The Joker, and a damn good one too. The episode culminated with a show down in a hall of mirrors between Bruce and Jeremiah, where Bruce comes very close to killing Jeremiah. The whole episode was pretty great and I found myself watching the rest of the season once the show returned from it’s hiatus. You started to see Bruce take a more active role as a vigilante even though he wasn’t dressed like Batman.
The second reason the series changed for the better in my opinion, was because it stopped being a bad prequel series, building up to some day in the future where we get to see Bruce put on the Batman costume in the last 5 minutes of the final episode. In the same way that Smallville was entirely built around the show teasing Clark eventually putting on the Superman costume, that we only see him wear for about three seconds in the series finale. Instead, Gotham became more of an Elseworlds Batman story. I think it’s the smartest thing the show could’ve done because they took the mythology and made it their own. They were no longer slaves to the mythology of the Batman comic books. They allowed their story to be an alternate take on the mythos. This choice gave the show its own identity. It also made it more exciting for the audiences because things weren’t necessarily going to play out exactly as they had in the comic books. As a result the back half of Season 3 was a hell of a lot of fun and frankly I love Season 4. One of the reasons I love the show Krypton on Syfy is that the show isn’t a prequel, it’s more about the DC Universe’s past being changed by time travel. Changing Krypton‘s history, changes the history of the entire Superman story and by extension the entire DC Universe.
So coming into this final season, which was going to be drawing from classic Batman stories like No Man’ Land and Zero Year (In fact this episode’s title is “Year Zero”), I was pretty psyched to see what they were going to do. I’m happy to say I wasn’t disappointed.
After the events of last season, Gotham has been completely cut off from the outside world. The bridges are down in the city and it’s been 87 days since Gotham was officially declared a No Man’s Land by the US government. Unfortunately, not everyone who wanted to had the means to leave the city before it was cut off from the rest of the world. Children, families, innocent people have been trapped in a city that has become an almost post-apocalyptic dystopia. Gotham’s been carved up into territories, with different factions controlling different neighborhoods. Penguin Control City Hall and the surrounding area. He’s also the only person in the city manufacturing bullets for guns, which are more or less currency in the city. Scarecrow, Firefly, Mr. Freeze, Poison Ivy, and other villains have also carved up their own peace of the city.Somewhat ominously, Jerimiah Valeska hasn’t been seen since the beginning of No Man’s Land. I have a feeling he’s waiting to make his own suitably dramatic entrance.
The only part of Gotham City for the average citizen who’d been left behind is the area controlled by the GCPD. Gordon with Bullock and Lucius Fox by his side, are not only leading what’s left of the GCPD, they’re also protecting and feeding hundreds of refugees and supplies are running out. A lot of this is straight out of some iconic Batman storylines, so as a longtime Batman comic book fan this is cool to see.
Fortunately, Bruce Wayne and Alfred decided to stay behind as well and Bruce is doing everything he can to get supplies smuggled in. Not only to the people suffering in the city, but medicine for Selena Kyle as well. She was shot in the stomach at point-blank range by Jeremiah in the season finale last year and unless something drastic is done she could be paralyzed from the waist down for the rest of her life. Of course this heavily weighs on Bruce, who blames himself for her condition.
Part of the fun of this season is seeing how close Bruce is to becoming Batman, even though he isn’t ready yet. There’s an early scene where Bruce takes down a bunch of thugs trying to steal medical supplies. The power has gone out, so he uses night vision goggles courtesy of the Lucius Fox to take them out one by one, in very Batman fashion. However, just when it looks like he’s saved the day, the lights come back on, the night vision goggles blind him, and the thieves get away. This is an important scene because it shows us that while Bruce is well on his way to becoming The Batman that we know, who could’ve easily taken down a group of bad guys in a situation like this, but he’s not quite there yet. He’s still making crucial mistakes and he still has much to learn. It’s important the series didn’t just suddenly turn him into Batman over night. Bruce’s journey throughout the series has felt earned. Based on his training it makes perfect sense for him to be exactly at the level he’s at now.
The episode largely sets up the status quo for the season and puts the pieces in play for things to come. We know things are going to get a lot worse before they get better because the episode opens with a flash forward to No Mans Land Day 391 and shows Gordon, Bullock, The Penguin, The Riddler, and the rest of the GCPD fending off a full blown siege by… someone. For Penguin and The Riddler to be teaming up with Gordon, it must be a pretty serious common enemy.
All in all I really enjoyed this episode and considering that it was mostly set up, I have a feeling once the story really gets going this has the potential to be a fantastic final season for Gotham. I couldn’t help but love the scene when Gordon and Bruce were standing on the roof of the GCPD together. With Gordon shining a spotlight on the sky to give people hope, foreshadowing so many of their interactions in the years to come. As Bruce walks away at the end of the scene, Gordon ask him if he regrets staying behind in Gotham, Bruce replies “No. You?”. Jim Gordons smiles and says “Hell no”. Am I looking forward to the rest of Gotham’s Final Season? Hell, yes.
I wanted to touch on a casting rumor that’s been going around recently: Jensen Ackles playing The Red Hood in one of the upcoming Batman film projects. Regardless of what you think of the final film, the inclusion of the suit of a dead Robin in The Batcave caught everyone’s attention in Batman V Superman: Dawn of Justice. As soon as the image was shown in the trailer for BvS, fans immediately speculated what this meant in the larger context of the DCEU.
As a weird side note that I think is indicative of the state of DC’s cinematic universe, the DCEU (or the DC Extended Universe) didn’t originate with Warner Bros. or DC. They never actually had a name for this cinematic universe they were creating. Apparently, it the name came from a writer at Entertainment Weekly and it just stuck. So, the powers that be finally got around to naming this shit show of a universe, with the official title now being: The Worlds of DC. Wow, there really is no one flying the fucking plane here…
Anyway, when fans saw the Robin suit displayed in The Batcave with “HA HA HA JOKE’S ON YOU BATMAN” spray painted on it, it was assumed that this was the former suit of Jason Todd. Jason Todd was the second Robin after Dick Grayson got tired of Bruce’s bullshit and went off to follow his own path as Nightwing. In the comics, after Jason died, Bruce eventually took in Tim Drake who became the new Robin. What do you get for the billionaire who has everything? Young boys to put in mortal danger every night!
In one of The Joker’s many acts of horrific violence, he brutally beat Jason with a crowbar in a warehouse and then left him for dead as the warehouse exploded with Jason inside. Arguably, Jason’s death was as much of a defining traumatic loss for Bruce Wayne as the death of his parents. Bruce (very rightly) felt responsible for Jason’s death and blamed himself for not being able to save him. But that didn’t stop Bruce from continuing to churn out Robin’s! No, sir! At least 3 or 4 of these poor little bastards have bit the dust since Jason. What’s that? Another Robin is dead? Must be Wednesday!
In comics, no one stays dead forever. So, after several years and an insanely convoluted series of events, but for the sake of this article lets just keep it simple and say Ra’s Al Ghul’s Lazarus Pit was involved, Jason was resurrected. (if you want, you can look up the whole story of EXACTLY how Jason came back to life, good luck and God be with you). The point is that Jason Todd was back.
So the story of Jason’s return to Gotham and taking on the persona of The Red Hood, was told in Judd Winnick’s excellent Batman: Under The Red Hood. I highly recommend you check it out, it’s a great read and I put the Amazon link below if you want to pick up the graphic novel. https://www.amazon.com/Batman-Under-Hood-Judd-Winick/dp/1401231454/ref=sr_1_3?ie=UTF8&qid=1535344301&sr=8-3&keywords=batman+under+the+red+hood
At this point, you guys probably know that I’m a big fan of the direct to Blu Ray and Digital DC Animated Movies, like The Death of Superman (you can read my review for that film right here: https://best-media-world.com/2018/07/29/movie-review-the-death-of-superman/ )
One of the best DC Animated movies is Batman: Under The Red Hood, based on the graphic novel of the same name. Again, I highly recommend this one so here’s the Amazon link to the Blu Ray: https://www.amazon.com/Batman-Under-Red-Hood-Blu-ray/dp/B003ITZBVI/ref=sr_1_2?ie=UTF8&qid=1535344301&sr=8-2&keywords=batman+under+the+red+hood
From here on in I’m going to be specifically referring to the Animated Movie version of Batman: Under The Red Hood, which combines story elements from A Death In The Family into the narrative. A new and brutal vigilante going by The Red Hood shows up in Gotham and starts killing criminals and crime bosses left and right. Batman can’t have this shit going on in his town, so he confronts the very well trained Red Hood and is horrified to find out that The Red Hood is his formally dead ward, Jason Todd.
Jason had always been a more violent Robin, but getting killed playing by Bruce’s rules seriously changed his perspective on dealing with criminals. Basically he subscribes to the “see bad guy, kill bad guy” philosophy of crime fighting. More than anything Jason isn’t angry at Bruce because he was killed. He forgives him for that, what he can’t forgive is: Why the fuck didn’t Bruce kill The Joker? Jason doesn’t think Bruce should go all Charles Bronson on the Gotham Rogues gallery, but if ever there was an exception to Bruce’s (bullshit) “No Killing” rule, it’s The Joker. As you can imagine Jason is pretty fucking pissed. I don’t want to go into too much more of the story in case you want to watch the movie or read the graphic novel.
I should probably point out that one of the reasons this movie is great is the voice performances. Bruce Greenwood is probably the second best actor behind Kevin Conroy to voice Batman. He plays him in the soon to be returning Young Justice animated series as well. Aaaaaaand finally we come to the point: Jason Todd is perfectly played by Jensen Ackles who plays Dean Winchester on one of my favorite TV shows, Supernatural.
If any of you listen to my podcast, The World’s Best Podcast, you may find this funny because my love of the show Supernatural is sort of a running joke on the show. But, like I said, the whole point of this article is that Jensen Ackels would make a fucking great live action Jason Todd. About a week ago a picture went viral of Ackles standing next to a Red Hood statue or costume or something.
Now this might mean nothing, but sometimes pictures like this are posted when actors are in talks with a studio to take a role. Or sometimes actors will post pictures like these to get conversations exactly like this one started, so they get on filmmakers radar. Regardless, this photo prompted a lot of fans to jockey for Ackles to be cast as The Red Hood in an upcoming Worlds of DC film. Rumor has it, Matt Reeve’s Batman film may contain elements of the Under The Red Hood story. With multiple Joker movies, a Nightwing film, and Gotham City Sirens all in different points of development, there are plenty of places The Red Hood could pop up. The flames of fandom were fanned when this fucking spectacular piece of artwork, featuring Ackles as The Red Hood, made the rounds online. The very cool piece was done by artist BossLogic, who’s done some incredible artwork over the years.
Supernatural is going into it’s 14th season this fall and there’s a reason a show like that has such staying power. Especially the last few season have been among the best in the show’s run. Jensen Ackles is a huge part of that. He’s an incredibly underrated actor who’s given some amazing performances on the show.
This isn’t the first time he’s been associated with a superhero project either. He was one of the front runners for Captain America before Chris Evans ultimately took up the shield. He was offered the role of Hawkeye in the MCU, but turned it down (I love Supernatural, but I bet he regrets that move a little bit). Personally, I always thought he would make a great Hal Jordan. Bottom line is, anyone familiar with Supernatural knows he would crush it as The Red Hood. He has the physicality for the role and he’s a great fucking actor. He has a raw edge to him that would work great for a character like Jason as opposed to say, Nightwing. Not to mention He already knows the character of The Red Hood well. He’s the appropriate age, because we’re dealing with an older Batman. Interestingly, Supernatural is producing 20 episodes this season instead of it’s usual 23. They gave a very plausible reason for this, basically that it’s easier on the cast. The main actors have families and they shoot the show in Vancouver, but they live in Texas. Or perhaps one of the two leads needed a few extra months off to shoot a high profile film project? Hmmm..
Nothing official has come from Warner Bros or DC about this potential casting, but DC fans seem to have really gotten behind it. The World’s of DC need solid, talented actors to fill out their universe. Whatever form the new Batman movie takes, I’ve always wanted to see more of the Bat Family in a Batman film. I don’t think Under The Red Hood would be the Batman story I’d like to see DC make, but that doesn’t mean Jason Todd couldn’t be a part of the film. Jensen Ackles would be a fucking awesome Red Hood. As always, thanks for reading!
I’ve always been a big fan of the DC Animated movies that come out each year. For those of you that aren’t familiar, they’re animated adaptations of DC Comics stories that go directly to iTunes and Blu Ray. They usually release three a year, around January, April, and July. They’re PG-13 or R-Rated films marketed to adult and teenage DC superhero fans. They’re hit or miss, in terms of quality. They run the spectrum from “Ok” or “Fine” to “One Of The Best Superhero Movies I’ve Ever seen”.
Their latest release is “The Death of Superman” and you may be thinking: “Wait, didn’t they do this one already?” The answer is: Kind of. Way back in 2007, the very first DC Animated Movie was Superman: Doomsday, a very loose adaptation of the classic death of Superman story. So, as far as THIS movie is concerned, this current film I’m reviewing is a much more faithful adaptation. The Death of Superman is the first part of a 2 movie story.With Part 2 titled, Reign of The Supermen, premiering in January or February 2019.
Like I said before, they usually release three of these a year. Starting with 2013’s Justice League: The Flashpoint Paradox and 2014’s “Justice League: War” (A JL origin film FAR superior to the live action one we got in November 2017), 2 out of the 3 animated movies they released each year were part of an ongoing cinematic universe, like the MCU or whatever the fuck DC is trying to do in live action at the moment. Including Justice League: The Flashpoint Paradox, 11 movies that take place in this DC Animated Movie Universe have been released. The other stories are cool one offs, like the recent Batman: Gotham by Gaslight, for example. Which is a what if? tale that imagines a steampunk, Victorian era Batman hunting Jack The Ripper in late-19th Century Gotham. Most of these have been pretty solid across the board. It probably doesn’t say much about the overall quality of this Animated Movie Universe that there isn’t a sense that we got to know these characters over an 11 film continuity. Or that the movies had been leading to something like this.
At nearly an hour and half, this movie is slightly longer the most of the recent DC Animated Movies. However, it’s a smart move because the running time allows for a much deeper film that I was expecting. Going into this, I expected the whole thing to one big superhero punch up. Great animation, cool fights, but at the end of the day just a fun piece of entertainment. So, I was delighted when at least half of the film is about Clark and Lois and the issues that arise in their still relatively new romance. The movie is well paced considering all of the characters in play. Because this movie is about his death, everyone in Clark Kent’s life is in this film and they all get their moment to shine. The Justice League, The Daily Planet staff, Ma and Pa Kent, Lex Luthor, and few other local Metropolis citizens with ties to Superman all pop up in the movie. It’s a credit to the film that even with all these characters, it never feels over stuffed or loses it’s focus on Lois and Clark.
You don’t need to have seen any of the other DC Animated Movies to enjoy this wonderful film. All of the great character work and storytelling come straight from THIS movie. Real life husband and wife Jerry O’Connel and Rebecca Romijn are perfect as Clark and Lois. O’Connel has voiced Superman to good effect before in other animated movies and Romijn makes a solid debut as Lois Lane. They’re real life chemistry definitely translates into the film. We have all the usual suspects from the other films back to play their respective roles in the Justice League, as well as other returning supporting characters.
Before getting into the movie there’s one other bit of voice casting I want to touch on. Rainn Wilson (Dwight from The Office) voices Luthor and is surprisingly effective as the character. Lex is an interesting presence in this film. He’s not that dissimilar to the Lex we’ve seen in the comics over the past few years. He’s undeniably despicable, arrogant, and cold, but there’s a glimmer of something more underneath. Inside him’s the shadow of a man who could be better than he is. He adds a little something special to the overall film.
I’m going to make a bold statement here. I think this is the best film about Clark Kent that I’ve ever seen. This movie is Clark Kent’s story. Lois is very important, but this is Clark’s tale. This man’s death shows us who he is. This was just one more reason I loved this movie. Outside of the fights with Doomsday, I deliberately refer to the character as Clark, not Superman, throughout this review. This is one of the better onscreen portrayals of Superman I’ve seen and that’s because they understand who Clark Kent is. The kid who grew up on a farm in Kansas, that’s the real character. Not Kal-El, not Christopher Reeves’ mask of Clark Kent as pathetic buffoon, not Superman. He’s Clark Joseph Kent. Jonathan and Martha’s son. Even when he’s in costume at the beginning of the movie, interacting with the League or stopping bad guys with high tech weapons. He seems more man than god. He’s happy to stop and take a picture with a man he’s gotten to know, because he’s saved the guys life so many damn times. In these scenes before the fight with Doomsday, while he’s in costume as Superman, he feels like a citizen of Metropolis. Not a distant god, but more like a cop on his beat that gives you a nod and smile. Superman knows these people and they know him. It’s a brilliant way to humanize the character in a way live action films always struggle with.
At the heart of Clark’s story here is his romance with Lois. Unlike other takes on the Lois and Clark/Superman dynamic, Lois is into Clark, NOT Superman. She wants their relationship to move forward but she knows something’s holding them back. She knows there’s more going on with Clark, but doesn’t quite know what it is. She’s a little taken aback when, while asking Clark to dinner, he tells her he cant because his parents are in town and he’s having dinner with them. Lois is understandably a little insulted when Clark didn’t even mention the possibility of meeting his parents. It’s clear that they’ve been dating for at least several months if not more. But what she perceives as Clark being aloof and having an emotional wall up, is actually Clark wrestling with the idea that he’s falling in love with her and that he should tell her he’s Superman. He’s afraid that his parents will accidentally let something slip before he has a chance to tell Lois the truth about this part of his life. After all, besides a few fun DC Easter Eggs mentioned by Ma and Pa Kent, Clark’s ex- girlfriend knew had superpowers from the jump, this the first time Clark has been in a relationship like this. Not just with a normal person, but someone he’s falling in love with.
The movie does an excellent job of showing the audience exactly what an unstoppable, terrifying force Doomsday is. We’ve seen Doomsday in live action and animation before, but the threat he represents is much more impactful here. This is a creature that kills every single living thing it sees.
The Justice League faces Doomsday before Superman gets into the fight and they have some pretty heavy hitters. We see Doomsday go up against Wonder Woman, Green Lantern, Hawkman, Martian Manhunter, The Flash, Cyborg, and Batman all before the Monster’s fateful Confrontations with The Man of Steel. Even with out Superman, that’s a fucking stacked roster. Despite how powerful the Justice League is, they’re simply not up to facing Doomsday. They’re completely helpless to stop him.
So, when the fight between Clark and Doomsday finally goes down, there’s no backup or cavalry coming. Superman is the “last watcher on the wall”. If he doesn’t stop this Monster there and then, there will be no end to the death and destruction Doomsday will unleash. There’s an inevitability to Doomsday. As he slowly kills his way to Superman. We all slowly march towards death and this story shows us The Man of Steel is no different, but for him Death comes in the form of Doomsday.
The fight between Superman and Doomsday is easily the most brutal and bloody Superman fight I’ve seen in any medium. I found myself wincing or exclaiming “Jesus..”, as conflict went on. At a certain point, it stops being a fight. You realize you’re watch Superman slowly be beaten to death with each blow and it’s hard to watch. The fact that there’s such emotional heft shows that the storytellers did their job with this film. The movie is called The Death of Superman, OF COURSE HE’S GOING TO DIE! But the movie magic was that the filmmakers had me so engrossed in the story onscreen, I almost forget that there was no question to the outcome of this fight. The battle’s hard to watch not just because of the level of violence, but because you really care about Clark Kent and it’s heartbreaking seeing this man die in front of us.
The animation in this film is top notch. When the action goes full tilt there’s a level of detail that comes close to resembling anime, without completely going over into that style. Every once and awhile a western animation superhero project will use anime influenced sequences, Justice League Unlimited comes to mind for example. It’s not everyone’s cup of tea, but it’s used well here and only adds to the already visceral fight scenes. For those of you who aren’t fans of that animation style, It’s not so noticeable that it takes you out of the story.
I think its was smart that DC decided if they were going to tell this story, it should be a 2-Parter, like they did with their fantastic adaptation of The Dark Knight Returns. As impactful as the death of Superman is, the story of how the world, his friends, his enemies, his family, and his fellow superheroes react to his death is arguably more compelling . Who or what will step up to fill the void left by The Last Son of Krypton? Considering how well this story was told, I can’t wait to see what the filmmakers do in Reign of The Supermen. If you’re a DC Comics fan, there are some Easter Eggs in the movie that hint at some of the story and characters elements that’ll be used in Part 2. Make sure you stay for the end credits, there are multiple mid credit tags setting up the next movie.
I didn’t want to end this review without mentioning something I noticed that the writers chose to add to the story. As I said before, this movie is part of a DC Animated Movie Universe, this story doesn’t exist in a bubble. I don’t want to spoil this for anyone and I’ll let you draw your own conclusions, but pay attention to EXACTLY how Doomsday comes out of space, ultimately crashing on Earth. Also be sure to pay attention to the details when STAR Labs examines the high tech weapons Superman takes off the thugs at the beginning of the movie. None of these story elements are from the comics, so the writers deliberately chose to add them in. I have my own theory about what’s going on, but I wont spoil the fun here.
This is top notch superhero story telling from DC Animation. This movie is the best DC Animated Movie since Justice League: The Flashpoint Paradox (which is high praise). This a surprisingly moving story about love, death, family, friendship, and sacrifice. No DC fan worth their salt should miss this one. I know I cant wait to see Part 2, when Reign of The Supermen comes out early next year. The Death of Superman is an excellent film, the best DC Animated Movie in years, and a must watch. Don’t miss it.
The fans have been clamoring for Part 2 of, the “World’s Best Podcast” presents, Iron Man & The Dark Knight: 10 years Later! Ryan and I have returnedfrom Gotham City and The Marvel Cinematic Universe to finish our discussion of these film icons. As well, the impact Iron Man and The Dark Knight have left behind. Enjoy and thanks for listening! Listen here or subscribe on Stitcher and iTunes:
An R-Rated, animated Batman movie, that’s essentially, Batman Vs. Jack The Ripper? To quote the great Kevin Smith “Fuck you. Take my money.”. Batman by Gaslight adopts a storytelling device often seen in comics called ”Elseworlds”. “Elseworlds” are basically one off stories where you take a familiar hero and and put them in a unique setting or story they normally wouldn’t be in. It’s a “What If…” story, essentially. For example, What if baby Superman’s spaceship crashed in Soviet Russia instead of Kansas? Or What if Batman hunted Jack The Ripper in Victorian-Era Gotham City? The original graphic novel of the same name that the movie is based on, with art by Hellboy creator Mike Mignola, was too short to be adapted to a feature length film. So, the filmmakers had to add to the story, which is fun if you’ve read the graphic novel because you’re getting something that’s both a strong adaptation and completely new tale at the same time.
It’s a great premise that’s a natural fit for the character. Batman’s often referred to as “The World’s Greatest Detective” in the comics, so I loved seeing Batman in a real mystery where he has to use his skills as a detective as much as his skills as a fighter. Batman’s incredible detective abilities are rarely utilized enough outside of comics. It doesn’t hurt that the whole story takes place in a world that looks very much like the city of fictions other great detective and one of the inspirations for Batman, Sherlock Holmes (there’s a small Sherlock Holmes reference that only true Sherlockians will get). The movie looks like it’s was pulled out of the pages of an Arthur Conan Doyle story, which adds to the movie’s cool, steampunk, murder mystery vibe.
Bruce Greenwood plays Bruce Wayne/Batman in this film and besides Kevin Conroy, I think he’s my favorite Batman voice actor. He’s played Batman before in movies like Batman: Under The Red Hood (one of the best DC Animated Movies) and the excellent Young Justice animated series, returning for it’s third season later this year. Jennifer Carpenter (Dexter) does some great work as Selina Kyle, but I don’t think they ever call her Catwoman in the movie. Besides Batman, Selina Kyle has the most to do in this movie. She’s basically Batman’s partner in solving the murders. She’s taking matters into her own hands because she knows if the victims were rich, white men instead of poor women, the police would be doing a lot more. At the very end she has a little damsel in distress moment I wasn’t crazy about, but other wise she’s an ass kicking badass who is more or less Batman’s equal.
Of course, it fun to see Victorian-era versions of the wide array of characters from Batman’s world. I wont spoil all the fun cameos, but you get to see characters from Hugo Strange to Solomon Grundy throughout the story. Unfortunately, a lot of the supporting cast isn’t as fleshed out as Batman and Selina Kyle which is definitely a big weakness in the film.
This movie takes full advantage of it’s R-Rating. This is easily one of the more bloody and gorey DC Animated Movies made so far. The real life Ripper Murders always struck me as particularly brutal and vicious. The movie does a good job of conveying that THIS Jack The Ripper is a terrifying butcher as well.
One of the things that made this version of Jack The Ripper work for me is that he was a physical match for Batman. This isn’t the same Batman that could kick the shit out of Superman. Batman gets pretty fucked up a few times in this movie. We’ve seen Batman fight armies of alien invaders and beings with all kinds of super abilities and come out fine. But the fact that The Ripper is just a man and he comes so close to killing Batman makes him much more frightening. Compared to other Batman animated movies recently, the stakes may seem lower but they feel higher than ever. This story isn’t “canon”, so characters who wouldn’t normally be on the chopping block could be taken out at anytime, which give the movie a nice edge.
Stylistically, this film has stepped away from the more anime inspired look that much of the other DC Animated Movies have adopted. Instead, the animation style is more traditional, without sacrificing quality. Including several great fights and action sequences. There a few showdowns between Batman and The Ripper that are particularly well done.
Having never read the original graphic novel, I didn’t know who The Ripper was while watching the movie (and this being Gotham City it could be almost literally ANYONE). So, it was fun not knowing where the story was going, but I did know The Ripper is NOT the same character from the original graphic novel. I’m definitely going to grade on a curve here, because as I’ve said before the quality of the DC Animated Movies has dipped over the past few years and I feel this is a huge step in the right direction. I have a feeling that the movie seemed a lot better than it actually was because the quality of the DC Animated films hasn’t been as consistent lately
Batman: Gotham by Gaslight is fun little Batman mystery, taking place in a interesting setting. Whether you’re a fan of Batman, these animated movies, or you just happened to see the trailer and were intrigued, I would definitely recommend this movie. While not without it’s flaws, It is without a doubt one of the best DC animated movies that we’ve seen in a long time. Let’s hope they keep this momentum going into their next movies…
Batman: Gotham by Gaslight is available on iTunes now and the Blu-Ray will be released on 2/6/2018
Batman: Gotham by Gaslight – 8.4/10
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