Flash War! A Special Article Co-Written By Mike & Paul!

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I don’t have any comic series that I read consistently, but I do like picking up stories that are either getting a lot of buzz, or are going to be the basis for some adaptation.  I’ve been seeing a lot about the “Flash War” event which will pit Barry Allen against Wally West.  Last week the first issue came out, and I picked it up, along with the ‘prelude’ which was in the annual.

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Barry Allen’s “death” in Crisis on Infinite Earths. Which lasted around 30 years before he was resurrected.

Hey Everybody, Paul here. As the resident comic book expert I thought I’d help fill in some of the blanks in the background with ‘Flash War”. Mike not quite having his comic book super nerd powers yet. So anytime in this article you see italics text like this pop up, that’s me putting in my two cents. It’s two authors for the price of one!

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Flashpoint!

Now, I’ve read Flashpoint, and Flash: Savage World, a couple of the Justice League trade paperbacks, as well as being a fan of the TV show, so take my opinion as that of someone who’s not an expert, but also not diving in for the first time. If you’re interested in this story, I do suggest picking up the annual with the prelude, because I found that it makes things a bit clearer in the first issue.

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The Flash: Blitz by Geoff Johns. A must read to understand Flash War.

Besides the Flash Annual that Mike mentioned earlier, the storyline that is most important to understanding Flash War is a story that goes back to Geoff John’s original run on The Flash BEFORE The New 52 and even before Barry Allen came back from the dead. At this point in DC history Barry Allen had died in the classic mega-event Crisis on Infinite Earths. For the nearly three decades after, Barry’s sidekick Wally West aka Kid Flash became The Flash full time. For a whole generation of readers (or if  you even just knew The Flash from the Justice League animated series) Wally West WAS The Flash. Anyway, this super important story was called BLITZ and it was all about how former FBI criminal profiler Hunter Zolomon, who was a good friend of The Flash, became the super villain Zoom and initiated a devastating attack on Wally West and his family. 

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Zoom AKA Hunter Zolomon VS The Flash (Wally West) during Blitz. Set before The New 52.

I’m not going to review the individual parts, but now that I have an idea of what the story is, I’m going to write about it, and then when the series concludes, I’ll write a review of it as a whole.

So, if you’re familiar with DC’s recent history, they had the “New 52” runs, and then there was Flashpoint which I believe allowed them to reset somethings after that, to try the “Rebirth” runs.  Well, there were some consequences to all of these resets and reboots, and one major one, which apparently directly stems from Flashpoint, is that the Wally West (the third Flash) from pre-“New 52” no longer exists as he did.  He is still around, but he has no history, much of his memory is cloudy due to being lost in the ever-changing timeline, and almost no one remembers him.

 

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Another must read before Flash War.

Ok so there’s actually another super important story that you need to read called DC UNIVERSE: REBIRTH, also written by Geoff John’s. When Barry created Flashpoint and created The New 52 as we know it, “classic” Wally West had seemingly been erased from history. This story partially shows how he escaped from The Speed Force and why there are 2 very different Wally West’s in The New 52 continuity. It also, tells us that Barry creating Flashpoint was not the only person responsible for this altered universe… Just read the story, it’s a huge reveal.

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A heartfelt reunion between Barry and Wally from DC UNIVERSE REBIRTH 

*Some minor spoilers from this point out*

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“Classic” Wally West after he’s escaped The Speed Force in DC UNIVERSE REBIRTH 

As Mike goes into here, there are now 2 Wally West’s in this reality. The adult, white, pre-The New 52, FLASH Wally West who escaped The Speed Force in DC UNIVERSE: REBIRTH  and teenage, African-American, KID FLASH Wally West.  Now Wally is a white red haired guy, still operating under the title of Flash (although Iris West-Allen, Barry’s wife and Wally’s aunt who doesn’t know who he is, refers to him as the new Flash because Barry is still the Flash as well.)  Wallace on the other hand, is a younger, black teenager (not sure how old he’s supposed to be, but he’s shorter which I’m pretty sure equals younger) Paul chiming in here, he’s roughly in his mid-teens and is Kid-Flash, but is also Iris’s nephew.

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Teenage, The New 52, Kid Flash, Wally West
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All of them together. From left to right: Barry, Adult Wally, Kid Flash Wally

So, they’re the same person but different people.  It’s a little confusing, but I like it, because I’m a big fan of time-travel and the idea that if anything were done differently in a time-line individuals could be genetically different people from one to another.

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Fuck these pricks.

At this point in the article, bless his heart, Mike sort of misinterpreted the chain of events. Basically, Time Agents from the 25th Century (kind of like Minority Report) all dressed like good versions of classic Flash villains, The Rogues, show up at try to arrest Iris for supposedly killing Eodard Thawne (Classic Flash villain The Reverse Flash) at some point… in the future… I guess? Even I’m a little confused on this on, guys. These Time Agents could be full of shit, but adult Wally freaks out at the idea of these assholes taking Iris, where Barry wants to let cooler heads prevail and calmly go with The Time Agents to figure out what’s going on. Some fighting and time travel ensues… One of  The Time Agents has a really cool and surprising power source I won’t spoil here.

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Eobard Thawne AKA The Reverse Flash. Just a real piece of shit. And yes I realize he looks exactly like Zoom. It’s… Well… IT’S A WHOLE THING, OK!

As the first issue comes to a close, we see that Wally has been transported to a future in which he did exist, while Barry, Iris, and Wallace were transported to the alternate future, and Hunter Zolomon aka Zoom tells Wally he’s going to help him change the past and save his children who were erased in Flashpoint.

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Zoom/ Hunter Zolomon 

This issue is kind of framed by Hunter Zolomon and his POV. To the best of my knowledge, the first time we’ve seen this version of Zoom and Wally’s kids since before Flashpoint, because they’re all pre- The New 52 characters.

I’m really excited, because as I said before I really enjoy time-travel and time line stories, I also really enjoy stories in which protagonists conflict with each other, sometimes I find it more interesting than when there is a clear protagonist.  I’m not sure to what level Zoom will participate, my only familiarity with him is from season 2 of the Flash on CW, but I’m really looking forward to what’s coming up.

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    The Hunter Zolomon/Zoom of this comic is VASTLY different from the Zoom from The Flash CW series.  I like Mike’s enthusiasm, but I think this isn’t a great comic for new readers. It’s really more for people who’ve been following The Flash and DC Comics in general for the past decade or so. I recommend new readers check out, as an alternative, the mini-series The Man of Steel by Brian Michael Bendis currently in it’s 3rd issue. You can get at your local comic book store or on your tablet on the ComiXology app. It’s very new reader friendly and all you really need to know is who Superman is and the bare minimum about his world. I hope you guys enjoyed our different takes on Flash War part 1. Thanks for reading, everyone!

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This may be a better option for new readers.

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Paul

 

Let’s Talk About Venom

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I’ve been getting back into comics the last year or so, and I’ve been finding that my tastes have drastically changed in characters and stories in my nearly twenty year absence.  As a kid, I loved Marvel comics, and didn’t ever pay attention to DC, now I’m definitely finding more in DC that I enjoy.  I used to love Spider-Man and the Avengers, and now when I am reading Marvel stuff it tends to be stuff that isn’t too closely related to any of the MCU films or other Marvel films.

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One of the characters that I used to love when I was about 12 or so, was Venom.  He was so cool.  I’m starting to think he may have been more of a ‘cool’ character, than a ‘good’ character.

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I remember reading some of the ‘Venom’ series, and thinking that he was like an edgy broodier version of Spider-Man.  I think I thought “Venom is what J. Jonah Jameson thinks Spider-Man is,” which I thought was incredibly cool.  At this same time in my life, I was also collecting all the ‘alternatives’ that were coming out like A-Next which was the next generation Avengers, and J² which was Juggernaut’s son.  I think I had crappy taste at the time.  But Venom was a bad-ass, and I was convinced that was amazing.

Then, Spider-Man 3 was coming out, and it was announced that they’d be doing Venom as one of the villains, I was ecstatic.  Even when they announced it was Topher Grace, who seemed so unlike Eddie Brock, but they explained that he was supposed to be Spider-Man’s mirror, so they sold me on it.  Then I saw the movie and thought “oh they really fucked that up.”  It was definitely the portrayal of the character, and not the character itself right?

So a couple months ago, the trailer for the new Venom movie was released, and I have to be honest, I think it looks like garbage.  I like every single person in it (especially Jenny Slate) but the way she pronounces symbiote (Sim BY Oat) is obnoxious, and I’m sure this will be like when people were telling me that the correct way to pronounce Smaug was with each and every single vowel present, and I was like “it may be right, but it’s still annoying.”  So there was strike one.  Strike two is that the actual Venom suit/skin looks horrendous.  Don’t get me wrong, it looks just like in the comics, but it looks awful when juxtaposed with non-animated characters.  There isn’t a strike three yet.  So hopefully, I’m wrong.

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Then lastly, I started reading the Venom vs. Carnage trade paperback, and after a few pages of “I’m your father, you have to listen to me,” and “Perhaps if my host had any regard for his family, I’d respect you dear old daddy” a lightbulb went off in my head.  What if Venom sucks?  What if it isn’t that the character hasn’t been portrayed right, but what if it’s that the character isn’t good, or perhaps he’s only situationally good, like in small doses, when paired with the right characters?

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Paul has talked a few times in articles and in the podcast about characters like Wolverine being best served in small doses, because they’re cool, and there is a tendency to over do them.  Maybe that’s Venom’s problem.  Or maybe unlike Wolverine who is cool, and has a great arc/background, Venom is just cool, and not ‘good’.

Don’t get me wrong, I’ll go see the Venom film and I’m going to finish reading this book, but I’m not sure anymore about Venom.

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What do you think of Venom?  Is he just cool?  Am I missing some incredible story that does his character the most justice possible?  Let me know in the comments below.

written by Michael Cole

Why Spider-Man Is NOT A Hero or (Why Spider-Man Only Works When He’s A Teenager)

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Spider-Man reached a historic milestone this week with the publication of Amazing Spider-Man #800. This was also the penultimate chapter of writer Dan Slott’s celebrated run on the series. For the finale, Slott pulled out all the stops and gave Peter Parker a truly monumental threat to face for his last story arc on the book. Slott’s story has been building to an epic confrontation with Norman Osborn, unquestionably Peter’s greatest adversary.

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I mean, the guy looks so fucking creepy, why cover it up with this shitty mask?
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Christ…. Just awful. He looks better without the stupid costume.

Though memorably played by Willem Dafoe in Sam Raimi’s Spider-Man film series, I always hated Dafoe’s campy and cartoonish performance as one of comics’ best villains. But that’s an article for another day. In the above mentioned comic book story arc, Osborn has returned to once again torment Peter Parker and everyone around him, but this time not only has he regained his abilities that made him so dangerous as The Green Goblin, he’s also bonded with the alien symbiote worn by Carnage, creating the seemingly unstoppable: RED GOBLIN!

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This is an excellent character design by the artist on the book Stuart Immonen. It’s Norman Osborn juiced up on his Goblin Formula while bonded with the Carnage Symbiote. Bad. Fucking. News. Immune to normal symbiote weaknesses like fire and sound.

Osborn has never been so deadly and his new persona as THE RED GOBLIN  is a terrifying, unstoppable monster. To use a cliché: All the strengths of The Green Goblin and Carnage, but none of their weaknesses. It takes everything Peter has, including the aid of everyone from all the other Spider themed heroes like Miles Morales to semi-reformed villains Venom and Otto Octavius, to bring down The Red Goblin. Hell, even MJ and Aunt May get some licks in. Ultimately, Flash Thompson, Peter’s former high school bully, turned good friend, turns the tide of the battle. Now the military war vet/super hero Anti-Venom; Flash sacrifices himself to give Peter the chance to defeat Osborn.

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Flash Thompson as Anti-Venom. Giving Peter the edge he needs to win the fight.
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Tragically, Osborn has just enough left in him to deal a brutal killing blow to Flash.

With Osborn beaten, Peter takes a moment to appreciate his victory and take in the destruction caused by their fight. When J. Jonah Jameson walks out of the smoke with a gun, intending to finally put an end to the death and misery caused by Osborn. It was far too close this time, Peter didn’t even come close to beating Osborn on his own. It took unprecedented amounts of help and a whole lot of luck to just barely defeat this monster.

Jameson knows Norman will be back like he has so many times before to bring death and horror into their lives. Osborn has killed thousands of innocents, used a U.S. Intelligence agency as his personal kill squad when he became head of SHIELD, started a war with Asgard, and finally he was responsible for one of comic books’ most iconic and heartbreaking deaths: the love of Peter’s life Gwen Stacy.

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Well, he didn’t die. YOU didn’t kill him. He went on to kill hundreds more. How do you think Gwen would feel that you could have avenged her death, but didn’t because you’re a fucking hypocritical coward?

Not to mention the countless other innocent victims that have been caught in the crossfire between Osborn and Spider-Man over the years. He knows Peter can’t and wont do what needs to be done: kill Osborn. But this is a burden Jonah is willing to bear for the young man he once saw as a menace. So, doing what needs to be done, what he believes is right, he pulls the trigger to kill Norman Osborn….

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…. And Peter dives in front of the bullet to save Osborn. Taking a slug in the shoulder for the man who juts killed one of his best friends.    …..Wait…  …Um..  …Hold on a second… ….Ummmm… WHAT?!…. WHAT THE FUCK?!!!!….. WHY?!!!!!!

Because Peter Parker isn’t a hero, he’s a coward. With great power comes great responsibility. Flash Thompson understood that and gave his life for it. Jameson understood by the making the choice to take on the burden Peter didn’t have the strength to. When Peter took that bullet he spat on Flash’s sacrifice. Every death caused by Osborn from this moment on is Peter’s responsibility. Trust me, this is Comics. Osborn WILL be back to kill and maim again, in some form or another.

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Police and their use of firearms is a very touchy subject in this country right now, so I’m speaking hypothetically here. I understand that police using their firearms inappropriately is a serious problem in this county at the moment and I take that very seriously. But stay with me here for a second while I make a quick point, hypothetically in a world where police officers use their weapon in the line of duty only in the situations where it’s absolutely necessary or if  a psychopath is killing people, isn’t it their responsibility to save lives? Even if it means killing the perpetrator? Or what if an officer were defending themselves from an armed and dangerous individual? How is this different than the many times Norman Osborn has murdered people, put lives in danger, and terrorized people over and over again. If the police had encountered Osborn in almost ANY of the senario’s that Peter has, they would have killed him (if they could of course, Osborn is probably impossible for a normal human cop to take down). Peter should have put Osborn down for good a long time ago. If he really believed in dedicating his life to being a hero, he’d have realized that so many of the lives Osborn has taken are on him.

D2CE0547-9214-4780-AAED-2E8E0A4F2E36 I think this is a good time to point out that Peter Parker is a superpowered, masked vigilante whose identity isn’t known to the general public. You and I cant go around taking the law into our hands, but he can. In fact, he does it all the time. That’s what being Spider-Man is. He just doesnt have the guts to kill Osborn and because of his abilities and persona as Spider-Man, this is a crime he could very likely get away with, in a way normal people couldn’t.

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This isn’t the first time Peter has pulled something like this. A few years ago through a convoluted set of circumstances, Norman Osborn became head of SHILED and the Avengers instantly became outlaws. Hawkeye argues that Osborn is insane, homicidal, and cannot under any circumstances be allowed to keep control of SHIELD. Hawkeye thinks the only thing to do, the thing they need to do, have a responsibility to do is kill Osborn. The public doesn’t know that he’s a madman and potentially millions of lives are in danger with Osborn controlling the weapons at SHIELD’s disposal.

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At which point Spider-Man argues that HAWKEYE is the one who’s crazy for even suggesting they kill Osborn and tells the rest of the Avengers that Osborn will inevitably shoot himself in the foot and the public will see him for the monster he really is. Well, how many people will die while you just sit around waiting for this to happen, Peter? In a world where individuals can be classified as a “Person Of Mass Destruction” isn’t it dangerously negligent for Spider-Man to have this attitude? Isn’t this the very definition of “With great power, comes great responsibility”?

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Teenage Peter Parker from Ultimate Spider-Man

This is why I think Spider-Man only works as a character when he’s a teenager. I only read Amazing Spider-Man #800 because it was a milestone issue. The only Spider-Man book I currently read on a monthly basis is Spider-Man which stars the other younger Spider-Man, high schooler Miles Morales. When a teenager sees the world in such morally black and white terms… well, they’re teenagers. What the fuck do they know? I remember when I was 16 I thought good and evil were clear lines and I’d never see the world as a place where thing like “necessary evils” must exist. But of course as I grew up, I changed and so did my view of the world. It almost seems like Peter Parker never grew up. It seems as if he never matured past his childish and naive sense of morality. So when you read a Spider-Man book or see a Spider-Man movie, they tend to be at their best when Peter is a teenager. It’s no coincidence that my personal favorite Spider-Man stories ever told were part of Brian Michael Bendis’ Ultimate Spider-Man run, which chronicled Peter as he navigated the dangers of super villains and his New York City high school.

Tony Stark and Steve Rogers debate morality all the time, but they’ve never debated the morality of killing murderous, super-powered lunatics. Spider-Man is always talking about how “with great power, comes great responsibility”. But I say Peter Parker is a coward who doesn’t have the courage of his own convictions. Heroes do what needs to be done, they don’t hide behind some bullshit code. SPIDER-MAN IS NOT A HERO. SPIDER-MAN IS A COWARD. Let online onslaught of hate begin…

In all honesty, I’d love to hear your opinions on the points I bring up in this article. Please write you comments below or on our Facebook Page and maybe we’ll read your question or comment on an upcoming episode of The World’s Best Podcast.

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Fuck you, Peter. You deserve everything coming to you.

As always, thanks for reading!

-Paul

Comic Book Review: Doomsday Clock #4 (No Spoilers)

 

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Since the “Death of Superman” in the 90’s, death being a revolving door has been somewhat of joke in the comic world. Unfortunately, frequent deaths and resurrections can often hurt the Superhero genre. Mainly because it pushes people away. To some readers it takes the sense of urgency from the story, they don’t feel any substance in a story they read because this is used so often it’s a trope of the genre. Once I realized how many Watchmen characters would actually be used in Doomsday Clock, I expected immediate negative backlash from the fan community. ESPECIALLY when The Comedian turned up alive. To be honest I wasn’t exactly thrilled by his return. This entire story needs to be handled very delicately to work. The Watchmen characters we saw before The Comedian showed up were used really well, but I felt like The Comedian might have been a bridge too far. Geoff Johns and Gary Frank better have a very important reason for bringing him into the story or else it will feel like bad fan service (I have faith that a good explanation will be given, especially because everything else in this miniseries has been excellent so far).

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Having said all that, none of it really has much to do with THIS issue. I haven’t reviewed Doomsday Clock in awhile and since then I’ve noticed that some fans are unhappy with the return of certain characters. But lets focus on Doomsday Clock #4.

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This is the most character driven issue of the series so far and it almost exclusively focuses on one main character: “New Rorschach”. I put the name “Rorschach” in quotes because we already know that this isn’t Walter Kovacs, Original Recipe Rorschach. This is Reggie, the young man how took on the mantle of the legendary crime fighter/ infamous lunatic vigilante.

For readers looking for a story that pushes the narrative further in a significant way, you may be disappointed. Otherwise this is an excellent character study of this new Rorschach. We not only get to see how he became the next Rorschach, we also find out exactly who Reggie is and where he fits in the Watchmen story (which I won’t spoil here). All I’ll say is that this person wasn’t even on my list of suspects.

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Up until this issue, I was pretty sure that Reggie was an original character because, after going back to the Watchmen graphic novel there really wasn’t anyone who fit what we know about him (which is pretty much just; that he’s a relatively young man, African American, and more than a little bit of a psychopath.). But after reading the issue, I tip my hat to Johns and Frank because they have delivered an excellent vigilante origin story. They did a great job of creating Reggie’s backstory. My one criticism is that even though the creators found a very clever way of showing us how Reggie acquired his fighting skills, it doesn’t seem like enough to make into a fighter that would make even Veidt uneasy. But maybe there’s more to the puzzle coming up.

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This was the perfect point to tell us Reggie’s backstory and what drives him. Because among the cast of new characters, we know a relatively significant amount about The Marionette and The Mime and what makes them tick (even though there are still some huge questions surrounding these two). Four issues into a 12 issue series, we need to understand the goals and motivations of all the main characters for the story to work. We also get a great appearance of a relatively obscure Watchmen character that’s both sweet and heartbreaking.

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Though other issues of Doomsday Clock have wowed me in a ways that this chapter didn’t, it is nonetheless a beautiful character tale that’s tragic, sad, and illuminating. If you don’t mind one or two comic book tropes, I highly recommend Doomsday Clock as a series. This issue was definitely weaker than others, but it was still great. I can’t wait to see what Geoff Johns and Gary Frank have in store for the next 8 issues.

Doomsday Clock #4:  8.5/10

Review by Paul J. Wright

 

COMICS: More DC News! Superman & Brian Michael Bendis!

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Art from the upcoming Action Comics #1000. Fuck the red underwear though!

This has been a big week for comic book news. Ever since comic book writer Brian Michael Bendis jumped ship from Marvel to DC, fans have been wondering what projects he’d be working on and what characters he’d be writing. Bendis has been one of the defining creators at Marvel for almost 20 years, with legendary runs on books like Daredevil, Ultimate Spider-Man, and Avengers. During that time he created classic original characters like Jessica Jone and Miles Morales.

Now, DC has announced that starting in July, Bendis will take over writing the Superman books, Action Comics and Superman. Check out more of the art here:

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According to IGN, Bendis will also be debuting a massive new villain with ties to Krypton’s past. I know some people won’t be on board for Bendis writing Superman, but I’ve always loved his work. My only complaint is that they brought back that fucking red underwear on his uniform. DC! I thought we were past this!!!

-Paul

Big DC Comics News! Scott Snyder Announced As The New Writer For JUSTICE LEAGUE

 

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Team: Entropy

Scott Snyder is probably one of the greatest comic books writers in the history of the medium. His run on Batman with artist Greg Capullo is already a modern classic and some of the best work ever done on the character.

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Left to Right: Beast Boy, Lobo, Batman, Lex Luthor, Deathstroke

Following the release of artwork by Francis Manapul, DC announced that Scott Snyder will writing the flagship book for DC, Justice League.  Besides the incredible work he’s already done on characters like Batman, we’ve seen that Snyder has incredible talent working on almost any hero in the DC Universe. So this is something to be very excited about.  Though it wasn’t formally announced I suspect that Francis Manapul will be the artist on the main Justice League book that Snyder is writing, considering his art was such a large part of the announcement.

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Team: Mystery
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Left to Right: Starfire, Superman, J’onn J’onzz, Sinestro, Behind them: (the weirdest damn inclusion) Starro The Star Conqueror

To kick off this new era for the JL, DC has also announced a 4 issue miniseries called Justice League: No Justice, that will set up the new status quo for Snyder’s Justice League bookThe miniseries will be co-written by Scott Snyder, James Tynion IV (Detective Comics) and Joshua Williamson (The Flash) with art by Francis Manapul. Issue #1 of that miniseries will be on sale 5/9.

DC unveiled artwork with a very diverse group of characters joining the League roster. It was a weird/awesome mix of classic Justice League members, villains, and younger heroes. There are a lot of cool possibilities with these characters. In fact each group of heroes was given subtitle to their team that I’ll include in the artwork captions. Apparently theses specific teams being brought together on separate missions, but with the same larger goal is  part of the story in Justice League: No Justice.

As a side note, Francis Manapul is one of the most talented artists in the business. His gorgeous art is always a huge draw for me on any comic he works on. His run on The Flash in particular is absolutely beautiful.

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Team: Wisdom
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Left to Right: The Atom, Harley Quinn, The Flash, Robin (Damian Wayne), Cyborg

This means there will probably be a few different JL books, each with a different focus. For example, one of the Justice League comics used to be called Justice League Dark and it featured all mystical based DC heroes like John Constantine and Zatanna facing supernatural threats. Writers James Tynion IV and Joshua Williamson were named as co-writers of the miniseries with Scott Snyder, so I’d bet that they’ll each be writing a Justice League book, probably with a specific focus like space or magic or something. But once again, the thing to be excited about is Scott Snyder writing the flagship Justice League book which will be your “classic Justice League style”  adventures. Your Original Recipe Justice League, if you will

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Team: Wonder
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Left to Right: Raven, Doctor Fate, Wonder Woman, Zatanna, Etrigan The Demon

After Justice League: No Justice wraps up, Scott Snyder’s Justice League will hit shelves shortly after.  These are usually excellent times for new readers to jump on the comic book bandwagon. A miniseries like No Justice is usually designed to acclimate new readers to the status quo and they’re great jumping on points. Keep an eye out here as we’ll publish new info as it becomes available.

Are you excited for Scott Snyder’s Justice League comic book?

Out of the four teams  we see, which was your favorite?

Which team has the most  interesting combo of characters?

Let us know in the comments below!

I know I’m excited! Thanks for reading, everyone!

-Paul

 

 

MUST READ: Doomsday Clock #1 Review (SPOILERS)

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Back in 2011 DC Comics made a bold decision. They would reboot the ENTIRE DC Universe, the entire line of comics would start from scratch. All new #1s, new creative teams. Much like Marvel’s successful “Ultimate” re-launch of their characters in 2000. This relaunch of DC’S Comics was called The New 52.

The story telling mechanism they used to reboot their universe was a mini-series event comic called Flashpoint. If Flashpoint sounds familiar it’s because it’s been often used when talking about the cinematic DCU. The idea is if things get bad enough and their movies continue to be failures, they’ll make a Flashpoint film and completely start over the DC movies from scratch. The Flash TV series did a VERY different version of Flashpoint on their show.

So the basic set up for Flashpoint Barry wakes up one morning to find himself in a world vastly different from his own. He’s not The Flash, so no powers, there’s no Superman, no Justice League, Aquaman and Wonder Woman are about to start WWIII, etc. But he’s still a CSI and most importantly for him his mother, who’d been murdered when he was a child is now alive and well. I wont go into details because Flashpoint is a good read, but it’s an even better animated movie Justice League: The Flashpoint Paradox. It’s one of the best animated films DC has put out. So Barry gets his powers back and with Batman’s help fixes the timeline. But when changes that massive have been made to the timeline, things aren’t EXACTLY the same. There were a lot of little and HUGE differences from the classic DC Comics people had been following. So, Flashpoint was basically the “IN STORY” explanation for the NEW 52. Almost none of the characters remember the world as it was before Flashpoint.

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For the life of me I absolutely cannot understand why some people hated the NEW 52. I don’t interact with a lot of other comic book fans on forums or Reddit, which is where I think much of the NEW 52 hate came from. Sure, not everything worked and some beloved characters didn’t immediately make the transition, but lets run through some of the books the DC published at during The New 52:

• Batman
• Swamp Thing
• The Flash
• Animal Man
• Aquaman
• Green Lantern
• Batman and Robin
• Action Comics
• Wonder Woman
• Batman Inc.
• Justice League
• Forever Evil
• Green Arrow

 

That’s just to name a few. With excellent creative teams and excellent storylines.For some reason DC felt that they’d fundamentally lost something along the way. They felt like they lost legacy, a sense of family, a sense of optimism that DC had always been known for. I personally don’t agree, I think the stories where great. But one things that did bug me a little, was that several DC characters didn’t make the transition in the NEW 52 and nothing scares hardcore comic books fans more than change. As a response to what they felt was the negative reception the NEW 52 received. They decided to address the problem with a new intuitive called DC REBIRTH. They didn’t reboot the universe, they just began to take their series in a different direction. They just decided that DC line wide would focus on hope, family, optimism.

DC Comics wanted infuse their books with more of that hope and optimism I mentioned. So, DC released a special called DC UNIVERSE REBIRTH. This special planted the seeds of stories that would affect all of the books DC Comics had published. One of the massive revelations of DC UNIVERSE REBIRTH, was the fact that Barry Allen WAS NOT at fault for the timeline being slightly “off” when he fixed the changes from Flashpoint. Certain classic characters no longer existed, people with powerful relationships in the past weren’t together anymore, key figures like Red Robin had their deaths unwillingly faked only to be held captive in a prison outside of time and space. Basically, for whatever reason, certain people were being take off the board. Barry found out that their was a much more powerful Being out there. Someone or something was altering space and time in the DCU. Someone they’ve never encountered before. At the end of DC REBIRTH, they scene cuts to Mars. It’s revealed that the person that has been manipulating the DCU was the God-like DR. Manhattan Of Watchmen.

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So it seems that characters from Watchmen, at the very least Dr. Manhattan, will be interacting with DC characters. At this point I think it’s important to say that it’s real easy to be cynical about a project like this. But every little piece we’ve been given from REBIRTH leading up to Doomsday Clock has been handled very well. Most of the talk about this project coming from DC wasn’t about a fight of any kind between the DC and Watchmen characters, but an ideological conflict between the cold, clinical view of the world held be Dr Manhattan and the hope and optimism of Clark Kent… Superman.

SPOILERS FROM HERE ON…

 

CONTIUE AT YOUR OWN PERIL IF YOU DONT WANT SPOILERS…

 

LAST CHANCE!….

OK…

 

The thing that surprised me most about this book was how much of it was a Watchmen book. I figured this story would mostly be set in the DCU with Dr. Manhattan visiting that reality and maybe an appearance from one or two other characters. Instead the majority of the story takes place in the world of Watchmen, years after we last saw these characters. It’s a world on the brink of annihilation once again. The first line of dialogue is from our narrator, who tells us it’s “ December 22 1992… or is it the 23rd?” Geoff John has been quick to point out that from the first line of dialogue we’re dealing an unreliable narrative. It’s also been pointed out multiple times in other places that December 22, 1992 is the day that The Death of Superman came out (obviously this date wasn’t chosen by accident). You see “The Great Lie” has bee exposed. Rorschach’s Journal at the end of Watchmen eventually showed the world that Veidt’s attempt to save humanity from nuclear holocaust, was built on an atrocity. Adrian Veidt AKA Ozymandias is now the most wanted man in the world. Then we’re shown a prison full of men begging to be released. The Soviets and the U.S. are minutes away from launching their nukes and beginning nuclear Armageddon.

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The story cut to chaos at a prison, with the inmates screaming to be let free. The news is telling everyone to get to “Safe Zones” , but this seems like bullshit that the government is pushing on people through media and the guards are cutting and running. One of the inmates manages to grab a guard as he runs past his cell and the inmate demands for the guard to unlock the door. Before he can do anything, the guard is knocked out by someone else in the hallway with him. This is the books first huge reveal: the man who knocked out the guard and who’s now stealing the keys to the prison is Rorschach. Suddenly the inmate isn’ t quite so eager to get out of this cell.

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From here on out, I’m going to give you the very broad strokes of the issue. The first six pages of this book were released by DC at NYCC and the Rorschach reveal was one of the last scenes in the promotional material. As I expected as soon Rorschach was revealed, later in the story were shown (without revealing his identity) that this is NOT Walter Kovacs, the original Rorschach. Someone else has taken up his “mantle”. Even if it wasn’t explicitly revealed, if you’re an avid Watchmen fan, you would have been able to tell that this isn’t the Rorschach from Watchmen. There are subtle, but noticeable differences.

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Basically Veidt sent Rorschach to break one very specific criminals out of prison: Erika Manson AKA The Marionette. Manson won’t leave with her husband Marco Maez AKA The Mime. From what we briefly see of The Mime in prison he seems like a very dangerous psychopath. Rorschach reluctantly takes them both and they head to Nite Owl’s old hideout. Once everyone’s gathered Veidt reveals a key piece of personal information and explains his plan. Adrian has a brain tumor that is killing him and as bad as things are on their world, there’s still one man who can fix everything: Dr. Manhattan. No matter where he is Veidt intends to find Dr. Manhattan in an attempt to save his world (if that is indeed his true motive). It’s unclear how he intends to accomplish this and why he needs these SPECIFIC individuals. The last scene is Clark Kent asleep in bed next to Lois. He has a horrific nightmare of his adopted parents dying in a car crash (I’m honestly not sure if this is the current continuity, so this could be a memory or something else entirely). He wakes up startled and Lois asks him if he’s ok. Clark’s not really sure. It was just a nightmare, but as he says to Lois, he’s never had a nightmare before.

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Bottom line, I really liked this story.  I get that to some people Doomsday Clock will always be sacrilege, but if you go in with an open mind you’ll realize this is a great book. If the first chapter is an indicator of what’s to come,. this could potentially be something special. The art by Gary Frank is incredible. I already considered Geoff Johns to be an excellent comic book writer, but it seems like he stepped up his game here. If you didn’t know any better, you’d be forgiven to think that this is Alan Moore is Watchmen.It was a great set up to the miniseries and I can’t wait to see where it goes from here. Several interesting details stood out to me. We’ve been shown that Batman was told that somehow it’ s an irrefutable fact that there are “three Jokers“. Both The Marionette and The Mime are clown themed villains. At one point, you see The Mime smiling with blood smeared across his face and mouth, which is very evocative of The Joker. Is this a version of Joker and Harley Quinn?

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Another interesting point was when Rorschach was asked to prove that he is not in fact Walter Kovacs the original Rorschach, he takes off his glove and his skin is brown. We all know the original Rorschach was white. This is a complete wild guess here, but could this be the psychiatrist that Rorschach seemingly warped so deeply in the original miniseries? (However, I’m pretty sure that character died in the original Watchmen, so I don’t now)

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I also found that it spoke volumes that Ozymandias seemed to be genuinely frightened of this new Rorschach. He explains to The Mime and The Marionette that Rorschach is not a man to be pushed. Veidt explains he doesn’t have limits like the original Rorschach did. Which is scary because it didn’t seem like the original Rorschach had many limits beyond his black-and-white code of justice. Especially considering that Adrian so easily physically overpowered Nite Owl, Silk Spectre, and the original Rorschach in Watchmen, this guy must be a pretty big bad ass for Ozymandias to be genuinely afraid of him.

Anyway those are my initial thoughts and impressions. My biggest questions are: How many of the Watchmen characters are we going to ultimately see in this story? How does Adrian intend to actually breach through the multi-verse to find Dr Manhattan ? Why is all this causing nightmares for Superman? and how does the rest of the DCU fit in? I definitely recommend reading it twice. Even though it seems slow at times, there’s a lot more going on than you may think after initially reading it. Personally I can’t wait for #2.

P.S. Below are the covers for some of the upcoming issues!

As always thanks for reading!

-Paul

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The Best Graphic Novels You Should Read After Seeing Thor: Ragnarok

Hey, guys

By now a lot of you have probably seen Thor: Ragnarok. I saw it and thought it was a blast, if you’ve haven’t had the chance yet, check out our podcast, “The World’s Best Podcast with Paul & Tim”, where we discuss and review (with spoilers) Thor: Ragnarok. It’s one of our best Episodes and we had a lot of fun making it.

I’m always looking for an opportunity to talk about comics. This seemed like a great opportunity to recommend some Comic Books/Graphic Novels to read AFTER you’ve seen Thor: Ragnarok. This film was filled with references and Easter Eggs to some classic Marvel stories. Much of the plot and story elements of Thor: Ragnarok are heavily influenced by 2 or 3 Marvel Graphic Novels, which I’ll list below. I’m also including a few books that are great places to start if you’re looking to read some great Thor or Hulk stories, but aren’t sure where to start.

I’m a big advocate for the medium. Anytime I write an article about great graphic novels, I usually include an Amazon link for the comic book I’m recommending so our readers can easily find the book if they decide they want to check it out. This wasn’t part of any promotion we’d arranged with Amazon, I just wanted to point people in the right direction. But World’s Best Media has grown way beyond the blog I started. We want to continue to give you all of our great podcasts, articles, reviews, videos and more of the best content possible. So, now if you decide you want to purchase one of the graphic novels, movies, or any other stuff we recommend, by going through the Amazon links we provide (like the ones below), a small percentage of the money goes back to us at World’s Best Media to help keep us up and running. So if any of you want buy any of the things we recommend, going through our Amazon Affiliate link would be a huge help and massively appreciated. We don’t ask that you go out of your way, but if you’re going to buy something on Amazon anyway, It’d be great if you went through our links. Thank you so much for all of your support.

Now, here are the best Comic Book/Graphich Novels to read after you’ve seen Thor: Ragnarok…

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Planet HulkWritten by Greg Pak/Art by Carlo Pagulayan & Aaron Lopresti

Planet Hulk is sensually Gladiator in space starring The Hulk instead of Russell Crowe. That’s one hell of a hook. In the Marvel comics there’s a group called The Illuminati, they consist of key, powerful individuals from each corner of the Marvel Universe, all of Marvel’s different groups like The Avengers, X-Men, FF, etc. are represented in some form form or another. They include Tony Stark, Doctor Strange, Reed Richards, Charles Xavier and more. They’re kind of a bunch of pricks actually
Fearing that he will eventually become too dangerous and get out of control, The Illuminati (the pricks that they are) form a plan to trick Banner and send him (Long with the Hulk off Earth permanently ). They pick an uninhabited, ideallic, peaceful planet with everything he needs supplied on the ship to live out his natural life in comfort. In the eyes of Illuminati they are protecting the planet Earth and giving their friend Bruce Banner what he’s always wanted: some peace, to be left alone (Sure, justify it all you want you fucks). Being geniuses and all, you’d think that once Banner was on the space ship and a tape plays explaining what his so called “friends” had done to him, that The Illuminati could have predicted The Hulk would go apeshit and fuck up the space ship. Which, of course, he does. This knocks the ship off course and instead of landing on paradise planet he ends up on Sakaar , or as The Hitchhikers Guide to The Galaxy called it, “The Gaping Asshole Of The Galaxy: 2016”. Ruled by a tyrannical King, one of the biggest parts of Sakaar’s culture is their Gladiator matches. The upper class of Sakaar watch various alien beings fight to the death. Using a device that allows the King of Sakaar and his minions to control Hulk, he reluctantly becomes a gladiator in the Gladiator Arena. Needless to say it’s fucking awesome. I’m sure you can imagine The Hulk would be pretty fucking good as a gladiator , even on an alien plane. The device keeping him a slave only keeps him from escaping, otherwise when he’s in the arena The Hulk cuts loose big time. It doesn’t take long for Hulk to becomes their star gladiator and eventually after making some a few friends and even falling in love, he leads a revolution to free all the slaves. I’ll stop hear because that’s the basic set up and it wouldn’t want say anymore to ruin the story. One of the unique and touching things about this comic is that out in space, The Hulk doesn’t look like a monster (he’s still scary to the other aliens when he wants to be) and all of admiration, acceptance and love that he was denied on Earth, he found here on this far away planet. It’s a great story with a gut punch of an ending which I won’t spoil here. The vast majority of The Hulk stuff in Thor: Ragnarok is from the Planet Hulk story. But not just that there are places and characters that are important in the comic that pop up in the new film. Including Korg the rock man and Meek his little friend he carries around, they’re key characters in Planet Hulk. Don’t think that just because you’ve seen Thor: Ragnarok that the Planet Hulk storyline is spoiled, it goes in some very different directions. It’s a modern classic Hulk story and any Hulk or Marvel fan needs to give this one a shot.

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Thor: Dissassembled Wrtten by Mike Avon Oeming/Art by Andrea Di Vito

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In the early aughts, a legendary comic book writer named Brian Michael Bendas began his run on what would become a classic run on the Avengers franchise. Before the main event you series began, he wrote a miniseries that set up the events of his upcoming Avengers run called Avengers Disassembled. Avengers Disassembled had a massive impact on the Avengers comics that are still being felt today, over 15 years later. The Avengers would never be the same. Along with this massive status quo change, many of the flagship Marvel characters got the similar clean slate treatment where big cataclysmic events happened in their lives. So there was Iron Man Disassembled, Captain America Disassembled, and most relevant here Thor Disassembled. Thor Disassembled is the biggest influence on for Thor: Ragnarok besides Planet Hulk. In the story, Ragnarok the Apocalypse for the Norse gods has begun. Loki, Hela, Surtur The Fire Demon, and Fenris Wolf all play a huge part. Ragnarok was an event that had been prophesies for centuries, so the Asgardians knew that one day this day would come. Much like the events of Thor: Ragnarok, Thor, Odin , Loki, and all the other gods were destroyed along with Asgard. However in Norse mythology death and rebirth is cyclical. Much like the revolving door of life and death in Comics. After Ragnarok it was destined for the gods to be reborn and starting with Thor, the new all father, Odin’s time having past. Though beloved by some, this is not a fantastic graphic novels by today’s standards. There are other Thor books that a excellent reads (a few I’ll list below). While Thor Disassembled isn’t great when compared to Marvel’s storytelling out put over the last 15 – 18 years. It’s not going to be one of your favorite comic books of all time., but it has some great moments especially if you’re interested after seeing Thor: Ragnarok. Asgard and everyone in it are completely take off the board in the Marvel Universe for several years after this story. However, that is far from the end of Thor Odinson and The Asgardians in the Marvel Universe.

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World War Hulk Written by /Art by John Romitta Jr,

After years of living a happy life and ruling the planet Sakaar with a wife and child on the way Hulk was finally at peace. Until the ship that brought him to the planet Sakaar in the first place (built by The Illuminati, these fucking guys again) suddenly explodes in a devastating wave killing Hulk’s pregnant wife, unborn child, dear friends, and more. Hulk has anger issues in the best of times, so after this, well… woe unto those who stand his way. As far as the Hulk Is concerned, The Illuminati are responsible for this death and destruction. Hulk gathers his greatest and most trusted warriors (including Korg the rock alien from Thor: Ragnarok) and comes to Earth in a Sakaaran Warship, seeking vengeance with brutal and unstoppable wrath. These fuckers finally pushed The Hulk too far. Thus World War Hulk begins. The Hulk has one main target, those pricks in The Illuminati: Tony Stark, Reed Richards, Doctor Strange, Black Bolt, Namor, and unbeknownst to Hulk (the deceased, at the moment anyway) Charles Xavier. He means to make them pay for the lives they took and the mistakes that they made. Many classic comic book questions like who would win in a fight between The Hulk and (X) are answered here. This is balls to the walls action, but there are some great character moments throughout. Including some surprising revelations about exactly who are Hulk’s friends and who are his enemies. It’s a great book and a great sequel to Planet Hulk.

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Thor: God of Thunder Vol.1 Written by Jason Aaron /Art by Esad Ribic

Thor: God of Thunder was started by Jason Aaron during Marvel’s, Marvel Now ! Initiative. It was by far one of the best books that came out at that time. Even though there’s been all kinds of crazy Marvel events and Thor books under new names, Jason Aaron’s Thor epic is still going strong, just under the new name, The Mighty Thor.
Thor: God of Thunder follows Thor through the eons and focuses on Thor at three very different points in his life. The past, present, and the distant future. The past, when he was a young irresponsible drunk, hanging out with the Vikings on Midgard, slaying any monster he could find, sleeping with any women he could find, and spending the entire time drinking copious amounts of ale. His dream is to one day weird the mighty Mijonir. This is not the Thor we know today, this is the Thor who is not yet worthy to wield the mighty Mijonir. He loves Earth and the humans who occupy it, but he doesn’t have the same humility and respect for humanity that we tend to see in Thor, but the hero is in there.
In the present, we see the Thor we know and love, the god that has become worthy to wield the mighty hammer. Thor: The Avenger. Hen he may be god, but he’s the type of guy you’d like to hang out and have a beer with. He’s gained some depth and humility since his younger days and learned the value of responsibility.
Finally we see millennia into the future where Old King Thor is one of the final gods in existence. Midgard has burned. Thor is The All-Father to a ruined and desolate Asgard. His only company is the wave after wave sent to him by Gor The God Biutcher. He is in a constant state of exhaustion to keep the army of his vicious and me at bay. Thor looks a lot like Odin here, he’s missing an eye like we see in the movie, and he seems to be missing his left arm. I’m not sure what the arm is made of, but it look similar to the material The Destroyer is built from. Any, even though I’m sure he‘d like his flesh and blood arm back, the one that’s forged for him functions exactly like a “normal” arm. We find out later in the story that after Thor lost his arm, the dwarves, the best smiths and makers in all of the nine realms forged him an arm prosthetic that makes him as good as new.
The common thread throughout the story, as we see Thor in these three very different points in his life is Gorr The God butcher. He’s basically a serial killer for god‘s. An absolute sadist and one of the dangerous most dangerous foes Thor has ever encountered. Why he is doing this and how he became so powerful is revealed throughout the story, so I won’t spoil it here. But it’s a fascinating and thought provoking story. Future All-Father Thor is keeping Gorr’s minions at bay, but Gorr’s real weapon is the Necrosword. This is rather cool Easter egg from Thor: Ragnarok. For reasons unknown, Hela wielded The Necrosword in the film. All that crazy black shit she could use to attack people and the fact that she was seemingly unstoppable, a lot of that came from the Necrosword, a incredibly powerful weapon. Don’t get me wrong, Hela is monumentally formidable on her own, but with the Necrosword she’s nearly impossible to beat. And to be honest I do not think she died in the destruction of Asgard. (Also, the inclusion of The Necrosword make hopeful we may see Gorr make an appearance in a Marvel film down the line)
That “God Butcher” storyline is probably one of the best Thor comics that has been written in years and it kicked off a run that continues to be one of my favorite books to come out month after month. When all said and done it will be hard to choose which story from this epic Thor run that is my favorite. Jason Aaron will be remembered as one of the greatest Thor writers we’ve ever had. If you like Thor at all this is an absolute must.

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Indestructible Hulk Written by Mark WaId/Art by Various

Indestructible Hulk is a great series from long time comic book writer Marc WaId. Basically, Banner has come to terms with fact that he and The Hulk are one being, he’s made his peace with the monster inside him. But he wants to be remembered for more than just the destruction caused by The Hulk. People often forget that Banner is in the same intellectual league as men like Tony Stark, Reed Richards, and Hank Pym. With the possible exception of Pym, because he created fucking Ultron, these men will be remembered for their incredible scientific achievements. While Banner will be remembered for being a monster. So, Banner approaches Maria Hill who is the head of S.H.I.E.L.D. at the time. He proposes that she sets him up with a lab, resources and staff to build wonders: new, clean renewable energy, cures to cancer, solutions to the negative impact of climate change, etc. In return, she gets The Hulk. Even though he’s gone to extraordinary lengths to greatly reduce the risk of turning into The Hulk, Banner has realized that Hulk episodes are inevitable. When that happens, it’s Hills job to step in and aim The Hulk wherever the smashing needs to be done. Because there’s no shortage of bad guys, terrorist groups, and super villains up to no good on, a daily basis, all around the world in the Marvel Universe. It’s really fun book with great art that does something different with The Hulk: Bruce Banner Agent of S.H.I.E.L.D.. There are a lot of great guest stars from throughout the Marvel universe including Tony Stark, Thor, Beast and many more. Waid’s entire run on the series is collected in one easy to read volume. Highly recommended.

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Honorable Mention:

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Ultimate Wolverine Vs Hulk Written by Damon Lindelof/Art by Leinil Francis YU

Wolverine and The Hulk are long time rivals. Even though this story technically takes place in the Ultimate Universe (Before it merger with Marvel Earth-616 or Marvel Earth Prime as it’s now known. Wow. What a nerdy sentence. I’m proud of myself) it’s a great story with some very minor, superficial things that carried over into Thor: Ragnarok. The fact that the story has beautiful art and was written by the creator of LOST is a big draw too. Great book to check out.

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Avengers Disassembled Written by Brian Michael Bendis/Art by David Finch

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This was the main story that Thor Disassembled tied into. This is NOT required reading if you’re just looking for cool Hulk and Thor stories to read after you’ve seen Thor: Ragnarok. However, it is the beginning of Bendis’ modern classic Avengers run, which ran for close to a decade. Fantastic Avengers stories. Start with Avengers vol.1 Breakout and keep going from there if you’re hooked.

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Thanks for reading!

-Paul

 

 

 

 

 

 

 

 

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DC’s DOOMSDAY CLOCK Epic Preview & The Premier Of My New Comic Book Podcast!

Hey, guys

Today was the New York Comic Con and one of their biggest panels was a discussion with one of DC’s greatest writers, Geoff Johns about his epic new series Doomsday Clock which features characters from the classic graphic novel Watchmen, crossing over into the DC Universe. Some of you may be immediately turned off by that sentence, but give me a chance to make a case why I think this is going to be really cool. I have some great stuff here to get you excited for Doomsday Clock!

Below, I have all of the covers that have been released for the 12 issue series so far. Plus, a special sneak peek at the first six pages of issue number one which comes out in November. The art by Gary Frank is fantastic. One of the best in the business. I’m also using this opportunity to premiere a new mini podcast I’ll be doing from time to time where I talk exclusively about comics. I was so excited about Doomsday Clock,I figured this would be as good a time as any to finally start with a great topic to discuss. So, this first episode will be me talking about Doomsday Clock and why I think it’ll be pretty cool. It runs a little longer then these mini episodes will normally be, but that’s just because I had to plug some other things we’re  working on. Now please enjoy your first look at Doomsday Clock and the first episode of “Paul Talks Comics” or I’ll come up with some other fucking title, who knows… You know what? Actually “Paul Talks Comics” blows as a title. I’ll figure something out, so stay tuned!

The Covers:

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 The First 6 Pages Of Doomsday Clock #1:

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Note:  I have a strong feeling that is not Walter Kovacs under that mask

The First Episode Of “Paul Talks Comics” ….it’s a working title:

https://www.spreaker.com/episode/12978818

As always thanks for reading and listening!

-Paul

MUST READ: MARVEL LEGACY #1

I’ve always said that one of my goals when I started this website was to increase awareness of comic books to the general pubic. Comics aren’t a genre, they’re a storytelling medium, like film or books. In recent years comics have begun to receive more respect, but I still try to do my part to fight the good fight on behalf of comic books.

This week Marvel Comics released Marvel Legacy #1, it was an extra long special issue to set up important characters and storylines in upcoming Marvel books. Lately, if you were to pick up a comic featuring one of Marvel’s most famous characters, the person you’re expecting to see probably isn’t the star of the book. For example, Captain America was Sam Wilson A.K.A. The Falcon, Thor is Jane Foster, Thor’s ex-girlfriend, Spider-Man is Miles Morales, and that’s just naming a few. Iron Man and The Hulk also feature different characters than Tony Stark and Bruce Banner. In my opinion, almost all of these are excellent books and have been richer reading experiences by not having the “classic” version of the hero as the star of any of these given books. Don’t get me wrong Tony Stark, Steve Rogers, Peter Parker and all the rest are still banging around the Marvel Universe in some for or another. But it’s been a period of “passing the torch” to another generation while the traditional Marvel heroes take a step back or take on other roles.

Now it seems that Marvel is bringing the “classic” versions of these heroes back to the forefront in a big way, with Marvel Legacy #1 leading the charge. Now, it’s definitely not the best book for someone whose never picked up a comic books before. It’s a little crazy and all over the place, but I say dive in head first and get lost in the crazy-ass Marvel Universe. If you’re a little confused, just go with. Over the next few weeks and months Marvel’s going to be relaunching a whole bunch of new books featuring both the “classic” versions of Marvel’s heroes and the new characters we’ve come to love (or in the case of someone like Sam Wilson, a classic character returning to his traditional role, The Falcon). Those books are likely to be much more accessible to new fans. They’re fresh start books, a place for new readers to catch up. For those of us, (like myself) who love the new characters who’ve taken up the mantle of iconic heroes, I’m happy to report that they’re not being pushed away or forgotten about. Marvel is just bring back some of our old favorites back to join in on the fun.

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There are some great moments in Marvel Legacy #1 including this teaser of what’s inside, because who doesn’t want to see the very FIRST Avengers team? The AVENGERS OF 1,000,000 B.C.!

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(Team roster, from left to right: The First Iron Fist, Starbrand: Earth’s built in defense system, The Phoenix, a young Odin holding the mighty hammer Mjolnir, The First Black Panther, Agamotto: Earth’s First Sorcerer Supreme, The Ghost Rider: The Spirit of Vengeance riding a fucking Mastodon)

If you’re not that familiar with comics, but maybe have seen some of the movies or TV shows, pick a couple of characters that you like most and pick up their new books spinning out of Marvel Legacy #1. That’s what’s great about going to your local comic book store, sure you can download books on your tablet through apps like ComiXology, but at your local comics store, the people who work their can help you find the perfect book for you. They can be your guide on this great adventure and believe me reading comics feels like an adventure in the best way.

So either go to your local comic book store or download it on ComiXology, but read Marvel Legacy #1 for all it’s craziness and then go read the new book featuring your favorite heroes.Because there are some great books coming down the pipe. Here’s a look at some of the books Marvel is putting out after Marvel Legacy#1 as well as the full list of new and relaunched books coming up this fall (Note: Don’t be intimidated by the issue numbers on the covers of these books, they might as well be #1, they’re fresh starts, but Marvel wanted to honor the legacy of these books by bringing them back to their original numbering. Trust me, it’s not as confusing as it sounds)

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Here’s the full list of the new Marvel books and stories debuting in the coming weeks and months:

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As always, thanks for reading

-Paul