With Season 2 of the hit Disney+ show, The Mandalorian, premiering on October 30, I knew it was only a matter of time before we got our first look at the new season. At long last, the first trailer for The Mandalorian Season 2 ha dropped online. Let’s be honest here, we would all be excited for this show no matter what, The Mandalorian was one of the best new series to come out last year. Disney + and Lucasfilm didn’t even really need to put out a trailer and fans would still watch the series in droves. That doesn’t mean I’m thankful as hell that we did get to see this cool new trailer. With Star Wars: The Ride of Skywalker being such a massive disappointment, at least to me, The Mandalorian was the saving grace of The Star Wars Universe in 2019. Earlier this year on Disney+, we got some of the best new Star Wars content in years with the fantastic final season of Star Wars: The Clone Wars. So hopefully, The Mandalorian Season 2 will be just as killer as Season 1, and make 2020 a great year to be a Star Wars fan. Take a look at the trailer right here:
What do you think of the trailer? Let me know in the comments below!
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We’re more than two months separated from Rise of Skywalker, and the finale of The Mandalorian season 1, and so it’s time to speculate and dream. I want to tell you all my personal pitch for the next Star Wars trilogy. If Lucasfilm happens upon this post, I am available to hire for either screenwriting or directing responsibilities.
Let’s go back to Revenge of the Sith, in that film Anakin kills the younglings who have been training to be Jedi. It’s a sad moment, and it does a pretty good job at showing just how far toward the Dark Side Anakin is heading. Now, the idea is kills all the youngling who are there on Coruscant, but certainly Jedi would always be picking up little force users throughout the galaxy, right?
The first film tells the story of Jedi Knight Sharhor Kii, who has had little to no interactions with Anakin by the time of the youngling slaughter. Sharhor is traveling from an Outer Rim planet with a young boy, Kar Weil, whom he plans to present to the council. He hasn’t transmitted in about the his hopeful new apprentice, because why would he. But the Council sends out the news of Anakin’s betrayal, and Sharhor returns to the Out Rim planet, and begins training in secrecy, waiting for any word that it is safe to return. We see the youngling grow up in training to the point of a teenager (through montage), and eventually Sharhor, aware that Darth Vader is hunting down Jedi, decides to leave his apprentice in hiding, since there is not record of him in the Jedi temples or the remnants of the council, and he goes off to face Vader, never to return. We follow Kar as he continues his training, and goes off looking for Sharhor. Along the way, he falls in love with Cera, the pilot that he’s hired for transport, and marrying her.
The second film, Kar and his wife have three children, all of whom Kar is now training in the ways of the force. They do not consider themselves Jedi, but they all wield lightsabers, none the traditional Jedi colors. Kar has a yellow lightsaber, his two daughters Pik and Ana wield orange, and his son Lon wields a turquoise blade. The Weil family’s presence on their home planet becomes unsafe especially when the four force users are together, and they split up with the intention of rendezvousing when they can. For the majority of this film, we split between Kar and Cera traveling to different Jedi temples, trying to uncover ruins, Lon trying to hitchhike off to join the rebellion, and Pik and Ana going to planets where slavery and injustice are the norms, and helping to free those people. At the end of the film, we learn that the second Death Star has been destroyed, Lon sending the message to his parents and his sisters.
The third film, Kar and Cera are now fully into the Jedi historian process, trying to learn and preserve as much as possible, trying to rebuild. They’re still mostly remote from the population of the galaxy, and while they know that the Empire has fallen, they haven’t desired to return to it. Pik and Ana also still have their fight, because the slavery and injustice existed before the Empire, and the fall of the Empire meant little in their fight. Lon now with war-worn A-wing, goes off to find his parents and his sisters, hoping to reunite them all finally. By the third act, the sisters have pissed off a mob-boss with his own hired gun army, and Lon who is with his parents go to help them escape. The four force users, and their pilot mother/wife manage to take down the majority of the army before Lon is killed, and his father loses his dominant arm. His father driven by grief and rage uses the force at a level he’s never done before and lays waste to the remnants of the small army.
I don’t have all of the set-pieces or specific act structures for these three films, just a very brief outline, as you can see. But I want this to be a family story, something that shows just how life somewhat carried on during the time of the Rebellion and the Empire. The idea that a force user could slip under the radar due to clerical error, and kick off this whole separate legacy. I would call this trilogy, The Force Kin Trilogy.
Let me know in the comments below what you think of the idea!