I haven’t been a big fan of the Academy Awards for years now, but I must admit I was very excited when Black Panther received an Oscar nomination for Best Picture. This is the first time a comic book film, a superhero film has been nominated for Best Picture at the Oscars. Even though I don’t consider the Oscars to be the standard by which excellence in film should necessarily be judged, it’s still a great feeling of validation to a lifelong comic book fan. Not to mention that it’s all too rare to see a big budget superhero film with a predominantly black cast that, as put so well by Marc Bernardin in his Entertainment Weekly cover story, Black Panther is a movie about celebrating “Excellence”. Which is all too rare. This movie’s cultural impact cannot be understated. Even putting all of that aside, Black Panther is just a great fucking movie that absolutely deserves this recognition.
So, With Black Panther nominated for Best Picture at the Academy Awards, on this episode we wanted to acknowledge that historic accomplishment as well as talk about other comic book films that deserved Oscar noms. We also discuss some of the upcoming DC films, like Birds of Prey. To top it all off, we try to figure out (if you could pick ANY character from ANY comic book universe) who would have the best chance in a face off against Thanos with The Infinity Gauntlet! All this and so much more on this episode of “The World’s Best Podcast”! Enjoy! Listen here or subscribe on Stitcher and iTunes:
This month DC Animation is releasing the second movie in their two part Death of Superman saga, Reign of The Supermen. Reign of The Supermen begins roughly 6 months after The Death of Superman. The world is still in morning, but none more so than Lois Lane. Shortly before his death, due to his injuries sustained saving the city from Doomsday in the previous film, Clark and Lois’ relationship had reached the point where they were deeply in love with each other. Which makes Clark’s death all the more tragic, but more on that in a moment.
Even with the fantastic action sequences we come to expect, I’ve really enjoyed the small character moments in both of these movies that give the films some heart. For example, the developing friendship between Lois Lane and Wonder Woman added a nice layer to the film. Superhero comics are often so male focused, we don’t get to see enough positive female friendships. Even though it’s Clark’s death that brings them together in this film, it’s great to see their bond develop throughout the film. Even though they are very different people in many ways, it makes a lot of sense that they would like each other, that they’d hit it off.
A problem DC characters face that most Marvel characters don’t, is the fact that the Justice League are almost a modern day pantheon of gods. Which can make them seem distant, inhuman and unrelatable. Seeing Lois and Diana together in civilian attire bonding at a local pub is a great scene that humanizes these larger than life characters. It’s a small moment, but I hope the writers take the opportunity to grow this relationship. There’s great dramatic and comedic potential in pairing Lois and Diana in this and future films.
As, I touched upon earlier, when that film began, Lois and Clark have been dating long enough that they both knew some serious choices needed to be made in their relationship. Was this just a fun office romance? Or is it something real? They love one another, but Clark struggles with how and if he should tell Lois that he is Superman. Their love story is a key story aspect of that film.
I think the decision to make this story into two films really works and you see that decision pay off here. Considering the ambition of the story they were telling, this does feel like one film, cut in two, instead of two separate movies. I hope they put out a deluxe edition with both films together like they did with The Dark Knight Returns Part One and Two. There are so many callbacks and little moments connected to the first film, that if you haven’t seen The Death of Superman, you may not understand the emotional impact of certain moments.
Following Superman’s death, four new “Superman themed” heroes appear. The question to some is, if somehow one of them could be the real deal. First there’s Steel, a scientist named John Henry Irons we’d met in a few previous DCAU films. Irons has essentially built Superman-themed Iron Man armor. He has a particularly cool mechanized hammer, almost like a high tech version of Thor’s new ax/hammer in Infinity War. With his flowing red cape and the S on his armor, he cant quite reach the power level of the original Man of Steel, but he certainly holds his own.
Then there’s the teenage Superboy, a LexCorp sponsored hero reveling in his celebrity and all too eager to prove himself to be the hero that Superman was and so much more. Unfortunately, he finds out the hard way that a cocky attitude and bravado can’t compete with the years of experience the original Superman had under his belt. His origin is pretty dark and I won’t spoil it here, if you don’t know it already. Some may find his character to be a little bit annoying, but I found there to be an underlying tragedy to the character and I thought his relationship with Lex Luthor was particularly interesting.
I don’t want to go into full spoilers, but there are 2 other contenders for the title of the new Man of Steel: The dangerous Eradicator and Cyborg-Superman. Both are much darker figures than Steel and Superboy. Strangely, it seems that if any of these new “heroes” are Kal-El of Krypton reborn, Cyborg-Superman seems like the best bet, but like all of the new Superman figures there is more to him than meets the eye.
When the shit really starts to hit the fan, the movie finds a particularly clever way to take of the Justice League out of the equation for the big final battle at the end of the film. Had the Justice League been present, it definitely would’ve created major story problems, so it was nice to see that was handled well. The absence of the Justice League forces some unpredictable and surprising figures to step up and act more heroically than you may expect, including Lex Luthor.
Rainn Wilson returns to the role of Lex Luthor in this film after first playing him in The Death of Superman. I really like how Lex is portrayed in both of these movies. He is undoubtably self-serving, amoral, and even a flat out piece of shit at times. However, he doesn’t want to see mankind destroyed or brought low. He genuinely wants to help the human race and at times, under the right circumstances, he can even act heroically. The film leaves him in a particularly interesting place in this regard and I‘m very much looking forward to see where they take the character from here.
In my review for last year’s The Death of Superman (Read it here:https://best-media-world.com/2018/07/29/movie-review-the-death-of-superman/), I mention how the film feels very much like a story about Clark Kent “the man” first and foremost. Not Superman, just Clark Kent. The Death of Superman is about the young man who grew up on a Kansas farm raised by wonderful parents.
If The Death of Superman was about Clark Kent, Reign of The Supermen is all about Lois Lane.She’s the lead in this film. Sure, we have four new Superman “replacements/Wannabes/psychos” running around that are crucial to the story, But make no mistake this is Lois’s film. We get to see you Lois in action playing the hero on a level I don’t think we’ve ever seen her before outside of the comics. Even without the costume and the powers she almost feels like the superhero of the film. I mentioned before that at some point in the film the Justice League are taken out of the equation and there are people seriously fighting out of their weight class. Lois Lane is of course one of these people. She manages to hold her own in against one of the most dangerous super villains in the DC Universe and the movie makes it work. Almost like Batman, Lois uses her cunning and what weapons she has at her disposal to take on some real heavy hitters. Lois and Lex Luthor, as characters are probably some of the strongest parts of this film
I don’t really want to get into the method in which a Superman is resurrected. I mean, c’mon! We all knew he was coming back. No one thought he going to stay dead. But the events surrounding his resurrection, put Superman at a slight disadvantage. Which was another creative way to up the stakes for the characters, especially when Superman is often labeled as being too powerful in his stories.
There are some really great action sequences in the climax. Some of the animation in particular is very dynamic, fluid, almost anime. That turns some people off, but I think it looks really cool and I thought it especially worked for this film.
The Death Of Superman strongly hinted at the mastermind behind the events in both of these films. It won’t be too hard to guess the individual’s identity. SLIGHT SPOILERS FOR FUTURE POSSIBLE FILMS: I really like how the story leavesSuperman and the rest of the Justice League contemplating how to deal with the threat of Darkseid. This was his revenge for his failed invasion of Earth in Justice League: War (Though it seems he blames Superman for that defeat more than the other heroes for some reason). The JL knows that Darkseid is going to keep coming and they’re going to have to do something about him. I’m really excited for the story possibilities this set up for future movies. I hope the folks at DC animation take full advantage of the storytelling potential. Oh, and stay for the post-credits scene! Not only is it important to some potential future films but it’s also just really fun and funny. Don’tmiss it
All in all, I loved The Death of Superman, I don’t think Reign of The Supermen quite reached the heights of the previous film. However, it still has a lot going for it that makes it absolutely worth a watch. For a fun and exciting superhero movie with some above average character work and thrilling action sequences, you can’t go wrong with Reign of The Supermen. I definitely recommend you check it out.
The folks over at DC and Warner Bros. must be feeling pretty damn good right about now. After years of attempting and failing to copy Marvel’s shared universe format, it finally seems like their superhero movies are on the right track. Wonder Woman was their first huge step in the right direction. Unfortunately, by the time Warner Bros realized Wonder Woman was a hit, production on the craptacular Justice League film was in full swing. I’m not quite sure what they could’ve done, but if production on Justice league had begun following the critical and commercial success of Wonder Woman, I think Warner Bros. probably would’ve tried to write the ship a little bit on JL.
Anyway, you can’t change the past (Or can you?… Well… No, um, no. I don’t think you can… Actually, who’s to say?), so they went from the success of Wonder Woman, to the unavoidable speedbump of Justice League, and now they have another bona fide hit on their hands with Aquaman. A film which was both financially successful and generally well received by fans and audiences in general. However, the DCEU (I REFUSE to call it The Worlds of DC!) has another very big test coming up, their next movie: SHAZAM! (Yes, the exclamation point IS part of the title, not just for emphasis).
DC just released the second trailer for SHAZAM!, which I have posted below. As well as a few pretty cool posters (one at the top of the article and one below) and some stills and pictures from the film.
This movie has the potential to make or break DC at this point. This is really their do or die film. Yes, Aquaman absolutely had a lot riding on it as well. Had that movie been a failure, it would’ve been disastrous for the DCEU. However, if they’re able to pull off SHAZAM! after the success of Aquaman, it demonstrates that Aquaman wasn’t a fluke (No, that’s not a lame pun). It shows that DC can consistently and reliably put out solid superhero films.
If they somehow manage to pull another rabbit out of their ass and make SHAZAM! a success, it’s almost even more impressive because on the paper, both Aquaman and SHAZAM! are pretty fucking weird characters. Also, neither of them are very well known in mainstream pop culture. Based on this trailer, which is nothing mind blowing and that’s OK, I think they really need to nail the tone of this movie for it to work. If it’s too comedic and goofy it won’t work is a serious movie that has any real stakes. At the same time you want that sense of youthful fun and exuberance which comes with telling the Shazam story. It’s basically the superhero version of “Big”. Kid says the magic word “SHAZAM!” and he’s transformed into an adult superhero at will. His powers a magic based and they’re very similar to Superman’s, he can turn back into a kid at any time by repeating the magic word “SHAZAM!”. There’s no time limit. So they’re walking a really fine line here.
Like I said, based on the trailer, it’s hard to see if they’re pulling it off. But I know I’m rooting for this movie because I like the character, I like the cast, and I just want to see good DC movies. Hopefully this will be another solid film after last months very good Aquaman and we’ll start to get some consistently great DC movies. There are so many amazing character occupying this Universe, it would be such a shame to miss out on all the possibilities. Anyway check out the trailer below and let me know what you think. Id love to hear your thoughts in the comments section or on Facebook or Twitter.
Superman is mostly portrayed as such a wholesome, pure character. A lot of people mentally associate him with classic Americana, like apple pie and Norman Rockwell. However, the best writers understand that the key to writing Superman is to highlight his humanity. Take the recent Superman #7 written by Brian Michael Bendis and drawn by Ivan Reis, for example. Something I’ve enjoyed in some of the recent Superman comics, especially Bendis’ Superman comics is, without being gratuitous, it’s clear that Clark and Lois have a healthy sex life. Yet Clark is still a big old Kansas farm boy, raised to be a respectful and decent son.
So I loved a small moment in Issue #7, during a scene involving Clark and Lois’ adolescent son Jonathan. Jon who’s about 12 or 13, has been out traveling the cosmos with his grandfather, in what I guess is the Kryptonian version of backpacking through Europe. An unexpected problem presents itself When Clark quickly realizes that his son who is only been gone for a month or so has aged at least three years. At first he thinks this has something to do with one of those weird colored Kryptonites. You know, the yellow Kryptonite or the pink Kryptonite or … something like that. What was supposed to be a summer vacation has turned, through the weirdness of space travel (think the movie Interstellar) into Clark and Lois missing a pretty large portion of their sons life and development. It comes as no surprise that it’s quite a shock.
After Clark’s emotional, but joyous reunion with his son, they of course go to see his mother, Lois whose been living out of a hotel in Metropolis for awhile now as she puts the finishing touches on her latest book. It’s implied that it is not uncommon for Clark to fly on by for a little afternoon delight semi-frequently, which is where the fun begins.
Clark flies up to her balcony and Lois is at her computer, writing, in nothing but a fluffy white hotel bathrobe and black underwear. Lois sees Clark before she realizes Jonathan is there, she begins to undo her bathrobe with a sultry little smirk, just as their son peaks around from behind Clark. It’s such a perfect moment seeing the absolute embarrassment on Clark’s face is he quickly shoots his arm up to cover his sons eyes and Lois’ mortified expression as she attempts to cover up and make herself look a bit more modest in front of her son. The small scene is a good example of how you can take a god and tell a story about a man.
What’s more human then those million little moments that make up life? Some good, some bad, and some, like this one, hilariously embarrassing. Writers often complain that Superman is a difficult character to write, I just think many of them don’t understand him. Like I said at the beginning, the key to any great Superman story is his humanity and this small scene illustrates that perfectly.
It’s been twenty years in the making (and one quasi-sequel), but, Glass, M. Night Shyamalan’s follow up to his superhero classic, Unbreakable, is finally here! For years, a direct sequel to Unbreakable was one of my most desired films. So needless to say I was extremely excited to see the finale to M. Night Shyamalan‘s superhero trilogy, Glass. In this SPOILER filled review, I gives my full breakdown of the movie and more. Bruce Willis, Samuel L. Jackson, and James McAvoy all give great performances, but does the film live up to nearly two decades of hype? Listen here or subscribe on iTunes and Stitcher to find out:
After months of teasing, the first trailer for Spider-Man: Far From Home has finally arrived. I’m so pleased to say that even after all of the excellent Spider-Man content we’ve been getting recently, this doesn’t look quite like any other Spider-Man movie we’ve see. Which is a tall order after Spider-Man: Into The Spider-Verse.
So, here’s something completely new for the Internet! A trailer breakdown for Spider-Man: Far From Home! What exactly is going on in this movie? When does this take place? How is Peter alive after the events of Infinity War?
What’s old Nick Fury up to?
Is that Hydro-Man? Sandman? Molten Man?
Most importantly, who’s this Mysterio guy Jake Gyllenhaal is playing?
All these questions and more are answered right here in Paul’s breakdown of the 1st trailer for Spider-Man: Far From Home! Enjoy! I also have the full trailer posted below the trailer breakdown link! Listen here or subscribe on Stitcher and iTunes:
In this follow up to last week’s episode, The Best & Worst Of 2018, this podcast is all about what’s to come in 2019! This episode as well as the end of the year retrospective arealways fun to record. So Paul Sr. and I discuss our most anticipated movies, TV series, and comics in 2019. We talk about Glass, the long awaited sequel to Unbreakable, the final EPIC season of GameofThrones, Avengers: Endgame, the new Hellboy movie, and much, much more!
Below the links for the podcast, I’ve included a list of my personal most anticipated movies and TV shows coming out in 2019 and when they’re scheduled for release.
DON’T MISS this killer episode! Listen here or subscribe on iTunes and Stitcher:
2018 is at an end and that means it’s time for the return of one of my favorite episodes of The World’s Best Podcast: The Best & The Worst of 2018! We cover the very best and
the human diarrhea in story form, from TV, Movies Comics and I’ll kinds of other cool shit! This was by far one of my favorite podcasts that we recorded this year and I think you’re all going to love it!
I recorded this episode of The World’s Best Podcast with one my absolute favorite co-host, Ryan McDonald! Of course what look back at the best and worst of 2018 be without a very special appearance by Paul Sr! So sit back and enjoy as we deep dive into everything from Avengers: Infinity War, Spider-Man: Into The Spider-Verse, and Mission: Impossible Fallout to Daredevil, The DC Superhero Crossovers Elseworlds, and more!
*Editors Note- We did have a very minor editing glitch for about 2 seconds towards the last quarter of the episode. You could easily miss it because of who quick and minor it is, but I wanted to give you all a heads up regardless. Even with the issue it still think this is a great episode and I’m very proud of it!
This is a DON’T MISS episode! Listen here or subscribe on iTunes and Stitcher:
Tonight the final season of Gotham premiered on Fox and honestly I was very excited to watch it. It’s hard to believe that this is the same show that just a few years ago had some of the absolute worst superhero writing on TV.When Gotham began, it was more or less a shittier Smallville, with proto-versions of Batman’s rogues gallery popping up each week for Ben McKenzie’s Jim Gordon to deal with. It was a shame because the show was very well cast and all the actors were perfect in their roles. Since the very first episode, Ben McKenzie has made a great Jim Gordon (he was also the voice of Batman in the animated film adaptation of Batman: Year One). Many of the great Batman stories are also great Jim Gordon stories, so it was very important for them to get this character right.
We even got to see a part of Bruce Wayne’s life that is very rarely explored, the years immediately following the murder of his parents. David Mazouz is easily one of the most compelling live action versions of Bruce Wayne we’ve seen. He conveys Bruce’s dark, brooding intelligence without ever sounding like a whiny brat. With excellent actors memorably playing classic Batman characters like Alfred, The Penguin, The Riddler, Selina Kyle and more, the series felt like a frustrating waste of great talent. Terrible writing hamstrung what could otherwise have been an excellent take on the Batman mythos.
About halfway through Season 3, specifically the mid-season finale, something fundamentally changed about the show for the better. I think there are two big reasons for this and one of them was how the series began to use Bruce Wayne. First of all, David Mazouz had grown up enough that he was just old enough to start becoming more crucial to the action going on in the story. Pretty much from the pilot on, Bruce has slowly been learning important skills that would become crucial on his journey to becoming Batman. Season 3’s mid-season finale saw Bruce being taken hostage at a circus by Jeremiah Valeska. If you’re not familiar with Gotham, Jeremiah (played by Cameron Monaghan) is basically their version of The Joker, and a damn good one too. The episode culminated with a show down in a hall of mirrors between Bruce and Jeremiah, where Bruce comes very close to killing Jeremiah. The whole episode was pretty great and I found myself watching the rest of the season once the show returned from it’s hiatus. You started to see Bruce take a more active role as a vigilante even though he wasn’t dressed like Batman.
The second reason the series changed for the better in my opinion, was because it stopped being a bad prequel series, building up to some day in the future where we get to see Bruce put on the Batman costume in the last 5 minutes of the final episode. In the same way that Smallville was entirely built around the show teasing Clark eventually putting on the Superman costume, that we only see him wear for about three seconds in the series finale. Instead, Gotham became more of an Elseworlds Batman story. I think it’s the smartest thing the show could’ve done because they took the mythology and made it their own. They were no longer slaves to the mythology of the Batman comic books. They allowed their story to be an alternate take on the mythos. This choice gave the show its own identity. It also made it more exciting for the audiences because things weren’t necessarily going to play out exactly as they had in the comic books. As a result the back half of Season 3 was a hell of a lot of fun and frankly I love Season 4. One of the reasons I love the show Krypton on Syfy is that the show isn’t a prequel, it’s more about the DC Universe’s past being changed by time travel. Changing Krypton‘s history, changes the history of the entire Superman story and by extension the entire DC Universe.
So coming into this final season, which was going to be drawing from classic Batman stories like No Man’ Land and Zero Year (In fact this episode’s title is “Year Zero”), I was pretty psyched to see what they were going to do. I’m happy to say I wasn’t disappointed.
After the events of last season, Gotham has been completely cut off from the outside world. The bridges are down in the city and it’s been 87 days since Gotham was officially declared a No Man’s Land by the US government. Unfortunately, not everyone who wanted to had the means to leave the city before it was cut off from the rest of the world. Children, families, innocent people have been trapped in a city that has become an almost post-apocalyptic dystopia. Gotham’s been carved up into territories, with different factions controlling different neighborhoods. Penguin Control City Hall and the surrounding area. He’s also the only person in the city manufacturing bullets for guns, which are more or less currency in the city. Scarecrow, Firefly, Mr. Freeze, Poison Ivy, and other villains have also carved up their own peace of the city.Somewhat ominously, Jerimiah Valeska hasn’t been seen since the beginning of No Man’s Land. I have a feeling he’s waiting to make his own suitably dramatic entrance.
The only part of Gotham City for the average citizen who’d been left behind is the area controlled by the GCPD. Gordon with Bullock and Lucius Fox by his side, are not only leading what’s left of the GCPD, they’re also protecting and feeding hundreds of refugees and supplies are running out. A lot of this is straight out of some iconic Batman storylines, so as a longtime Batman comic book fan this is cool to see.
Fortunately, Bruce Wayne and Alfred decided to stay behind as well and Bruce is doing everything he can to get supplies smuggled in. Not only to the people suffering in the city, but medicine for Selena Kyle as well. She was shot in the stomach at point-blank range by Jeremiah in the season finale last year and unless something drastic is done she could be paralyzed from the waist down for the rest of her life. Of course this heavily weighs on Bruce, who blames himself for her condition.
Part of the fun of this season is seeing how close Bruce is to becoming Batman, even though he isn’t ready yet. There’s an early scene where Bruce takes down a bunch of thugs trying to steal medical supplies. The power has gone out, so he uses night vision goggles courtesy of the Lucius Fox to take them out one by one, in very Batman fashion. However, just when it looks like he’s saved the day, the lights come back on, the night vision goggles blind him, and the thieves get away. This is an important scene because it shows us that while Bruce is well on his way to becoming The Batman that we know, who could’ve easily taken down a group of bad guys in a situation like this, but he’s not quite there yet. He’s still making crucial mistakes and he still has much to learn. It’s important the series didn’t just suddenly turn him into Batman over night. Bruce’s journey throughout the series has felt earned. Based on his training it makes perfect sense for him to be exactly at the level he’s at now.
The episode largely sets up the status quo for the season and puts the pieces in play for things to come. We know things are going to get a lot worse before they get better because the episode opens with a flash forward to No Mans Land Day 391 and shows Gordon, Bullock, The Penguin, The Riddler, and the rest of the GCPD fending off a full blown siege by… someone. For Penguin and The Riddler to be teaming up with Gordon, it must be a pretty serious common enemy.
All in all I really enjoyed this episode and considering that it was mostly set up, I have a feeling once the story really gets going this has the potential to be a fantastic final season for Gotham. I couldn’t help but love the scene when Gordon and Bruce were standing on the roof of the GCPD together. With Gordon shining a spotlight on the sky to give people hope, foreshadowing so many of their interactions in the years to come. As Bruce walks away at the end of the scene, Gordon ask him if he regrets staying behind in Gotham, Bruce replies “No. You?”. Jim Gordons smiles and says “Hell no”. Am I looking forward to the rest of Gotham’s Final Season? Hell, yes.
Last week, the DCUNIVERSE Streaming Service wrapped up the first season of it’s flagship original program, Titans. Considering that, initially, there was some negative buzz about the project, Titans turned out to be a damn good superhero show with a unique take on the DCU and a killer teaser for Season 2. There really isn’t a superhero show quite like Titans airing at the moment.
One of the coolest parts of the season was how the show alternated episodes by focusing on the overarching, season-long story in one episode. While the next showcased great, but more obscure characters from DC lore and giving them time to shine. We met characters like Jason Todd (the new, borderline psychotic Robin), Hawk & Dove, Donna Troy aka Wonder Girl, and Doom Patrol.
DoomPatrol popped up around the 4th episode of Titans and was a early highlight in Season 1. Raven is rescued by Garfield Logan aka Gar aka Beast Boy in his tiger form and then takes her to see the rest of his “family”, The Doom Patrol. The Doom Patrol lives in a mansion under the eye of The Chief whose real name is Dr. Niles Caulder. Each member of the Doom Patrol had been in some kind of sever accident and Dr. Caulder’s very bizarre methods saved their lives. However, though his strange methods saved their lives, the side effects of his treatments gave them special abilities. Some are so extreme that that they see themselves as freaks and become more or less shut ins. When Raven is ready to leave, Beast Boy decides to strikes out on his own with the Titans. The Doom Patrol will always be his family, but he needs to start his own journey. As happy as the rest of the Doom Patrol are for him, there’s a sense of tragedy because none of the rest can ever do that themselves. Gar’s the only one of them who can remotely pass as human. They want Gar to have what they can’t: Freedom to live his own life. Basically DoomPatrol is really, really, fucking weird.
I can’t say I was much of DoomPatrol fan or knew that much about them besides Grant Morrison’s acclaimed DoomPatrol run from the comics years ago. Seeing an episode with those characters front and center made me kind of like them. They’re kind of goofy, but if you don’t take it too seriously the DoomPatrol characters are a lot of fun.
For the moment, the plan for DCUNIVERSE is to make at least one episode of an original series available on the app each week. Of course, all of the the content the app provides, like free comic book downloads from DC’s library, DC films, and more.
YoungJustice: Outsiders (Part 1) will be available on DCUNIVERSE January 4, with 3 episode blocks coming out each week. YoungJustice returns for Part 2 of the seasonthis summer.
Shorty after Part 1 of YoungJustice: Outsiders finishes up, the DoomPatrol series will premiere on February 15th. Even though these are the same characters, in the same universe, there are 2 big differences from the DoomPatrol series and the DoomPatrol episode of Titans. The Chief, the somewhat menacing Dr. Caulder, will be payed by Timothy Dalton.While Cyborg has been added to the team in Beast Boy’s absence. Out of the many comic book series premiering in 2019, this has the potential to be a very fun and weird superhero show, so make sure to keep an eye out for this one.
Check out the teaser below and these cool character posters in our first official look at the series. I’ll sat this it looks weird as hell and I really dig that.
What do you guys think of DoomPatrol? Are you going to give it a try? I’d love to hear your comments below.