Let’s Talk About Venom

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I’ve been getting back into comics the last year or so, and I’ve been finding that my tastes have drastically changed in characters and stories in my nearly twenty year absence.  As a kid, I loved Marvel comics, and didn’t ever pay attention to DC, now I’m definitely finding more in DC that I enjoy.  I used to love Spider-Man and the Avengers, and now when I am reading Marvel stuff it tends to be stuff that isn’t too closely related to any of the MCU films or other Marvel films.

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One of the characters that I used to love when I was about 12 or so, was Venom.  He was so cool.  I’m starting to think he may have been more of a ‘cool’ character, than a ‘good’ character.

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I remember reading some of the ‘Venom’ series, and thinking that he was like an edgy broodier version of Spider-Man.  I think I thought “Venom is what J. Jonah Jameson thinks Spider-Man is,” which I thought was incredibly cool.  At this same time in my life, I was also collecting all the ‘alternatives’ that were coming out like A-Next which was the next generation Avengers, and J² which was Juggernaut’s son.  I think I had crappy taste at the time.  But Venom was a bad-ass, and I was convinced that was amazing.

Then, Spider-Man 3 was coming out, and it was announced that they’d be doing Venom as one of the villains, I was ecstatic.  Even when they announced it was Topher Grace, who seemed so unlike Eddie Brock, but they explained that he was supposed to be Spider-Man’s mirror, so they sold me on it.  Then I saw the movie and thought “oh they really fucked that up.”  It was definitely the portrayal of the character, and not the character itself right?

So a couple months ago, the trailer for the new Venom movie was released, and I have to be honest, I think it looks like garbage.  I like every single person in it (especially Jenny Slate) but the way she pronounces symbiote (Sim BY Oat) is obnoxious, and I’m sure this will be like when people were telling me that the correct way to pronounce Smaug was with each and every single vowel present, and I was like “it may be right, but it’s still annoying.”  So there was strike one.  Strike two is that the actual Venom suit/skin looks horrendous.  Don’t get me wrong, it looks just like in the comics, but it looks awful when juxtaposed with non-animated characters.  There isn’t a strike three yet.  So hopefully, I’m wrong.

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Then lastly, I started reading the Venom vs. Carnage trade paperback, and after a few pages of “I’m your father, you have to listen to me,” and “Perhaps if my host had any regard for his family, I’d respect you dear old daddy” a lightbulb went off in my head.  What if Venom sucks?  What if it isn’t that the character hasn’t been portrayed right, but what if it’s that the character isn’t good, or perhaps he’s only situationally good, like in small doses, when paired with the right characters?

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Paul has talked a few times in articles and in the podcast about characters like Wolverine being best served in small doses, because they’re cool, and there is a tendency to over do them.  Maybe that’s Venom’s problem.  Or maybe unlike Wolverine who is cool, and has a great arc/background, Venom is just cool, and not ‘good’.

Don’t get me wrong, I’ll go see the Venom film and I’m going to finish reading this book, but I’m not sure anymore about Venom.

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What do you think of Venom?  Is he just cool?  Am I missing some incredible story that does his character the most justice possible?  Let me know in the comments below.

written by Michael Cole

Why Spider-Man Is NOT A Hero or (Why Spider-Man Only Works When He’s A Teenager)

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Spider-Man reached a historic milestone this week with the publication of Amazing Spider-Man #800. This was also the penultimate chapter of writer Dan Slott’s celebrated run on the series. For the finale, Slott pulled out all the stops and gave Peter Parker a truly monumental threat to face for his last story arc on the book. Slott’s story has been building to an epic confrontation with Norman Osborn, unquestionably Peter’s greatest adversary.

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I mean, the guy looks so fucking creepy, why cover it up with this shitty mask?
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Christ…. Just awful. He looks better without the stupid costume.

Though memorably played by Willem Dafoe in Sam Raimi’s Spider-Man film series, I always hated Dafoe’s campy and cartoonish performance as one of comics’ best villains. But that’s an article for another day. In the above mentioned comic book story arc, Osborn has returned to once again torment Peter Parker and everyone around him, but this time not only has he regained his abilities that made him so dangerous as The Green Goblin, he’s also bonded with the alien symbiote worn by Carnage, creating the seemingly unstoppable: RED GOBLIN!

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This is an excellent character design by the artist on the book Stuart Immonen. It’s Norman Osborn juiced up on his Goblin Formula while bonded with the Carnage Symbiote. Bad. Fucking. News. Immune to normal symbiote weaknesses like fire and sound.

Osborn has never been so deadly and his new persona as THE RED GOBLIN  is a terrifying, unstoppable monster. To use a cliché: All the strengths of The Green Goblin and Carnage, but none of their weaknesses. It takes everything Peter has, including the aid of everyone from all the other Spider themed heroes like Miles Morales to semi-reformed villains Venom and Otto Octavius, to bring down The Red Goblin. Hell, even MJ and Aunt May get some licks in. Ultimately, Flash Thompson, Peter’s former high school bully, turned good friend, turns the tide of the battle. Now the military war vet/super hero Anti-Venom; Flash sacrifices himself to give Peter the chance to defeat Osborn.

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Flash Thompson as Anti-Venom. Giving Peter the edge he needs to win the fight.
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Tragically, Osborn has just enough left in him to deal a brutal killing blow to Flash.

With Osborn beaten, Peter takes a moment to appreciate his victory and take in the destruction caused by their fight. When J. Jonah Jameson walks out of the smoke with a gun, intending to finally put an end to the death and misery caused by Osborn. It was far too close this time, Peter didn’t even come close to beating Osborn on his own. It took unprecedented amounts of help and a whole lot of luck to just barely defeat this monster.

Jameson knows Norman will be back like he has so many times before to bring death and horror into their lives. Osborn has killed thousands of innocents, used a U.S. Intelligence agency as his personal kill squad when he became head of SHIELD, started a war with Asgard, and finally he was responsible for one of comic books’ most iconic and heartbreaking deaths: the love of Peter’s life Gwen Stacy.

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Well, he didn’t die. YOU didn’t kill him. He went on to kill hundreds more. How do you think Gwen would feel that you could have avenged her death, but didn’t because you’re a fucking hypocritical coward?

Not to mention the countless other innocent victims that have been caught in the crossfire between Osborn and Spider-Man over the years. He knows Peter can’t and wont do what needs to be done: kill Osborn. But this is a burden Jonah is willing to bear for the young man he once saw as a menace. So, doing what needs to be done, what he believes is right, he pulls the trigger to kill Norman Osborn….

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…. And Peter dives in front of the bullet to save Osborn. Taking a slug in the shoulder for the man who juts killed one of his best friends.    …..Wait…  …Um..  …Hold on a second… ….Ummmm… WHAT?!…. WHAT THE FUCK?!!!!….. WHY?!!!!!!

Because Peter Parker isn’t a hero, he’s a coward. With great power comes great responsibility. Flash Thompson understood that and gave his life for it. Jameson understood by the making the choice to take on the burden Peter didn’t have the strength to. When Peter took that bullet he spat on Flash’s sacrifice. Every death caused by Osborn from this moment on is Peter’s responsibility. Trust me, this is Comics. Osborn WILL be back to kill and maim again, in some form or another.

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Police and their use of firearms is a very touchy subject in this country right now, so I’m speaking hypothetically here. I understand that police using their firearms inappropriately is a serious problem in this county at the moment and I take that very seriously. But stay with me here for a second while I make a quick point, hypothetically in a world where police officers use their weapon in the line of duty only in the situations where it’s absolutely necessary or if  a psychopath is killing people, isn’t it their responsibility to save lives? Even if it means killing the perpetrator? Or what if an officer were defending themselves from an armed and dangerous individual? How is this different than the many times Norman Osborn has murdered people, put lives in danger, and terrorized people over and over again. If the police had encountered Osborn in almost ANY of the senario’s that Peter has, they would have killed him (if they could of course, Osborn is probably impossible for a normal human cop to take down). Peter should have put Osborn down for good a long time ago. If he really believed in dedicating his life to being a hero, he’d have realized that so many of the lives Osborn has taken are on him.

D2CE0547-9214-4780-AAED-2E8E0A4F2E36 I think this is a good time to point out that Peter Parker is a superpowered, masked vigilante whose identity isn’t known to the general public. You and I cant go around taking the law into our hands, but he can. In fact, he does it all the time. That’s what being Spider-Man is. He just doesnt have the guts to kill Osborn and because of his abilities and persona as Spider-Man, this is a crime he could very likely get away with, in a way normal people couldn’t.

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This isn’t the first time Peter has pulled something like this. A few years ago through a convoluted set of circumstances, Norman Osborn became head of SHILED and the Avengers instantly became outlaws. Hawkeye argues that Osborn is insane, homicidal, and cannot under any circumstances be allowed to keep control of SHIELD. Hawkeye thinks the only thing to do, the thing they need to do, have a responsibility to do is kill Osborn. The public doesn’t know that he’s a madman and potentially millions of lives are in danger with Osborn controlling the weapons at SHIELD’s disposal.

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At which point Spider-Man argues that HAWKEYE is the one who’s crazy for even suggesting they kill Osborn and tells the rest of the Avengers that Osborn will inevitably shoot himself in the foot and the public will see him for the monster he really is. Well, how many people will die while you just sit around waiting for this to happen, Peter? In a world where individuals can be classified as a “Person Of Mass Destruction” isn’t it dangerously negligent for Spider-Man to have this attitude? Isn’t this the very definition of “With great power, comes great responsibility”?

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Teenage Peter Parker from Ultimate Spider-Man

This is why I think Spider-Man only works as a character when he’s a teenager. I only read Amazing Spider-Man #800 because it was a milestone issue. The only Spider-Man book I currently read on a monthly basis is Spider-Man which stars the other younger Spider-Man, high schooler Miles Morales. When a teenager sees the world in such morally black and white terms… well, they’re teenagers. What the fuck do they know? I remember when I was 16 I thought good and evil were clear lines and I’d never see the world as a place where thing like “necessary evils” must exist. But of course as I grew up, I changed and so did my view of the world. It almost seems like Peter Parker never grew up. It seems as if he never matured past his childish and naive sense of morality. So when you read a Spider-Man book or see a Spider-Man movie, they tend to be at their best when Peter is a teenager. It’s no coincidence that my personal favorite Spider-Man stories ever told were part of Brian Michael Bendis’ Ultimate Spider-Man run, which chronicled Peter as he navigated the dangers of super villains and his New York City high school.

Tony Stark and Steve Rogers debate morality all the time, but they’ve never debated the morality of killing murderous, super-powered lunatics. Spider-Man is always talking about how “with great power, comes great responsibility”. But I say Peter Parker is a coward who doesn’t have the courage of his own convictions. Heroes do what needs to be done, they don’t hide behind some bullshit code. SPIDER-MAN IS NOT A HERO. SPIDER-MAN IS A COWARD. Let online onslaught of hate begin…

In all honesty, I’d love to hear your opinions on the points I bring up in this article. Please write you comments below or on our Facebook Page and maybe we’ll read your question or comment on an upcoming episode of The World’s Best Podcast.

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Fuck you, Peter. You deserve everything coming to you.

As always, thanks for reading!

-Paul

Comic Book Review: Doomsday Clock #4 (No Spoilers)

 

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Since the “Death of Superman” in the 90’s, death being a revolving door has been somewhat of joke in the comic world. Unfortunately, frequent deaths and resurrections can often hurt the Superhero genre. Mainly because it pushes people away. To some readers it takes the sense of urgency from the story, they don’t feel any substance in a story they read because this is used so often it’s a trope of the genre. Once I realized how many Watchmen characters would actually be used in Doomsday Clock, I expected immediate negative backlash from the fan community. ESPECIALLY when The Comedian turned up alive. To be honest I wasn’t exactly thrilled by his return. This entire story needs to be handled very delicately to work. The Watchmen characters we saw before The Comedian showed up were used really well, but I felt like The Comedian might have been a bridge too far. Geoff Johns and Gary Frank better have a very important reason for bringing him into the story or else it will feel like bad fan service (I have faith that a good explanation will be given, especially because everything else in this miniseries has been excellent so far).

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Having said all that, none of it really has much to do with THIS issue. I haven’t reviewed Doomsday Clock in awhile and since then I’ve noticed that some fans are unhappy with the return of certain characters. But lets focus on Doomsday Clock #4.

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This is the most character driven issue of the series so far and it almost exclusively focuses on one main character: “New Rorschach”. I put the name “Rorschach” in quotes because we already know that this isn’t Walter Kovacs, Original Recipe Rorschach. This is Reggie, the young man how took on the mantle of the legendary crime fighter/ infamous lunatic vigilante.

For readers looking for a story that pushes the narrative further in a significant way, you may be disappointed. Otherwise this is an excellent character study of this new Rorschach. We not only get to see how he became the next Rorschach, we also find out exactly who Reggie is and where he fits in the Watchmen story (which I won’t spoil here). All I’ll say is that this person wasn’t even on my list of suspects.

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Up until this issue, I was pretty sure that Reggie was an original character because, after going back to the Watchmen graphic novel there really wasn’t anyone who fit what we know about him (which is pretty much just; that he’s a relatively young man, African American, and more than a little bit of a psychopath.). But after reading the issue, I tip my hat to Johns and Frank because they have delivered an excellent vigilante origin story. They did a great job of creating Reggie’s backstory. My one criticism is that even though the creators found a very clever way of showing us how Reggie acquired his fighting skills, it doesn’t seem like enough to make into a fighter that would make even Veidt uneasy. But maybe there’s more to the puzzle coming up.

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This was the perfect point to tell us Reggie’s backstory and what drives him. Because among the cast of new characters, we know a relatively significant amount about The Marionette and The Mime and what makes them tick (even though there are still some huge questions surrounding these two). Four issues into a 12 issue series, we need to understand the goals and motivations of all the main characters for the story to work. We also get a great appearance of a relatively obscure Watchmen character that’s both sweet and heartbreaking.

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Though other issues of Doomsday Clock have wowed me in a ways that this chapter didn’t, it is nonetheless a beautiful character tale that’s tragic, sad, and illuminating. If you don’t mind one or two comic book tropes, I highly recommend Doomsday Clock as a series. This issue was definitely weaker than others, but it was still great. I can’t wait to see what Geoff Johns and Gary Frank have in store for the next 8 issues.

Doomsday Clock #4:  8.5/10

Review by Paul J. Wright

 

COMICS: More DC News! Superman & Brian Michael Bendis!

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Art from the upcoming Action Comics #1000. Fuck the red underwear though!

This has been a big week for comic book news. Ever since comic book writer Brian Michael Bendis jumped ship from Marvel to DC, fans have been wondering what projects he’d be working on and what characters he’d be writing. Bendis has been one of the defining creators at Marvel for almost 20 years, with legendary runs on books like Daredevil, Ultimate Spider-Man, and Avengers. During that time he created classic original characters like Jessica Jone and Miles Morales.

Now, DC has announced that starting in July, Bendis will take over writing the Superman books, Action Comics and Superman. Check out more of the art here:

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According to IGN, Bendis will also be debuting a massive new villain with ties to Krypton’s past. I know some people won’t be on board for Bendis writing Superman, but I’ve always loved his work. My only complaint is that they brought back that fucking red underwear on his uniform. DC! I thought we were past this!!!

-Paul

Big DC Comics News! Scott Snyder Announced As The New Writer For JUSTICE LEAGUE

 

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Team: Entropy

Scott Snyder is probably one of the greatest comic books writers in the history of the medium. His run on Batman with artist Greg Capullo is already a modern classic and some of the best work ever done on the character.

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Left to Right: Beast Boy, Lobo, Batman, Lex Luthor, Deathstroke

Following the release of artwork by Francis Manapul, DC announced that Scott Snyder will writing the flagship book for DC, Justice League.  Besides the incredible work he’s already done on characters like Batman, we’ve seen that Snyder has incredible talent working on almost any hero in the DC Universe. So this is something to be very excited about.  Though it wasn’t formally announced I suspect that Francis Manapul will be the artist on the main Justice League book that Snyder is writing, considering his art was such a large part of the announcement.

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Team: Mystery
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Left to Right: Starfire, Superman, J’onn J’onzz, Sinestro, Behind them: (the weirdest damn inclusion) Starro The Star Conqueror

To kick off this new era for the JL, DC has also announced a 4 issue miniseries called Justice League: No Justice, that will set up the new status quo for Snyder’s Justice League bookThe miniseries will be co-written by Scott Snyder, James Tynion IV (Detective Comics) and Joshua Williamson (The Flash) with art by Francis Manapul. Issue #1 of that miniseries will be on sale 5/9.

DC unveiled artwork with a very diverse group of characters joining the League roster. It was a weird/awesome mix of classic Justice League members, villains, and younger heroes. There are a lot of cool possibilities with these characters. In fact each group of heroes was given subtitle to their team that I’ll include in the artwork captions. Apparently theses specific teams being brought together on separate missions, but with the same larger goal is  part of the story in Justice League: No Justice.

As a side note, Francis Manapul is one of the most talented artists in the business. His gorgeous art is always a huge draw for me on any comic he works on. His run on The Flash in particular is absolutely beautiful.

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Team: Wisdom
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Left to Right: The Atom, Harley Quinn, The Flash, Robin (Damian Wayne), Cyborg

This means there will probably be a few different JL books, each with a different focus. For example, one of the Justice League comics used to be called Justice League Dark and it featured all mystical based DC heroes like John Constantine and Zatanna facing supernatural threats. Writers James Tynion IV and Joshua Williamson were named as co-writers of the miniseries with Scott Snyder, so I’d bet that they’ll each be writing a Justice League book, probably with a specific focus like space or magic or something. But once again, the thing to be excited about is Scott Snyder writing the flagship Justice League book which will be your “classic Justice League style”  adventures. Your Original Recipe Justice League, if you will

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Team: Wonder
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Left to Right: Raven, Doctor Fate, Wonder Woman, Zatanna, Etrigan The Demon

After Justice League: No Justice wraps up, Scott Snyder’s Justice League will hit shelves shortly after.  These are usually excellent times for new readers to jump on the comic book bandwagon. A miniseries like No Justice is usually designed to acclimate new readers to the status quo and they’re great jumping on points. Keep an eye out here as we’ll publish new info as it becomes available.

Are you excited for Scott Snyder’s Justice League comic book?

Out of the four teams  we see, which was your favorite?

Which team has the most  interesting combo of characters?

Let us know in the comments below!

I know I’m excited! Thanks for reading, everyone!

-Paul

 

 

MUST READ: Doomsday Clock #1 Review (SPOILERS)

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Back in 2011 DC Comics made a bold decision. They would reboot the ENTIRE DC Universe, the entire line of comics would start from scratch. All new #1s, new creative teams. Much like Marvel’s successful “Ultimate” re-launch of their characters in 2000. This relaunch of DC’S Comics was called The New 52.

The story telling mechanism they used to reboot their universe was a mini-series event comic called Flashpoint. If Flashpoint sounds familiar it’s because it’s been often used when talking about the cinematic DCU. The idea is if things get bad enough and their movies continue to be failures, they’ll make a Flashpoint film and completely start over the DC movies from scratch. The Flash TV series did a VERY different version of Flashpoint on their show.

So the basic set up for Flashpoint Barry wakes up one morning to find himself in a world vastly different from his own. He’s not The Flash, so no powers, there’s no Superman, no Justice League, Aquaman and Wonder Woman are about to start WWIII, etc. But he’s still a CSI and most importantly for him his mother, who’d been murdered when he was a child is now alive and well. I wont go into details because Flashpoint is a good read, but it’s an even better animated movie Justice League: The Flashpoint Paradox. It’s one of the best animated films DC has put out. So Barry gets his powers back and with Batman’s help fixes the timeline. But when changes that massive have been made to the timeline, things aren’t EXACTLY the same. There were a lot of little and HUGE differences from the classic DC Comics people had been following. So, Flashpoint was basically the “IN STORY” explanation for the NEW 52. Almost none of the characters remember the world as it was before Flashpoint.

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For the life of me I absolutely cannot understand why some people hated the NEW 52. I don’t interact with a lot of other comic book fans on forums or Reddit, which is where I think much of the NEW 52 hate came from. Sure, not everything worked and some beloved characters didn’t immediately make the transition, but lets run through some of the books the DC published at during The New 52:

• Batman
• Swamp Thing
• The Flash
• Animal Man
• Aquaman
• Green Lantern
• Batman and Robin
• Action Comics
• Wonder Woman
• Batman Inc.
• Justice League
• Forever Evil
• Green Arrow

 

That’s just to name a few. With excellent creative teams and excellent storylines.For some reason DC felt that they’d fundamentally lost something along the way. They felt like they lost legacy, a sense of family, a sense of optimism that DC had always been known for. I personally don’t agree, I think the stories where great. But one things that did bug me a little, was that several DC characters didn’t make the transition in the NEW 52 and nothing scares hardcore comic books fans more than change. As a response to what they felt was the negative reception the NEW 52 received. They decided to address the problem with a new intuitive called DC REBIRTH. They didn’t reboot the universe, they just began to take their series in a different direction. They just decided that DC line wide would focus on hope, family, optimism.

DC Comics wanted infuse their books with more of that hope and optimism I mentioned. So, DC released a special called DC UNIVERSE REBIRTH. This special planted the seeds of stories that would affect all of the books DC Comics had published. One of the massive revelations of DC UNIVERSE REBIRTH, was the fact that Barry Allen WAS NOT at fault for the timeline being slightly “off” when he fixed the changes from Flashpoint. Certain classic characters no longer existed, people with powerful relationships in the past weren’t together anymore, key figures like Red Robin had their deaths unwillingly faked only to be held captive in a prison outside of time and space. Basically, for whatever reason, certain people were being take off the board. Barry found out that their was a much more powerful Being out there. Someone or something was altering space and time in the DCU. Someone they’ve never encountered before. At the end of DC REBIRTH, they scene cuts to Mars. It’s revealed that the person that has been manipulating the DCU was the God-like DR. Manhattan Of Watchmen.

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So it seems that characters from Watchmen, at the very least Dr. Manhattan, will be interacting with DC characters. At this point I think it’s important to say that it’s real easy to be cynical about a project like this. But every little piece we’ve been given from REBIRTH leading up to Doomsday Clock has been handled very well. Most of the talk about this project coming from DC wasn’t about a fight of any kind between the DC and Watchmen characters, but an ideological conflict between the cold, clinical view of the world held be Dr Manhattan and the hope and optimism of Clark Kent… Superman.

SPOILERS FROM HERE ON…

 

CONTIUE AT YOUR OWN PERIL IF YOU DONT WANT SPOILERS…

 

LAST CHANCE!….

OK…

 

The thing that surprised me most about this book was how much of it was a Watchmen book. I figured this story would mostly be set in the DCU with Dr. Manhattan visiting that reality and maybe an appearance from one or two other characters. Instead the majority of the story takes place in the world of Watchmen, years after we last saw these characters. It’s a world on the brink of annihilation once again. The first line of dialogue is from our narrator, who tells us it’s “ December 22 1992… or is it the 23rd?” Geoff John has been quick to point out that from the first line of dialogue we’re dealing an unreliable narrative. It’s also been pointed out multiple times in other places that December 22, 1992 is the day that The Death of Superman came out (obviously this date wasn’t chosen by accident). You see “The Great Lie” has bee exposed. Rorschach’s Journal at the end of Watchmen eventually showed the world that Veidt’s attempt to save humanity from nuclear holocaust, was built on an atrocity. Adrian Veidt AKA Ozymandias is now the most wanted man in the world. Then we’re shown a prison full of men begging to be released. The Soviets and the U.S. are minutes away from launching their nukes and beginning nuclear Armageddon.

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The story cut to chaos at a prison, with the inmates screaming to be let free. The news is telling everyone to get to “Safe Zones” , but this seems like bullshit that the government is pushing on people through media and the guards are cutting and running. One of the inmates manages to grab a guard as he runs past his cell and the inmate demands for the guard to unlock the door. Before he can do anything, the guard is knocked out by someone else in the hallway with him. This is the books first huge reveal: the man who knocked out the guard and who’s now stealing the keys to the prison is Rorschach. Suddenly the inmate isn’ t quite so eager to get out of this cell.

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From here on out, I’m going to give you the very broad strokes of the issue. The first six pages of this book were released by DC at NYCC and the Rorschach reveal was one of the last scenes in the promotional material. As I expected as soon Rorschach was revealed, later in the story were shown (without revealing his identity) that this is NOT Walter Kovacs, the original Rorschach. Someone else has taken up his “mantle”. Even if it wasn’t explicitly revealed, if you’re an avid Watchmen fan, you would have been able to tell that this isn’t the Rorschach from Watchmen. There are subtle, but noticeable differences.

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Basically Veidt sent Rorschach to break one very specific criminals out of prison: Erika Manson AKA The Marionette. Manson won’t leave with her husband Marco Maez AKA The Mime. From what we briefly see of The Mime in prison he seems like a very dangerous psychopath. Rorschach reluctantly takes them both and they head to Nite Owl’s old hideout. Once everyone’s gathered Veidt reveals a key piece of personal information and explains his plan. Adrian has a brain tumor that is killing him and as bad as things are on their world, there’s still one man who can fix everything: Dr. Manhattan. No matter where he is Veidt intends to find Dr. Manhattan in an attempt to save his world (if that is indeed his true motive). It’s unclear how he intends to accomplish this and why he needs these SPECIFIC individuals. The last scene is Clark Kent asleep in bed next to Lois. He has a horrific nightmare of his adopted parents dying in a car crash (I’m honestly not sure if this is the current continuity, so this could be a memory or something else entirely). He wakes up startled and Lois asks him if he’s ok. Clark’s not really sure. It was just a nightmare, but as he says to Lois, he’s never had a nightmare before.

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Bottom line, I really liked this story.  I get that to some people Doomsday Clock will always be sacrilege, but if you go in with an open mind you’ll realize this is a great book. If the first chapter is an indicator of what’s to come,. this could potentially be something special. The art by Gary Frank is incredible. I already considered Geoff Johns to be an excellent comic book writer, but it seems like he stepped up his game here. If you didn’t know any better, you’d be forgiven to think that this is Alan Moore is Watchmen.It was a great set up to the miniseries and I can’t wait to see where it goes from here. Several interesting details stood out to me. We’ve been shown that Batman was told that somehow it’ s an irrefutable fact that there are “three Jokers“. Both The Marionette and The Mime are clown themed villains. At one point, you see The Mime smiling with blood smeared across his face and mouth, which is very evocative of The Joker. Is this a version of Joker and Harley Quinn?

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Another interesting point was when Rorschach was asked to prove that he is not in fact Walter Kovacs the original Rorschach, he takes off his glove and his skin is brown. We all know the original Rorschach was white. This is a complete wild guess here, but could this be the psychiatrist that Rorschach seemingly warped so deeply in the original miniseries? (However, I’m pretty sure that character died in the original Watchmen, so I don’t now)

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I also found that it spoke volumes that Ozymandias seemed to be genuinely frightened of this new Rorschach. He explains to The Mime and The Marionette that Rorschach is not a man to be pushed. Veidt explains he doesn’t have limits like the original Rorschach did. Which is scary because it didn’t seem like the original Rorschach had many limits beyond his black-and-white code of justice. Especially considering that Adrian so easily physically overpowered Nite Owl, Silk Spectre, and the original Rorschach in Watchmen, this guy must be a pretty big bad ass for Ozymandias to be genuinely afraid of him.

Anyway those are my initial thoughts and impressions. My biggest questions are: How many of the Watchmen characters are we going to ultimately see in this story? How does Adrian intend to actually breach through the multi-verse to find Dr Manhattan ? Why is all this causing nightmares for Superman? and how does the rest of the DCU fit in? I definitely recommend reading it twice. Even though it seems slow at times, there’s a lot more going on than you may think after initially reading it. Personally I can’t wait for #2.

P.S. Below are the covers for some of the upcoming issues!

As always thanks for reading!

-Paul

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The Best Graphic Novels You Should Read After Seeing Thor: Ragnarok

Hey, guys

By now a lot of you have probably seen Thor: Ragnarok. I saw it and thought it was a blast, if you’ve haven’t had the chance yet, check out our podcast, “The World’s Best Podcast with Paul & Tim”, where we discuss and review (with spoilers) Thor: Ragnarok. It’s one of our best Episodes and we had a lot of fun making it.

I’m always looking for an opportunity to talk about comics. This seemed like a great opportunity to recommend some Comic Books/Graphic Novels to read AFTER you’ve seen Thor: Ragnarok. This film was filled with references and Easter Eggs to some classic Marvel stories. Much of the plot and story elements of Thor: Ragnarok are heavily influenced by 2 or 3 Marvel Graphic Novels, which I’ll list below. I’m also including a few books that are great places to start if you’re looking to read some great Thor or Hulk stories, but aren’t sure where to start.

I’m a big advocate for the medium. Anytime I write an article about great graphic novels, I usually include an Amazon link for the comic book I’m recommending so our readers can easily find the book if they decide they want to check it out. This wasn’t part of any promotion we’d arranged with Amazon, I just wanted to point people in the right direction. But World’s Best Media has grown way beyond the blog I started. We want to continue to give you all of our great podcasts, articles, reviews, videos and more of the best content possible. So, now if you decide you want to purchase one of the graphic novels, movies, or any other stuff we recommend, by going through the Amazon links we provide (like the ones below), a small percentage of the money goes back to us at World’s Best Media to help keep us up and running. So if any of you want buy any of the things we recommend, going through our Amazon Affiliate link would be a huge help and massively appreciated. We don’t ask that you go out of your way, but if you’re going to buy something on Amazon anyway, It’d be great if you went through our links. Thank you so much for all of your support.

Now, here are the best Comic Book/Graphich Novels to read after you’ve seen Thor: Ragnarok…

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Planet HulkWritten by Greg Pak/Art by Carlo Pagulayan & Aaron Lopresti

Planet Hulk is sensually Gladiator in space starring The Hulk instead of Russell Crowe. That’s one hell of a hook. In the Marvel comics there’s a group called The Illuminati, they consist of key, powerful individuals from each corner of the Marvel Universe, all of Marvel’s different groups like The Avengers, X-Men, FF, etc. are represented in some form form or another. They include Tony Stark, Doctor Strange, Reed Richards, Charles Xavier and more. They’re kind of a bunch of pricks actually
Fearing that he will eventually become too dangerous and get out of control, The Illuminati (the pricks that they are) form a plan to trick Banner and send him (Long with the Hulk off Earth permanently ). They pick an uninhabited, ideallic, peaceful planet with everything he needs supplied on the ship to live out his natural life in comfort. In the eyes of Illuminati they are protecting the planet Earth and giving their friend Bruce Banner what he’s always wanted: some peace, to be left alone (Sure, justify it all you want you fucks). Being geniuses and all, you’d think that once Banner was on the space ship and a tape plays explaining what his so called “friends” had done to him, that The Illuminati could have predicted The Hulk would go apeshit and fuck up the space ship. Which, of course, he does. This knocks the ship off course and instead of landing on paradise planet he ends up on Sakaar , or as The Hitchhikers Guide to The Galaxy called it, “The Gaping Asshole Of The Galaxy: 2016”. Ruled by a tyrannical King, one of the biggest parts of Sakaar’s culture is their Gladiator matches. The upper class of Sakaar watch various alien beings fight to the death. Using a device that allows the King of Sakaar and his minions to control Hulk, he reluctantly becomes a gladiator in the Gladiator Arena. Needless to say it’s fucking awesome. I’m sure you can imagine The Hulk would be pretty fucking good as a gladiator , even on an alien plane. The device keeping him a slave only keeps him from escaping, otherwise when he’s in the arena The Hulk cuts loose big time. It doesn’t take long for Hulk to becomes their star gladiator and eventually after making some a few friends and even falling in love, he leads a revolution to free all the slaves. I’ll stop hear because that’s the basic set up and it wouldn’t want say anymore to ruin the story. One of the unique and touching things about this comic is that out in space, The Hulk doesn’t look like a monster (he’s still scary to the other aliens when he wants to be) and all of admiration, acceptance and love that he was denied on Earth, he found here on this far away planet. It’s a great story with a gut punch of an ending which I won’t spoil here. The vast majority of The Hulk stuff in Thor: Ragnarok is from the Planet Hulk story. But not just that there are places and characters that are important in the comic that pop up in the new film. Including Korg the rock man and Meek his little friend he carries around, they’re key characters in Planet Hulk. Don’t think that just because you’ve seen Thor: Ragnarok that the Planet Hulk storyline is spoiled, it goes in some very different directions. It’s a modern classic Hulk story and any Hulk or Marvel fan needs to give this one a shot.

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Thor: Dissassembled Wrtten by Mike Avon Oeming/Art by Andrea Di Vito

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In the early aughts, a legendary comic book writer named Brian Michael Bendas began his run on what would become a classic run on the Avengers franchise. Before the main event you series began, he wrote a miniseries that set up the events of his upcoming Avengers run called Avengers Disassembled. Avengers Disassembled had a massive impact on the Avengers comics that are still being felt today, over 15 years later. The Avengers would never be the same. Along with this massive status quo change, many of the flagship Marvel characters got the similar clean slate treatment where big cataclysmic events happened in their lives. So there was Iron Man Disassembled, Captain America Disassembled, and most relevant here Thor Disassembled. Thor Disassembled is the biggest influence on for Thor: Ragnarok besides Planet Hulk. In the story, Ragnarok the Apocalypse for the Norse gods has begun. Loki, Hela, Surtur The Fire Demon, and Fenris Wolf all play a huge part. Ragnarok was an event that had been prophesies for centuries, so the Asgardians knew that one day this day would come. Much like the events of Thor: Ragnarok, Thor, Odin , Loki, and all the other gods were destroyed along with Asgard. However in Norse mythology death and rebirth is cyclical. Much like the revolving door of life and death in Comics. After Ragnarok it was destined for the gods to be reborn and starting with Thor, the new all father, Odin’s time having past. Though beloved by some, this is not a fantastic graphic novels by today’s standards. There are other Thor books that a excellent reads (a few I’ll list below). While Thor Disassembled isn’t great when compared to Marvel’s storytelling out put over the last 15 – 18 years. It’s not going to be one of your favorite comic books of all time., but it has some great moments especially if you’re interested after seeing Thor: Ragnarok. Asgard and everyone in it are completely take off the board in the Marvel Universe for several years after this story. However, that is far from the end of Thor Odinson and The Asgardians in the Marvel Universe.

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World War Hulk Written by /Art by John Romitta Jr,

After years of living a happy life and ruling the planet Sakaar with a wife and child on the way Hulk was finally at peace. Until the ship that brought him to the planet Sakaar in the first place (built by The Illuminati, these fucking guys again) suddenly explodes in a devastating wave killing Hulk’s pregnant wife, unborn child, dear friends, and more. Hulk has anger issues in the best of times, so after this, well… woe unto those who stand his way. As far as the Hulk Is concerned, The Illuminati are responsible for this death and destruction. Hulk gathers his greatest and most trusted warriors (including Korg the rock alien from Thor: Ragnarok) and comes to Earth in a Sakaaran Warship, seeking vengeance with brutal and unstoppable wrath. These fuckers finally pushed The Hulk too far. Thus World War Hulk begins. The Hulk has one main target, those pricks in The Illuminati: Tony Stark, Reed Richards, Doctor Strange, Black Bolt, Namor, and unbeknownst to Hulk (the deceased, at the moment anyway) Charles Xavier. He means to make them pay for the lives they took and the mistakes that they made. Many classic comic book questions like who would win in a fight between The Hulk and (X) are answered here. This is balls to the walls action, but there are some great character moments throughout. Including some surprising revelations about exactly who are Hulk’s friends and who are his enemies. It’s a great book and a great sequel to Planet Hulk.

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Thor: God of Thunder Vol.1 Written by Jason Aaron /Art by Esad Ribic

Thor: God of Thunder was started by Jason Aaron during Marvel’s, Marvel Now ! Initiative. It was by far one of the best books that came out at that time. Even though there’s been all kinds of crazy Marvel events and Thor books under new names, Jason Aaron’s Thor epic is still going strong, just under the new name, The Mighty Thor.
Thor: God of Thunder follows Thor through the eons and focuses on Thor at three very different points in his life. The past, present, and the distant future. The past, when he was a young irresponsible drunk, hanging out with the Vikings on Midgard, slaying any monster he could find, sleeping with any women he could find, and spending the entire time drinking copious amounts of ale. His dream is to one day weird the mighty Mijonir. This is not the Thor we know today, this is the Thor who is not yet worthy to wield the mighty Mijonir. He loves Earth and the humans who occupy it, but he doesn’t have the same humility and respect for humanity that we tend to see in Thor, but the hero is in there.
In the present, we see the Thor we know and love, the god that has become worthy to wield the mighty hammer. Thor: The Avenger. Hen he may be god, but he’s the type of guy you’d like to hang out and have a beer with. He’s gained some depth and humility since his younger days and learned the value of responsibility.
Finally we see millennia into the future where Old King Thor is one of the final gods in existence. Midgard has burned. Thor is The All-Father to a ruined and desolate Asgard. His only company is the wave after wave sent to him by Gor The God Biutcher. He is in a constant state of exhaustion to keep the army of his vicious and me at bay. Thor looks a lot like Odin here, he’s missing an eye like we see in the movie, and he seems to be missing his left arm. I’m not sure what the arm is made of, but it look similar to the material The Destroyer is built from. Any, even though I’m sure he‘d like his flesh and blood arm back, the one that’s forged for him functions exactly like a “normal” arm. We find out later in the story that after Thor lost his arm, the dwarves, the best smiths and makers in all of the nine realms forged him an arm prosthetic that makes him as good as new.
The common thread throughout the story, as we see Thor in these three very different points in his life is Gorr The God butcher. He’s basically a serial killer for god‘s. An absolute sadist and one of the dangerous most dangerous foes Thor has ever encountered. Why he is doing this and how he became so powerful is revealed throughout the story, so I won’t spoil it here. But it’s a fascinating and thought provoking story. Future All-Father Thor is keeping Gorr’s minions at bay, but Gorr’s real weapon is the Necrosword. This is rather cool Easter egg from Thor: Ragnarok. For reasons unknown, Hela wielded The Necrosword in the film. All that crazy black shit she could use to attack people and the fact that she was seemingly unstoppable, a lot of that came from the Necrosword, a incredibly powerful weapon. Don’t get me wrong, Hela is monumentally formidable on her own, but with the Necrosword she’s nearly impossible to beat. And to be honest I do not think she died in the destruction of Asgard. (Also, the inclusion of The Necrosword make hopeful we may see Gorr make an appearance in a Marvel film down the line)
That “God Butcher” storyline is probably one of the best Thor comics that has been written in years and it kicked off a run that continues to be one of my favorite books to come out month after month. When all said and done it will be hard to choose which story from this epic Thor run that is my favorite. Jason Aaron will be remembered as one of the greatest Thor writers we’ve ever had. If you like Thor at all this is an absolute must.

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Indestructible Hulk Written by Mark WaId/Art by Various

Indestructible Hulk is a great series from long time comic book writer Marc WaId. Basically, Banner has come to terms with fact that he and The Hulk are one being, he’s made his peace with the monster inside him. But he wants to be remembered for more than just the destruction caused by The Hulk. People often forget that Banner is in the same intellectual league as men like Tony Stark, Reed Richards, and Hank Pym. With the possible exception of Pym, because he created fucking Ultron, these men will be remembered for their incredible scientific achievements. While Banner will be remembered for being a monster. So, Banner approaches Maria Hill who is the head of S.H.I.E.L.D. at the time. He proposes that she sets him up with a lab, resources and staff to build wonders: new, clean renewable energy, cures to cancer, solutions to the negative impact of climate change, etc. In return, she gets The Hulk. Even though he’s gone to extraordinary lengths to greatly reduce the risk of turning into The Hulk, Banner has realized that Hulk episodes are inevitable. When that happens, it’s Hills job to step in and aim The Hulk wherever the smashing needs to be done. Because there’s no shortage of bad guys, terrorist groups, and super villains up to no good on, a daily basis, all around the world in the Marvel Universe. It’s really fun book with great art that does something different with The Hulk: Bruce Banner Agent of S.H.I.E.L.D.. There are a lot of great guest stars from throughout the Marvel universe including Tony Stark, Thor, Beast and many more. Waid’s entire run on the series is collected in one easy to read volume. Highly recommended.

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Honorable Mention:

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Ultimate Wolverine Vs Hulk Written by Damon Lindelof/Art by Leinil Francis YU

Wolverine and The Hulk are long time rivals. Even though this story technically takes place in the Ultimate Universe (Before it merger with Marvel Earth-616 or Marvel Earth Prime as it’s now known. Wow. What a nerdy sentence. I’m proud of myself) it’s a great story with some very minor, superficial things that carried over into Thor: Ragnarok. The fact that the story has beautiful art and was written by the creator of LOST is a big draw too. Great book to check out.

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Avengers Disassembled Written by Brian Michael Bendis/Art by David Finch

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This was the main story that Thor Disassembled tied into. This is NOT required reading if you’re just looking for cool Hulk and Thor stories to read after you’ve seen Thor: Ragnarok. However, it is the beginning of Bendis’ modern classic Avengers run, which ran for close to a decade. Fantastic Avengers stories. Start with Avengers vol.1 Breakout and keep going from there if you’re hooked.

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Thanks for reading!

-Paul

 

 

 

 

 

 

 

 

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DC’s DOOMSDAY CLOCK Epic Preview & The Premier Of My New Comic Book Podcast!

Hey, guys

Today was the New York Comic Con and one of their biggest panels was a discussion with one of DC’s greatest writers, Geoff Johns about his epic new series Doomsday Clock which features characters from the classic graphic novel Watchmen, crossing over into the DC Universe. Some of you may be immediately turned off by that sentence, but give me a chance to make a case why I think this is going to be really cool. I have some great stuff here to get you excited for Doomsday Clock!

Below, I have all of the covers that have been released for the 12 issue series so far. Plus, a special sneak peek at the first six pages of issue number one which comes out in November. The art by Gary Frank is fantastic. One of the best in the business. I’m also using this opportunity to premiere a new mini podcast I’ll be doing from time to time where I talk exclusively about comics. I was so excited about Doomsday Clock,I figured this would be as good a time as any to finally start with a great topic to discuss. So, this first episode will be me talking about Doomsday Clock and why I think it’ll be pretty cool. It runs a little longer then these mini episodes will normally be, but that’s just because I had to plug some other things we’re  working on. Now please enjoy your first look at Doomsday Clock and the first episode of “Paul Talks Comics” or I’ll come up with some other fucking title, who knows… You know what? Actually “Paul Talks Comics” blows as a title. I’ll figure something out, so stay tuned!

The Covers:

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 The First 6 Pages Of Doomsday Clock #1:

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Note:  I have a strong feeling that is not Walter Kovacs under that mask

The First Episode Of “Paul Talks Comics” ….it’s a working title:

https://www.spreaker.com/episode/12978818

As always thanks for reading and listening!

-Paul

MUST READ: MARVEL LEGACY #1

I’ve always said that one of my goals when I started this website was to increase awareness of comic books to the general pubic. Comics aren’t a genre, they’re a storytelling medium, like film or books. In recent years comics have begun to receive more respect, but I still try to do my part to fight the good fight on behalf of comic books.

This week Marvel Comics released Marvel Legacy #1, it was an extra long special issue to set up important characters and storylines in upcoming Marvel books. Lately, if you were to pick up a comic featuring one of Marvel’s most famous characters, the person you’re expecting to see probably isn’t the star of the book. For example, Captain America was Sam Wilson A.K.A. The Falcon, Thor is Jane Foster, Thor’s ex-girlfriend, Spider-Man is Miles Morales, and that’s just naming a few. Iron Man and The Hulk also feature different characters than Tony Stark and Bruce Banner. In my opinion, almost all of these are excellent books and have been richer reading experiences by not having the “classic” version of the hero as the star of any of these given books. Don’t get me wrong Tony Stark, Steve Rogers, Peter Parker and all the rest are still banging around the Marvel Universe in some for or another. But it’s been a period of “passing the torch” to another generation while the traditional Marvel heroes take a step back or take on other roles.

Now it seems that Marvel is bringing the “classic” versions of these heroes back to the forefront in a big way, with Marvel Legacy #1 leading the charge. Now, it’s definitely not the best book for someone whose never picked up a comic books before. It’s a little crazy and all over the place, but I say dive in head first and get lost in the crazy-ass Marvel Universe. If you’re a little confused, just go with. Over the next few weeks and months Marvel’s going to be relaunching a whole bunch of new books featuring both the “classic” versions of Marvel’s heroes and the new characters we’ve come to love (or in the case of someone like Sam Wilson, a classic character returning to his traditional role, The Falcon). Those books are likely to be much more accessible to new fans. They’re fresh start books, a place for new readers to catch up. For those of us, (like myself) who love the new characters who’ve taken up the mantle of iconic heroes, I’m happy to report that they’re not being pushed away or forgotten about. Marvel is just bring back some of our old favorites back to join in on the fun.

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There are some great moments in Marvel Legacy #1 including this teaser of what’s inside, because who doesn’t want to see the very FIRST Avengers team? The AVENGERS OF 1,000,000 B.C.!

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(Team roster, from left to right: The First Iron Fist, Starbrand: Earth’s built in defense system, The Phoenix, a young Odin holding the mighty hammer Mjolnir, The First Black Panther, Agamotto: Earth’s First Sorcerer Supreme, The Ghost Rider: The Spirit of Vengeance riding a fucking Mastodon)

If you’re not that familiar with comics, but maybe have seen some of the movies or TV shows, pick a couple of characters that you like most and pick up their new books spinning out of Marvel Legacy #1. That’s what’s great about going to your local comic book store, sure you can download books on your tablet through apps like ComiXology, but at your local comics store, the people who work their can help you find the perfect book for you. They can be your guide on this great adventure and believe me reading comics feels like an adventure in the best way.

So either go to your local comic book store or download it on ComiXology, but read Marvel Legacy #1 for all it’s craziness and then go read the new book featuring your favorite heroes.Because there are some great books coming down the pipe. Here’s a look at some of the books Marvel is putting out after Marvel Legacy#1 as well as the full list of new and relaunched books coming up this fall (Note: Don’t be intimidated by the issue numbers on the covers of these books, they might as well be #1, they’re fresh starts, but Marvel wanted to honor the legacy of these books by bringing them back to their original numbering. Trust me, it’s not as confusing as it sounds)

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Here’s the full list of the new Marvel books and stories debuting in the coming weeks and months:

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As always, thanks for reading

-Paul

The Definitive Modern Origins Of The Major DC Heroes

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There are few aspects of the superheroes story that are as vital and sometimes overused as the origin story. With so many superhero films coming out these days, many of them end up being origin stories. When it comes to Marvel films in particular, the main stream public may not have even heard of the characters starring in the films. Which is larger reason why we have so many superhero origin films. Once you get past Batman, Superman, Wonder Woman, and Spider-Man, there may not be as much brand familiarity with the public. Even though many people, myself included, are somewhat sick of the superhero origin story, over the last few years there have been a few excellent modern retelling’s of the origins of some of DC’s most famous characters. Even though some of these characters already have origin stories that some people would consider to be definitive, I thought it was worth listing some of these excellent stories. Forget for a moment that they are origins because they’re all simply great stories. All of these books are well worth your time.
One important point is that, what some of these stories have in common is they use the term “Year One” in their title. For those of you who don’t already know, the reason for this is Batman: Year One by Frank Miller is considered to be one of the greatest Batman stories ever told. Published in 1987, it was a modern retelling of Batman’s origin. The story is so famous and revered that the term “Year One” has been adopted as a synonym for a modern retelling of a superhero’s origin story. I’m not at all discounting other excellent origin stories like Batman:Year One, I’m just offering some fun, recent alternatives. Enjoy!

Batman:

Batman: Zero Year

Writer: Scott Snyder/Artist: Greg Capullo

(Collected in Batman vol.4 Zero Year- Secret City/ Batman vol.5 Zero Year-Dark City)

Smack in the middle of their instant classic run on Batman, Snyder and Capullo made the bold choice to retell the beginning of Bruce Wayne’s career as Batman. This was a risky storytelling choice for a few reasons. First, of all whether it’s on tv, film, or comics, it seems like we’ve seen Batman’s origin told a hundred times. Second, many people consider that the definitive Batman origin story had already been told in Frank Miller’s groundbreaking 80’s classic, Batman: Year One. Snyder and Capullo were all too aware that Batman: Year One was sacrosanct to many, but they felt confidence in the story they were telling.

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Ultimately they were proven right, Zero Year is a unique, exciting, vibrant Batman story. Though the framework may have seemed like something we’ve seen many times, the contents of the story felt unexpected and new. First of all, they don’t choose to make this any kind of period piece. Even though it may not make chronological sense, since this takes place in the “present”. I think they wanted to feel like this was a cutting-edge Batman. As he’s shown time and time again, Greg Capullo’s art is absolutely vital to the story and it seems like every arc he works on with Snyder he gets better and better. Like their entire Batman run, the character work is what really draws you in. This is a slightly different Bruce Wayne than we are used to seeing. He’s a little bit more raw, a little bit more cocky. But he still the same broken, damaged person that we’ve all come to know over the years. His relationship with Alfred is a highlight of the story. Alfred views Bruce as his son and he hates the idea of Bruce embarking on a life of pain, danger, and misery. There are a few interesting scenes where they come into pretty heated conflict over Bruce’s decisions. There is an absolutely heartbreaking scene towards the end of the story where Alfred reflects on what might’ve been had Bruce been able to let go of his grief and move on with his life.

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Updating old Batman ideas is another strong point of this story arc, for example the one thing we know about The Joker is that, early in his career Batman fought a man dressed as The Red Hood at Ace Chemicals and in the fight that man fell into a vat of chemicals. We have no idea who he was before, all we know is that the man who came out of that is out of chemicals was The Joker. This story has a brilliant update on the whole concept of The Red Hood and who and what The Joker may have been like before his fateful encounter with Batman at Ace Chemicals.

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The Riddler is a presence in the story from the beginning, but in the back half he becomes the main antagonist. I wrote The Riddler off as a lamer version of The Joker a long time ago, but in recent years, certain writers have done a lot to make the character much more interesting and a legitimately dangerous and formidable foe for Batman. The Riddler’s grand plan for the city is really different and cool and I won’t spoil it here.
Snyder and Capullo’s entire Batman run is a must read for any comic book fan. Frank Miller’s Batman: Year One will always be a classic, but if you get sick of reading it for the 50th time, Zero Year is a fantastic alternative.

Pick it up here:

Superman

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Superman: American Alien – writer: Max Landis/artists:Various

Superman is arguably one of the most famous characters in the history of fiction. There are dozens of excellent Superman stories from writers like Grant Morrison, Mark Waid, and Mark Millar (I have some big problems with Millar’s writing, but he’s written at least one classic Superman tale). A lot of the stories are takes on Superman’s origin. Superman has such a powerful and primal origin story that it’s not surprising so many great writers have taken a crack at it. I have no doubt that if humanity is still around hundreds of years from now, we’ll still be telling tales of the last son of a dying world, sent to Earth in a cosmic ark by his desperate parents, raised by a kindly human couple to become Earth’s greatest protector. Superman: American Alien is not only one of my favorite Superman stories, it maybe one of the best comic books I’ve ever read.

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Written by Max Landis, with each of the issues drawn by a different incredible artist, including  Jock, Francis Manapul, and Jai Lee to name a few. Each issue chronicles a key part of Clark Kents life, beginning with his time in Smallville as a boy, just learning about his powers and ending with his earliest days as Superman. Each issue shows Clark learning a valuable lesson not only about life, but about himself and his origins, the power he holds, and what if any responsibility he has to the rest of the world. I’ve never read Superman story quite like this. It’s really about a young man trying to figure out what his place in the world is. I’m under selling it, this book is masterfully written. This is exactly how I believe Superman should be portrayed. He isn’t a god, he has limits. Some of the best parts of the story revolves around him finding out exactly what those limits are. But perhaps most importantly, Superman: American Alien shows that Clark Kent isn’t this absurd, nerdy facade he creates to blend in with the rest of mankind, nor is he some perfect Christ-like hero. Clark Kent is the kid who grew up in Smallville, in the middle of America. He’s the son of farmers, Jonathan and Martha Kent. He may be an alien, but he’s one of the most human heroes of all. I feel like a lot of writers forget that, which is a shame. I think the people who are making the DC Extended Universe films would do well to read this mini-series. I would be remiss if I didn’t mention how absolutely fucking stunning the art in this book is. As I said before each issue has a different artist and they each bring a wonderfully unique style to the story that they’re telling. The art is a huge draw for this book. One other great thing about this book is that we get a lot of wonderful and surprising cameos from characters throughout the DC universe (I won’t spoil who pops up, but they’re all really fun). This is one hell of a book and a must read for not only Superman fans but fans of superhero stories in general.

Pick it up here:

Wonder Woman

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Wonder Woman: Year One – writer: Greg Rucks/artists:Niccola Scott
(Collected in Wonder Woman vol.2 Year One)

Wonder Woman is having a moment. After finally getting her own film, her star has never been higher. Luckily one of the best writers to ever work on Wonder Woman is currently writing the main Wonder Woman series. They just finished up an excellent modern update on her origin in Wonder Woman: Year One. If you’ve seen the film, this story hits some of the same beats, but in it’s own totally unique way. In fact I would say that the only part of the story that is relatively similar to the film, is Steve Trevor crashing his plane on Themiscyra. From there the story really goes in it’s own direction. She leaves her home with Steve Trevor as an ambassador to “Man’s World”. Steve is a military man, so that’s where he takes Diana because he’s still not quite sure what to make of her. While she isn’t exactly a prisoner, the military wants to make sure they keep tabs on this strange woman with extraordinary abilities. My favorite part of the story is the culture clash that occurs between Wonder Woman and her “handlers” in the American military.

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All of Wonder Woman’s classic supporting cast is present like Etta Candy and Dr. Barbara Minerva, the woman who will eventually become one of Wonder Woman’s most formidable rivals, Cheetah. Of course, Steve Trevor is a huge part of the story. Trevor feels a profound connection to this woman that immediately draws him to her. Ultimately, this is about Wonder Woman’s first encounter with the modern world and how she and the rest of the world react to her arrival. This is a wonderful jumping on point for fans of the Wonder Woman film.

Pick it up here:

Green Lantern

Green Lantern: Secret Origin – writer: Geoff Johns/artists:Ivan Reis

Like so many other people of my generation, Green Lantern was always John Stewart to me. John Stewart was the Green Lantern I saw fighting along side the Justice League every week as a founding member of the team on the classic Justice League animated series created by Bruce Timm. This is the team that brought us Batman The Animated Series and Superman The Animated Series. We had grown up with John Stewart as Green Lantern. He was our Green Lantern. In an industry where comic book heroes are predominately white males, it’s always great to see an African-American hero as cool as John Stewart in such a prominent role. He wasn’t defined by the color of his skin, he was a bad ass field commander who was always cool under pressure. In many ways he was the team leader on missions (no easy feat with Batman and Superman standing alongside you). However, if you pick up a Green Lantern book right now the focus is usually on Hal Jordan. John Stewart is still a big part of the Green Lantern books and comic mythology, but Hal Jordan tends to be in the spotlight theses days. Now, many of you may be asking who the HELL is Hal Jordan?

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Well, Jon Stewart was not the first human to become a member of the Green Lantern Corps. That honor goes to Hal Jordan. Actually around 10 or 15 years ago, one of the greatest writers to ever work for DC Comics, Geoff Johns, wrote what many consider to be his magnum opus, his epic run on the Green Lantern comic book series. His story began with resurrecting the long dead Hal Jordan. You see, Hal Jordan had been dead for years, killed in a major comic book event years before. It wasn’t until Jordan’s absence that other Earth men became members of the Green Lantern Corps and stars in their own right, men like John Stewart. So when telling the definitive origin of the first human to become a member of the Green Lantern Corps, the story of course has to be about Hal Jordan. What’s great about this story is that it not only gives you a great origin for this character and his world, but it also introduces key characters and important events that come into play in very significant ways later in Geoff John’s epic Green Lantern story. So, if you want to pick up the rest of John’s Green Lantern comic book run (you should) after you read Green Lantern: Secret Origin, you’re already familiar with the characters and ideas that are key to enjoying the story. It’s a great story that shows how a young and cocky test pilot can become the greatest Green Lantern the universe has ever seen. While also introducing you to classic DC characters like Sinestro, Abin Sur, Black Hand, Atrocitus, Hector Hammond, and many more. Of course, Ivan Reis’ art is gorgeous and enhances the story. If you ever saw the Green Lantern movie and thought “Man, this really sucks.” Green Lantern: Secret Origin is the movie they should have made.

Pick it up here:

Green Arrow

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Writer- Andy Diggle/Artist- Jock

Oliver Queen, billionaire dickhead. His gigantic yacht sinks and he winds up on an island in the middle of the fucking sea. He should’ve died pretty quickly, but he was able to find something inside himself he didn’t know was there. After surviving brutal trial after brutal trial on this horrific island, just wanting to get home, the boy who washed up on the shore of the island is eventually transformed into a man, into a hero. Obviously, he eventually gets off the island and becomes the vigilante/superhero Green Arrow.

IMG_1930That’s the basic set up and obviously there’s a lot more to the story. But this is a relatively quick read and that’s not necessarily a bad thing in this case. This is an ideal graphic novel to start with if you’re a fan of the “Arrow” TV Series and are looking to check out the comics. It’s a stand alone graphic novel, so you don’t have to worry about reading any other stories to understand it. You could have never read a comic book before and you would understand this story perfectly fine. One of the biggest strengths is how the story takes a man like Oliver Queen, who at the beginning of the story is really kind of a piece of shit, and through his experiences on the island grows into a much better person. When it comes to the art, Jock has a beautiful, distinctive style that complements the relatively gritty nature of the story. After you’ve read this book, there are many excellent Green Arrow stories to dive into, but this is the best place to start. It’s the definitive modern origin of the character.

Pick it up here:

Honorable Mention:

When DC comics began their massive New 52 initiative to attract new readers, one of their flagship titles was Justice League, written by Geoff Johns with the legendary Jim Lee on art. The first story arc, Justice League: Origin, is the modern story of how the team was formed. The art is gorgeous, but the story is just OK. Johns would go on to write some spectacular Justice League stories before his run on the book ended. This would also be a great place to start for anyone looking forward to the “Justice League” movie coming out in November.

Pick it up here:

On a sidenote, even though I’ve given links to buy all of these graphic novels on Amazon, I highly encourage you to check out your local comic book store and take a look at these books for yourselves.  You may find something in there that you’ll enjoy much more than anything I could recommend. If you’re interested in comics, it’s a great place to meet other people with similar interests and there are always cool events and it’s just a great place to go to get into something that you may love.

As always, thanks for reading!

-Paul