The Justice League has battled a lot of cool, iconic foes over the years, but one of my favorites has to to be The Crime Syndicate. The Crime Syndicate hail from a parallel world dubbed Earth-3, where it’s occupants really subscribe to the philosophy of “survival of the fittest”. Each member of The Crime Syndicate is an evil doppelgänger of a member of the Justice League and they rule their Earth with an iron fist. So, instead of Batman, you get Owlman, instead of Wonder Woman there’s Superwoman, and instead of Superman you get Ultraman.
Ultraman is probably the biggest piece of shit of them all (actually Owlman probably takes the cake there). When he’s not bust freebasing Kryptonite to get his powers, he’s terrorizing the citizens of his planet.
The Crime Syndicate are most prominently featured as the villains in classic Justice League stories like, JLA: Earth-2 written by Grant Morrison with art by Frank Quietly.
As well as, Forever Evil by Geoff Johns and David Finch, which features Lex Luthor defeating Ultraman by using his addiction to Kryptonite AGAINST him. The message here: drug addiction makes you lose super villain battles. A valuable lesson for us all.
The live action DC movies may have gotten off to a rocky start, but I’m a big fan of movies like Man of Steel and even Batman V Superman: Dawn of Justice. I think Henry Cavill made a fantastic Superman and it’s a shame we probably won’t get to see him in the role again. Much like we won’t get to see Ben Affleck as Batman again. It would’ve been pretty cool to see these characters go up against a group of villains like The Crime Syndicate down the line had the Justice League film been any good. Sadly that movie was a big pile of shit, so we can only wonder what might’ve been. Which is why I thought it was really cool when I found two different artist renditions of Henry Cavill as Ultraman popping up online. Check it out here:
The first piece was done by an artist who goes by the handle HouseofMat. This is the first time I’ve see HouseofMat’s work, but I thought it was pretty cool and I wanted to share it with you guys. The second piece (which is my favorite of the two) was created by Barrett Digital, you can find them on Twitter @BARRETTDIGITAL_. There are some fantastic online artists out there like BossLogic, whose work I’ve posted on the site before. So I’m always on the lookout for cool stuff like this. What do you think of his rendition of Henry Cavill as Ultraman? Is The Crime Syndicate a group of villains you’d like to see pop up in a DC movie in the future? Please let me know what you think in the comments below. As always, thanks for reading!
It’s been a while since I’ve written an article on comic books. As I’ve often said, one of my main goals at World’s Best Media has been to be an advocate for comic books. To champion comics as a beautiful, thought provoking, worthwhile literature. Like all mediums, comics books and graphic novels can run the gamut from complete garbage to transcendent pieces of art. To use television as an example, for every “Big Bang Theory” (ugh) to masterpieces like “The Wire” or “Game of Thrones”. As we head into Spring with Summer around the corner, DC and Marvel are gearing up for some high profile books from their top writers and artists to tell big event stories. Think of it like the comic book world’s version the Summer Blockbuster Season at the movies. This year is no exception and even after years of reading comics for a couple of decades now I still get excited. (Jesus Christ! Wait a second. When did I do ANYTHING “decades ago”?! When did THAT happen?! Time is a cruel mistress, I suppose)
In this article I’m going to give you folks a look at some of the coolest comics DC and Marvel have hitting stands over the next couple of months. There are some pretty damn cool books here and like I said I never fail to get excited about the Summer Comic Book Events.
However, it can be difficult to get into comics especially if you’re a newcomer. So even if this’ll be your first time picking up a comic book or you’re a lapsed fan comings looking to get back into comics, I have something here that I think will help you out. * if you’re a comic book readers and understand the basics, you can skip right ahead to out Spring/Summer Comic Book Preview. Otherwise…
Here’s a quick refresher: New to Comic 101. This will help you appreciate some very sick new comics and graphic novels coming out this spring and summer when they hit stores and Apps. If you’ve seen a Marvel movie, for example, and are trying to decide where to start, it can be intimidating. No is much is I love Marvel, DC Comics is much better at making comic books accessible to newcomers. They tend to make their stories available in simple, easy to grasp formats. They tend to publish their graphic novels as individual stories that you can pick up like a regular novel and understand without having read anything else about the character (more or less). Then you can go out and grab another story featuring the same character and (more or less) be able to follow along. There might be some confusion here and there about small details, but that’s why god invented Google. Let’s say you’ve read one or two Wonder Woman or Superman graphic novels or collected editions, as you begin to read more, you start to understand when stories take place in a a books history, the overall continuity of a character or universe, the best writers and artists. Basically you start to become a comic book reader.
As I’ve explained in the past, what we call graphic novels are really mostly collected editions which are just collections of individual comics that make up one larger story, in easy to read book/graphic novel form. DC seems to really understand that graphic novels and collected editions are incredibly important because they help draw in new readers. Right now drawing in new readers is by far the most important priority of every comic book publisher.
Now, without further ado…
2019 SPRING/SUMMER COMIC BOOK PREVIEW
DC’S YEAR OF THE VILLAIN #1 (One-Shot)
Release Date: 5/1/19
Writers – Brian Michael Bendis, Scott Snyder, & James Tynion IV
Artist- Jim Cheung, Alex Maleev, & Francis Manapul
Cover- Greg Capullo
This is the must buy comic book of the season. This special one shot is made up of three separate stories from DC’s top writers and artists. Each of the three stories serve to set up the major story arcs and plot points in DC‘s biggest books, featuring their most prominent characters. With a theme like “Year of the Villain“, these stories feature some of the most dangerous and deadly threats that have been brewing in books like Justice League, Action Comics, Batman and more all year. Threats like The Batman Who Laughs, the terrifying and powerful secret society/terrorist group Leviathan, and Lex Luthor’s continuing quest to unlock the secret cosmic powers of the Universe with his Legion Of Doom. Considering the wild cards at play here, expect some big surprises and shocking reveals in this book. Plus, you can’t beat the rock bottom price of $0.25. This book is a good jumping on point if you have been a DC Comics reader in the past and want to start reading them again. This is a MUST READ. Below we have some fantastic art, each of whch accompanies the different stories in this book
Doomsday Clock #11
Release Date: 5/22/19
Writer- Geoff Johns
Artist- Gary Frank
Man, this great fucking series. Don’t listen to the haters. What’s interesting is Doomsday Clock is kind of a microcosm of all superhero comics. It’s a big gimmicky “Event”, it’s a crossover, it’s messes with classic characters and stories that were previously viewed as untouchable sacred cows, surprise character returns, there are big deaths, surprise resurrections, RETCONING! You find each of those thing a lot in superhero comics. However, none of that takes away from the fact that Doomsday Clock is a fucking incredible comic book. In fact, It’s one of the best books currently being published. When the story was first announced, it was presented as a story that would’ve been about a sort of battle for the soul of the DC Universe. With Superman‘s hope and optimism versus Dr. Manhattan’s cold, inhuman, rationalism. While that still seems to be an element of the story, it quickly became apparent that this story was really a Watchmen sequel. Some fans will always be against the idea of a sequel to Alan Moore’s superhero masterpiece, but I am of the opinion that if there has to be a sequel to Watchmen, this is the best one we’re going to get. It’s a fantastic story that feels both very true to the world Alan Moore and Dave Gibbons created all those years ago as well as the DC comics universe. The art by Gary Frank is beyond phenomenal. I have no idea where the story is going to end up and that’s one of the things I love about it. At the time of writing this, issue # 10 will have been published, With the penultimate chapter (Issue #11) of this saga hitting spinner racks in May. With the grand finale following issue #11. Will we finally get the epic confrontation between Superman and Dr. Manhattan that the series seems to be inexorably heading towards? I’m sure there’s going to be at least some confrontation, but what kind…. I don’t know, but I can’t fucking wait to find out.Though we’ve seen a lot of delays on this series, it seems to be getting back on track with a pretty regular shipping schedule.
Batman: Last Knight On Earth
Release Date: 5/29/19
Writer- Scott Snyder
Artist- Greg Capullo
For nearly a decade, writer Scott Snyder has become the definitive Batman storyteller of his time. Frank Miller had the 80’s, the 21st-century belongs to Scott Snyder. Snyder has often told the story of, how when he was first starting out on the New 52 Batman and how he asked legendary writer Grant Morrison for his advice on writing Batman. Morrison himself had his own successful Batman run and wrote the classic Batman graphic novel Arkham Asylum: A Serious House On A Serious Earth. Morrison told Snyder that the key to writing Batman is to write him as if he created the character himself. Morrison then asked Snyder if he knew HIS version the beginning or “birth” of the character and the ending or “death” of the character. Snyder followed this advice and his story about Batman’s birth is the excellent Zero Year story. Now we’re getting Snyder’s story about Batman’s “death” or the last story of Snyder’s Batman with Batman: Last Knight On Earth #1. It if Scott Snyder is telling his version of the last Batman story, there can be only one artist to draw the book, and that is of course Greg Capullo.
His New 52 Batman run with artist Greg Capullo Is probably in the top two or three best Batman runs of all time, if not number one. A massive part of that book’s success was his collaboration with artist Greg Capullo. Not all comic book artists and writers work this way, but the right artist and writer come together who are an absolute perfect match, you get magic. That Batman run would not have been the masterpiece it is had Snyder not worked with Capullo on the book. There are several more, but it’s more rare than you’d think. Garth Ennis and Steve Dillon’s work on Preacher together comes to mind as a similar example of what you get when you put the right creative people together.
This three issue prestige format miniseries follows Bruce Wayne waking up in Arkham Asylum; young, fit, and very much sane. Without any memory of how he got there or what has happened before, he finds himself in a post apocalyptic, ruined DC Universe. With a frozen, severed, but very much alive Joker head as his only companion, Batman begins in his trek across what was once the DC Universe he knew, to you find the answers he needs. Considering the pedigree of the talent involved in this project and what phenomenal Batman stories they’ve already told, I’m going to say this is one of the Top 3 absolute MUST BUYS of the summer.
The Flash: Year One
Begins in issues #70 and #71
Writer- Joshua Williamson
Artist- Howard Porter
Release Dates: 5/8/19 & 5/22/19
I’m actually really looking forward to this one. I don’t read The Flash on a monthly basis, but I check it out every once in awhile and Joshua Williams is a great writer. May kicks off the first two issues of The Flash: Year One. There’s not a whole lot to say with this one. It’s pretty much all in the title. I’m a sucker for a good Year One story and we haven’t receive one of those for Barry Allen before. The art is phenomenal. The creative team is excellent; Williamson had been putting out some good Flash stories since DC REBIRTH and Howard Porter is an all time great Flash artist. If you like The Flash TV series or you dig The Flash in general, I’d say this looks like a pretty sure bet for a great book.
Superman: Leviathan Rising Special #1 (One-Shot)
Release Date: 5/29/19
Writers- Brian Michael Bendis
This is a special prelude to the next comic book event, I’ll be talking about below….
Release Date: 6/12/19
Writer – Brian Michael Bendis
Artist- Alex Maleev
LEVIATHAN is rising. Seemingly out of nowhere, intelligence agencies, terrorist groups, cults, some of the most powerful organizations in the DC Universe are taken out by a powerful secret terrorist society, Leviathan. A.R.G.US. Headquarters (DC’s version of SHIELD) is destroyed in a powerful and mysterious blast, the terrorist group Kobra Cult, The D.E.O. (The government organization Supergirl works with if you watch her show on The CW), and more, all destroyed. This story has been building up in the Superman books for the past few months and it was only recently revealed that the Leviathan storyline would have a larger affect on the DC Universe.
A few years ago, in an attempt to take the Batman concept global, Bruce Wayne started Batman Inc. An organization in which Batman and Wayne Enterprises would give vigilantes who had been inspired by Batman, in cities all over the world, access to Wayne Tech resources and technology. Batman was going global. As part of their very twisted and fucked up love-hate relationship Talia Al-Ghul, daughter of The Demon’s Head, Ra’s Al-Ghul, mother to Damian Wayne, Son of Batman; created a terrorist organization called Leviathan specifically to counter Batman Inc., it’s not clear how much, if any connection this Leviathan has to the previous one, but there appears to be some. The books leading up to this have been a lot of fun and I like how Bendis seems to be opening up the story into the larger DC Universe. You should be reading all of Bendis’ Superman books right now, so definitely check this one out as well. Event Leviathan will be a 6 Issue miniseries that Bendis has described as more of shadowy thriller than a typical huge, bombastic event comic. I’d definitely recommend checking out Action Comics also written by Bendis which looks like it’ll be a key tie-in book. Action Comics is great anyway so you should definitely be reading it, event or no event. In fact Action Comics by Bendis vol.1 hits comic book stores on 4/3 and it get my highest recommendation.
Superman: Year One
Writer: Frank Miller
Artist: John Romita Jr.
Release Dates: 6/19/19, August, & October
Like many comic fans, after train wrecks like The Dark Knight Strikes Again and All Star Batman & Robin The Boy Wonder, I found myself thinking “What the FUCK happened to Frank Miller?”. Where was the man who gave us Batman: Year One and The Dark Knight Returns? The answer, as far as I was concerned as a comic reader, was that he was long gone. The Frank Miller we knew was no more.
Now all of a sudden he’s giving Superman the Year One treatment after years of being a longtime, vocal Superman hater. What to make of all this? Hmmmm…
Well, unlike many of you, I kind of loved The Dark Knight III The Master Race. So, are we seeing a Frank Miller comeback? Well, one good piece of work does not a comeback make. Even if we all agree that The Dark Knight III The Master Race was a very good Batman/DC Universe miniseries, a big caveat comes along with giving Frank Miller any points in the comeback column from this project. There’s a big metaphorical asterisk next to Frank Miller’s name on this book. TDK III was co-written with Miller by the very talented Brian Azzarello and the book was drawn by the legendary Andy Kubert. I strongly suspect that Frank Miller’s contribution to that book consisted of some variant covers, the brief back up stories at the end of each issue, and giving his input to the very broad outline of the story. While Azzarello was responsible for truly writing the issues. However, I could be wrong, who knows?
Now having said all that, will I be reading Superman: Year One? Absolutely. I am a complete sucker for a Year One story and John Romita Jr.’s art looks fantastic. That’s got to be worth the price of admission alone. Even if it’s garbage, it’ll be beautiful garbage. Also John Romita Jr. handling art duties on this miniseries tips things positively in the book’s favor a little. The first of the three prestige format issues will be released on 6/19/19, with books two and three being released in August and October.
I’m a pretty optimistic guy when it comes to my pop-culture. I want it to be good. That’s why I enjoyed The Dark Knight III The Master Race so much, I allowed myself to be open to enjoy it. However, though John Romita Jr.’s art is definitely a huge draw. Hopefully, he’ll be able to help Miller tell a solid Superman story. This miniseries has been described as being Frank Miller’s story, unlike the collaborative nature of TDK III. Basically, he doesn’t have the help he did on his last major project to catch him when he falls. I have great respect for Romita Jr., then again Jim Lee produced some of his best work on All Star Batman and Robin The Boy Wonder and look how that turned out. Finally, even though I’ll definitely be picking up at least the first issue of this series, I have come to the conclusion that this is going to be a shit show. Everything I know about Frank Miller makes me think Superman: Year One is going to be another massive, flaming, Hindenburg-like failure from the once great Frank Miller. I’ll be the first to tell you how happy I am to be wrong on this one.
I hope you enjoyed my spring/summer comic book preview and as always thank you for reading! This article focused on DC Comics exclusively. DC does a better job of Marvel than putting out accessible, more or less self contained, easy to explain event books and mini series. So if you enjoyed this preview and you’d like to see what Marvel Comics has cooking for the spring and summer, please comment below
So there you have it, a lot of exciting comics coming out over the next few months. Word has it there are some even bigger things coming on the horizon and this is all just from DC Comics! I’ll probably write up a similar article highlighting Marvel’s spring and summer comics to check out this year. Comics are an incredible medium. So, whether you’re reading single issue comics, waiting for the collected editions, reading them on your tablet, or going to your local comic book store, as long as you’re supporting the medium, that’s all that matters.
Alan Moore and Dave Gibbon’s Watchmen is widely considered to be one of, if not the best comic book ever written. I remember the magic of getting into to comic for the first time and being blown away by the classics of the medium: The Dark Knight Returns, Batman: Year One, and of course Watchmen. Watchmen still holds up as a brilliant, powerful masterpiece of storytelling. I don’t think Watchmen’s impact on the comic book medium can be understated.
However, as comic books have become more and more mainstream, Watchmen itself has become more mainstream. 20 years ago meeting someone else who read Watchmen was special because it was rare. If you read Watchmen, you knew something amazing that everyone else didn’t. As superhero stories and comic books became a part of pop culture in a major way, so did Watchmen. More people started to read the original graphic novel. We got Zack Snyder’s Watchmen film (an under appreciated gem, in my opinion), DC published Before Watchmen (Many of those miniseries’ were excellent), and like anything else, the more there is, the less special it becomes.
I still love the original Watchmen comic book. I’m making this point because Watchmen isn’t the sacred cow to me that it may be to some people. Which is why I’ve been on board with almost everything DC has chosen to do with the Watchmen Universe in the wake of DC REBIRTH. However, I’m mainly here to tell you that Geoff John’s and Gary Frank’s Doomsday Clock is one of the best goddamn comic books on the shelves right now.
I will be discussing SPOILERS here, so fair warning if you want to remain SPOILER–FREE…
A few weeks ago, Issue #7 of the 12 Issue miniseries went on sale and as the story hit it’s half way mark, it really kicked into a new gear. I wanted to wait awhile for people to read the latest issue before I commented on it. This is arguably the most significant series DC has published since the creation of THE NEW 52 in terms of its impact on the DC Universe.
For the most part I’m not going to recap the previous 6 Issues and instead focus mainly on Issue #7. First if all, hats off to the amazing art by Gary Frank. Frank’s been one of the best artists in the business for years, but he’s doing career best stuff here. He perfectly captures the “feel’ of the original Watchmen with copying the work of Dave Gibbons. I don’t think there’s another artist working in mainstream comics that can do what he’s doing here. He’s walking a fine line between being his own artist while making this series feel very much like a follow up to Watchmen.
The entire series, if not everything since DC REBIRTH, has been building to Doctor Manhattan’s full appearance. We finally get it here and it is suitably epic. You could definitely say this is the chapter of the story where the shit begins to hit the fan. Ozymadias, the new Rorschach, Marionette, Mime, The Comedian, Batman, and The Joker finally come face to face with Doctor Manhattan and the whole issue is pretty fucking awesome.For the most part, Johns makes the insanity of all these unique characters coming together wildly entertaining, but I’ll come back to that in a minute.
Before I get too ahead of myself, the book opens with a fantastic scene that involves Doctor Manhattan and old school Green Lantern Alan Scott, that’s pretty damn chilling. It not only gives insight into how Manhattan perceive reality, but it also lets us see Jon ( Doctor Manhattan’s real name) as a more sinister character than he was in the original Watchmen. It gives the reader a sense of ominous dread that sets the tone for the story to come.
Johns is one of the best writers of DC Comics characters of all time. He’s so often able to take characters that aren’t that compelling and turn them into some of the best characters in comics. He did it will Green Lantern, The Flash, The JSA, Hawkman, Aquaman, and more. One of the reasons this issue is so impressive, is that Johns beautifully captures the “voice” of each of the Watchmen characters, which is why the comic works so well. However, for some reason the character he can’t quite get right is Batman.
Geoff Johns has an almost supernatural ability to get inside the heads of DC characters, with sole exception of Batman. Batman should always be the smartest guy in the room, but under Johns’ writing he comes across as being 2 steps behind. That is NOT Batman.
I will concede that Johns may be improving when it comes to writing Batman. There’s a moment in this chapter when Doctor Manhattan finally shows up, in the flesh, for the first time. A moment that has been building since DC UNIVERSE REBIRTH. As the closets thing to God himself that Bruce has ever seen teleports into a room full of killers, mad men, and geniuses, Batman immediately glares right into Doctor Manhattan’s eyes and says “I know how you are”. A very cool, very Batman moment.
Each of these characters get some great moments together, but I wish there was a more substantial confrontation between Batman and Doctor Manhattan. I don’t mean physical, obviously, but I would have liked to see them interact more. We’ve still have a fair amount of issues left before the series wraps up, so I’ll probably get to see something like that sooner or later.
Without getting into too much detail, we finally find out why Doctor Manhattan came to the DCU. It’s a great scene where we’re given some answers, but even more questions.The scene also underscores the slightly darker character Doctor Manhattan has become. One thing he makes very clear to Adrian Veidt is that he has no intention of going back to the Watchmen Universe. He believes that world’s time is over. It beyond saving and not worth his attention. Needless to say Veidt is not happy. The scene ends with some shocking revelations about Veidt that fundamentally change his relationship with Reggie, the new Rorschach.
This is perhaps an Adrian Veidt more dangerous than we’ve ever seen. He’s just as ruthless and cunning as he’s always been. This issue shows us that the man who killed millions in service of “the greater good”may not have learned from his mistakes after all. He’s the same manipulative sociopath he’s always been and he’s got a plan. By the end of the Issue it seems like Ozymandias has gone “full villain”.
Finally, the most unsettling revelation is that in one month, Doctor Manhattan will have a fateful encounter with an enraged Superman. We know Doctor Manhattan doesn’t perceive time in the way everyone else does. He sees the past, present, and future all at once. So, what makes this information so disturbing is that Jon cannot see the future beyond the point of his confrontation with Superman.Which means one of two things, either Superman will destroy Doctor Manhattan or Doctor Manhattan will destroy everything. Considering that we’ve seen very little of the Man of Steel in this series so far, it seems like that’s about to change in a big way. It’s hard to see a scenario where Superman comes out on top in a fight with Doctor Manhattan, so I’m anxiously awaiting their meeting. After all, Doctor Manhattan has screwed with Clark’s life in significant ways recently. Most notably “resurrecting” Jor-El, who’s been running around the DCU causing trouble as Mr. Oz.
Though the shipping schedule has been somewhat frustrating, the series began in November 2017 and Issue 8 is slated for release in mid-November, at least it’s picking up slightly. Regardless of these minor flaws, Doomsday Clock has been a fantastic series that has vastly surpassed my expectations. What could have easily been a cash grab by DC has become a truly worthy follow up to Watchmen.
If you were skeptical about what is essentially a sequel to Watchmen, rest assured that these characters are in good hands. I can’t recommend this series enough. It’s a must read.
It’s August and it’s summer vacation time over at World’s Best Media! But that doesn’t mean we still wont be bring you some awesome content! Including this week’s episode of “The World’s Best Podcast”, where I give my picks for the Best Graphic Novel Summer Beach Reads! Listen here or subscribe on Stitcher and iTunes:
I don’t have any comic series that I read consistently, but I do like picking up stories that are either getting a lot of buzz, or are going to be the basis for some adaptation. I’ve been seeing a lot about the “Flash War” event which will pit Barry Allen against Wally West. Last week the first issue came out, and I picked it up, along with the ‘prelude’ which was in the annual.
Hey Everybody, Paul here. As the resident comic book expert I thought I’d help fill in some of the blanks in the background with ‘Flash War”. Mike not quite having his comic book super nerd powers yet. So anytime in this article you see italics text like this pop up, that’s me putting in my two cents. It’s two authors for the price of one!
Now, I’ve read Flashpoint, and Flash: Savage World, a couple of the Justice League trade paperbacks, as well as being a fan of the TV show, so take my opinion as that of someone who’s not an expert, but also not diving in for the first time. If you’re interested in this story, I do suggest picking up the annual with the prelude, because I found that it makes things a bit clearer in the first issue.
Besides the Flash Annual that Mike mentioned earlier, the storyline that is most important to understanding Flash War is a story that goes back to Geoff John’s original run on The Flash BEFORE The New 52 and even before Barry Allen came back from the dead. At this point in DC history Barry Allen had died in the classic mega-event Crisis on Infinite Earths. For the nearly three decades after, Barry’s sidekick Wally West aka Kid Flash became The Flash full time. For a whole generation of readers (or if you even just knew The Flash from the Justice League animated series) Wally West WAS The Flash. Anyway, this super important story was called BLITZ and it was all about how former FBI criminal profiler Hunter Zolomon, who was a good friend of The Flash, became the super villain Zoom and initiated a devastating attack on Wally West and his family.
I’m not going to review the individual parts, but now that I have an idea of what the story is, I’m going to write about it, and then when the series concludes, I’ll write a review of it as a whole.
So, if you’re familiar with DC’s recent history, they had the “New 52” runs, and then there was Flashpoint which I believe allowed them to reset somethings after that, to try the “Rebirth” runs. Well, there were some consequences to all of these resets and reboots, and one major one, which apparently directly stems from Flashpoint, is that the Wally West (the third Flash) from pre-“New 52” no longer exists as he did. He is still around, but he has no history, much of his memory is cloudy due to being lost in the ever-changing timeline, and almost no one remembers him.
Ok so there’s actually another super important story that you need to read called DC UNIVERSE: REBIRTH, also written by Geoff John’s. When Barry created Flashpoint and created The New 52 as we know it, “classic” Wally West had seemingly been erased from history. This story partially shows how he escaped from The Speed Force and why there are 2 very different Wally West’s in The New 52 continuity. It also, tells us that Barry creating Flashpoint was not the only person responsible for this altered universe… Just read the story, it’s a huge reveal.
*Some minor spoilers from this point out*
As Mike goes into here, there are now 2 Wally West’s in this reality. The adult, white, pre-The New 52, FLASH Wally West who escaped The Speed Force in DC UNIVERSE: REBIRTH and teenage, African-American, KID FLASH Wally West. Now Wally is a white red haired guy, still operating under the title of Flash (although Iris West-Allen, Barry’s wife and Wally’s aunt who doesn’t know who he is, refers to him as the new Flash because Barry is still the Flash as well.) Wallace on the other hand, is a younger, black teenager (not sure how old he’s supposed to be, but he’s shorter which I’m pretty sure equals younger) Paul chiming in here, he’s roughly in his mid-teens and is Kid-Flash, but is also Iris’s nephew.
So, they’re the same person but different people. It’s a little confusing, but I like it, because I’m a big fan of time-travel and the idea that if anything were done differently in a time-line individuals could be genetically different people from one to another.
At this point in the article, bless his heart, Mike sort of misinterpreted the chain of events. Basically, Time Agents from the 25th Century (kind of like Minority Report) all dressed like good versions of classic Flash villains, The Rogues, show up at try to arrest Iris for supposedly killing Eodard Thawne (Classic Flash villain The Reverse Flash) at some point… in the future… I guess? Even I’m a little confused on this on, guys. These Time Agents could be full of shit, but adult Wally freaks out at the idea of these assholes taking Iris, where Barry wants to let cooler heads prevail and calmly go with The Time Agents to figure out what’s going on. Some fighting and time travel ensues… One of The Time Agents has a really cool and surprising power source I won’t spoil here.
As the first issue comes to a close, we see that Wally has been transported to a future in which he did exist, while Barry, Iris, and Wallace were transported to the alternate future, and Hunter Zolomon aka Zoom tells Wally he’s going to help him change the past and save his children who were erased in Flashpoint.
This issue is kind of framed by Hunter Zolomon and his POV. To the best of my knowledge, the first time we’ve seen this version of Zoom and Wally’s kids since before Flashpoint, because they’re all pre- The New 52 characters.
I’m really excited, because as I said before I really enjoy time-travel and time line stories, I also really enjoy stories in which protagonists conflict with each other, sometimes I find it more interesting than when there is a clear protagonist. I’m not sure to what level Zoom will participate, my only familiarity with him is from season 2 of the Flash on CW, but I’m really looking forward to what’s coming up.
The Hunter Zolomon/Zoom of this comic is VASTLY different from the Zoom from The Flash CW series. I like Mike’s enthusiasm, but I think this isn’t a great comic for new readers. It’s really more for people who’ve been following The Flash and DC Comics in general for the past decade or so. I recommend new readers check out, as an alternative, the mini-series The Man of Steel by Brian Michael Bendis currently in it’s 3rd issue. You can get at your local comic book store or on your tablet on the ComiXology app. It’s very new reader friendly and all you really need to know is who Superman is and the bare minimum about his world. I hope you guys enjoyed our different takes on Flash War part 1. Thanks for reading, everyone!
Since the “Death of Superman” in the 90’s, death being a revolving door has been somewhat of joke in the comic world. Unfortunately, frequent deaths and resurrections can often hurt the Superhero genre. Mainly because it pushes people away. To some readers it takes the sense of urgency from the story, they don’t feel any substance in a story they read because this is used so often it’s a trope of the genre. Once I realized how many Watchmen characters would actually be used in Doomsday Clock, I expected immediate negative backlash from the fan community. ESPECIALLY when The Comedian turned up alive. To be honest I wasn’t exactly thrilled by his return. This entire story needs to be handled very delicately to work. The Watchmen characters we saw before The Comedian showed up were used really well, but I felt like The Comedian might have been a bridge too far. Geoff Johns and Gary Frank better have a very important reason for bringing him into the story or else it will feel like bad fan service (I have faith that a good explanation will be given, especially because everything else in this miniseries has been excellent so far).
Having said all that, none of it really has much to do with THIS issue. I haven’t reviewed Doomsday Clock in awhile and since then I’ve noticed that some fans are unhappy with the return of certain characters. But lets focus on Doomsday Clock #4.
This is the most character driven issue of the series so far and it almost exclusively focuses on one main character: “New Rorschach”. I put the name “Rorschach” in quotes because we already know that this isn’t Walter Kovacs, Original Recipe Rorschach. This is Reggie, the young man how took on the mantle of the legendary crime fighter/ infamous lunatic vigilante.
For readers looking for a story that pushes the narrative further in a significant way, you may be disappointed. Otherwise this is an excellent character study of this new Rorschach. We not only get to see how he became the next Rorschach, we also find out exactly who Reggie is and where he fits in the Watchmen story (which I won’t spoil here). All I’ll say is that this person wasn’t even on my list of suspects.
Up until this issue, I was pretty sure that Reggie was an original character because, after going back to the Watchmen graphic novel there really wasn’t anyone who fit what we know about him (which is pretty much just; that he’s a relatively young man, African American, and more than a little bit of a psychopath.). But after reading the issue, I tip my hat to Johns and Frank because they have delivered an excellent vigilante origin story. They did a great job of creating Reggie’s backstory. My one criticism is that even though the creators found a very clever way of showing us how Reggie acquired his fighting skills, it doesn’t seem like enough to make into a fighter that would make even Veidt uneasy. But maybe there’s more to the puzzle coming up.
This was the perfect point to tell us Reggie’s backstory and what drives him. Because among the cast of new characters, we know a relatively significant amount about The Marionette and The Mime and what makes them tick (even though there are still some huge questions surrounding these two). Four issues into a 12 issue series, we need to understand the goals and motivations of all the main characters for the story to work. We also get a great appearance of a relatively obscure Watchmen character that’s both sweet and heartbreaking.
Though other issues of Doomsday Clock have wowed me in a ways that this chapter didn’t, it is nonetheless a beautiful character tale that’s tragic, sad, and illuminating. If you don’t mind one or two comic book tropes, I highly recommend Doomsday Clock as a series. This issue was definitely weaker than others, but it was still great. I can’t wait to see what Geoff Johns and Gary Frank have in store for the next 8 issues.
It’s Paul and I’m very excited to announce my brand new Podcast… PAUL’S PULLS! As you all know I LOOOOOOOVE comic books and superheroes, so this podcast is all comics all the time. It’s a shorter show than “The World’s Best Podcast with Paul & Tim”, but it’s perfect for the format. Each episode I’ll be recommending the best comics of the week and talk about comic book or comic book movie, Comic book TV, COMIC BOOK ANYTHING news! I really hope you’ll enjoy it. In the first episode I give an annotated breakdown of the awesome new DC series Doomsday Clock. Then I wrap thing up talking about the very cool new superhero show Black Lightning. The podcast will be available on iTunes soon but for now you can listen to it right here: