PODCAST: A Look Back At Sam Raimi’s Spider-Man (2002)!

Hey Everyone,

Paul here…

I have a love-hate relationship with Spider-Man. When the original Spider-Man spider anfilm came out in 2002, it was one of my most anticipated films of all time. However, when it came out I was a little disappointed to be honest. At the time, the type of Spider-Man comics I was reading, were very different from the tone that Sam Raimi chose to go with in his 2002 Spider-Man film. I was reading Brian Michael Bendis reconstruct Spider-Man for a whole new generation in Ultimate Spider-Man, while Sam Raimi’s first Spider-Man film was most influenced by creators like Stan Lee, Steve Ditko, John Romita Sr. days. After rewatching the movie for this episode of the podcast, I still think some of it works and some of it doesn’t. However, it’s still a fun film with moments of excellence.

As you’ll hear me say in this weeks episode of the podcast, the final scene of Spidey swinging through the streets of New York as Danny Elfman’s score swells, is still the most thrilling web-swinging Spider-Man sequence to date. I even love Toby Maguire’s final voiceover! It’s so damn good that I had to include it right here…

Blade and X-Men may have paved the way for serious, quality superhero films, but Spider-Man is the film most directly responsible for “The Age of Comic Book Films” that we live in today. Blade was a bloody, intense film with elements of horror. Most of the audience didn’t even know Blade was based on a Marvel comic book series. It stood on its own as a horror/action film about a badass vampire hunter, X-Men was a tougher sell because it was a full blown comic book superhero movie in a way that Blade wasn’t. X-Men had an expansive mythology, multiple sci-fi elements and was a thematic allegory about bigotry and marginalized minority groups. Both films were hits, but they weren’t movies that you could take your kids and your grandparents to. One of the reasons Spider-Man was such a massive head was because it appealed to weigh much wider audience. Arguably the first major superhero movie since Batman that all moviegoers would head out and see.

The now iconic, upside down kiss.

Spider-Man swung into theatres for the biggest box office opening weekend of all time! Of course, that record would go on to be broken many times over. However at the time, while the superhero movie phenomenon was still in its relative infancy, it felt pretty damn cool as a long time comic book fan. It felt like the world was finally realizing something we all knew all along. The current record holder for biggest opening weekend of all time, goes to another beloved superhero film, Avengers: Endgame (which is also the highest grossing movie of all time)! We take a look back at one of the most influential and important superhero films of the modern age on this week’s episode of The World’s Best Podcast

Spidey take a goblin bomb right to the fucking mush!

Listen here: https://www.spreaker.com/episode/41028841 Or subscribe on Stitcher, Spreaker, iHeartRadio, Deezer, Podchaser, Castbox, Podcast Addict, Google Podcasts, & Apple Podcasts/ITunes…
Coming Soon to SPOTIFY…

iTunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?i=1000491914033

Stitcher: https://www.stitcher.com/s?fid=185563

You guys know that I love concept art. So for those of you interested, Comic Book Movie posted some very cool concept art from the first Spider-Man film by artist James Carson. The art includes a much cooler and more organic take on the Green Goblin and some images of Spidey’s web shooters. Check them out below…

Thanks for listening! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!

-Paul

PODCAST: Spider-Man: Into The Spider-Verse Review! (Some SPOILERS)

Hey Everyone,

Paul here…

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  SpiderMan: Into The SpiderVerse has come along and done what so many people didn’t think was possible, the film yet again reinvents the superhero genre. For the past several years, a number of people in the industry, including individuals like Stephen Spielberg, called the comic book or superhero movie phenomena “a bubble” that will eventually burst like the Western, for example. They argued it’s a genre that will eventually no longer be relevant.

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  In my opinion, there are major flaws in this kind of thinking. First of all, the terms “comic book” and “superhero” are incorrectly, interchangeable used. Comic Books aren’t a genre, they’re a medium. Just like film, television, or prose literature. While superheroes are certainly the most recognizable type of comic book storytelling by far, comics tell a vast array of stories in dozens of different genres. Comic books and Graphic Novels tell hard boiled mysteries, fantasy sagas, countless sub-genres of science-fiction, coming-of-age romance stories, World War II memoirs, and many others. Comic books, like film and prose tell incredible tales in every genre. So, my point is, to say that there is some kind of “bubble” that will eventually burst, not only misunderstands the current business landscape in Hollywood, it also fundamentally misunderstands what comic books and superheroes stories are.

  What’s so brilliant, what’s so genius about Into The SpiderVerse is that it is a superhero film that truly reinvents the genre. Just when the critics thought there was no longer anything unique, compelling, or wildly original to find in a superhero film, here comes SpiderMan: Into The SpiderVerse. Without a doubt the biggest thrill ride you will have at the movies all year.

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   I know these are very bold statements, especially coming from me. After all, this is the same year that saw the release of Avengers: Infinity War, which is certainly up there vying for the top spot of my favorite MCU film. However, I feel to compare Infinity War and  Into The SpiderVerse is missing the point. These are very different movies, trying to do very different things for their audience. What’s so wonderful is that we can get two completely different superhero epics that are both game changers for the genre. They’re both brilliant pieces of entertainment, yet they’re nothing alike. I feel wonderfully grateful that in addition to several of the other very good superhero movies we saw this year, we get two genre redefining superhero film masterpieces that don’t feel like more of the same.

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Now, onto the podcast!

It’s been a long time coming, but I’m finally here to give my two cents on the terrifying, the terrible, the AMAAAAAAZING SPIDERMAN: INTO THE SPIDERVERSE!!!!! Even though it’s been out for a hot minuet, I still wanted to do an in-depth recap and review of what may be one of the best superhero movies ever made. Period. That’s some pretty high praise. There are SOME spoilers here, so proceed with caution, but this is NOT a full SPOILER-FILLED extravaganza. Also, I take some time to discuss the recent Arrowverse Crossover, Elseworlds! How does it rank among the other crossovers? Where is the Arrowverse heading from here? All this and more! Enjoy! Listen here or subscribe on Stitcher and iTunes:

https://www.spreaker.com/episode/16534399

iTunes:

https://itunes.apple.com/us/podcast/the-worlds-best-podcast/id1246038441?mt=2&i=1000426239297

Stitcher:

https://www.stitcher.com/s?eid=57830472&autoplay=1

Thanks for listening!

-Paul