The Red Hood. The Pale Man. The Clown Prince of Crime… THE JOKER. Without a doubt the best villain in comic book history and one of the best characters in all of fiction.
Batman is the best superhero in comics, so his arch nemesis should reflect his greatness. All of Batman’s villains, the best rogues gallery in superhero fiction, reflect Batman in some way, some aspect of his psyche. Harvey Dent represents Batman’s struggle with duality, Ra’s Al Ghul represents Batman’s temptation to take his mission too far and commit to a darker way of trying to save society, The Penguin represents the idea of the wealth and privilege he was born with turning into something ugly, greedy, and gluttonous, and so on…
Then, there’s The Joker. Batman’s true, broken reflection. To paraphrase better writers than me, Batman is an engine of meaning. He turns tragedy into purpose. As The Dark Knight Detective himself once famously said “My parents taught me a different lesson, dying in the gutter for not reason at all. They taught me that the world only makes sense… when you force it to.” Everything Batman does is built upon the foundation of that idea. That his actions and his mission have meaning.
That’s why The Joker is Batman’s greatest antagonist. The Joker’s point to Batman is that nothing we do has meaning. It’s all pointless. The Joker is trying to prove to Batman that his mission, his ideology, is pathetic. It’s a joke. There is no greater meaning to life. Nothing you do matters. He’s inviting Batman to abandon his beliefs, to come with him and embrace how The Joker sees the world. In doing so, he’ll become truly transcendent and immortal, but most of all, free.
Which brings me to the upcoming film JOKER starring Joaquin Phoenix….
Over the past several years DC has announced literally dozens of films. Many of which will never see the light of day. Remember that Flash movie that came out back in March 2018? Yeah, me neither, because they didn’t fucking make it. They’ve announced so many movies at this point it’s hard to take them seriously when they do. So when a stand alone film focusing on The Joker was announced I really thought it would never be made. DC seemed to be trying to build a coherent movie universe like Marvel and I didn’t see them realistically making a movie focusing on Jared Leto’s Joker, who was divisive at best.
Then I started to here that they were going in a different direction. That Martin Scorsese and Robert DeNiro were involved and my skepticism grew. No way was Martin Scorsese directing a DC film. Finally, it became clear that this was a stand alone movie existing OUTSIDE the established DC movie universe that Aquaman, Wonder Woman, and SHAZAM! exist in. Todd Phillips would be directing, whose credits include Road Trip, Old School, The Hangover Trilogy, and War Dogs. Martin Scorsese would produce the film, co-staring DeNiro, with Joaquin Phoenix as The Joker in an origin movie telling the story of the man who becomes The Clown Prince of Crime. This is the movie hitting theatres this October and you can check out the trailer below:
Looks pretty good, right? However, at no point have I had any interest in this project. Despite the fact that the trailer seems to show a genuinely good movie with what could be a great performance from Joaquin Phoenix, the only reaction I can have to this movie is ambivalence. The reason being that I think telling a straight up origin story for The Joker is kind of missing the point of a large part of the character. If this were “officially part of the DC movie universe”, I’d be genuinely pissed this movie is being made. However, because the movie is it’s own thing, a one off crime story that doesn’t involve Batman (even though we do see a young Bruce Wayne and Thomas Wayne is a major character) I can live with them telling their fucking Joker origin movie.
Oh, I almost forgot! Here’s a real fucking shocker the movie is drawing inspiration from comic book stories like… wait for it… THE KILLING JOKE! Brav-fucking-vo! How original!
Don’t give me wrong, the comics have hinted at possible origins for The Joker in the past. But that’s what they were: HINTS, possibilities, not a concrete origin. That was one of the reasons The Dark Knight was so brilliant, the story of how The Joker got his scars was different every time he told it, one of my favorite aspects of the film. They had no fucking idea who this guy was. He had no past, he came out of nowhere, he was like the fucking bogeyman. I’ve always said that The Joker is to the normal citizens of Gotham, what Batman is to it’s criminals: a terrifying, unexplainable nightmare.
The only reason DC is choosing to tell an origin story for The Joker is because everyone and their fucking grandmother knows who The Joker is. Even if you fucking hate comic books or comic book movies you know who The Joker is.
I think it’s kind of a shame that Joaquin Phoenix looks like he may be giving an excellent performance as The Joker. Wouldn’t it be so much more entertaining to see that performance in a real Batman film?
If he knocks it out of the park in the role, it would be kind of a shitty scenario because we always want to see Batman go up against a great Joker. As I wrote earlier in the article, Batman and The Joker have this very complex relationship that spans years. Yet we’ve only ever seen them face off against one another in one film in their different incarnations. In Tim Burton‘s Batman they killed the character off and the tragic death of Heath Ledger meant we wouldn’t see that character in Nolan’s Batman universe beyond The Dark Knight. One thing we genuinely haven’t seen from the Batman and Joker dynamic on film, is how that relationship plays out over years of twisted, violent confrontations.
Well, that’s my two cents anyway. I’m sure there’s a lot of you out there who will disagree with me and that’s fine. For now, I just needed to comment on this project, but this is not a film I’ll be rushing out to the theater to see.
Fuck I can’t wait for this movie. I’ve been going to these huge blockbuster movies all my life, movies like Star Wars and The Dark Knight, but I never saw the point of buying tickets weeks before a big movie comes out. In the past I never had trouble getting tickets the day before or even the night of a huge opening night movie, and that includes Star Wars The Force Awakens and Avengers Infinity War. So I thought it was bullshit when I heard tickets were selling out for opening night in droves. Thank God Paul Sr. pushed me on it and actually looked up the ticket times, because we bought tickets the day they went on sale and if we had waited any longer we wouldn’t of been able to go opening night. So I hope you guys have your tickets ready, this is The Empire Strikes Back of our generation. I. Can’t. Fucking. Wait.
In the meantime, check out this new featurette Marvel put out to sate our appetites until the movie finally comes out:
Gotham returns on 4/18 to wrap up the show’s final two episodes. The series finale airs April 25th on Fox. It’s become pretty clear that between the penultimate and final episodes there will be a time jump. We don’t know how long exactly, but presumably it will serve to allow Bruce to travel the world and complete his journey to becoming a Batman. I do know they’re not going to cop out like Smallville and only show him in costume for the last 10 seconds of the episode. Apparently we’re supposed to get a good amount of Batman in the final episode, which is exciting. I’ve heard that all close ups on Batman and speaking or acting will be done by a David Mazouz, who plays Bruce Wayne, but the fighting and the action sequences will be using a beefed up body double in the Batman costume. I wasn’t a fan of the show when it began, but dammit they won me over in the middle of Season 3. So, I’m anxiously awaiting and excited for these final episodes. Take a look at this really cool poster released by FOX to promote the series coming to a close.
It’s been a while since I’ve written an article on comic books. As I’ve often said, one of my main goals at World’s Best Media has been to be an advocate for comic books. To champion comics as a beautiful, thought provoking, worthwhile literature. Like all mediums, comics books and graphic novels can run the gamut from complete garbage to transcendent pieces of art. To use television as an example, for every “Big Bang Theory” (ugh) to masterpieces like “The Wire” or “Game of Thrones”. As we head into Spring with Summer around the corner, DC and Marvel are gearing up for some high profile books from their top writers and artists to tell big event stories. Think of it like the comic book world’s version the Summer Blockbuster Season at the movies. This year is no exception and even after years of reading comics for a couple of decades now I still get excited. (Jesus Christ! Wait a second. When did I do ANYTHING “decades ago”?! When did THAT happen?! Time is a cruel mistress, I suppose)
In this article I’m going to give you folks a look at some of the coolest comics DC and Marvel have hitting stands over the next couple of months. There are some pretty damn cool books here and like I said I never fail to get excited about the Summer Comic Book Events.
However, it can be difficult to get into comics especially if you’re a newcomer. So even if this’ll be your first time picking up a comic book or you’re a lapsed fan comings looking to get back into comics, I have something here that I think will help you out. * if you’re a comic book readers and understand the basics, you can skip right ahead to out Spring/Summer Comic Book Preview. Otherwise…
Here’s a quick refresher: New to Comic 101. This will help you appreciate some very sick new comics and graphic novels coming out this spring and summer when they hit stores and Apps. If you’ve seen a Marvel movie, for example, and are trying to decide where to start, it can be intimidating. No is much is I love Marvel, DC Comics is much better at making comic books accessible to newcomers. They tend to make their stories available in simple, easy to grasp formats. They tend to publish their graphic novels as individual stories that you can pick up like a regular novel and understand without having read anything else about the character (more or less). Then you can go out and grab another story featuring the same character and (more or less) be able to follow along. There might be some confusion here and there about small details, but that’s why god invented Google. Let’s say you’ve read one or two Wonder Woman or Superman graphic novels or collected editions, as you begin to read more, you start to understand when stories take place in a a books history, the overall continuity of a character or universe, the best writers and artists. Basically you start to become a comic book reader.
As I’ve explained in the past, what we call graphic novels are really mostly collected editions which are just collections of individual comics that make up one larger story, in easy to read book/graphic novel form. DC seems to really understand that graphic novels and collected editions are incredibly important because they help draw in new readers. Right now drawing in new readers is by far the most important priority of every comic book publisher.
Now, without further ado…
2019 SPRING/SUMMER COMIC BOOK PREVIEW
DC’S YEAR OF THE VILLAIN #1 (One-Shot)
Release Date: 5/1/19
Writers – Brian Michael Bendis, Scott Snyder, & James Tynion IV
Artist- Jim Cheung, Alex Maleev, & Francis Manapul
Cover- Greg Capullo
This is the must buy comic book of the season. This special one shot is made up of three separate stories from DC’s top writers and artists. Each of the three stories serve to set up the major story arcs and plot points in DC‘s biggest books, featuring their most prominent characters. With a theme like “Year of the Villain“, these stories feature some of the most dangerous and deadly threats that have been brewing in books like Justice League, Action Comics, Batman and more all year. Threats like The Batman Who Laughs, the terrifying and powerful secret society/terrorist group Leviathan, and Lex Luthor’s continuing quest to unlock the secret cosmic powers of the Universe with his Legion Of Doom. Considering the wild cards at play here, expect some big surprises and shocking reveals in this book. Plus, you can’t beat the rock bottom price of $0.25. This book is a good jumping on point if you have been a DC Comics reader in the past and want to start reading them again. This is a MUST READ. Below we have some fantastic art, each of whch accompanies the different stories in this book
Doomsday Clock #11
Release Date: 5/22/19
Writer- Geoff Johns
Artist- Gary Frank
Man, this great fucking series. Don’t listen to the haters. What’s interesting is Doomsday Clock is kind of a microcosm of all superhero comics. It’s a big gimmicky “Event”, it’s a crossover, it’s messes with classic characters and stories that were previously viewed as untouchable sacred cows, surprise character returns, there are big deaths, surprise resurrections, RETCONING! You find each of those thing a lot in superhero comics. However, none of that takes away from the fact that Doomsday Clock is a fucking incredible comic book. In fact, It’s one of the best books currently being published. When the story was first announced, it was presented as a story that would’ve been about a sort of battle for the soul of the DC Universe. With Superman‘s hope and optimism versus Dr. Manhattan’s cold, inhuman, rationalism. While that still seems to be an element of the story, it quickly became apparent that this story was really a Watchmen sequel. Some fans will always be against the idea of a sequel to Alan Moore’s superhero masterpiece, but I am of the opinion that if there has to be a sequel to Watchmen, this is the best one we’re going to get. It’s a fantastic story that feels both very true to the world Alan Moore and Dave Gibbons created all those years ago as well as the DC comics universe. The art by Gary Frank is beyond phenomenal. I have no idea where the story is going to end up and that’s one of the things I love about it. At the time of writing this, issue # 10 will have been published, With the penultimate chapter (Issue #11) of this saga hitting spinner racks in May. With the grand finale following issue #11. Will we finally get the epic confrontation between Superman and Dr. Manhattan that the series seems to be inexorably heading towards? I’m sure there’s going to be at least some confrontation, but what kind…. I don’t know, but I can’t fucking wait to find out.Though we’ve seen a lot of delays on this series, it seems to be getting back on track with a pretty regular shipping schedule.
Batman: Last Knight On Earth
Release Date: 5/29/19
Writer- Scott Snyder
Artist- Greg Capullo
For nearly a decade, writer Scott Snyder has become the definitive Batman storyteller of his time. Frank Miller had the 80’s, the 21st-century belongs to Scott Snyder. Snyder has often told the story of, how when he was first starting out on the New 52 Batman and how he asked legendary writer Grant Morrison for his advice on writing Batman. Morrison himself had his own successful Batman run and wrote the classic Batman graphic novel Arkham Asylum: A Serious House On A Serious Earth. Morrison told Snyder that the key to writing Batman is to write him as if he created the character himself. Morrison then asked Snyder if he knew HIS version the beginning or “birth” of the character and the ending or “death” of the character. Snyder followed this advice and his story about Batman’s birth is the excellent Zero Year story. Now we’re getting Snyder’s story about Batman’s “death” or the last story of Snyder’s Batman with Batman: Last Knight On Earth #1. It if Scott Snyder is telling his version of the last Batman story, there can be only one artist to draw the book, and that is of course Greg Capullo.
His New 52 Batman run with artist Greg Capullo Is probably in the top two or three best Batman runs of all time, if not number one. A massive part of that book’s success was his collaboration with artist Greg Capullo. Not all comic book artists and writers work this way, but the right artist and writer come together who are an absolute perfect match, you get magic. That Batman run would not have been the masterpiece it is had Snyder not worked with Capullo on the book. There are several more, but it’s more rare than you’d think. Garth Ennis and Steve Dillon’s work on Preacher together comes to mind as a similar example of what you get when you put the right creative people together.
This three issue prestige format miniseries follows Bruce Wayne waking up in Arkham Asylum; young, fit, and very much sane. Without any memory of how he got there or what has happened before, he finds himself in a post apocalyptic, ruined DC Universe. With a frozen, severed, but very much alive Joker head as his only companion, Batman begins in his trek across what was once the DC Universe he knew, to you find the answers he needs. Considering the pedigree of the talent involved in this project and what phenomenal Batman stories they’ve already told, I’m going to say this is one of the Top 3 absolute MUST BUYS of the summer.
The Flash: Year One
Begins in issues #70 and #71
Writer- Joshua Williamson
Artist- Howard Porter
Release Dates: 5/8/19 & 5/22/19
I’m actually really looking forward to this one. I don’t read The Flash on a monthly basis, but I check it out every once in awhile and Joshua Williams is a great writer. May kicks off the first two issues of The Flash: Year One. There’s not a whole lot to say with this one. It’s pretty much all in the title. I’m a sucker for a good Year One story and we haven’t receive one of those for Barry Allen before. The art is phenomenal. The creative team is excellent; Williamson had been putting out some good Flash stories since DC REBIRTH and Howard Porter is an all time great Flash artist. If you like The Flash TV series or you dig The Flash in general, I’d say this looks like a pretty sure bet for a great book.
Superman: Leviathan Rising Special #1 (One-Shot)
Release Date: 5/29/19
Writers- Brian Michael Bendis
This is a special prelude to the next comic book event, I’ll be talking about below….
Release Date: 6/12/19
Writer – Brian Michael Bendis
Artist- Alex Maleev
LEVIATHAN is rising. Seemingly out of nowhere, intelligence agencies, terrorist groups, cults, some of the most powerful organizations in the DC Universe are taken out by a powerful secret terrorist society, Leviathan. A.R.G.US. Headquarters (DC’s version of SHIELD) is destroyed in a powerful and mysterious blast, the terrorist group Kobra Cult, The D.E.O. (The government organization Supergirl works with if you watch her show on The CW), and more, all destroyed. This story has been building up in the Superman books for the past few months and it was only recently revealed that the Leviathan storyline would have a larger affect on the DC Universe.
A few years ago, in an attempt to take the Batman concept global, Bruce Wayne started Batman Inc. An organization in which Batman and Wayne Enterprises would give vigilantes who had been inspired by Batman, in cities all over the world, access to Wayne Tech resources and technology. Batman was going global. As part of their very twisted and fucked up love-hate relationship Talia Al-Ghul, daughter of The Demon’s Head, Ra’s Al-Ghul, mother to Damian Wayne, Son of Batman; created a terrorist organization called Leviathan specifically to counter Batman Inc., it’s not clear how much, if any connection this Leviathan has to the previous one, but there appears to be some. The books leading up to this have been a lot of fun and I like how Bendis seems to be opening up the story into the larger DC Universe. You should be reading all of Bendis’ Superman books right now, so definitely check this one out as well. Event Leviathan will be a 6 Issue miniseries that Bendis has described as more of shadowy thriller than a typical huge, bombastic event comic. I’d definitely recommend checking out Action Comics also written by Bendis which looks like it’ll be a key tie-in book. Action Comics is great anyway so you should definitely be reading it, event or no event. In fact Action Comics by Bendis vol.1 hits comic book stores on 4/3 and it get my highest recommendation.
Superman: Year One
Writer: Frank Miller
Artist: John Romita Jr.
Release Dates: 6/19/19, August, & October
Like many comic fans, after train wrecks like The Dark Knight Strikes Again and All Star Batman & Robin The Boy Wonder, I found myself thinking “What the FUCK happened to Frank Miller?”. Where was the man who gave us Batman: Year One and The Dark Knight Returns? The answer, as far as I was concerned as a comic reader, was that he was long gone. The Frank Miller we knew was no more.
Now all of a sudden he’s giving Superman the Year One treatment after years of being a longtime, vocal Superman hater. What to make of all this? Hmmmm…
Well, unlike many of you, I kind of loved The Dark Knight III The Master Race. So, are we seeing a Frank Miller comeback? Well, one good piece of work does not a comeback make. Even if we all agree that The Dark Knight III The Master Race was a very good Batman/DC Universe miniseries, a big caveat comes along with giving Frank Miller any points in the comeback column from this project. There’s a big metaphorical asterisk next to Frank Miller’s name on this book. TDK III was co-written with Miller by the very talented Brian Azzarello and the book was drawn by the legendary Andy Kubert. I strongly suspect that Frank Miller’s contribution to that book consisted of some variant covers, the brief back up stories at the end of each issue, and giving his input to the very broad outline of the story. While Azzarello was responsible for truly writing the issues. However, I could be wrong, who knows?
Now having said all that, will I be reading Superman: Year One? Absolutely. I am a complete sucker for a Year One story and John Romita Jr.’s art looks fantastic. That’s got to be worth the price of admission alone. Even if it’s garbage, it’ll be beautiful garbage. Also John Romita Jr. handling art duties on this miniseries tips things positively in the book’s favor a little. The first of the three prestige format issues will be released on 6/19/19, with books two and three being released in August and October.
I’m a pretty optimistic guy when it comes to my pop-culture. I want it to be good. That’s why I enjoyed The Dark Knight III The Master Race so much, I allowed myself to be open to enjoy it. However, though John Romita Jr.’s art is definitely a huge draw. Hopefully, he’ll be able to help Miller tell a solid Superman story. This miniseries has been described as being Frank Miller’s story, unlike the collaborative nature of TDK III. Basically, he doesn’t have the help he did on his last major project to catch him when he falls. I have great respect for Romita Jr., then again Jim Lee produced some of his best work on All Star Batman and Robin The Boy Wonder and look how that turned out. Finally, even though I’ll definitely be picking up at least the first issue of this series, I have come to the conclusion that this is going to be a shit show. Everything I know about Frank Miller makes me think Superman: Year One is going to be another massive, flaming, Hindenburg-like failure from the once great Frank Miller. I’ll be the first to tell you how happy I am to be wrong on this one.
I hope you enjoyed my spring/summer comic book preview and as always thank you for reading! This article focused on DC Comics exclusively. DC does a better job of Marvel than putting out accessible, more or less self contained, easy to explain event books and mini series. So if you enjoyed this preview and you’d like to see what Marvel Comics has cooking for the spring and summer, please comment below
So there you have it, a lot of exciting comics coming out over the next few months. Word has it there are some even bigger things coming on the horizon and this is all just from DC Comics! I’ll probably write up a similar article highlighting Marvel’s spring and summer comics to check out this year. Comics are an incredible medium. So, whether you’re reading single issue comics, waiting for the collected editions, reading them on your tablet, or going to your local comic book store, as long as you’re supporting the medium, that’s all that matters.
I wanted to take a minute to talk about Supergirl on the CW. Before I get into the show, I want to put something in context first. Lex Luthor is by far one of my favorite comic book characters. I think different generations have their own definitive superman. To many people of a certain age Richard Donner’s Superman with Christopher Reeves as the Man of Steel, is the standard by which all other portrayals of the character are judged.
For a lot of people in my generation, Superman The Animated Series is THEIR Superman in the same way Christopher Reeves was for previous generations. Superman The Animated Series ( or STAS or brevity’s sake) is by far my favorite interpretation of the Superman mythos. However, the show doesn’t only have what is, in my opinion, the best on screen Superman that we’ve had it also has the best Lex Luthor. Anytime a new Superman film is being made I’m always hoping to see the filmmakers will portray Lex Luthor as the incredibly interesting and complex character that he is. Unfortunately, my hopes are never realized. When Lex inevitably gets fucked up, I always find myself saying why the fuck don’t they just do the Lex Luthor from the animated series? Clancy Brown, who did the voice of Lex are on STAS is my iconic Luthor.
I’ve said this many times, but Lex Luthor for at least the last 30 years has been portrayed in the comic books as what I describe as a slightly more amoral Tony Stark. In fact, the argument could be made that Tony Stark is more dangerous than Lex Luthor in many ways. Yet I keep seeing these goofy, stupid portrayals of Lex on the big screen. Have these people even bothered to pick up a Superman comic book from the past three decades besides The Death of Superman?
Kevin Spacey was just playing Gene Hackman as Lex. In Superman Returns, Lex has what is without a doubt the stupidest master plan from a super villain in a comic book movie. The master plan involving real estate is another example of a generation that is so overly reverent towards the Christopher Reeves Superman that it actually hurts the film. Jesse Eisenberg as Lex Luthor was an abortion for the eyes (I REFUSE to even include a photograph of him as the character in this article). It’s was a fucking disgrace and everyone involved in the decisions that resulted that version of ”Lex”. * A quick side note: I’ve heard a few people insist that Jesse Eisenberg‘s Lex Luthor is actually supposed to be the son of the real, more traditional Lex Luthor, that would’ve been introduced down the line. I never took that from BvS at any point. I could be wrong, but I’m almost 100% sure that this was supposed to be straight up Lex Luthor, not Lex Jr. I’m not sure of people where people are getting that one from and if anyone could clarify in the comments, I’d love to hear your thoughts. The only live action take on the character that I thought was done well, was Michael Rosenbaum on Smallville. Smallville was a silly and sometimes campy show, but Lex was always one of the show’s strongest aspects.
To my surprise, it was announced that this season of Supergirl would be introducing Lex Luthor for the first time. It was it wasn’t going to be a one off either, he was going to be on the show for a good while. For some reason Warner Bros. and DC have had this weird rule for a long time, that they seem to be bending now for some reason, that prohibits character’s like Batman, Superman, Wonder Woman, and some other big characters like Lex Luthor from appearing in a live action television show and a film at the same time. The reasoning that they seem to give is that the audience will just be baffled at the idea of two different people portraying this character, which tells you everything you really need to know about how the creative intelligence off Hollywood executives.
In Supergirl’s second season, the two part premiere episodes introduced Tyler Hoechlin as Superman. He did a fantastic job and there’s an argument to be made that he’s the best live-action Superman right now. I like this version of the character so much that I’d like to see more of him, but I’m happy they didn’t make his appearance a one off. He appeared on Supergirl later in season two and has popped up a few more times on the series in the last couple of years. Even cooler was when Superman was a big part of this year‘s excellent Arrowverse Crossover Elseworlds, where they also introduced Lois Lane for the first time. Like I said, it always seems like those characters were off-limits, so I was pleasantly surprised that we’ve seen as much of Superman as we have.
The same thing happened when they announced Lex was going to be on Supergirl. Then they announced Jon cryer would be playing Lex Luthor. At first glance this would seem like a terrible idea because he seem like just another skinny geek and that’s the last thing we want to see after Jesse Eisenberg‘s portrayal. But I was willing to give him the benefit of the doubt. I figured this guy is so incredibly loaded from his years on Two and a Half Men that he does not have to do any project he doesn’t want to do. So there must’ve been something he saw in this character that would allow him to stretch his acting muscles in a completely different way. He just spent over a decade doing comedy, I figured maybe he’s up for a darker role.
We are now two episodes in to Lex’s stint on Supergirl and goddamnit if he is not fantastic in this role. So far he’s been pretty close to what I’ve been looking for with this character. He’s a genius, manipulative, he has his cool battle armor. It’s much more in line with the Lex Luthor we see in modern comics.
His second episode really impressed me because we saw how he had been behind (in one way or another) much what has happened on the show in the last few years. It was established early on in the series that Lex Luthor was in prison when Supergirl began. Using flashbacks, this weeks episode showed what Lex has been up to since he’d been convicted of Crimes Against Humanity. It was fantastic it showcase for John Cryer is in this role.
I’ve always been a huge Arrowverse fan, even though it’s best days are behind it in many ways. Despite my love of the Arrowverse, I’ve never really been that big of a fan of Supergirl (the series not the character). I think the series has done an excellent job with their portrayal of the character. Mellissa Benoist is great as The Girl of Steel, for some reason I find her at her most charming and entertaining in the crossover episodes. She’s a very interesting contrast to Barry Allen and especially Oliver Queen.
However, in my opinion the show really excels at using characters and stories from Superman‘s mythology. For example, they did an episode that was an adaptation for the classic Alan Moore Superman story For The Man Who Has Everything. This season also saw the introduction of Manchester Black and The Elite who were first introduced in another iconic Superman story What’s So Funny About Truth, Justice, And The American Way?. Even in the first season, they reveal about halfway through that one of the main characters was actually J’onn J’onnz; The Martian Manhunter. That blew my fucking mind. He’s been a fixture in the Arrowverse ever since and I love seeing him shape shift into his classic Martian form. Most of the time he appears as a human man because he’s a shape shifter and it would be way too expensive for the show to have him in full Martian Manhunter mode all the time.
I even loved how they’ve used classic Superman villains like Metallo, Parasite, White Martians and the Kryptonian villain Non, one of the general Zod’s right hand men. He is usually portrayed as muscle for General Zod, just a big, dumb, strong antagonist for Superman to fight. But he actually has a pretty tragic backstory. He was lobotomized by The Kryptonian Council as punishment for crimes he committed. There was a time that he was a mentor to Jor-El, one of Krypton‘s most brilliant scientists.
All of this has just been a very long winded way of saying how great it is to see a fantastic live action Lex Luthor. The season in general has been strong even though I have problems with some of their heavy handed attempts at making the story a real world to allegory. Despite that big flaw, there have been some very cool and exciting stories and characters being used on Supergirl that make a fan like me pay attention. I would definitely recommend going to iTunes or on-demand and checking out the last two episodes of Supergirl, the first one with Lex Luthor’s appearance is O’ Brother Where Art Thou. Cryer had a great start in that installment, but I was even more impressed with how good he is in this role in his second episode. I wouldn’t say I’m that big enough fan of Supergirl to recommend diving into the series as a whole, but I definitely think if you’re a big DC fan and you finally want to see a solid Lex Luthor, check out these episodes. I’d also recommend checking out any of the episodes where Superman makes an appearance and this year’s crossover with Arrow and The Flash: Elseworlds. While I’m on the subject of crossovers, with the most ambitious and thrilling crossover the Arrowverse has ever attempted, Crisis on Infinite Earths, debuting this fall, Lex being a major player in the Arrowverse now makes that already exciting crossover even more interesting.
With Lex seemingly not going anywhere for the rest of the season, I cannot wait to see what else the show’s writers and John Cryer do with this extremely interesting take on Lex Luthor. As always thank you for reading!
As Avengers: Endgame fast approaches, Marvel has released character posters for many of the major players in the MCU. What’s interesting about these new posters is that they confirm the death or survival of some characters whose status was left somewhat ambiguous after Avengers: Infinity War. Each poster has the tagline “Avenge The Fallen”, with the surviving characters in color and characters who were killed in “The Snap” or “The Decimation” in black and white.
We can now definitively confirm that Valkyrie, Wong, Pepper Potts, and Happy Hogan survived The Decimation to live another day. While Shuri, sadly and surprisingly, was a victim of Thanos’ Universal genocide.
Marvel also released this interesting video where the head of Marvel Studios Kevin Fiege and the cast discuss Avengers: Endgame. It’s definitely worth a watch, so check it out here:
I guess we’ll see how everything shakes out as the 11 year Infinity Saga comes to a close on April 26.
This was a big week for film and television. There were some big announcements (good and bad), we got a few interesting interesting new trailers (Stranger Things Season 3 being my personal favorite) and reviews for some of the year’s most anticipated movies.
The biggest story of the week was probably the Disney/Fox merger. It’s official, the Disney/Fox merger has completed. What does that mean? Well, basically Disney now owns all of Fox’s entertainment intellectual property. The big thing most people have been focusing on, especially here at World’s Best Media is how this will affect Marvel Studios and the Marvel Cinematic Universe. Fox had control of a lot of very cool characters from Marvel Comics most notably (and most excitingly) the Fantastic Four and the X-Men.
The timing is perfect for the MCU. After Avengers: Endgame blows our collective minds, this Chapter of the Marvel Cinematic Universe will come to a close and a new Chapter will begin. Marvel announced earlier this week that EVERYTHING in the MCU from Iron Man to Avengers: Endgame will be known as The Infinity Saga. I actually really like that they’ll be one name for this huge story instead of just Phases 1-3.
We don’t know much about the new direction the MCU will be taking except that it kicks off in Phase 4, which will begin with Spider-Man: Far From Home opening this July. Marvel Studios like to make big theatrical announcements about their upcoming films. Considering how secretive they have been about Avengers:Endgame. I imagine the events of the film will drastically alter the Marvel Cinematic Universe to a degree that they won’t be able to announce much without spoiling Endgame in someway. I expect we’ll see a big press conference/announcement from Kevin Fiege, the head of Marvel Studios. How long until we see X-Men and Fantastic Four characters in the MCU? Time will tell…
In the meantime, check out this week’s episode of The World’s Best Podcast where I discuss all the big movie and TV that hit this week. In this episode I talk about Supernatural ending it’s run with next year’s Season 15, so here’s a link to an article I wrote about the series last year if you want to learn more about the series: https://best-media-world.com/2017/09/25/must-watch-supernatural/
Also, I posted each trailer that I talk about in this week’s podcast, below so check them out. Listen to the podcast here or subscribe on Stitcher and iTunes:
For the first two Seasons of The Flash, it was one of my top shows. I loved The Flash and The Arrowverse in general as much as shows like Game of Thrones or Netflix’s Daredevil (before you freak out, I’m not saying that The Flash, at its best, was as good as those shows. I’m just saying I enjoyed The Flash almost as much as those series). The first two Seasons are among the best live action superhero stories brought to any screen. Things started to get dicey in the 3rd Season, it wasn’t reaching the heights of what had come before. However, because the way the story in Season 3 is told, the audience doesn’t have the full picture of what’s been going on until much later in the season. Giving Season 3 a rewatch reveals a flawed, but very good/great season. Sadly, after the Season 3 finale, the show had it’s best days behind it. Season 4 sucked and Season 5 (the current season) has me barely interested in the show anymore. However, despite my waning interest, I was really looking forward to Tuesday night’s episode, “Time Bomb”, for reasons I’ll explain below. Imagine my surprise when The Flash put out it’s best episode (non-crossover) episode in a few years with this heartbreaking installment.
The over arcing story of the season revolves around, Nora Allen, Barry and Iris’s speedster daughter from roughly 30 years in the future, who has come back in time to correct a mistake she made by messing with the timeline. According to Nora, basically Team Flash has to stop a super villain called Cicada, which will somehow correct the timeline, and Nora will return to her own time period. I feel like this show doesn’t do a good job of explaining why Nora needs to fix the timeline in the first place. I get that a dangerous villain called Cicada has become even more dangerous due to the change in the timeline, but beyond that the plans for Nora’s return home are unclear. To me, with time travel being so dangerous in this universe the longer she stays in the past the more damage she would be doing. By hanging around with her parents decades before she was born, seems far more dangerous than stopping any villain. So I haven’t been that invested in the show until the mid season finale when they reveal that 30 years in the future Nora‘s mentor, the person who is giving her instructions on how to properly manipulate the timeline and use the Speed Force is none other than Eobard Thawne! He’s being held in a Supermax version of Iron Heights Prison In 2049 and he seems to genuinely want to help Nora. As we learn from the very first episode of the series, in Thawne’s Timevault there’s a futuristic front page hologram newspapers from the year 2024 that reads “THE FLASH VANISHES IN CRISIS“. So, Nora was a little girl who grew up without her legendary, hero father and then develops the superspeed she inherited from him. She needed a mentor to instructor her in how to use the Speed Force. In Nora’s defense, it’s clear that she didn’t understand just how much damage The Reverse-Flash had done to Barry and his life. Even though I am certain Thawne has an ulterior motive that benefits himself, he seems to truly care about Nora and almost views her as a surrogate daughter.
But time has run out, the shit has hit the fan, their plan has fallen apart. A desperate Nora runs into the future to find a despondent Thawne who says there’s nothing else they can do. Thawne tells Nora to do something that terrifies her: tell her father everything. Tell him about working with Thawne, Tell him about their attempts to change the timeline, and tell him the painful reality that she has been lying to him about working with his greatest enemy
What really fucked up the timeline was that Dwyer’s niece, Grace, all grown up, has come to the present from the future, using the Time Sphere the team built in Season 1. To continue what she saw as her now “meta-cured” Uncle’s “Mission” to kill all meta humans. She remarks that in her time, about 30 years from now, that meta humans have has grown at an exponential rate. Which makes sense because there are a shitload of other super heroes and super villains in the future. She has become the new Cicada.
Dwyer killed Metas as Cicada to protect and avenge his niece. He wanted to make the world a safer for a place for her when she comes out of her coma. He just wanted her to have a happy life. He is somewhat horrified that his beloved niece is so filled with the same hate and anger that led to him down his path to being Cicada. Grace becoming Cicada is the last thing he wants for her. So during her battle with Team Flash. Dwyer shows up, without his powers because he’s been cured, and tries to talk her down. He tells her that she needs to let go of her anger and move on. I saw this coming a mile away, but just as it looks like he might be getting through to her, she kills him with the meta dampening dagger that now belongs to her. This is where we really see just how much more of a psychopath she is compared to her uncle. As her dies in The Flash’s arms, Dwyer’s touching last words to Barry are “Save my Grace.” Even though she just murdered him, she’s the only thing he’s truly loved. Even if he’s dying all he really cares about is his niece Grace. When he asks Barry to save her I think he means save her from the path to Cicada. From one father to another, Dwyer asks Barry to save his child’s soul.
Team flash manages to track down Cicada’s next target, a woman named Vickie Bolen. Several years ago, without quite understanding how her powers worked, she accidentally blew up an ATM, seemingly killing Grace’s parents. Because at the time of the explosion meta-humans were being kept under wraps in Central City, so Bolen remarks that she takes blame for the ATM explosion but “Thanks God that no one was hurt”. She was blissfully ignorant to the fact that she’s probably the person who killed Grace’s parents. I say “probably” because who the fuck knows on a show like this sometimes. CCPD/Team Flash, which is essentially the same thing for all intents and purposes on this mission because everyone involved works for CCPD and Team Flash, realize the incident wasn’t her fault and the team insist on protecting her and her family from this very dangerous new Cicada. Bolen’s daughter was slightly injured, so they wait for the attack at Central City Hospital.
This leads to an excellent action sequence that relied on special FX, when Grace shows up to kill this woman Team Flash is protecting. Standing outside the hospital, Grace unleashes the Dagger with Barry realizing a split second before anybody that the dagger is coming, which will take away their powers and it’s headed right at the woman they’re trying to protect. In a really cool piece of special FX, everything slows way down to flash time the dagger crashes through the window of the hospital. Nora’s powers start to drain away in the presence of the dagger as she and Barry take off in the other direction to try to save Bolen. However, Barry is a little bit ahead of Nora and he’s able to get around the corner, get his Flash suit on as it blows out of his ring, and get to Bolen just before she’s about to be killed by the dagger. Nora super speeds Bolen out of there with the dagger flying behind them like a heat seeking missile close behind. Meanwhile Barry goes to face off with Grace. It was a really cool scene and I liked seeing Nora try to out run this weapon and save this woman, while Team Flash comes up with a plan to save them. It seems that lately the special Fx haven’t lived up to the amazing standard set by the show’s first three seasons. Their FX is usually great, especially for a network show. Even though I think the FX has dipped a little recently, this was a very cool action sequence.
And then we come to the end of things…. The team has saved the day, for now, and are looking to head out to grab a well deserved drink together. This is when Cecile picks up on the fact that Nora wants to tell them all something and everything from this moment on in the episode is pretty brutal.
Grant Gustin, Jessica Parker Kennedy, and Tom Cavanuogh each give Excellent performances in this episode. Stand outs include: Barry’s look of utter betrayal and horror when he finds out his daughter was working with Thawne. Nora’s opening scene with Thawne; everything they’ve risked, everything they’ve been working towards has been completely fucked. Nora’s panic and terror that the plan failed and Thawne’s crushed acceptance made for a memorable scene. Jessica Parker Kennedy knocked it out of the park throughout the entire episode; portraying the utter terror and desperation Nora feels at the prospect of her secret coming to light. Especially in the first scene with Thawne and the final scene with Sherloque, (two very different men with the same face, intense scenes that bookend the episode) she wanted to to tell her family the truth about working with Thawne, she even tried to confess to Barry a few times only to be interrupted. But she waited to long and Sherloque had finally put all the pieces together, which leads to Sherloque’s big speech telling the team how he followed the trail and solved this mystery (It’s a classic troupe of great detective stories, where the brilliant detective like Sherlock Holmes or Hercule Poirot lays out all the facts in front of the characters in the story. Sherloque is definitely more Poirot than Holmes, especially in this scene. I LOVE the “Detective Solved The Mystery And Gives His Speech About What’s Really Going On” scene in any story with a master detective. Tom Cavanough does a great job in this scene.
There were a couple of times that almost got me a little misty in this episode. Like the wires dying words and the look of a hot air but trail on Barry‘s face when he realizes that Nora and Sean are working together. The final few seconds of nor is it breaking down in one of the pipeline cells was one of the most downbeat endings to a flash episode ever. Like I said before, I don’t think the Flash has had such a strong episode in a few seasons. I look forward to watching the next episode which won’t be airing again until April where we find out the back story of how Nora and Thawne got together in the first place, but this does not mean I’m back on The Flash bandwagon. This was just one excellent episode in a sea of mediocrity over the last several years. If you’re like me and you’ve liked The Flash in the past and maybe have given up on it a little bit, watch this episode. However, It’s so well done that the episode deserved appreciation on its own merits.
Anyway, thank you so much for reading as always I appreciate it! I’d love to hear your thoughts about this episode or about The Flash in general, you can leave your comments below or send me a message on Facebook or Twitter.
This morning Marvel dropped, what is most likely, their final Avengers: Endgame trailer. This is easily one of the most anticipated movies of the year, so I was really looking forward to doing this trailer breakdown for you guys. We’re less than a month and a half away from Endgame and after seeing Captain Marvel, I only became more hyped up! Now, with this new trailer we have another reason to be counting the days on the calendar until this baby hits theaters! But have no fear! Because I’m here to help you navigate the twists and turns of the (probably) final Avengers: Endgame trailer. In this World’s Best Podcast episode, I breakdown the trailer and give you the details on everything you need to know before seeing this movie. Such as offer up some character backstory, clarify and explain a few things, talk about influences from the comic books, some personal predictions, and get you up to speed on the status on your favorite characters (FYI A lot of them are dead)! So please enjoy the latest episode of The World’s Best Podcast! The full trailer is posted at the bottom of the page, for you’re viewing pleasure. Listen here or subscribe on Stitcher and iTunes:
After seeing Captain Marvel last week and with Avengers: Endgame only a little more than a month away, I thought this would be a good time to reflect on the current state of the Marvel Cinematic Universe. After Phase 4 officially begins with the Spider-Man: Far From Home, this is the most in the dark we’ve been about where the MCU is heading. There are some this I know I’d LOVE to see…
If there’s one image that perfectly captures of my excitement at the prospect of finally seeing X-Men and Fantastic Four in the MCU, it’s this:
DoctorDoom himself using his Iron Man-like technology and his mastery of the mystic arts to take on The Anti-God, The Devourer of Worlds…. GALACTUS!
I’ve always been more into the idea of Fantastic Four characters becoming part of the MCU than the X-Men. As you can see above, the character I’m really hoping will pop up is Victor Von Doom.
Usually before each new Phase of Marvel movies, they’ll host a big event where they unveil their upcoming films. However, due to the secrecy surrounding Avengers: Endgame, all we know are the release dates for the next several years of films, we just don’t know what movies they are. We can speculate, though.
Black Panther 2 and Doctor Strange 2 have officially been announced with Ryan Coogler and Scott Derrickson respectively both returning to direct and continue the stories they started in their first films. Marvel still has a lot of release dates announced without movies attached. I’m certain they know exactly what will be released there and are probably working on those movies now, we just won’t know for sure what other characters we’ll see until they’re ready to make an announcement.
I’ve always described the MCU is a big TV series with Kevin Fiege as the show runner. So when I saw he put out this video talking about the past, present, and future of Marvel, I thought it was very interesting and I wanted to include it here. You get some nice insight into the thought process behind some of Marvel’s biggest decisions. Check it out:
I think we should expect to see some big announcements in May or June as Marvel begins to roll out thier slate of movies for Phase 4. All we know is that it’s going to be very different than what’s come before, which is very exciting. In the meantime, go check out Captain Marvel and come back here after to listen to our full SPOILER review on TheWorld’sBestPodcast .