A Personal Tribute To Stan Lee (1922-2018)

Hey Everyone,

Paul here…

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 With the sad passing of Stan Lee earlier this week, I wanted to offer personal reflection on this incredible storyteller and the impact he’s had on the lives of so many people. I felt the loss of Stan Lee like a kick in the gut. The characters he’s created have helped me through some of the hardest times in my life and inspired me to be a better man. Thank you for listening to my brief tribute to a creator that meant a great deal to me. My hope is that you’ll hear something that will resonate with you in some small way. Thanks again. Listen here or subscribe on Stitcher and iTunes:

https://www.spreaker.com/episode/16214692

iTunes:

https://itunes.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?mt=2#episodeGuid=http%3A%2F%2Fapi.spreaker.com%2Fepisode%2F16214692

Thanks for listening!

-Paul

What I Want to See: The Women Of The MCU

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I finally saw Ant-Man and The Wasp yesterday, and I realized something, Hope Van Dyne is my favorite female character in the MCU. Realizing that made me reflect on the role of women in the MCU.

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It’s been pretty well discussed among critics and fans that for a while the MCU had a female problem.  Despite Black Widow having been introduced in the third (of 20 so far) MCU films, she took a long time to gain prominence in screen time, or plot relevance (I’m not sure we’ve even seen her have more screen time or relevance to the story, than anyone but Hawkeye).  Fans were asking for a Black Widow film, and Marvel Studios’ response was something along the lines of “when it’s right we’ll do it”. which at the time probably felt like a cop-out, but they were having the same complaints made about having a non-white main character and they were giving the same response. At the time, it really felt like the MCU had a diversity problem, but in fairness they tried to address the problem. They quickly began to introduce characters like Sam Wilson as the Falcon, Rhodey to be War Machine/Iron Patriot started to have a larger role and more screen time, they added Scarlett Witch to the team, for example. Many argued this was a half measure, they were all secondary characters and not a solution to the problem. They were definitely steps in the right direction and they filled in some gaps. It was very clear that women and non-white males needed to be the titles characters of their own movies.

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Black Widow’s 1st Appearance In The MCU: Iron Man 2

The MCU started using crossovers and the team films to be able to add new characters, layer their universe, and make it more three dimensional.  In Civil War, we were introduced to the MCU version of Spider-Man and finally Black Panther. Pretty quickly, it was clear that both would be getting their own films, but the MCU as a single cohesive piece was more important, so they tend not to rush into things and it payed off.

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Shuri stole the show in Black Panther.

Spider-Man: Homecoming was a big success, but Black Panther was a cultural phenomenon. Black Panther showed us that the MCU could handle a film with a non-white main character, a majority non-white cast, and come out with a critical and box office smash.  Black Panther not only stood on its own two feet, but it absolutely crushed the competition. The two most prominent white characters are played by Andy Serkis and Martin Freeman. Both are well established actors, but they’re certainly not mega-stars like Tom Cruise or Matt Damon.

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The second crucial thing Black Panther did, was almost double the MCU’s roster current of important, strong female characters.  Prior to this what did we have?  Scarlett Witch, is a decent character, but I personally don’t think she’s nearly as fleshed out as she could be.  Black Widow, tends to be used more in her relationship with which ever male hero needs her (i.e. in Winter Soldier with Cap, or in Age of Ultron with Bruce/Hulk).  Pepper?  I think we’re all honestly surprised when Pepper pops up for a cameo anymore, but really she isn’t much more fleshed out than Friday.  Jane Foster, might have been a good addition, except it seems that Natalie Portmant doesnt have much interest in playing Jane Foster anymore. So that’s not entirely the fault of the MCU.  The only two pre-Black Panther characters that seemed to be totally realized and fleshed out female characters were Gamora and Hope Van Dyne. In Ant-Man, Hope is the most capable character, the main character arc belongs to Scott Lang.

7841C1EC-837C-4572-95B8-B2F6AB8B6C5F         In Black Panther, we got three really great female characters in; Shuri (who is strong willed, intelligent, competitive, funny); Nakia who almost forces T’Challa to play the ‘fawning love-interest’ character due to her commitment to bettering Africa and the world; and Okoye who is one of the fiercest normal humans in the MCU.  Would you want to fight Okoye?  Do you think you could outsmart Shuri on literally anything?  Do you have more compassion for any group of people than Nakia does?  They’re all incredible, and while they have their ‘defining’ attributes, they’re not only those things.  Shuri is funny, and brave.  Nakia is in love with T’Challa, but refuses to let that be her guiding principal. Okoye, despite being a total bad-ass is also a loving girlfriend/wife (they don’t really say) who also stands up to her love when he is on the wrong side.

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Black Panther pushed us further toward the MCU ‘sweet spot. Now we have Ant-Man and The Wasp and it’s the first time in the MCU that a woman is one of the title characters.  The Wasp does not disappoint.  She’s the most bad-ass fighter in the film, she totally shows up Ant-Man and even the pseudo-villain Ghost. She’s a dedicated, intelligent woman trying to be reunited her mother.

16E15BD3-B591-433C-B06D-F73F450B36E324F37A45-717D-4396-97BA-B180D2B8C407Something Hope/Wasp and the women of Black Panther manage to do, is balance the characters between being what we want in super-heroes while not removing their femininity.  They also don’t play on any female stereotypes or tropes. We don’t see any of the female characters being played as ’emotionally erratic,’ while also not playing them off as unfeeling.  It’s a hard balance that Hollywood in general has difficulty was and the MCU has done pretty well avoiding those pitfalls. Which is really impressive considering that so far, all the directors in the MCU has been mad.

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So what do I want to see when it comes to females in the MCU? That leads us to Captain Marvel.  For Captain Marvel, we’re going to get our first female (solo) title character.  We’re also going to get our first female director (co-director, but to be fair, Anna Boden has directed all of her films with her husband Ryan Fleck).  I really want Captain Marvel to be great.  I want it to be as great as Black Panther and a game changer in the same way Black Panther was. I want Captain Marvel to be an amazing character with depth, but also a total bad-ass.  The DCEU had their only smash success to date with Wonder Woman because it’s a genuinely good film. I hope Captain Marvel is at least as good (perhaps with a better villain). Because Captain Marvel will not have the momentum of being the first like Wonder Woman was, but it does need to be successful.  One of the major takeaways from Black Panther and Wonder Woman was that people respond to diversity in their entertainment. However, if a movie like Captain Marvel fails, Hollywood probably won’t learn the right lesson from it.  They won’t say “oh Captain Marvel sucked, let’s try a Black Widow film instead!”, they’re more likely to say “oh maybe Wonder Woman was an anomaly and the audiences don’t really want female lead superhero movies.”  It’s bullshit logic, but as I’ve written before Hollywood almost always learns the wrong lessons.

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If Captain Marvel has some great action set pieces and the character is as well developed and well acted as Hope Van Dyne, Okoye, Nakia, Shuri, and Gamora, I think they’ll have a hit on their hands. If that happens Hollywood will do more to replicate it.  The MCU has done a great job creating this universe and I’m confident that Captain Marvel will not be an exception to that rule. I know I’m really excited.

D9297F0E-0085-4D54-9786-6A3A8D4C8636Because, honestly?  I love watching great women characters, especially when they kick ass.  That’s so much more interesting to me than the damsel in distress. I don’t know maybe I’m not ‘alpha’ enough, but something I find attractive (not just on a romantic/sexual level, but attractive in a friend, or in my wife, or when I’m proud of my sister ) is characters/people who have passion. It’s what we admire about male characters right?  You love that Tony Stark is pursuing (albeit awfully) the betterment of human kind through science, or that Captain America is passionate about the ideals of freedom and what America is supposed to be.  Why wouldn’t we look for the same in our female characters? I never understood that.

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So, what I want to see, is an excellent Captain Marvel movie, and if there is a love interest, I hope it’s not shoe-horned in.  After that, I hope that Captain Marvel opens us up to more female lead films in the MCU.  I’m patient, I know it won’t be overnight, but with a few more hits in Phase Four, and then they’ll be on a roll.

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Written by Michael Cole

Why Spider-Man Is NOT A Hero or (Why Spider-Man Only Works When He’s A Teenager)

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Spider-Man reached a historic milestone this week with the publication of Amazing Spider-Man #800. This was also the penultimate chapter of writer Dan Slott’s celebrated run on the series. For the finale, Slott pulled out all the stops and gave Peter Parker a truly monumental threat to face for his last story arc on the book. Slott’s story has been building to an epic confrontation with Norman Osborn, unquestionably Peter’s greatest adversary.

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I mean, the guy looks so fucking creepy, why cover it up with this shitty mask?
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Christ…. Just awful. He looks better without the stupid costume.

Though memorably played by Willem Dafoe in Sam Raimi’s Spider-Man film series, I always hated Dafoe’s campy and cartoonish performance as one of comics’ best villains. But that’s an article for another day. In the above mentioned comic book story arc, Osborn has returned to once again torment Peter Parker and everyone around him, but this time not only has he regained his abilities that made him so dangerous as The Green Goblin, he’s also bonded with the alien symbiote worn by Carnage, creating the seemingly unstoppable: RED GOBLIN!

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This is an excellent character design by the artist on the book Stuart Immonen. It’s Norman Osborn juiced up on his Goblin Formula while bonded with the Carnage Symbiote. Bad. Fucking. News. Immune to normal symbiote weaknesses like fire and sound.

Osborn has never been so deadly and his new persona as THE RED GOBLIN  is a terrifying, unstoppable monster. To use a cliché: All the strengths of The Green Goblin and Carnage, but none of their weaknesses. It takes everything Peter has, including the aid of everyone from all the other Spider themed heroes like Miles Morales to semi-reformed villains Venom and Otto Octavius, to bring down The Red Goblin. Hell, even MJ and Aunt May get some licks in. Ultimately, Flash Thompson, Peter’s former high school bully, turned good friend, turns the tide of the battle. Now the military war vet/super hero Anti-Venom; Flash sacrifices himself to give Peter the chance to defeat Osborn.

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Flash Thompson as Anti-Venom. Giving Peter the edge he needs to win the fight.
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Tragically, Osborn has just enough left in him to deal a brutal killing blow to Flash.

With Osborn beaten, Peter takes a moment to appreciate his victory and take in the destruction caused by their fight. When J. Jonah Jameson walks out of the smoke with a gun, intending to finally put an end to the death and misery caused by Osborn. It was far too close this time, Peter didn’t even come close to beating Osborn on his own. It took unprecedented amounts of help and a whole lot of luck to just barely defeat this monster.

Jameson knows Norman will be back like he has so many times before to bring death and horror into their lives. Osborn has killed thousands of innocents, used a U.S. Intelligence agency as his personal kill squad when he became head of SHIELD, started a war with Asgard, and finally he was responsible for one of comic books’ most iconic and heartbreaking deaths: the love of Peter’s life Gwen Stacy.

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Well, he didn’t die. YOU didn’t kill him. He went on to kill hundreds more. How do you think Gwen would feel that you could have avenged her death, but didn’t because you’re a fucking hypocritical coward?

Not to mention the countless other innocent victims that have been caught in the crossfire between Osborn and Spider-Man over the years. He knows Peter can’t and wont do what needs to be done: kill Osborn. But this is a burden Jonah is willing to bear for the young man he once saw as a menace. So, doing what needs to be done, what he believes is right, he pulls the trigger to kill Norman Osborn….

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…. And Peter dives in front of the bullet to save Osborn. Taking a slug in the shoulder for the man who juts killed one of his best friends.    …..Wait…  …Um..  …Hold on a second… ….Ummmm… WHAT?!…. WHAT THE FUCK?!!!!….. WHY?!!!!!!

Because Peter Parker isn’t a hero, he’s a coward. With great power comes great responsibility. Flash Thompson understood that and gave his life for it. Jameson understood by the making the choice to take on the burden Peter didn’t have the strength to. When Peter took that bullet he spat on Flash’s sacrifice. Every death caused by Osborn from this moment on is Peter’s responsibility. Trust me, this is Comics. Osborn WILL be back to kill and maim again, in some form or another.

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Police and their use of firearms is a very touchy subject in this country right now, so I’m speaking hypothetically here. I understand that police using their firearms inappropriately is a serious problem in this county at the moment and I take that very seriously. But stay with me here for a second while I make a quick point, hypothetically in a world where police officers use their weapon in the line of duty only in the situations where it’s absolutely necessary or if  a psychopath is killing people, isn’t it their responsibility to save lives? Even if it means killing the perpetrator? Or what if an officer were defending themselves from an armed and dangerous individual? How is this different than the many times Norman Osborn has murdered people, put lives in danger, and terrorized people over and over again. If the police had encountered Osborn in almost ANY of the senario’s that Peter has, they would have killed him (if they could of course, Osborn is probably impossible for a normal human cop to take down). Peter should have put Osborn down for good a long time ago. If he really believed in dedicating his life to being a hero, he’d have realized that so many of the lives Osborn has taken are on him.

D2CE0547-9214-4780-AAED-2E8E0A4F2E36 I think this is a good time to point out that Peter Parker is a superpowered, masked vigilante whose identity isn’t known to the general public. You and I cant go around taking the law into our hands, but he can. In fact, he does it all the time. That’s what being Spider-Man is. He just doesnt have the guts to kill Osborn and because of his abilities and persona as Spider-Man, this is a crime he could very likely get away with, in a way normal people couldn’t.

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This isn’t the first time Peter has pulled something like this. A few years ago through a convoluted set of circumstances, Norman Osborn became head of SHILED and the Avengers instantly became outlaws. Hawkeye argues that Osborn is insane, homicidal, and cannot under any circumstances be allowed to keep control of SHIELD. Hawkeye thinks the only thing to do, the thing they need to do, have a responsibility to do is kill Osborn. The public doesn’t know that he’s a madman and potentially millions of lives are in danger with Osborn controlling the weapons at SHIELD’s disposal.

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At which point Spider-Man argues that HAWKEYE is the one who’s crazy for even suggesting they kill Osborn and tells the rest of the Avengers that Osborn will inevitably shoot himself in the foot and the public will see him for the monster he really is. Well, how many people will die while you just sit around waiting for this to happen, Peter? In a world where individuals can be classified as a “Person Of Mass Destruction” isn’t it dangerously negligent for Spider-Man to have this attitude? Isn’t this the very definition of “With great power, comes great responsibility”?

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Teenage Peter Parker from Ultimate Spider-Man

This is why I think Spider-Man only works as a character when he’s a teenager. I only read Amazing Spider-Man #800 because it was a milestone issue. The only Spider-Man book I currently read on a monthly basis is Spider-Man which stars the other younger Spider-Man, high schooler Miles Morales. When a teenager sees the world in such morally black and white terms… well, they’re teenagers. What the fuck do they know? I remember when I was 16 I thought good and evil were clear lines and I’d never see the world as a place where thing like “necessary evils” must exist. But of course as I grew up, I changed and so did my view of the world. It almost seems like Peter Parker never grew up. It seems as if he never matured past his childish and naive sense of morality. So when you read a Spider-Man book or see a Spider-Man movie, they tend to be at their best when Peter is a teenager. It’s no coincidence that my personal favorite Spider-Man stories ever told were part of Brian Michael Bendis’ Ultimate Spider-Man run, which chronicled Peter as he navigated the dangers of super villains and his New York City high school.

Tony Stark and Steve Rogers debate morality all the time, but they’ve never debated the morality of killing murderous, super-powered lunatics. Spider-Man is always talking about how “with great power, comes great responsibility”. But I say Peter Parker is a coward who doesn’t have the courage of his own convictions. Heroes do what needs to be done, they don’t hide behind some bullshit code. SPIDER-MAN IS NOT A HERO. SPIDER-MAN IS A COWARD. Let online onslaught of hate begin…

In all honesty, I’d love to hear your opinions on the points I bring up in this article. Please write you comments below or on our Facebook Page and maybe we’ll read your question or comment on an upcoming episode of The World’s Best Podcast.

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Fuck you, Peter. You deserve everything coming to you.

As always, thanks for reading!

-Paul

What I Want to See: Avengers Infinity War

 

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Hopefully, I don’t need to catch you up on the history of the MCU, and I can just dive into what I want to see from Infinity War.  This might be a pretty controversial take on it, and as always I’m very open to whatever they’re actually going to do, but this is what I would do if I were in charge.

MARVEL’S AVENGERS: INFINITY WAR Josh Brolin as Thanos

I want to see Thanos, and his team lay waste to much of the MCU heroes.  I don’t need to see him murder a bunch of them, (although I think we can agree there will likely be some major losses) but I want it to be a one-sided slaughter, I want the end of the second act to appear hopeless, like Han in carbonite, Luke handless level of hopeless.  I want the audience to honestly be borderline upset at how poorly our heroes are doing.

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Then as the third act begins, we see something falling towards the Earth, and it’s coming in too quick, and we see the heat trail as it burns through the atmosphere towards the ground, and it’s the Hulk who has been hurtling through space since whatever happens to the ship Thor and the Asgardians were on at the end of Ragnarok, and he slams into the ground, and is so pissed off from that ordeal, that he begins to pummel through each and every one of Thanos’ lackies and maybe they don’t win the fight (it seems as if this will not be the end since Avenger’s 4 comes out a year from now and originally was going to be Infinity War Part 2,) but he helps the team to at least hold off Thanos.

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I’ve got to admit, with a 2 year-old who’s favorite phrase has been “Hulk Smash” ever since he saw Ragnarok, I want Hulk to not be in the film for long, but then come in and fuck shit up.  I want to see Thanos over confident in his ability, and in his progress in destroying the Avengers and other assorted MCU heroes, and I want to have that moment everyone seems to have in the MCU where they think they know what’s going to happen, and then immediately realize they don’t have a clue.  Hulk is amazing at delivering that moment, and I want him to give that to Thanos.

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A big piece of speculation about the film has been that Thanos will not have all of the Infinity stones in this film, or at least not until the end of the film.  I’m not sure how they cover him succeeding in getting the stones, and still have any kind of victory for the Avengers.  It’s a plot point that seems—from a writing standpoint—to be insurmountable, but one that many seem to think is coming.  If it’s coming, I hope it’s the very last moment, and I would enjoy seeing the Hulk have that same “oh shit” moment of realization that I want for Thanos.  Then despite that, we see Hulk rampage forward, swing for a hit, and before it connects cut to black.

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I want to see the Hulk smash, like he’s never smashed before…

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PODCAST: Jessica Jones Season 2 Review!

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Hey, Everybody

It’s Paul

As you all know, I’m a MASSIVE fan of the Marvel Netflix show. I thought the first 2 seasons of Daredevil and Jessica Jones Season 1 were some of the best content the Marvel Cinematic Universe had put out, period. And that includes the movies. As much as they don’t intersect for some bizzare reason I consider these shows just as much a part of the MCU as the movies. By the time we’d watched all of Daredevil Season 1, we’d spent more time with Matt Murdock than Tony Stark, which is kind of crazy.

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Anyway despite the huge dip in the quality of the content Marvel Netflix had put out (Iron Fist, The Defenders), they seemed to be mounting a come back (The Punisher). So, I wasn’t quite as excited for Jessica Jones Season 2 as you may expect, but of course I love the character and was ready for the Netflix shows to take me back to their best days.

 

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So, on this episode of “The World’s Best Podcast” I give my slightly overdue review for Jessica Jones Season 2 (As well as some fn detours along the way)! Enjoy! Listen here or subscribe on iTunes! Editor’s Note: We soon be, of we aren’t already available on SPOTIFY!:

https://www.spreaker.com/episode/14355668

The show also put out these really cool pieces of art for each episode. Each one is in the style of an old noir movie poster with the title of the episode in the poster. Here they are in order:

 

 

In the episode I mentioned great graphics novels worth checking out. You can buy them here through our Amazon Affiliate link. All of these graphic novels are phenomenal:

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Jessica Jones: Alias Vol.1

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Jessica Jones: Alias Vol.2

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Jessica Jones: Alias Vol.3

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Jessica Jones: Alias Vol.4

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The Pulse: The Complete Collection

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This takes place years after THE PULSE. It was a new series focusing on Jessica returning to P.I. work while still being a mother and wife. The series in ending soon because Jessica Jones’ creator, Brian Michael Bendis, has left Marvel to work exclusively for DC Comics. I cant wait to see what he does there, but right now he’s wrapping up all the Marvel books he’s still working on. So one other graphic novel collection of this Jessica Jones series is out nowJessica Jones Vol.2 The Secrets of Maria Hill, with an untitled Vol. 3 coming out over the next few months.

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Jessica Jones vol. Uncaged

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