Another year has come to an end, but before we ring in the New Year, I wanted to leave you all with one more entry in my recommendation series: Paul’s Picks! Let’s dive in…
House of X/Powers of X by Jonathan Hickman
This is by far the best superhero graphic novel of the year, if not the last several years. Jonathan Hickman has delivered one of the most wildly unique superhero comics I’ve read in a long time. Something about the X-Men allows for new creators to come into that world and wildly shake things up. They put their unique brand on the characters and the story, all the while always feeling like an X-Men tale. Chris Claremont did it with Giant Size X-Men #1, Grant Morrison did it with New X-Men, Joss Whedon did it with Astonishing X-Men, and now Jonathan Hickman has done it again with House of X/Powers of X.
The best part is you don’t have to be familiar with recent X-Men comics understand the story, you just need a basic knowledge of who the X-Men are. The hardcover volume I have is a special edition that actually came with a lithograph signed by Jonathan Hickman, which is pretty cool, but don’t expect it to be come with every edition (this was a special order).
Most other editions of this hardcore graphic novel have a different, but still beautiful wrap around cover. If you’ve ever been interested in superhero comics or if you wanted to get back into comic books, this is a must read.
As I’ve talked about on this website many times, I love the DC animated movies that come out every year. One of the better ones in recent memory has been The Death of Superman storyline which was broken into two different films. The first, The Death of Superman focuses on Clark Kent’s growing romantic relationship with Lois Lane and ultimately Superman’s fight to the death with the vicious monster, Doomsday. While Reign of The Supermen is about how the World, The Justice League, Lois Lane, and even Lex Luthor all deal with the loss of Earth’s greatest hero. Now this excellent story can be watched seamlessly as one beautiful animated film: The Death and Return of Superman. Much like their adaptation of The Dark Knight Returns, which was split into two separate film releases and then eventually released as one film under The Dark Knight Returns Deluxe Edition, The Death and Return of Superman is best enjoyed as one movie.
My last pick is Quentin Tarantino’s latest film Once Upon A Time In Hollywood. I’m a huge Tarantino fan, but to be honest I was disappointed with his most recent directorial effort. Don’t get me wrong, DiCaprio and Pitt are great and there’s a lot to like in this movie, but it just didn’t wow me like Tarantino’s movies usually do. I know I’m in the minority on this one, the film was a huge critical success and most of my friends loved it as well, including World’s Best Media’s own Ryan McDonald. However, just because I wasn’t blown away doesn’t mean I didn’t want to add the film to my Blu-Ray collection. My personal selection was the Best Buy Exclusive Steelbook Blu-Ray/4K edition. I love me some steelbook Blu-rays!
So that’s it for my picks in 2019! Look for me to continue this article series more frequently in the coming year. Have a safe and Happy New Year! See you in 2020!
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This month DC Animation is releasing the second movie in their two part Death of Superman saga, Reign of The Supermen. Reign of The Supermen begins roughly 6 months after The Death of Superman. The world is still in morning, but none more so than Lois Lane. Shortly before his death, due to his injuries sustained saving the city from Doomsday in the previous film, Clark and Lois’ relationship had reached the point where they were deeply in love with each other. Which makes Clark’s death all the more tragic, but more on that in a moment.
Even with the fantastic action sequences we come to expect, I’ve really enjoyed the small character moments in both of these movies that give the films some heart. For example, the developing friendship between Lois Lane and Wonder Woman added a nice layer to the film. Superhero comics are often so male focused, we don’t get to see enough positive female friendships. Even though it’s Clark’s death that brings them together in this film, it’s great to see their bond develop throughout the film. Even though they are very different people in many ways, it makes a lot of sense that they would like each other, that they’d hit it off.
A problem DC characters face that most Marvel characters don’t, is the fact that the Justice League are almost a modern day pantheon of gods. Which can make them seem distant, inhuman and unrelatable. Seeing Lois and Diana together in civilian attire bonding at a local pub is a great scene that humanizes these larger than life characters. It’s a small moment, but I hope the writers take the opportunity to grow this relationship. There’s great dramatic and comedic potential in pairing Lois and Diana in this and future films.
As, I touched upon earlier, when that film began, Lois and Clark have been dating long enough that they both knew some serious choices needed to be made in their relationship. Was this just a fun office romance? Or is it something real? They love one another, but Clark struggles with how and if he should tell Lois that he is Superman. Their love story is a key story aspect of that film.
I think the decision to make this story into two films really works and you see that decision pay off here. Considering the ambition of the story they were telling, this does feel like one film, cut in two, instead of two separate movies. I hope they put out a deluxe edition with both films together like they did with The Dark Knight Returns Part One and Two. There are so many callbacks and little moments connected to the first film, that if you haven’t seen The Death of Superman, you may not understand the emotional impact of certain moments.
Following Superman’s death, four new “Superman themed” heroes appear. The question to some is, if somehow one of them could be the real deal. First there’s Steel, a scientist named John Henry Irons we’d met in a few previous DCAU films. Irons has essentially built Superman-themed Iron Man armor. He has a particularly cool mechanized hammer, almost like a high tech version of Thor’s new ax/hammer in Infinity War. With his flowing red cape and the S on his armor, he cant quite reach the power level of the original Man of Steel, but he certainly holds his own.
Then there’s the teenage Superboy, a LexCorp sponsored hero reveling in his celebrity and all too eager to prove himself to be the hero that Superman was and so much more. Unfortunately, he finds out the hard way that a cocky attitude and bravado can’t compete with the years of experience the original Superman had under his belt. His origin is pretty dark and I won’t spoil it here, if you don’t know it already. Some may find his character to be a little bit annoying, but I found there to be an underlying tragedy to the character and I thought his relationship with Lex Luthor was particularly interesting.
I don’t want to go into full spoilers, but there are 2 other contenders for the title of the new Man of Steel: The dangerous Eradicator and Cyborg-Superman. Both are much darker figures than Steel and Superboy. Strangely, it seems that if any of these new “heroes” are Kal-El of Krypton reborn, Cyborg-Superman seems like the best bet, but like all of the new Superman figures there is more to him than meets the eye.
When the shit really starts to hit the fan, the movie finds a particularly clever way to take of the Justice League out of the equation for the big final battle at the end of the film. Had the Justice League been present, it definitely would’ve created major story problems, so it was nice to see that was handled well. The absence of the Justice League forces some unpredictable and surprising figures to step up and act more heroically than you may expect, including Lex Luthor.
Rainn Wilson returns to the role of Lex Luthor in this film after first playing him in The Death of Superman. I really like how Lex is portrayed in both of these movies. He is undoubtably self-serving, amoral, and even a flat out piece of shit at times. However, he doesn’t want to see mankind destroyed or brought low. He genuinely wants to help the human race and at times, under the right circumstances, he can even act heroically. The film leaves him in a particularly interesting place in this regard and I‘m very much looking forward to see where they take the character from here.
In my review for last year’s The Death of Superman (Read it here:https://best-media-world.com/2018/07/29/movie-review-the-death-of-superman/), I mention how the film feels very much like a story about Clark Kent “the man” first and foremost. Not Superman, just Clark Kent. The Death of Superman is about the young man who grew up on a Kansas farm raised by wonderful parents.
If The Death of Superman was about Clark Kent, Reign of The Supermen is all about Lois Lane.She’s the lead in this film. Sure, we have four new Superman “replacements/Wannabes/psychos” running around that are crucial to the story, But make no mistake this is Lois’s film. We get to see you Lois in action playing the hero on a level I don’t think we’ve ever seen her before outside of the comics. Even without the costume and the powers she almost feels like the superhero of the film. I mentioned before that at some point in the film the Justice League are taken out of the equation and there are people seriously fighting out of their weight class. Lois Lane is of course one of these people. She manages to hold her own in against one of the most dangerous super villains in the DC Universe and the movie makes it work. Almost like Batman, Lois uses her cunning and what weapons she has at her disposal to take on some real heavy hitters. Lois and Lex Luthor, as characters are probably some of the strongest parts of this film
I don’t really want to get into the method in which a Superman is resurrected. I mean, c’mon! We all knew he was coming back. No one thought he going to stay dead. But the events surrounding his resurrection, put Superman at a slight disadvantage. Which was another creative way to up the stakes for the characters, especially when Superman is often labeled as being too powerful in his stories.
There are some really great action sequences in the climax. Some of the animation in particular is very dynamic, fluid, almost anime. That turns some people off, but I think it looks really cool and I thought it especially worked for this film.
The Death Of Superman strongly hinted at the mastermind behind the events in both of these films. It won’t be too hard to guess the individual’s identity. SLIGHT SPOILERS FOR FUTURE POSSIBLE FILMS: I really like how the story leavesSuperman and the rest of the Justice League contemplating how to deal with the threat of Darkseid. This was his revenge for his failed invasion of Earth in Justice League: War (Though it seems he blames Superman for that defeat more than the other heroes for some reason). The JL knows that Darkseid is going to keep coming and they’re going to have to do something about him. I’m really excited for the story possibilities this set up for future movies. I hope the folks at DC animation take full advantage of the storytelling potential. Oh, and stay for the post-credits scene! Not only is it important to some potential future films but it’s also just really fun and funny. Don’tmiss it
All in all, I loved The Death of Superman, I don’t think Reign of The Supermen quite reached the heights of the previous film. However, it still has a lot going for it that makes it absolutely worth a watch. For a fun and exciting superhero movie with some above average character work and thrilling action sequences, you can’t go wrong with Reign of The Supermen. I definitely recommend you check it out.
This week DC and Warner Bros. Animation released The Death of Superman on Blu-Ray, DVD, 4K, and Digital. I had a chance to watch the movie a few weeks ago when it was released on iTunes and I really enjoyed the movie. You can read my full review here:
Normally DC releases 3 of these animated films a year, but next year they’ll be bumping it up to 4. 2019 will see the release of Reign of The Supermen, Batman: Hush, Wonder Woman: Bloodlines, and Justice League Vs. The Fatal Five. Below is some of the early promo art DC has released announcing each of the films.
The Death of Superman is the first film in a 2-Part story, with Part 2, Reign of The Supermen coming out in early 2019. While the first film deals with the brutal final battle of The Man of Steel, Reign of The Supermen deals with the fallout of a world without Superman. How will Superman’s death affect the people in his life that he left behind? And what heroes (or villains) will step up to take his place?
Below are some images that tease some of the characters from Reign of The Supermen that emerge in Superman’s absence:
Out of all of these projects, I’m most intrigued by Batman: Hush, which is scheduled to be released around early summer 2019.
After already adapting Batman: Year One, The Dark Knight Returns, and The Killing Joke, I would have guessed The Long Halloween or Arkham Asylum would be the next iconic Batman story for DC Animation to tackle. Hush is definitely considered a modern classic among many Batman fans. The story, written by Jeph Loeb and drawn by the legendary Jim Lee, was an epic 12 issue Batman mystery, involving all of the most iconic villains and allies in The Dark Knight’s world. I would almost expect DC to go the 2-Part film route with this story considering how sprawling a tale it is, so I’m sure there’ll be some changes in the adaptation. While it’s not one of my favorite Batman stories, I’m sure it’s the film DC fans will be most excited to see. It definitely has enough going for it to make me very curious to see what DC Animation does with this one.
Not much is known about the other 2 movies announced, Justice League Vs. The Fatal Five and Wonder Woman: Bloodlines.
However, the title of the Justice League film would suggest the story involves the Legion of Superheroes in some way (The Legion Of Superheroes being a team from the distant future of the DC Universe). As for Wonder Woman, this just a guess, but I wouldn’t be surprised if this story is inspired by Brian Azzerello’s New 52 Wonder Woman run.
Even though these films can be hit or miss, I’m always excited when the new line up is announced. Considering how much I enjoyed The Death of Superman, hopefully the trend of great DC Animated movies continues.
I’ve always been a big fan of the DC Animated movies that come out each year. For those of you that aren’t familiar, they’re animated adaptations of DC Comics stories that go directly to iTunes and Blu Ray. They usually release three a year, around January, April, and July. They’re PG-13 or R-Rated films marketed to adult and teenage DC superhero fans. They’re hit or miss, in terms of quality. They run the spectrum from “Ok” or “Fine” to “One Of The Best Superhero Movies I’ve Ever seen”.
Their latest release is “The Death of Superman” and you may be thinking: “Wait, didn’t they do this one already?” The answer is: Kind of. Way back in 2007, the very first DC Animated Movie was Superman: Doomsday, a very loose adaptation of the classic death of Superman story. So, as far as THIS movie is concerned, this current film I’m reviewing is a much more faithful adaptation. The Death of Superman is the first part of a 2 movie story.With Part 2 titled, Reign of The Supermen, premiering in January or February 2019.
Like I said before, they usually release three of these a year. Starting with 2013’s Justice League: The Flashpoint Paradox and 2014’s “Justice League: War” (A JL origin film FAR superior to the live action one we got in November 2017), 2 out of the 3 animated movies they released each year were part of an ongoing cinematic universe, like the MCU or whatever the fuck DC is trying to do in live action at the moment. Including Justice League: The Flashpoint Paradox, 11 movies that take place in this DC Animated Movie Universe have been released. The other stories are cool one offs, like the recent Batman: Gotham by Gaslight, for example. Which is a what if? tale that imagines a steampunk, Victorian era Batman hunting Jack The Ripper in late-19th Century Gotham. Most of these have been pretty solid across the board. It probably doesn’t say much about the overall quality of this Animated Movie Universe that there isn’t a sense that we got to know these characters over an 11 film continuity. Or that the movies had been leading to something like this.
At nearly an hour and half, this movie is slightly longer the most of the recent DC Animated Movies. However, it’s a smart move because the running time allows for a much deeper film that I was expecting. Going into this, I expected the whole thing to one big superhero punch up. Great animation, cool fights, but at the end of the day just a fun piece of entertainment. So, I was delighted when at least half of the film is about Clark and Lois and the issues that arise in their still relatively new romance. The movie is well paced considering all of the characters in play. Because this movie is about his death, everyone in Clark Kent’s life is in this film and they all get their moment to shine. The Justice League, The Daily Planet staff, Ma and Pa Kent, Lex Luthor, and few other local Metropolis citizens with ties to Superman all pop up in the movie. It’s a credit to the film that even with all these characters, it never feels over stuffed or loses it’s focus on Lois and Clark.
You don’t need to have seen any of the other DC Animated Movies to enjoy this wonderful film. All of the great character work and storytelling come straight from THIS movie. Real life husband and wife Jerry O’Connel and Rebecca Romijn are perfect as Clark and Lois. O’Connel has voiced Superman to good effect before in other animated movies and Romijn makes a solid debut as Lois Lane. They’re real life chemistry definitely translates into the film. We have all the usual suspects from the other films back to play their respective roles in the Justice League, as well as other returning supporting characters.
Before getting into the movie there’s one other bit of voice casting I want to touch on. Rainn Wilson (Dwight from The Office) voices Luthor and is surprisingly effective as the character. Lex is an interesting presence in this film. He’s not that dissimilar to the Lex we’ve seen in the comics over the past few years. He’s undeniably despicable, arrogant, and cold, but there’s a glimmer of something more underneath. Inside him’s the shadow of a man who could be better than he is. He adds a little something special to the overall film.
I’m going to make a bold statement here. I think this is the best film about Clark Kent that I’ve ever seen. This movie is Clark Kent’s story. Lois is very important, but this is Clark’s tale. This man’s death shows us who he is. This was just one more reason I loved this movie. Outside of the fights with Doomsday, I deliberately refer to the character as Clark, not Superman, throughout this review. This is one of the better onscreen portrayals of Superman I’ve seen and that’s because they understand who Clark Kent is. The kid who grew up on a farm in Kansas, that’s the real character. Not Kal-El, not Christopher Reeves’ mask of Clark Kent as pathetic buffoon, not Superman. He’s Clark Joseph Kent. Jonathan and Martha’s son. Even when he’s in costume at the beginning of the movie, interacting with the League or stopping bad guys with high tech weapons. He seems more man than god. He’s happy to stop and take a picture with a man he’s gotten to know, because he’s saved the guys life so many damn times. In these scenes before the fight with Doomsday, while he’s in costume as Superman, he feels like a citizen of Metropolis. Not a distant god, but more like a cop on his beat that gives you a nod and smile. Superman knows these people and they know him. It’s a brilliant way to humanize the character in a way live action films always struggle with.
At the heart of Clark’s story here is his romance with Lois. Unlike other takes on the Lois and Clark/Superman dynamic, Lois is into Clark, NOT Superman. She wants their relationship to move forward but she knows something’s holding them back. She knows there’s more going on with Clark, but doesn’t quite know what it is. She’s a little taken aback when, while asking Clark to dinner, he tells her he cant because his parents are in town and he’s having dinner with them. Lois is understandably a little insulted when Clark didn’t even mention the possibility of meeting his parents. It’s clear that they’ve been dating for at least several months if not more. But what she perceives as Clark being aloof and having an emotional wall up, is actually Clark wrestling with the idea that he’s falling in love with her and that he should tell her he’s Superman. He’s afraid that his parents will accidentally let something slip before he has a chance to tell Lois the truth about this part of his life. After all, besides a few fun DC Easter Eggs mentioned by Ma and Pa Kent, Clark’s ex- girlfriend knew had superpowers from the jump, this the first time Clark has been in a relationship like this. Not just with a normal person, but someone he’s falling in love with.
The movie does an excellent job of showing the audience exactly what an unstoppable, terrifying force Doomsday is. We’ve seen Doomsday in live action and animation before, but the threat he represents is much more impactful here. This is a creature that kills every single living thing it sees.
The Justice League faces Doomsday before Superman gets into the fight and they have some pretty heavy hitters. We see Doomsday go up against Wonder Woman, Green Lantern, Hawkman, Martian Manhunter, The Flash, Cyborg, and Batman all before the Monster’s fateful Confrontations with The Man of Steel. Even with out Superman, that’s a fucking stacked roster. Despite how powerful the Justice League is, they’re simply not up to facing Doomsday. They’re completely helpless to stop him.
So, when the fight between Clark and Doomsday finally goes down, there’s no backup or cavalry coming. Superman is the “last watcher on the wall”. If he doesn’t stop this Monster there and then, there will be no end to the death and destruction Doomsday will unleash. There’s an inevitability to Doomsday. As he slowly kills his way to Superman. We all slowly march towards death and this story shows us The Man of Steel is no different, but for him Death comes in the form of Doomsday.
The fight between Superman and Doomsday is easily the most brutal and bloody Superman fight I’ve seen in any medium. I found myself wincing or exclaiming “Jesus..”, as conflict went on. At a certain point, it stops being a fight. You realize you’re watch Superman slowly be beaten to death with each blow and it’s hard to watch. The fact that there’s such emotional heft shows that the storytellers did their job with this film. The movie is called The Death of Superman, OF COURSE HE’S GOING TO DIE! But the movie magic was that the filmmakers had me so engrossed in the story onscreen, I almost forget that there was no question to the outcome of this fight. The battle’s hard to watch not just because of the level of violence, but because you really care about Clark Kent and it’s heartbreaking seeing this man die in front of us.
The animation in this film is top notch. When the action goes full tilt there’s a level of detail that comes close to resembling anime, without completely going over into that style. Every once and awhile a western animation superhero project will use anime influenced sequences, Justice League Unlimited comes to mind for example. It’s not everyone’s cup of tea, but it’s used well here and only adds to the already visceral fight scenes. For those of you who aren’t fans of that animation style, It’s not so noticeable that it takes you out of the story.
I think its was smart that DC decided if they were going to tell this story, it should be a 2-Parter, like they did with their fantastic adaptation of The Dark Knight Returns. As impactful as the death of Superman is, the story of how the world, his friends, his enemies, his family, and his fellow superheroes react to his death is arguably more compelling . Who or what will step up to fill the void left by The Last Son of Krypton? Considering how well this story was told, I can’t wait to see what the filmmakers do in Reign of The Supermen. If you’re a DC Comics fan, there are some Easter Eggs in the movie that hint at some of the story and characters elements that’ll be used in Part 2. Make sure you stay for the end credits, there are multiple mid credit tags setting up the next movie.
I didn’t want to end this review without mentioning something I noticed that the writers chose to add to the story. As I said before, this movie is part of a DC Animated Movie Universe, this story doesn’t exist in a bubble. I don’t want to spoil this for anyone and I’ll let you draw your own conclusions, but pay attention to EXACTLY how Doomsday comes out of space, ultimately crashing on Earth. Also be sure to pay attention to the details when STAR Labs examines the high tech weapons Superman takes off the thugs at the beginning of the movie. None of these story elements are from the comics, so the writers deliberately chose to add them in. I have my own theory about what’s going on, but I wont spoil the fun here.
This is top notch superhero story telling from DC Animation. This movie is the best DC Animated Movie since Justice League: The Flashpoint Paradox (which is high praise). This a surprisingly moving story about love, death, family, friendship, and sacrifice. No DC fan worth their salt should miss this one. I know I cant wait to see Part 2, when Reign of The Supermen comes out early next year. The Death of Superman is an excellent film, the best DC Animated Movie in years, and a must watch. Don’t miss it.
I know enough about how television shows work behind the scenes to know when a show is saving its money for something big. You think those dragons on Game of Thrones are fucking cheap?! Well, they ain’t! AND Krypton doesn’t have a fraction of the budget that GoT does. Episode 9 of Krypton’s 10 episode first season had a lot of scenes “in the tunnels” or “in a hidden bunker”, basically sets they already built, dressed up to look like different locations, so they could save all the big bucks for a grand, epic ending. So, I knew this week’s season finale of Krypton was going to be big. I must say the show did not really disappoint.
I’ve often lamented how DC characters can be done so well on TV and so very, very shitty on the big screen. Krypton is another sad reminder of this.On paper, Krypton sounds awful. I really thought the concept was terrible: “A prequel set on Krypton focusing on Superman’s grandfather.” WHO GIVES A FUCK?! RIGHT? Sometimes it’s great to be so wrong. The show was so much more than the above synopsis and ended up being one of the most pleasant surprises of the first part of 2018.
The Big Bad of the show’s first season has been Brainiac, who’s been handled extremely well. The casting, actor Blake Ritson (Da Vinci’s Demons), and character design were damn near perfect. When your biggest complaint is that you want to see more of a character, they’re doing something right.
As the finale begins, Brainiac has descended on the Kryptonian city of Kandor. The end is fucking nigh. The main character, our hero, Seg-El (played by the oh so man pretty Cameron Cuffe) or just Seg, is doing whatever he can to stop Brainiac. To make matters worse, classic DC space adventurer Adam Strange isn’t the only one to travel from to the past to save the future, so has General Zod (Yes. THAT General Zod!) played by Colin Salmon from Arrow and the Bronson James Bond flicks.
Zod wants to prevent the destruction of Krypton and with all the knowledge of the universe, different alien races, and the abilities that Kryptonian ‘s can you develop under a yellow sun under his belt, he wants to usher in a Kryptonian dynasty that will rule the galaxy. This guy is just a fuckwit. Adam Strange had the right idea when he straight up tried to kill Zod the second he saw him earlier in the season. Speaking of Adam Strange…
Adam Strange is just trying to keep the timeline on track. Unfortunately, he doesn’t have a great pitch to the his allies currently living on Krypton. After all, their world has to die for Superman to become the greatest hero in the universe. Adam brought Superman‘s Cape with him from the future to give to Seg a little bit of tangible evidence he wasn’t some nutcase. The Cape has been a lot like Marty McFly’s picture of his family from Back to the Future: the more the timeline changes, the more Superman‘s Cape begins to deteriorate and eventually disappear completely. If the past isn’t protected there may be no Man of Steel! Oh, and Zod wants to release Doomsday to stop Brainiac. The shit it hitting the fan here, people!
For the most part the characters, both hero and villain, have worked pretty well. The villains in particular have been great. The whole cast is perfectly fine for the first season of a show like this, but there’s definitely room to improve in season 2. Both the heroes and villains are interesting in their own way and certain classic DC characters are adapted very well for the series. Both General Zod and Brainiac are excellent villains in completely different ways. They’re both perfectly casted and I’m hard pressed to decide which of them is more dangerous in the long run. Brainiac is a force of nature, but Zod is… insidious. Don’t get me wrong, Brainiac is scary as fuck. But he’s kind of like trying to use a gunfight to stop a hurricane.
Zod is scary because of his humanity (even though Kryptonian’s aren’t technically humans). He never lies, but he chooses to leave out some pretty important details about his past. By “hiding the truth” he’s able to get the good guys to work with him despite the fact that they don’t completely trust him. Adam Strange is the only one who knows just how dangerous this fucking guy is because Adam knows how deadly and destructive he was on Earth. As I said before, the looks the show has decided on for Zod, Brainiac, and Doomsday are all excellent. The character design and make up work are phenomenal especially for Brainiac. We don’t see a lot of Doomsday in season one. Most likely because they’re setting up Doomsday to be a major threat in Season 2.
The best part of the series is really how they use the Superman mythology and put their own spin on it. I was pleasantly surprised when certain classic DC characters and stories elements that I didn’t expect, popped up in the series. If they can get the characters as strong as the mythology in season 2, the show could be excellent.
Seg is a solid hero for the show. You can see pieces of Clark Kent in him. You can see parts of the man that his grandson will eventually become. He has that same selflessness and heroism. Of course he looks like him a little bit as well. But he’s still his own character, I would definitely say he’s willing to do more morally questionable things than his grandson probably would. It’ll be interesting to see where they take Seg’s character in season 2.
The episode end’s on one hell of a cliffhanger. A really phenomenal set up for season 2. The genius of this show is that it’s NOT a prequel, it’s really a time travel show. So the series isn’t bound by the existing Superman mythology and can blaze its own trail. All in all, I think this was an excellent finale to a surprisingly strong first season and I can’t wait for Season 2! As always, thanks for reading !