New Trailer & Poster For SHAZAM!

Hey Everyone,

Paul here…

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  The folks over at DC and Warner Bros. must be feeling pretty damn good right about now. After years of attempting and failing to copy Marvel’s shared universe format, it finally seems like their superhero movies are on the right track. Wonder Woman was their first huge step in the right direction. Unfortunately, by the time Warner Bros realized Wonder Woman was a hit, production on the craptacular Justice League film was in full swing. I’m not quite sure what they could’ve done, but if production on Justice league had begun following the critical and commercial success of Wonder Woman, I think Warner Bros. probably would’ve tried to write the ship a little bit on JL. 

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  Anyway, you can’t change the past (Or can you?… Well… No, um, no. I don’t think you can… Actually, who’s to say?), so they went from the success of Wonder Woman, to the unavoidable speedbump of Justice League, and now they have another bona fide hit on their hands with Aquaman. A film which was both financially successful and generally well received by fans and audiences in general. However, the DCEU (I REFUSE to call it The Worlds of DC!) has another very big test coming up, their next movie: SHAZAM! (Yes, the exclamation point IS part of the title, not just for emphasis).

   DC just released the second trailer for SHAZAM!, which I have posted below. As well as a few pretty cool posters (one at the top of the article and one below) and some stills and pictures from the film. 

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This movie has the potential to make or break DC at this point. This is really their do or die film. Yes, Aquaman absolutely had a lot riding on it as well. Had that movie been a failure, it would’ve been disastrous for the DCEU. However, if they’re able to pull off SHAZAM! after the success of Aquaman, it demonstrates that Aquaman wasn’t a fluke (No, that’s not a lame pun). It shows that DC can consistently and reliably put out solid superhero films.

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If they somehow manage to pull another rabbit out of their ass and make SHAZAM! a success, it’s almost even more impressive because on the paper, both Aquaman and SHAZAM! are pretty fucking weird characters. Also, neither of them are very well known in mainstream pop culture. Based on this trailer, which is nothing mind blowing and that’s OK, I think they really need to nail the tone of this movie for it to work. If it’s too comedic and goofy it won’t work is a serious movie that has any real stakes. At the same time you want that sense of youthful fun and exuberance which comes with telling the Shazam story. It’s basically the superhero version of “Big”. Kid says the magic word “SHAZAM!” and he’s transformed into an adult superhero at will. His powers a magic based and they’re very similar to Superman’s, he can turn back into a kid at any time by repeating the magic word “SHAZAM!”. There’s no time limit. So they’re walking a really fine line here. 

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    Like I said, based on the trailer, it’s hard to see if they’re pulling it off. But I know I’m rooting for this movie because I like the character, I like the cast, and I just want to see good DC movies. Hopefully this will be another solid film after last months very good Aquaman and we’ll start to get some consistently great DC movies. There are so many amazing character occupying this Universe, it would be such a shame to miss out on all the possibilities. Anyway check out the trailer below and let me know what you think. Id love to hear your thoughts in the comments section or on Facebook or Twitter.

Thanks for reading have a great day!

-Paul

Superman: Afternoon Delight

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Superman is mostly portrayed as such a wholesome, pure character. A lot of people mentally associate him with classic Americana, like apple pie and Norman Rockwell. However, the best writers understand that the key to writing Superman is to highlight his humanity. Take the recent Superman #7 written by Brian Michael Bendis and drawn by Ivan Reis, for example. Something I’ve enjoyed in some of the recent Superman comics, especially Bendis’ Superman comics is, without being gratuitous, it’s clear that Clark and Lois have a healthy sex life. Yet Clark is still a big old Kansas farm boy, raised to be a respectful and decent son. 

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   So I loved a small moment in Issue #7, during a scene involving Clark and Lois’ adolescent son Jonathan. Jon who’s about 12 or 13, has been out traveling the cosmos with his grandfather, in what I guess is the Kryptonian version of backpacking through Europe. An unexpected problem presents itself When Clark quickly realizes that his son who is only been gone for a month or so has aged at least three years. At first he thinks this has something to do with one of those weird colored Kryptonites. You know, the yellow Kryptonite or the pink Kryptonite or … something like that. What was supposed to be a summer vacation has turned, through the weirdness of space travel (think the movie Interstellar) into Clark and Lois missing a pretty large portion of their sons life and development. It comes as no surprise that it’s quite a shock. 

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   After Clark’s emotional, but joyous reunion with his son, they of course go to see his mother, Lois whose been living out of a hotel in Metropolis for awhile now as she puts the finishing touches on her latest book. It’s implied that it is not uncommon for Clark to fly on by for a little afternoon delight semi-frequently, which is where the fun begins. 

 

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Clark flies up to her balcony and Lois is at her computer, writing, in nothing but a fluffy white hotel bathrobe and black underwear. Lois sees Clark before she realizes Jonathan is there, she begins to undo her bathrobe with a sultry little smirk, just as their son peaks around from behind Clark. It’s such a perfect moment seeing the absolute embarrassment on Clark’s face is he quickly shoots his arm up to cover his sons eyes and Lois’ mortified expression as she attempts to cover up and make herself look a bit more modest in front of her son. The small scene is a good example of how you can take a god and tell a story about a man.

What’s more human then those million little moments that make up life? Some good, some bad, and some, like this one, hilariously embarrassing. Writers often complain that Superman is a difficult character to write, I just think many of them don’t understand him. Like I said at the beginning, the key to any great Superman story is his humanity and this small scene illustrates that perfectly.

Spider-Man: Far From Home Trailer Breakdown!

Hey Everyone,

Paul here…

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After months of teasing, the first trailer for Spider-Man: Far From Home has finally arrived. I’m so pleased to say that even after all of the excellent Spider-Man content we’ve been getting recently, this doesn’t look quite like any other Spider-Man movie we’ve see. Which is a tall order after Spider-Man: Into The Spider-Verse. 

  So, here’s something completely new for the Internet! A trailer breakdown for Spider-Man: Far From Home! What exactly is going on in this movie? When does this take place? How is Peter alive after the events of Infinity War? 

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What’s old Nick Fury up to? 

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Is that Hydro-Man? Sandman? Molten Man? 

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Most importantly, who’s this Mysterio guy Jake Gyllenhaal is playing?

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All these questions and more are answered right here in Paul’s breakdown of the 1st trailer for Spider-Man: Far From Home! Enjoy! I also have the full trailer posted below the trailer breakdown link! Listen here or subscribe on Stitcher and iTunes:

https://www.spreaker.com/episode/16734341

iTunes:

https://itunes.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?mt=2&i=1000427829029

 

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Thanks for listening!

-Paul

TEASER: Game of Thrones: The Final Season!

Hey Everyone, Paul here. This a great teaser. It doesn’t show us much, but it gets us in the mood. Now we finally know, the End Begins… April 14! Winter Is Coming.

3Below Season 1: Reviewed

 

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Earlier this year, Trollhunters: Tales of Arcadia ended after their third season.  As far as I know, they completed the story and ended according to the schedule that creator Guillermo Del Toro had envisioned.  I loved the series, and I was sad to see it go.  Then about a month ago or so, I saw on one of those “Everything new coming to Netflix in December” articles, something called “3Below: Tales of Arcadia,” and the article had an image, and it was clear that the animation was similar style to Trollhunters, but the article itself didn’t mention whether or not the two were related, so a quick IMDb check confirmed that his was a spinoff series, and a brief conversation with Paul, he informed me that this was the second in a planned 3 part series.

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Anyway, the show has been out for about three weeks, and I just finished watching the first season, and I’ve got to say it’s pretty good.  It’s not as good as Trollhunters, (my 2 year-old would give up about thirty seconds into every episode and say “we watch real Trollhunters now?”) but it’s good.

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Above: Krel, guardian Varvatos Vex, & Aja in their natural form.  Below: In their human disguises.

First off, even though the two main characters Aja and Krel, extra-terrestrial (they don’t like the term aliens!) siblings living in Arcadia were featured briefly in Trollhunters, the show had a little more work to setting it up than Trollhunters did.  Trollhunters starts out on Earth, on a pretty standard version we would all recognize, and then reveals that there is a secret underworld of trolls, and other magical creatures; they start with the default and add.  3Below however starts on a planet known as Acaridian 5 and tells the story of Princess Aja and Prince Krel on the day they are to become the King and Queen in waiting, and are attacked by enemies and have to go on the run.  We don’t see Earth until the end of the episode.  This doesn’t make it a worse show that Trollhunters, but certainly it gives it a different set of challenges to overcome.  They do so pretty well, but it takes just a little longer to really get invested.

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I’m not going to get too into spoilers, but I will say that one of the things I really like about this show, is that they create a lot of new mythology within this universe, and they aren’t just applying the same formula as Trollhunters to this, meaning it’s not an Madlibs style situation where they’re like alright we need this role because Trollhunters had it.  Trollhunters is largely about Jim and his friends going after something, and this is definitely more of Aja and Krell running from something, and not necessarily in a cowardly way, but in order to protect their kingdom.

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Another thing that I really like about this show, is that they manage to pull in characters we’ve gotten to know through Trollhunters, and build upon them.  We get to see Jim, Toby, and Claire, but we also get to see Steve, who’ a bully on Trollhuntersgiven some fleshing out, fully realized on this show, as he quickly has a crush on Aja after she kicks his ass.  We get to see Senor Uhl, less as the authority figure to be thwarted or avoided, but more as the protector when other humans seem to target the twins in their human forms.

 

                                           (Steve & Aja. Steve’s come a long way…)

All in all, I really liked this show, and I hope that we get to see another season or two (whatever Guillermo Del Toro has envisioned) and now that I’ve seen how aliens and magic have played with each other in this setting, I’m really interested in seeing what he has in mind for the 3rd series he’s planning.

DreamWorks Animation's 3Below

Written by Michael Cole

Podcast: BEST & WORST OF 2018 EXTRAVAGANZA!

Hey Everyone,

Paul here…

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2018 is at an end and that means it’s time for the return of one of my favorite episodes of The World’s Best Podcast: The Best & The Worst of 2018! We cover the very best and

the human diarrhea in story form, from TV, Movies Comics and I’ll kinds of other cool shit! This was by far one of my favorite podcasts that we recorded this year and I think you’re all going to love it!

I recorded this episode of The World’s Best Podcast with one my absolute favorite co-host, Ryan McDonald! Of course what look back at the best and worst of 2018 be without a very special appearance by Paul Sr! So sit back and enjoy as we deep dive into everything from Avengers: Infinity War, Spider-Man: Into The Spider-Verse, and Mission: Impossible Fallout to Daredevil, The DC Superhero Crossovers Elseworlds, and more!

*Editors Note- We did have a very minor editing glitch for about 2 seconds towards the last quarter of the episode. You could easily miss it because of who quick and minor it is, but I wanted to give you all a heads up regardless. Even with the issue it still think this is a great episode and I’m very proud of it!

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This is a DON’T MISS episode! Listen here or subscribe on iTunes and Stitcher:

https://www.spreaker.com/episode/16652530

iTunes:

https://itunes.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?mt=2#episodeGuid=http%3A%2F%2Fapi.spreaker.com%2Fepisode%2F16652530

Stitcher:

https://www.stitcher.com/s?eid=58059375&autoplay=1

We kick off 2019 with a bang! Thanks for listening and buckle up for an amazing 2019!

-Paul

Doctor Who Series 11: Review

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A little over a year ago, I wrote about What I Wanted to See from Doctor Who, going forward, specifically because Jodie Whitaker was about to become the first female Doctor in the show’s history.  The big thing that I didn’t want to see was the over sexualization of the Doctor, just because she would now be female, and they did that.  Arguably of all the Doctors of the modern run, she was the least sexual, or sexualized, and I’m happy with that, because after all this is an near immortal alien being with untold thousands of years of accumulated knowledge, whose consciousness never really dies. The Doctor  is nearly a goddess (formerly a god), hanging out with people who are merely decades old, and extremely mortal.  The sexual/romantic nature of that is always a bit questionable, so steering away from it, at least in her first season as a woman, was probably a good idea.

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Now, by that single metric the show was a success, but as you can imagine, whether or not a show’s main character is or is not over-sexualized isn’t the true determination of its quality.  This season was incredibly divisive, from what I saw on some Facebook pages, and the Doctor Who subreddit, this was a love it or hate it season.

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Many were claiming the show wasn’t Doctor Who anymore, citing that the new format of “Team TARDIS” with the Doctor and three season long companions, changed the dynamic too much from the Doctor and single companion model, which had been the case in most of the previous season, the only change being when a companion would bring on a boyfriend (Mickey, or Rory), or when they’d meet other aliens/time-travelers (Captain Jack, River Song).  Personally, I liked the dynamic, it was definitely different, but I don’t want to watch the same old thing over and over.

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The dynamic, and the characterization of the four TARDIS inhabitants was for me the strength of the season. The writers and actors had clearly worked to flesh out the characters.  Graham and Ryan had unresolved issues that became very naturally resolved, as step-grandfather and step-grandson, and really played out well.  Yas learned that her family were not all the tradition following people she had thought, and that her wanting something different and adventure weren’t that far off from her grandmother.  Finally, the Doctor, who is always a bit different after regenerations was just that a bit different, but really not too different, enough to reinvigorate, but not so much as to alienate… at least for most.

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One of the major complaints that I saw on Reddit, was that the Doctor is too much of a feminist, and more specifically a dreaded SJW.  Honestly, I don’t really see it.  The Doctor of the 1960’s may have been much less feminist than Jodie Whitaker’s Doctor, but I don’t think the last couple of iterations have been.  The truth is, like much of serialized sci-fi, Doctor Who is a show about striving for the fullest of human potential, and much of that is in a social aspect.  Star Trek boldly went with the first interracial kiss on American broadcast television, and as early as season one of this reboot, we had a character of Captain Jack Harkness, who for lack of a better term seemed omni-sexual, but was certainly as attracted to Christopher Eccleston’s Doctor, as he was to Rose.  This isn’t really new for the show, nor for the character.

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What was new about this dynamic for the character is that suddenly the Doctor is being taken less seriously because of her gender, and this is frustrating when she is for all intents and purposes the most authority on nearly every subject in the universe.  So, there was a little time dedicated to it, but it was a surprisingly little amount of time, usually no more than a line per episode (sometimes nothing at all).  So, personally I assume that this criticism of the ‘overwhelming feminism’ is little more than Trolling.

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But there are certainly some genuine criticisms, and I think it’s really important to take those seriously, because I personally want the show to be its best, and it cannot do that if the writers and show-runner bury their heads in the sand.  The big piece of genuine criticism, I think, was overuse and clunky exposition.  Lots of people online have mentioned it, but it bears repeating.  This show, like a lot of heavy sci-fi uses exposition more than some other genres, and that’s ok, but I would say this season seemed to do it the most, and that’s not a good thing.  I don’t any of the episodes were ruined by exposition, but in a show like this, they need to show and not tell as much as possible.

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I would say that this season gets either a C+ or maybe (if I’m being generous) a B- from me.  There was plenty of fun, and the characters were really done, but other than that I think there wasn’t enough there for me.   Some seasons have multiple episodes I would point people to, to get a feel for what the show should be, and this season really only had one (two if you count the New Years special, which is really Season 12 Episode 0).

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“Rosa,” which was episode 3, tells the story of our travels getting thrown into 1955 Montgomery, Alabama, and meeting Rosa Parks just days before her famous arrest for refusing to give up her seat on a segregated bus.  This was a great episode in pretty much every way, and I don’t want to say too much as to ruin it, but I will say this, even though the show does a lot of historical episodes, and places the doctor into a lot of historical scenarios, I’m not sure any have had the possibility of alienating the audience like this before, and it doesn’t (at least not for the real reasons).  You see in these historical episodes, a lot of times we find out that the Doctor was actually responsible for setting in motion some major historical event, and this hasn’t really ever been a problem, because it’s either played as a bit of a gag, or maybe it’s a historical event without an individual historically receiving credit, and so the Doctor isn’t stealing anyone’s credit.  That’s a fine line for the show to thread, and watching it I was a bit worried “oh please don’t make it that the Doctor sets this up, or take anything away from Rosa Parks,” and it doesn’t.  It’s brilliant in letting the plot of the show revolve around the show without setting really touching the moving parts of the actual history.  Think about when Marty McFly tries really hard in Back to the Future 2 to not interact with or change anything Marty McFly from Back to the Future 1 does in 1955, it’s kind of like thbat.  It’s by far the episode of this season that shows what Doctor Who can and should be.

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Written by Micheal Cole

MUST WATCH: Gotham: The Final Season (Premiere Review)

Hey Everyone,

Paul here…

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Tonight the final season of Gotham premiered on Fox and honestly I was very excited to watch it. It’s hard to believe that this is the same show that just a few years ago had some of the absolute worst superhero writing on TV.  When Gotham began, it was more or less a shittier Smallville, with proto-versions of Batman’s rogues gallery popping up each week for Ben McKenzie’s Jim Gordon to deal with. It was a shame because the show was very well cast and all the actors were perfect in their roles. Since the very first episode, Ben McKenzie has made a great Jim Gordon (he was also the voice of Batman in the animated film adaptation of Batman: Year One). Many of the great Batman stories are also great Jim Gordon stories, so it was very important for them to get this character right. 

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   We even got to see a part of Bruce Wayne’s life that is very rarely explored, the years immediately following the murder of his parents. David Mazouz is easily one of the most compelling live action versions of Bruce Wayne we’ve seen. He conveys Bruce’s dark, brooding intelligence without ever sounding like a whiny brat. With excellent actors memorably playing classic Batman characters like Alfred, The Penguin, The Riddler, Selina Kyle and more, the series felt like a frustrating waste of great talent. Terrible writing hamstrung what could otherwise have been an excellent take on the Batman mythos.

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  About halfway through Season 3, specifically the mid-season finale, something fundamentally changed about the show for the better. I think there are two big reasons for this and one of them was how the series began to use Bruce Wayne. First of all, David Mazouz had grown up enough that he was just old enough to start becoming more crucial to the action going on in the story. Pretty much from the pilot on, Bruce has slowly been learning important skills that would become crucial on his journey to becoming Batman. Season 3’s mid-season finale saw Bruce being taken hostage at a circus by Jeremiah Valeska. If you’re not familiar with Gotham, Jeremiah (played by Cameron Monaghan) is basically their version of The Joker, and a damn good one too. The episode culminated with a show down in a hall of mirrors between Bruce and Jeremiah, where Bruce comes very close to killing Jeremiah. The whole episode was pretty great and I found myself watching the rest of the season once the show returned from it’s hiatus. You started to see Bruce take a more active role as a vigilante even though he wasn’t dressed like Batman. 

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  The second reason the series changed for the better in my opinion, was because it stopped being a bad prequel series, building up to some day in the future where we get to see Bruce put on the Batman costume in the last 5 minutes of the final episode. In the same way that Smallville was entirely built around the show teasing Clark eventually putting on the Superman costume, that we only see him wear for about three seconds in the series finale. Instead, Gotham became more of an Elseworlds Batman story. I think it’s the smartest thing the show could’ve done because they took the mythology and made it their own. They were no longer slaves to the mythology of the Batman comic books. They allowed their story to be an alternate take on the mythos. This choice gave the show its own identity. It also made it more exciting for the audiences because things weren’t necessarily going to play out exactly as they had in the comic books. As a result the back half of Season 3 was a hell of a lot of fun and frankly I love Season 4. One of the reasons I love the show Krypton on Syfy is that the show isn’t a prequel, it’s more about the DC Universe’s past being changed by time travel. Changing Krypton‘s history, changes the history of the entire Superman story and by extension the entire DC Universe. 

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So coming into this final season, which was going to be drawing from classic Batman stories like No Man’ Land and Zero Year (In fact this episode’s title is “Year Zero”), I was pretty psyched to see what they were going to do. I’m happy to say I wasn’t disappointed.

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  After the events of last season, Gotham has been completely cut off from the outside world. The bridges are down in the city and it’s been 87 days since Gotham was officially declared a No Man’s Land by the US government. Unfortunately, not everyone who wanted to had the means to leave the city before it was cut off from the rest of the world. Children, families, innocent people have been trapped in a city that has become an almost post-apocalyptic dystopia. Gotham’s been carved up into territories, with different factions controlling different neighborhoods. Penguin Control City Hall and the surrounding area. He’s also the only person in the city manufacturing bullets for guns, which are more or less currency in the city. Scarecrow, Firefly, Mr. Freeze, Poison Ivy, and other villains have also carved up their own peace of the city.  Somewhat ominously, Jerimiah Valeska hasn’t been seen since the beginning of No Man’s Land. I have a feeling he’s waiting to make his own suitably dramatic entrance.

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The only part of Gotham City for the average citizen who’d been left behind is the area controlled by the GCPD. Gordon with Bullock and Lucius Fox by his side, are not only leading what’s left of the GCPD, they’re also protecting and feeding hundreds of refugees and supplies are running out. A lot of this is straight out of some iconic Batman storylines, so as a longtime Batman comic book fan this is cool to see. 

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   Fortunately, Bruce Wayne and Alfred decided to stay behind as well and Bruce is doing everything he can to get supplies smuggled in. Not only to the people suffering in the city, but medicine for Selena Kyle as well. She was shot in the stomach at point-blank range by Jeremiah in the season finale last year and unless something drastic is done she could be paralyzed from the waist down for the rest of her life. Of course this heavily weighs on Bruce, who blames himself for her condition.

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  Part of the fun of this season is seeing how close Bruce is to becoming Batman, even though he isn’t ready yet. There’s an early scene where Bruce takes down a bunch of thugs trying to steal medical supplies. The power has gone out, so he uses night vision goggles courtesy of the Lucius Fox to take them out one by one, in very Batman fashion. However, just when it looks like he’s saved the day, the lights come back on, the night vision goggles blind him, and the thieves get away. This is an important scene because it shows us that while Bruce is well on his way to becoming The Batman that we know, who could’ve easily taken down a group of bad guys in a situation like this, but he’s not quite there yet. He’s still making crucial mistakes and he still has much to learn. It’s important the series didn’t just suddenly turn him into Batman over night. Bruce’s journey throughout the series has felt earned. Based on his training it makes perfect sense for him to be exactly at the level he’s at now.

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   The episode largely sets up the status quo for the season and puts the pieces in play for things to come. We know things are going to get a lot worse before they get better because the episode opens with a flash forward to No Mans Land Day 391 and shows Gordon, Bullock, The Penguin, The Riddler, and the rest of the GCPD fending off a full blown siege by… someone. For Penguin and The Riddler to be teaming up with Gordon, it must be a pretty serious common enemy.

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All in all I really enjoyed this episode and considering that it was mostly set up, I have a feeling once the story really gets going this has the potential to be a fantastic final season for Gotham. I couldn’t help but love the scene when Gordon and Bruce were standing on the roof of the GCPD together. With Gordon shining a spotlight on the sky to give people hope, foreshadowing so many of their interactions in the years to come. As Bruce walks away at the end of the scene, Gordon ask him if he regrets staying behind in Gotham, Bruce replies “No. You?”. Jim Gordons smiles and says “Hell no”. Am I looking forward to the rest of Gotham’s Final Season? Hell, yes.

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Gotham (Season 5) “Year Zero” – 8.5/10

Thanks for reading!

-Paul

Thank You For A Great 2018!

Hey Everyone,

Paul here…

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This New Years Eve… party like you’re partying with The Avengers! You only go ‘round once!

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As we close out 2018, I just wanted say a heartfelt thank you to all of our readers, listeners, and supporters. World’s Best Media wouldn’t exist without you and I’m so grateful to you all for helping to make my silly dream a reality.

I also want to give special shout outs and thank yous to our fantastic contributors and a few other great people who’ve helped World’s Best Media in so many ways. To Michael Cole, Chocolate Diamond Media, Ryan McDonald, Paul Sr., you guys help make this whole thing work, so thank you very, very much. I’m eternally grateful.

To the guys at The Hall of Comics in Southborough, MA, Mathew Wright, Constance Wright, Matt Supple, Marc Rodolfo, & Sam Gryzbowski, you all know what wonderful things you’ve done and your help and support keeps me going. Thank you from the bottom of my heart!

All of you have given me a gift I can never repay. Thank you. But make sure you stick around, because 2019 is shaping up to be our best year yet!

Now, I like to end every New Years Eve by watching this classic moment of quiet friendship, between two iconic DC characters. It’s a great little moment. Enjoy and Happy New Year!

Have a safe and happy night!

-Paul

FIRST LOOK: DOOM PATROL TV Series On DC Universe!

Hey Everyone,

Paul…

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Last week, the DC UNIVERSE Streaming Service wrapped up the first season of it’s flagship original program, Titans. Considering that, initially, there was some negative buzz about the project, Titans turned out to be a damn good superhero show with a unique take on the DCU and a killer teaser for Season 2. There really isn’t a superhero show quite like Titans airing at the moment.

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One of the coolest parts of the season was how the show alternated episodes by focusing on the overarching, season-long story in one episode. While the next showcased great, but more obscure characters from DC lore and giving them time to shine. We met characters like Jason Todd (the new, borderline psychotic Robin), Hawk & Dove, Donna Troy aka Wonder Girl, and Doom Patrol.

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Doom Patrol popped up around the 4th episode of Titans and was a early highlight in Season 1. Raven is rescued by Garfield Logan aka Gar aka Beast Boy in his tiger form and then takes her to see the rest of his “family”, The Doom Patrol. The Doom Patrol lives in a mansion under the eye of The Chief whose real name is Dr. Niles Caulder. Each member of the Doom Patrol had been in some kind of sever accident and Dr. Caulder’s very bizarre methods saved their lives. However, though his strange methods saved their lives, the side effects of his treatments gave them special abilities. Some are so extreme that that they see themselves as freaks and become more or less shut ins. When Raven is ready to leave, Beast Boy decides to strikes out on his own with the Titans. The Doom Patrol will always be his family, but he needs to start his own journey. As happy as the rest of the Doom Patrol are for him, there’s a sense of tragedy because none of the rest can ever do that themselves. Gar’s the only one of them who can remotely pass as human. They want Gar to have what they can’t: Freedom to live his own life. Basically Doom Patrol is really, really, fucking weird.

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I can’t say I was much of Doom Patrol fan or knew that much about them besides Grant Morrison’s acclaimed Doom Patrol run from the comics years ago. Seeing an episode with those characters front and center made me kind of like them. They’re kind of goofy, but if you don’t take it too seriously the Doom Patrol characters are a lot of fun.

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For the moment, the plan for DC UNIVERSE is to make at least one episode of an original series available on the app each week. Of course, all of the the content the app provides, like free comic book downloads from DC’s library, DC films, and more.

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Young Justice: Outsiders (Part 1) will be available on DC UNIVERSE January 4, with 3 episode blocks coming out each week. Young Justice returns for Part 2 of the season  this summer.

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Shorty after Part 1 of Young Justice: Outsiders finishes up, the Doom Patrol series will premiere on February 15th. Even though these are the same characters, in the same universe, there are 2 big differences from the Doom Patrol series and the Doom Patrol episode of Titans. The Chief, the somewhat menacing Dr. Caulder, will be payed by Timothy Dalton.  While Cyborg has been added to the team in Beast Boy’s absence. Out of the many comic book series premiering in 2019, this has the potential to be a very fun and weird superhero show, so make sure to keep an eye out for this one.

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“Remember when I was in The Mummy?! (Sigh) Better days…”
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“I’m Timothy Dalton For Christ’s Sake! What the FUCK am I doing in this thing?!”

Check out the teaser below and these cool character posters in our first official look at the series. I’ll sat this it looks weird as hell and I really dig that.

What do you guys think of Doom Patrol? Are you going to give it a try? I’d love to hear your comments below.

-Paul

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