Podcast: Paul’s Pulls (The Comic Book Show)

Hey everybody,

On today’s episode of Paul’s Pulls I talk about the end of DC’s  Big Batman event comic Dark Nights: Metal and the new issue of Doomsday Clock. I also spent some time talking about Thanos not only as a character, but his excellent book that Donny Cates works on, as well.  Thanos is basically Marvel’s rip off of Darkseid and Jack Kirby‘s classic creations The New Gods, so we get into that a little bit as well. Listen here or subscribe on iTunes:

https://www.spreaker.com/episode/14433291

 

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*Correction: Several times throughout the episode I refer to a creator named “Donny Coates” , the creators name is actually DONNY CATES.

Comic Book Review: Doomsday Clock #4 (No Spoilers)

 

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Since the “Death of Superman” in the 90’s, death being a revolving door has been somewhat of joke in the comic world. Unfortunately, frequent deaths and resurrections can often hurt the Superhero genre. Mainly because it pushes people away. To some readers it takes the sense of urgency from the story, they don’t feel any substance in a story they read because this is used so often it’s a trope of the genre. Once I realized how many Watchmen characters would actually be used in Doomsday Clock, I expected immediate negative backlash from the fan community. ESPECIALLY when The Comedian turned up alive. To be honest I wasn’t exactly thrilled by his return. This entire story needs to be handled very delicately to work. The Watchmen characters we saw before The Comedian showed up were used really well, but I felt like The Comedian might have been a bridge too far. Geoff Johns and Gary Frank better have a very important reason for bringing him into the story or else it will feel like bad fan service (I have faith that a good explanation will be given, especially because everything else in this miniseries has been excellent so far).

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Having said all that, none of it really has much to do with THIS issue. I haven’t reviewed Doomsday Clock in awhile and since then I’ve noticed that some fans are unhappy with the return of certain characters. But lets focus on Doomsday Clock #4.

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This is the most character driven issue of the series so far and it almost exclusively focuses on one main character: “New Rorschach”. I put the name “Rorschach” in quotes because we already know that this isn’t Walter Kovacs, Original Recipe Rorschach. This is Reggie, the young man how took on the mantle of the legendary crime fighter/ infamous lunatic vigilante.

For readers looking for a story that pushes the narrative further in a significant way, you may be disappointed. Otherwise this is an excellent character study of this new Rorschach. We not only get to see how he became the next Rorschach, we also find out exactly who Reggie is and where he fits in the Watchmen story (which I won’t spoil here). All I’ll say is that this person wasn’t even on my list of suspects.

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Up until this issue, I was pretty sure that Reggie was an original character because, after going back to the Watchmen graphic novel there really wasn’t anyone who fit what we know about him (which is pretty much just; that he’s a relatively young man, African American, and more than a little bit of a psychopath.). But after reading the issue, I tip my hat to Johns and Frank because they have delivered an excellent vigilante origin story. They did a great job of creating Reggie’s backstory. My one criticism is that even though the creators found a very clever way of showing us how Reggie acquired his fighting skills, it doesn’t seem like enough to make into a fighter that would make even Veidt uneasy. But maybe there’s more to the puzzle coming up.

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This was the perfect point to tell us Reggie’s backstory and what drives him. Because among the cast of new characters, we know a relatively significant amount about The Marionette and The Mime and what makes them tick (even though there are still some huge questions surrounding these two). Four issues into a 12 issue series, we need to understand the goals and motivations of all the main characters for the story to work. We also get a great appearance of a relatively obscure Watchmen character that’s both sweet and heartbreaking.

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Though other issues of Doomsday Clock have wowed me in a ways that this chapter didn’t, it is nonetheless a beautiful character tale that’s tragic, sad, and illuminating. If you don’t mind one or two comic book tropes, I highly recommend Doomsday Clock as a series. This issue was definitely weaker than others, but it was still great. I can’t wait to see what Geoff Johns and Gary Frank have in store for the next 8 issues.

Doomsday Clock #4:  8.5/10

Review by Paul J. Wright

 

PODCAST: Paul’s Pulls (Ep.2)

Hey Everybody!

It’s Paul here and today I have the latest episode of my new Podcast that’s all about comic books, “Paul’s Pulls”! This episode is the “State Of The Batman Union”! What good and what’s not so good about the Batman comics coming out of DC right now. This is a 2 part episode, so expect part 2 up soon. I really appreciate everyone being so supportive and giving the show a try! So here’s Episode 1, listen here or subscribe on iTunes:

https://www.spreaker.com/episode/14024072

 

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PODCAST: What Should WB Do With The Batman Film Franchise?

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Hey everyone,

Paul here,

With Tim off at a star studded gala, Ryan came in for the clutch rescue on co-hosting duties and CRUSHED IT! In this episode where we discuss where The Batman films should go from here after the Justice League debacle. We talk about directors, castings, storylines, all the different places we think an awesome Batman series of films could go. To help things along, Ryan and I do mock interviews with The President of Warner Bros. Kevin Tsujihara! (I really hit it off with Kevin, but Ryan kind of blew it) It’s a fun Episode so give it a listen! Listen here or subscribe on iTunes:

https://www.spreaker.com/episode/14029859

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Big DC Comics News! Scott Snyder Announced As The New Writer For JUSTICE LEAGUE

 

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Team: Entropy

Scott Snyder is probably one of the greatest comic books writers in the history of the medium. His run on Batman with artist Greg Capullo is already a modern classic and some of the best work ever done on the character.

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Left to Right: Beast Boy, Lobo, Batman, Lex Luthor, Deathstroke

Following the release of artwork by Francis Manapul, DC announced that Scott Snyder will writing the flagship book for DC, Justice League.  Besides the incredible work he’s already done on characters like Batman, we’ve seen that Snyder has incredible talent working on almost any hero in the DC Universe. So this is something to be very excited about.  Though it wasn’t formally announced I suspect that Francis Manapul will be the artist on the main Justice League book that Snyder is writing, considering his art was such a large part of the announcement.

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Team: Mystery
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Left to Right: Starfire, Superman, J’onn J’onzz, Sinestro, Behind them: (the weirdest damn inclusion) Starro The Star Conqueror

To kick off this new era for the JL, DC has also announced a 4 issue miniseries called Justice League: No Justice, that will set up the new status quo for Snyder’s Justice League bookThe miniseries will be co-written by Scott Snyder, James Tynion IV (Detective Comics) and Joshua Williamson (The Flash) with art by Francis Manapul. Issue #1 of that miniseries will be on sale 5/9.

DC unveiled artwork with a very diverse group of characters joining the League roster. It was a weird/awesome mix of classic Justice League members, villains, and younger heroes. There are a lot of cool possibilities with these characters. In fact each group of heroes was given subtitle to their team that I’ll include in the artwork captions. Apparently theses specific teams being brought together on separate missions, but with the same larger goal is  part of the story in Justice League: No Justice.

As a side note, Francis Manapul is one of the most talented artists in the business. His gorgeous art is always a huge draw for me on any comic he works on. His run on The Flash in particular is absolutely beautiful.

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Team: Wisdom
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Left to Right: The Atom, Harley Quinn, The Flash, Robin (Damian Wayne), Cyborg

This means there will probably be a few different JL books, each with a different focus. For example, one of the Justice League comics used to be called Justice League Dark and it featured all mystical based DC heroes like John Constantine and Zatanna facing supernatural threats. Writers James Tynion IV and Joshua Williamson were named as co-writers of the miniseries with Scott Snyder, so I’d bet that they’ll each be writing a Justice League book, probably with a specific focus like space or magic or something. But once again, the thing to be excited about is Scott Snyder writing the flagship Justice League book which will be your “classic Justice League style”  adventures. Your Original Recipe Justice League, if you will

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Team: Wonder
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Left to Right: Raven, Doctor Fate, Wonder Woman, Zatanna, Etrigan The Demon

After Justice League: No Justice wraps up, Scott Snyder’s Justice League will hit shelves shortly after.  These are usually excellent times for new readers to jump on the comic book bandwagon. A miniseries like No Justice is usually designed to acclimate new readers to the status quo and they’re great jumping on points. Keep an eye out here as we’ll publish new info as it becomes available.

Are you excited for Scott Snyder’s Justice League comic book?

Out of the four teams  we see, which was your favorite?

Which team has the most  interesting combo of characters?

Let us know in the comments below!

I know I’m excited! Thanks for reading, everyone!

-Paul

 

 

Movie Review: Batman: Gotham by Gaslight (No Spoilers)

 

BB2A7983-E779-462B-9F4B-1D184598F835Review by Paul Wright

An R-Rated, animated Batman movie, that’s essentially, Batman Vs. Jack The Ripper? To quote the great Kevin Smith “Fuck you. Take my money.”. Batman by Gaslight adopts a storytelling device often seen in comics called ”Elseworlds”. “Elseworlds” are basically one off stories where you take a familiar hero and and put them in a unique setting or story they normally wouldn’t be in. It’s a “What If…” story, essentially. For example, What if baby Superman’s spaceship crashed in Soviet Russia instead of Kansas? Or What if Batman hunted Jack The Ripper in Victorian-Era Gotham City? The original graphic novel of the same name that the movie is based on, with art by Hellboy creator Mike Mignola, was too short to be adapted to a feature length film. So, the filmmakers had to add to the story, which is fun if you’ve read the graphic novel because you’re getting something that’s both a strong adaptation and completely new tale at the same time.

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A panel from the original graphic novel

It’s a great premise that’s a natural fit for the character. Batman’s often referred to as “The World’s Greatest Detective” in the comics, so I loved seeing Batman in a real mystery where he has to use his skills as a detective as much as his skills as a fighter. Batman’s incredible detective abilities are rarely utilized enough outside of comics. It doesn’t hurt that the whole story takes place in a world that looks very much like the city of fictions other great detective and one of the inspirations for Batman, Sherlock Holmes (there’s a small Sherlock Holmes reference that only true Sherlockians will get). The movie looks like it’s was pulled out of the pages of an Arthur Conan Doyle story, which adds to the movie’s cool, steampunk, murder mystery vibe.

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A blimp crashing into a Gotham City building.

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Bruce Greenwood plays Bruce Wayne/Batman in this film and besides Kevin Conroy, I think he’s my favorite Batman voice actor. He’s played Batman before in movies like Batman: Under The Red Hood (one of the best DC Animated Movies) and the excellent Young Justice animated series, returning for it’s third season later this year. Jennifer Carpenter (Dexter) does some great work as Selina Kyle, but I don’t think they ever call her Catwoman in the movie. Besides Batman, Selina Kyle has the most to do in this movie. She’s basically Batman’s partner in solving the murders. She’s taking matters into her own hands because she knows if the victims were rich, white men instead of poor women, the police would be doing a lot more. At the very end she has a little damsel in distress moment I wasn’t crazy about, but other wise she’s an ass kicking badass who is more or less Batman’s equal.

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Batman and Selina Kyle

Of course, it fun to see Victorian-era versions of the wide array of characters from Batman’s world. I wont spoil all the fun cameos, but you get to see characters from Hugo Strange to Solomon Grundy throughout the story. Unfortunately, a lot of the supporting cast isn’t as fleshed out as Batman and Selina Kyle which is definitely a big weakness in the film.

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Prof. Hugo Strange

This movie takes full advantage of it’s R-Rating. This is easily one of the more bloody and gorey DC Animated Movies made so far. The real life Ripper Murders always struck me as particularly brutal and vicious. The movie does a good job of conveying that THIS Jack The Ripper is a terrifying butcher as well.

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Jack The Ripper

One of the things that made this version of Jack The Ripper work for me is that he was a physical match for Batman. This isn’t the same Batman that could kick the shit out of Superman. Batman gets pretty fucked up a few times in this movie. We’ve seen Batman fight armies of alien invaders and beings with all kinds of super abilities and come out fine. But the fact that The Ripper is just a man and he comes so close to killing Batman makes him much more frightening. Compared to other Batman animated movies recently, the stakes may seem lower but they feel higher than ever. This story isn’t “canon”, so characters who wouldn’t normally be on the chopping block could be taken out at anytime, which give the movie a nice edge.

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Another look at The Ripper

Stylistically, this film has stepped away from the more anime inspired look that much of the other DC Animated Movies have adopted. Instead, the animation style is more traditional, without sacrificing quality. Including several great fights and action sequences. There a few showdowns between Batman and The Ripper that are particularly well done.

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Having never read the original graphic novel, I didn’t know who The Ripper was while watching the movie (and this being Gotham City it could be almost literally ANYONE). So, it was fun not knowing where the story was going, but I did know The Ripper is NOT the same character from the original graphic novel. I’m definitely going to grade on a curve here, because as I’ve said before the quality of the DC Animated Movies has dipped over the past few years and I feel this is a huge step in the right direction. I have a feeling that the movie seemed a lot better than it actually was because the quality of the DC Animated films hasn’t been as consistent lately

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Batman on his steampunk motorcycle

Batman: Gotham by Gaslight is fun little Batman mystery, taking place in a interesting setting. Whether you’re a fan of Batman, these animated movies, or you just happened to see the trailer and were intrigued, I would definitely recommend this movie. While not without it’s flaws, It is without a doubt one of the best DC animated movies that we’ve seen in a long time. Let’s hope they keep this momentum going into their next movies…

Batman: Gotham by Gaslight is available on iTunes now and the Blu-Ray will be released on 2/6/2018

Batman: Gotham by Gaslight – 8.4/10

Thanks for reading!
-Paul

If you want to get a a copy of Batman: Gotham by Gaslight when it comes out on Blu-Ray (which I definitely recommend that you do, I know I will), please go through our Amazon Affiliate link below. You get the best price and you’re helping to keep the lights on at World’s Best Media. Thanks!

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TRAILER: Suicide Squad: Hell To Pay

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Hey, everybody! I’ve got a few cool trailers for a few upcoming DC Animated Movies for you to check out. The first is the new DC Animated Movie Suicide Squad: Hell To Pay. Check it out here and continue reading below after:

 

Suicide Squad: Hell to Pay takes place in the DC Animated Universe they began creating a few years ago, starting with Justice League: War. Usually each year they’ll do a Justice League, Batman, or Teen Titans movie that’s part of this Animated Universe and then a stand alone movie like Batman: Gotham by Gaslight. Apparently this year they’re adding the Suicide Squad into the mix. I liked seeing some of the big and more obscure DC villains they included. Besides the Squad itself, villains like Zoom, Two-Face, Professor Pym, and more are a part of the movie. The voice cast looks pretty solid as well. I’m cautiously optimistic that this could be pretty cool. God knows the bar isn’t very high for it to be better than the live action Suicide Squad movie. There’s no release date on it yet, but I would expect this to be released around March or April.

The DC Animated Movie I’m really looking forward to is the next movie, Batman: Gotham by Gaslight, which comes out digitally on 1/23/18 and Blu-Ray 2/6/18. I enjoy thes movies whenever they come out, but there hasn’t been a truly great one in awhile. I’m hoping this film is the one that knocks it out of the park because it looks great. A Victorian era Batman going up against Jack The Ripper? I’m in. Here’s the trailer:

Looks cool, right? But back to Suicide Squad: Hell to Pay, this isn’t the first DC Animated Movie to star the Suicide Squad. A few years ago they released Batman: Assault on Arkham and though the title says Batman, it was a Suicide Squad movie through and through. It actually technically took place in the same universe as the Batman: Arkham video games. It’s a solid, fun movie that’s definitley worthy checking out. When I rewatched it recently, I couldn’t help but think “This is exactly how the live action Suicide Squad movie should have been made.” Anyway, we’re going to put up reviews for both of the flicks, so keep an eye out on the site for those.

You can buy Batman: Assault on Arkham on Amazon:

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If you’re ever interested in buying like Batman: Assault on Arkham, please use our Amazon Affiliate link. It’s just like you’re everyday Amazon shopping, but when you go through our link, we get a small percentage from Amazon to help keep the lights on here at World’s Best Media. So we can continue to give you more great content. So, if you’re going to buy something on Amazon anyway, you might as well use our affiliate link to keep all your favorite World’s Best Media content coming. Thanks!

 

 

How To Treat Source Material by Guest Writer Michael Cole

I’m fortunate enough to know many talented and creative people. Some of them have already contributed great stuff to World’s Best Media. Like Tim Cuff, my cohost on The World’s Best Podcast with Paul & Tim, or Ryan McDonald who created the amazing promotional video for that podcast.  Both Ryan and Tim have contributed much more than that to this creative project I started, but one person who’s had a big influence on this entire thing who hasn’t gotten his due, is an old friend of mine named Michael Cole. Mike’s an extremely talented writer who has his own blog and has published a book of his own short stories called “Everything I’ve Got: A Collection Of Short Stories, Poems, and Essays”. He was the person I went to when I knew I wanted to start a blog and there would be no World’s Best Media without Mike Cole. One of my goals, when I created World’s Best Media was to  give a forum to all of these talented people I knew to offer what they’ve created to the world.  So I’ve been wanting to do something with Mike specifically for some time and we are going to have him be a special correspondence for World’s Best Media.  Mike will be contributing guest articles every now and again on topics similar to the type of thing we cover all the time on all our podcasts and blogs. Pop-culture, movies, books, TV, everything.  So without further ado here is Mike’s first piece for our site. I already  have one more of his articles ready to post and we’re very happy to have him writing for us.  I think you guys will love his point of view.   Below his article I just posted a link to his website. Enjoy!

-Paul

How to Treat Source Material by Michael Cole

​When something is adapted into a movie, there is inevitably some complaint about source material. Whether it’s a video game, a book, a comic book, or a TV show, someone is going to be unhappy. It’s inevitable.
​Currently, the problem tends to be that something doesn’t follow the source material close enough. It’s a natural complaint, after all if you were a fan of the original thing, then you want to see it adapted well, but is it a fair to expect a literal translation of page to screen?
​I think it depends, and I don’t mean it depends on the specific work it’s based on, as much as I mean what the original format was. Look at a finite book series, like Harry Potter or Percy Jackson; there are 7 Harry Potter books, telling one overarching story, there are 5 Percy Jackson books (plus 5 where he’s a semi-main character, plus 5 where he’s a background character). Both of the series have pretty defined beats that lead to their ending in the final book, so they should be pretty close to the original source material, at least in those beats. Harry Potter does a pretty good job of this, cutting some of the fat that isn’t needed, but overall sticking to the same structure. Percy Jackson got two movies (of 5 books) and by the end of the second book, there was a battle which was essentially the final battle from book 5. By doing this, they had predetermined that even if it had been successful enough to warrant further movies, that they wouldn’t be able to continue following the story that had been laid out for them.
​I think a finite series, should adapt the basic bones of the original, but an ongoing serial, something which has the mythology being rewritten constantly, has much less responsibility to strictly following the source material. We’re seeing this with comic books, they’ve been restarting, and reinventing, and reimagining the stories and the worlds, and so when it comes time to adapt them into films and TV shows there is a wealth of source material, but sometimes its contradictory, so in this way sticking with the spirit of the characters and their arches tends to be paramount, and making sure that any element that has remained untouched through all the various adaptations and updates isn’t changed (at least without VERY good reason). It’s well established that Joe Chill killed Bruce Wayne’s parents, in every variation except for Tim Burton’s Batman, in which Jack Napier killed them before becoming the Joker. While there was some disagreement about changing it, ultimately it made no impact on the ongoing storytelling in the overall Batman catalog, but allowed that films story to have the proper impact without shifting too far from source material.
​What is interesting about film adaptations is, that if you look at them before a certain point (I tend to think of Harry Potter as being the turning point) a significant amount of book to movie adaptations had significant changes to the source material. Look at a movie like One Flew Over the Cuckoo’s Nest based on the novel by Ken Kesey, (among many other hugely successful films adapted from books around that time) it took a starkly different approach from the book. In the novel, the whole story is told from Chief’s perspective, and as readers we have a hard time differentiating between what is real and what is hallucination. There are moments in the book to make it clear that the Chief does hallucinate, like when the beds each lower down as the floor opens up and all the sleeping people are experimented on by putting mechanical and electronic parts in them. In the movie, because the story is closer associated with McMurphy’s point of view, we see the ward as being filled with people who are mentally ill, but the view point of it is clear itself.
​One Flew Over the Cuckoo’s Nest, is an example of a book that would have been unfilm-able as a literal adaptation, and that is where a lot of stand-alone literature falls. We naturally want to see a film adaptation, but not every book translates, whether that be due to technical constraints, or more hard limit medium differences (if Chief had narrated the film as heavily as he had the novel, he would have been talking nearly the entire movie.)
​One of my favorite books, The Knife of Never Letting Go which is the first book in The Chaos Walking Trilogy, is being adapted into a film for release in 2019. The book takes place on a world where everyone can hear everyone else’s thoughts, including the animals. (I’m going to give no spoilers so don’t worry). The people refer to that concept as ‘Noise,’ as in your thoughts are your ‘Noise,’ and most people can hear everyone’s ‘Noise’. On the page, Patrick Ness, fills the page not only with what you need to know, but noise, words all over the pages a typography nightmare, and it makes for an incredible novel. We can ignore a lot of it visually, so we get the idea, but we’re not actually as overwhelmed as the characters. How is this going to work in the film? My hope is that they’re not going to be completely faithful to the novel. My hope is that they’ll find some other manner of conveying that, because— at least for me— ignoring audio noise will be too difficult and distract from the storytelling.
​Ultimately, I think there must be a consistency whether it’s to the characters, or the concept, or in some cases it should tell the same story, but I think depending on what kind of source material you have, and what kind of film you’re going to make, you have to change things. You’re going to get some people mad, and those people will get frustrated with those who enjoy the new item, but a movie isn’t a comic book, or a book, or TV show, and the focus just has to be on the quality of the storytelling, and not an overwhelming reverence to an original in a medium that doesn’t tell stories the same way.

​What do you think about adaptations and source materials? Do you prefer them to be perfect visual representations or are you ok with changing things as needed? Tell us in the comments below.

https://michaelchristophercole.com

The Definitive Modern Origins Of The Major DC Heroes

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There are few aspects of the superheroes story that are as vital and sometimes overused as the origin story. With so many superhero films coming out these days, many of them end up being origin stories. When it comes to Marvel films in particular, the main stream public may not have even heard of the characters starring in the films. Which is larger reason why we have so many superhero origin films. Once you get past Batman, Superman, Wonder Woman, and Spider-Man, there may not be as much brand familiarity with the public. Even though many people, myself included, are somewhat sick of the superhero origin story, over the last few years there have been a few excellent modern retelling’s of the origins of some of DC’s most famous characters. Even though some of these characters already have origin stories that some people would consider to be definitive, I thought it was worth listing some of these excellent stories. Forget for a moment that they are origins because they’re all simply great stories. All of these books are well worth your time.
One important point is that, what some of these stories have in common is they use the term “Year One” in their title. For those of you who don’t already know, the reason for this is Batman: Year One by Frank Miller is considered to be one of the greatest Batman stories ever told. Published in 1987, it was a modern retelling of Batman’s origin. The story is so famous and revered that the term “Year One” has been adopted as a synonym for a modern retelling of a superhero’s origin story. I’m not at all discounting other excellent origin stories like Batman:Year One, I’m just offering some fun, recent alternatives. Enjoy!

Batman:

Batman: Zero Year

Writer: Scott Snyder/Artist: Greg Capullo

(Collected in Batman vol.4 Zero Year- Secret City/ Batman vol.5 Zero Year-Dark City)

Smack in the middle of their instant classic run on Batman, Snyder and Capullo made the bold choice to retell the beginning of Bruce Wayne’s career as Batman. This was a risky storytelling choice for a few reasons. First, of all whether it’s on tv, film, or comics, it seems like we’ve seen Batman’s origin told a hundred times. Second, many people consider that the definitive Batman origin story had already been told in Frank Miller’s groundbreaking 80’s classic, Batman: Year One. Snyder and Capullo were all too aware that Batman: Year One was sacrosanct to many, but they felt confidence in the story they were telling.

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Ultimately they were proven right, Zero Year is a unique, exciting, vibrant Batman story. Though the framework may have seemed like something we’ve seen many times, the contents of the story felt unexpected and new. First of all, they don’t choose to make this any kind of period piece. Even though it may not make chronological sense, since this takes place in the “present”. I think they wanted to feel like this was a cutting-edge Batman. As he’s shown time and time again, Greg Capullo’s art is absolutely vital to the story and it seems like every arc he works on with Snyder he gets better and better. Like their entire Batman run, the character work is what really draws you in. This is a slightly different Bruce Wayne than we are used to seeing. He’s a little bit more raw, a little bit more cocky. But he still the same broken, damaged person that we’ve all come to know over the years. His relationship with Alfred is a highlight of the story. Alfred views Bruce as his son and he hates the idea of Bruce embarking on a life of pain, danger, and misery. There are a few interesting scenes where they come into pretty heated conflict over Bruce’s decisions. There is an absolutely heartbreaking scene towards the end of the story where Alfred reflects on what might’ve been had Bruce been able to let go of his grief and move on with his life.

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Updating old Batman ideas is another strong point of this story arc, for example the one thing we know about The Joker is that, early in his career Batman fought a man dressed as The Red Hood at Ace Chemicals and in the fight that man fell into a vat of chemicals. We have no idea who he was before, all we know is that the man who came out of that is out of chemicals was The Joker. This story has a brilliant update on the whole concept of The Red Hood and who and what The Joker may have been like before his fateful encounter with Batman at Ace Chemicals.

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The Riddler is a presence in the story from the beginning, but in the back half he becomes the main antagonist. I wrote The Riddler off as a lamer version of The Joker a long time ago, but in recent years, certain writers have done a lot to make the character much more interesting and a legitimately dangerous and formidable foe for Batman. The Riddler’s grand plan for the city is really different and cool and I won’t spoil it here.
Snyder and Capullo’s entire Batman run is a must read for any comic book fan. Frank Miller’s Batman: Year One will always be a classic, but if you get sick of reading it for the 50th time, Zero Year is a fantastic alternative.

Pick it up here:

Superman

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Superman: American Alien – writer: Max Landis/artists:Various

Superman is arguably one of the most famous characters in the history of fiction. There are dozens of excellent Superman stories from writers like Grant Morrison, Mark Waid, and Mark Millar (I have some big problems with Millar’s writing, but he’s written at least one classic Superman tale). A lot of the stories are takes on Superman’s origin. Superman has such a powerful and primal origin story that it’s not surprising so many great writers have taken a crack at it. I have no doubt that if humanity is still around hundreds of years from now, we’ll still be telling tales of the last son of a dying world, sent to Earth in a cosmic ark by his desperate parents, raised by a kindly human couple to become Earth’s greatest protector. Superman: American Alien is not only one of my favorite Superman stories, it maybe one of the best comic books I’ve ever read.

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Written by Max Landis, with each of the issues drawn by a different incredible artist, including  Jock, Francis Manapul, and Jai Lee to name a few. Each issue chronicles a key part of Clark Kents life, beginning with his time in Smallville as a boy, just learning about his powers and ending with his earliest days as Superman. Each issue shows Clark learning a valuable lesson not only about life, but about himself and his origins, the power he holds, and what if any responsibility he has to the rest of the world. I’ve never read Superman story quite like this. It’s really about a young man trying to figure out what his place in the world is. I’m under selling it, this book is masterfully written. This is exactly how I believe Superman should be portrayed. He isn’t a god, he has limits. Some of the best parts of the story revolves around him finding out exactly what those limits are. But perhaps most importantly, Superman: American Alien shows that Clark Kent isn’t this absurd, nerdy facade he creates to blend in with the rest of mankind, nor is he some perfect Christ-like hero. Clark Kent is the kid who grew up in Smallville, in the middle of America. He’s the son of farmers, Jonathan and Martha Kent. He may be an alien, but he’s one of the most human heroes of all. I feel like a lot of writers forget that, which is a shame. I think the people who are making the DC Extended Universe films would do well to read this mini-series. I would be remiss if I didn’t mention how absolutely fucking stunning the art in this book is. As I said before each issue has a different artist and they each bring a wonderfully unique style to the story that they’re telling. The art is a huge draw for this book. One other great thing about this book is that we get a lot of wonderful and surprising cameos from characters throughout the DC universe (I won’t spoil who pops up, but they’re all really fun). This is one hell of a book and a must read for not only Superman fans but fans of superhero stories in general.

Pick it up here:

Wonder Woman

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Wonder Woman: Year One – writer: Greg Rucks/artists:Niccola Scott
(Collected in Wonder Woman vol.2 Year One)

Wonder Woman is having a moment. After finally getting her own film, her star has never been higher. Luckily one of the best writers to ever work on Wonder Woman is currently writing the main Wonder Woman series. They just finished up an excellent modern update on her origin in Wonder Woman: Year One. If you’ve seen the film, this story hits some of the same beats, but in it’s own totally unique way. In fact I would say that the only part of the story that is relatively similar to the film, is Steve Trevor crashing his plane on Themiscyra. From there the story really goes in it’s own direction. She leaves her home with Steve Trevor as an ambassador to “Man’s World”. Steve is a military man, so that’s where he takes Diana because he’s still not quite sure what to make of her. While she isn’t exactly a prisoner, the military wants to make sure they keep tabs on this strange woman with extraordinary abilities. My favorite part of the story is the culture clash that occurs between Wonder Woman and her “handlers” in the American military.

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All of Wonder Woman’s classic supporting cast is present like Etta Candy and Dr. Barbara Minerva, the woman who will eventually become one of Wonder Woman’s most formidable rivals, Cheetah. Of course, Steve Trevor is a huge part of the story. Trevor feels a profound connection to this woman that immediately draws him to her. Ultimately, this is about Wonder Woman’s first encounter with the modern world and how she and the rest of the world react to her arrival. This is a wonderful jumping on point for fans of the Wonder Woman film.

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Green Lantern

Green Lantern: Secret Origin – writer: Geoff Johns/artists:Ivan Reis

Like so many other people of my generation, Green Lantern was always John Stewart to me. John Stewart was the Green Lantern I saw fighting along side the Justice League every week as a founding member of the team on the classic Justice League animated series created by Bruce Timm. This is the team that brought us Batman The Animated Series and Superman The Animated Series. We had grown up with John Stewart as Green Lantern. He was our Green Lantern. In an industry where comic book heroes are predominately white males, it’s always great to see an African-American hero as cool as John Stewart in such a prominent role. He wasn’t defined by the color of his skin, he was a bad ass field commander who was always cool under pressure. In many ways he was the team leader on missions (no easy feat with Batman and Superman standing alongside you). However, if you pick up a Green Lantern book right now the focus is usually on Hal Jordan. John Stewart is still a big part of the Green Lantern books and comic mythology, but Hal Jordan tends to be in the spotlight theses days. Now, many of you may be asking who the HELL is Hal Jordan?

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Well, Jon Stewart was not the first human to become a member of the Green Lantern Corps. That honor goes to Hal Jordan. Actually around 10 or 15 years ago, one of the greatest writers to ever work for DC Comics, Geoff Johns, wrote what many consider to be his magnum opus, his epic run on the Green Lantern comic book series. His story began with resurrecting the long dead Hal Jordan. You see, Hal Jordan had been dead for years, killed in a major comic book event years before. It wasn’t until Jordan’s absence that other Earth men became members of the Green Lantern Corps and stars in their own right, men like John Stewart. So when telling the definitive origin of the first human to become a member of the Green Lantern Corps, the story of course has to be about Hal Jordan. What’s great about this story is that it not only gives you a great origin for this character and his world, but it also introduces key characters and important events that come into play in very significant ways later in Geoff John’s epic Green Lantern story. So, if you want to pick up the rest of John’s Green Lantern comic book run (you should) after you read Green Lantern: Secret Origin, you’re already familiar with the characters and ideas that are key to enjoying the story. It’s a great story that shows how a young and cocky test pilot can become the greatest Green Lantern the universe has ever seen. While also introducing you to classic DC characters like Sinestro, Abin Sur, Black Hand, Atrocitus, Hector Hammond, and many more. Of course, Ivan Reis’ art is gorgeous and enhances the story. If you ever saw the Green Lantern movie and thought “Man, this really sucks.” Green Lantern: Secret Origin is the movie they should have made.

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Green Arrow

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Writer- Andy Diggle/Artist- Jock

Oliver Queen, billionaire dickhead. His gigantic yacht sinks and he winds up on an island in the middle of the fucking sea. He should’ve died pretty quickly, but he was able to find something inside himself he didn’t know was there. After surviving brutal trial after brutal trial on this horrific island, just wanting to get home, the boy who washed up on the shore of the island is eventually transformed into a man, into a hero. Obviously, he eventually gets off the island and becomes the vigilante/superhero Green Arrow.

IMG_1930That’s the basic set up and obviously there’s a lot more to the story. But this is a relatively quick read and that’s not necessarily a bad thing in this case. This is an ideal graphic novel to start with if you’re a fan of the “Arrow” TV Series and are looking to check out the comics. It’s a stand alone graphic novel, so you don’t have to worry about reading any other stories to understand it. You could have never read a comic book before and you would understand this story perfectly fine. One of the biggest strengths is how the story takes a man like Oliver Queen, who at the beginning of the story is really kind of a piece of shit, and through his experiences on the island grows into a much better person. When it comes to the art, Jock has a beautiful, distinctive style that complements the relatively gritty nature of the story. After you’ve read this book, there are many excellent Green Arrow stories to dive into, but this is the best place to start. It’s the definitive modern origin of the character.

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Honorable Mention:

When DC comics began their massive New 52 initiative to attract new readers, one of their flagship titles was Justice League, written by Geoff Johns with the legendary Jim Lee on art. The first story arc, Justice League: Origin, is the modern story of how the team was formed. The art is gorgeous, but the story is just OK. Johns would go on to write some spectacular Justice League stories before his run on the book ended. This would also be a great place to start for anyone looking forward to the “Justice League” movie coming out in November.

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On a sidenote, even though I’ve given links to buy all of these graphic novels on Amazon, I highly encourage you to check out your local comic book store and take a look at these books for yourselves.  You may find something in there that you’ll enjoy much more than anything I could recommend. If you’re interested in comics, it’s a great place to meet other people with similar interests and there are always cool events and it’s just a great place to go to get into something that you may love.

As always, thanks for reading!

-Paul

Why We Need Heroes: How A Story Can Change The World

No event in modern history has had a greater impact on pop-culture than the September 11 attacks. It was a tragedy that fundamentally changed us as a country and as a society. The day the modern world changed forever. But the difference between the September 11 attacks and, for example, World War II was that the Nazis were clearly and unquestionably the enemy. It was armies facing armies, you knew who the bad guys were. Nazis are pretty much the ultimate bad guys after all. As we all quickly learned after the attacks, fighting a terrorist cell is much different than confronting a hostile foreign country. After 9/11 people wanted justice and who could blame him? I think this is an important distinction to make because our cultural mindset after the attacks is key to the point I’m trying to make.

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This attack haunts us to this very day and it will for decades and maybe even centuries to come. Now before I get into my main topic I want to make it very clear I am in no way disrespecting the gravity and seriousness of the September 11 attacks. The last thing I would ever want to do is disrespect the families of those who died in the attacks, the rescue workers who saved countless lives, and of course the many victims who lost their lives that day.

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I have a few rules I live by in my life, philosophies if you will. I wouldn’t pretend to have a whole hell of a lot of my life figured out, so there’s only a few profound, fundamental life lessons that I’ve learned. One of my most important beliefs is in the power of storytelling. And how it shaped us as a species and a society. We use stories to make sense of things we don’t understand. Stories tell us about our past and our heritage and make sense of our present. So sometimes when we watch the news or look out our window and see things that scare us, that we don’t understand, we turn to our stories.

Films, music, books… the stories inside them can help us get through some of the darkest periods of our lives. Around the time of the 9/11 attacks, we began to see an interesting shift in the types of films and characters that resonated in our popular culture.

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When we look back to the 80’s and the 90s, there was a specific hero archetype that dominated cinemas:”The Muscle Bound Super Man”. Men like Schwarzenegger, Stallone, Van Damm, Dolph Lundredgren, I could go on and on. The main thing these “heroes” had in common is that they were all unstoppable killing machines who obliterated anyone or anything that stood in their way. They were badasses, they played by their own rules, they were RIPPED, and they always, ALWAYS, got the girl. Perhaps the most important thing these heroes had in common, was that they were absolute nothing like the people watching them in movie theaters and on TV. As we got closer to the turn of the 21st-century, these types of heroes begin to become less and less popular. Former power houses like Arnold Schwarzenegger suffered bomb after bomb at the box office. And when 9/11 hit, the world had forever changed.

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I remember reading somewhere that within the first few weeks after the September 11 attacks, rentals of movies like Armageddon, The Siege, Die Hard with a Vengeance skyrocketed. All of these films feature destruction and violent attacks on New York City. My personal theory, is that people were trying to make sense of the very real horrors they were witnessing on TV by turning to something they knew, in this case: movies. Movies are stories and as I said earlier one of the reasons stories are so important is they help us process our grief and help us get through tragedies we can barely wrap our heads around.

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One of the big things that came out in the aftermath of the 9/11 attacks was an appreciation of the heroism of every day people. Not only cops, firefighters, and paramedics, but civilians as well. That kind of heroism is what keeps people going in the worst of times. Seeing people come together to help each other, in the face of horror, can make you think there might be some hope for this world after all.

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And that’s when I really started to notice something different in the types of movies that were being released. I’ll give three examples that perfectly reflect that change: The Lord of the Rings Trilogy, Spider-Man, and the Harry Potter films. I think the reason people gravitated towards these movies and why they were such big hits was because they came out right around September 11. All of these movies were about very clear fights of good versus evil (One of my favorite reviews of the first Lord of the Rings film described the movie as having “impossibly noble heroes” specifically referring to Aragorn, the reviewer meant this as a positive. It perfectly sums up that character). At the heart of each of these films was an “everyman” hero: Frodo Baggins, Peter Parker, and Harry Potter. You can’t get much further away from the musclebound action heroes of the 80s and 90s then those characters. They weren’t built like Greek gods, they didn’t always get the girl, and they didn’t always know the right thing to do.

That’s why those movies resonated with audiences so much. People needed it. It was cathartic. Characters like Frodo Baggins, Harry Potter, and Peter Parker, they are us. These films show us that you don’t need to be a superman to behave heroically. In Return of the King, the fate of the earth isn’t in the hands of Arnold Schwarzenegger or Sylvester Stallone, but two small Hobbits who spent most of their days tending to their gardens and going to their local pub only months before the events in that film. Our art and our pop culture reflects the time we live in. In the end, I don’t know if any of these stories made a real difference, if they changed anything in the real world. I’d like to think they did, but I really don’t know.

Today we face new threats, new fears (and some old ones rearing their ugly head again). I think, to a lot of people, the problems that we face, from ISIS to global warming, to issues with our government, can feel overwhelming. Every day, we wake up, check the news feed on our phone or read the local paper and we find out about the new disaster of the day. We want to chose leaders and put them into power who are supposed to protect us and do what’s right and represent the country with the respect and dignity it deserves. But that’s not what we’re seeing, they seem to have forgotten what their role as our political leaders are, if they ever cared at all. It would be great if we could turn to our political leaders to be role models, to inspire us to change the world. But they seem content to leave the world a worse place than they found it.

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Im certainly going to sound like an old man raging against those damn kids, but a big problem is people under the age of 25 don’t consume entertainment like older generations have. Social media has shortened their attention span so much that I don’t know many high school or college age kids who make it a priority to go to the movies or follow a television series. I’m concerned about the long term affect this will have on our pop culture, but maybe that’s an article for another day.

So here we are with our leaders content to watch the world burn and the next generation too distracted to care. We’re more dived than ever. Can a great, powerful story help inspire us to change that? Do our stories have the same power they once did? I don’t know. I wish I did.

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But people are looking for a hero, they NEED a hero. Which is one of the reasons we see so many superhero films being made. Of course, they make a shitload of money and that’s the real driving force behind it. But sometimes, even unconsciously, our pop culture reflects the real world problems and situations we deal with. I know from experience and that a superhero story can give people hope, make them fight one more day. That’s why superhero stories are more important than ever, because there are so few people we can look to in the public eye to help us make the world a better place.

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It would be great if Captain America could show up, raise his shield and rally hope and dignity around him, but sadly that’s not gonna happen. We need to be our own Captain Americas, our own Iron Mans. To some people out there, these comic books movies and superheroes films are silly kid stuff, but like I said, stories are powerful things. So, even if just a few people walk out of the latest Avengers movie or Captain America movie with the desire and the inspiration to go out and make the world a better place, even in some small way, then a story can still help change the world…

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As always, thanks for reading…
-Paul