I have a love-hate relationship with Spider-Man. When the original Spider-Man spider anfilm came out in 2002, it was one of my most anticipated films of all time. However, when it came out I was a little disappointed to be honest. At the time, the type of Spider-Man comics I was reading, were very different from the tone that Sam Raimi chose to go with in his 2002 Spider-Man film. I was reading Brian Michael Bendis reconstruct Spider-Man for a whole new generation in Ultimate Spider-Man, while Sam Raimi’s first Spider-Man film was most influenced by creators like Stan Lee, Steve Ditko, John Romita Sr. days. After rewatching the movie for this episode of the podcast, I still think some of it works and some of it doesn’t. However, it’s still a fun film with moments of excellence.
As you’ll hear me say in this weeks episode of the podcast, the final scene of Spidey swinging through the streets of New York as Danny Elfman’s score swells, is still the most thrilling web-swinging Spider-Man sequence to date. I even love Toby Maguire’s final voiceover! It’s so damn good that I had to include it right here…
Blade and X-Men may have paved the way for serious, quality superhero films, but Spider-Man is the film most directly responsible for “The Age of Comic Book Films” that we live in today. Blade was a bloody, intense film with elements of horror. Most of the audience didn’t even know Blade was based on a Marvel comic book series. It stood on its own as a horror/action film about a badass vampire hunter, X-Men was a tougher sell because it was a full blown comic book superhero movie in a way that Blade wasn’t. X-Men had an expansive mythology, multiple sci-fi elements and was a thematic allegory about bigotry and marginalized minority groups. Both films were hits, but they weren’t movies that you could take your kids and your grandparents to. One of the reasons Spider-Man was such a massive head was because it appealed to weigh much wider audience. Arguably the first major superhero movie since Batman that all moviegoers would head out and see.
Spider-Man swung into theatres for the biggest box office opening weekend of all time! Of course, that record would go on to be broken many times over. However at the time, while the superhero movie phenomenon was still in its relative infancy, it felt pretty damn cool as a long time comic book fan. It felt like the world was finally realizing something we all knew all along. The current record holder for biggest opening weekend of all time, goes to another beloved superhero film, Avengers: Endgame (which is also the highest grossing movie of all time)! We take a look back at one of the most influential and important superhero films of the modern age on this week’s episode of The World’s Best Podcast!
Listen here: https://www.spreaker.com/episode/41028841 Or subscribe on Stitcher, Spreaker, iHeartRadio, Deezer, Podchaser, Castbox, Podcast Addict, Google Podcasts, & Apple Podcasts/ITunes… Coming Soon to SPOTIFY…
You guys know that I love concept art. So for those of you interested, Comic Book Movie posted some very cool concept art from the first Spider-Man film by artist James Carson. The art includes a much cooler and more organic take on the Green Goblin and some images of Spidey’s web shooters. Check them out below…
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I want to start off, by saying, this post has been written, and rewritten more than a half dozen times in my brain. I talked to Paul about it at the beginning of the summer, and for several weeks, it seemed as though every time I was ready to write it, something new would happen in the news that would make me take pause, and wait to see how things were going to settle in the end. As of this past week, I think they’re all settled—at least for long enough that I can comfortably write this post and publish it before it’s out-of-date. That being said, let’s dive in.
I have maintained, for a long time now, that Mary Jane Watson and Ariel from The Little Mermaid, are the reason why myself, and many men of my generation have a special place in our hearts (I’m going with hearts, since I had crushes on both characters pre-puberty) for redheaded women. As I grew up, most of the time I saw redheaded women, I found them more attractive on average, than a similar looking woman with any other hair color. As I grew up, the characters that caught my attention on shows, became the women with red hair, i.e. Joan on Mad Men, and Ygritte on Game of Thrones.
When I learned that Zendaya’s character in the MCU/Sony Spider-Man films, was supposed to be MJ (although not Mary Jane) it didn’t bother me, but it did make me think. At first I started thinking about the impact that comic book MJ had on me, and I wondered if this may have the same effect on a younger generation toward black women. Of course, at some point in the past few months, Disney announced that they were casting Halle Bailey as Ariel in the live-action remake of The Little Mermaid, and the question repeated itself in my mind.
Now, at first I thought, “that would be great if these characters helped another generation to find the beauty in a group of people that they may other-wise have not thought about in that way,” but I don’t think I was right on that. First off, I think that so far with Zendaya’s MJ as opposed to comic book MJ, there is a significant amount less sexualization, and that’s probably a good thing. I don’t remember much about MJ as a character, other than her calling Peter ‘Tiger,’ and I remember pictures of her more than anything. Ariel is the same thing, I remember her character, and while it was problematic I always liked it, but at least half of my fascination was with the seashell bra. This year’s Aladdin, live-action remake, did a lot of work desexualizing Princess Jasmine, and I think Disney is likely to do the same with Ariel.
The second reason, that I think my initial thought that perhaps this idea was a good one, is that while there was something innocent about it, I do think there ultimately ends up being a fetishization of these characters, and their physical characteristics within the original material. There are demographics, based on race and gender combinations that are more or less statistically attractive, and unfortunately, black women (along with asian men) tend to be statistically disadvantaged in this way. I had heard and read that enough times that it supported my original idea that maybe lifting black women up in this was a good thing, and I will say this, if Ariel is bad-ass, and inspires black girls to be bad-ass, or if MJ challenges the stereotypes of women, that’s great, and so far I do think Disney is doing a great job with that. They’re doing better than I would have, based on my own warped logic going into this. I had to realize that there is a huge difference between fetishizing, and raising up. Disney is raising up, and I was thinking indirectly, “hey wouldn’t it be cool if a bunch of kids ended up with a black woman fetish.” It wasn’t my intention, but it was essentially what I was thinking. Hell, it was initially what I was pitching to Paul.
So, now that I have that out of the way, now that I’ve talked about the two characters who really shaped much of my physical attraction, I want to shift gears slightly, and talk about a bit of news that came out the day that I was first ‘ready’ to write this. In the next James Bond film, 007 will be played by a black woman. There has been speculation for years about who would be Daniel Craig’s replacement in the James Bond cufflinks, with a lot of speculation going to Idris Elba (who I think would be awesome if he’s still young enough when the mantel gets passed). Trying, I think to do two thing, test the waters, but also stir up some hype in the form of controversy, it was announced that there would be a new 007, and that it would be Lashana Lynch.
I think they were testing the waters, because they announced that she would be the new 007, and waited until speculation and feedback came in, before announcing, that in the plot of the new film, Bond has retired, and is replaced in his title of 007, and then he is pulled back in while in retirement. It was a soft way of testing things out, to see if perhaps we’re more into 007 or James Bond. It’s similar to what Mission Impossible did with Jeremy Renner a few years ago. It’s not a bad plan, and we will see how it plays out in that way, but it also kind of plays into my general topic.
James Bond is perhaps one of the most sexualized male characters in cinematic history, and the way in which going about that has been drastically different from how they’ve sexualized women. Is it possible, that we’re going to get a female version of that? Will this change how female sexuality plays out on screen? Also, we have a character who is very much the coolest person in the room, and definitely has shaped young men’s idea of what a man is, will a black female 007 do the same for young women?
In the past few years in cinema, there has been a lot of talk about representation, and for the most part I think that it has been a good thing, and honestly I’m not one of these people who get’s bent out of shape when they change a character I like, or even love. I understand that most of these things are constantly evolving, and I don’t personally want to see the same old thing over and over. But I really think that these three examples are interesting, because they’re a bit different than other roles. Nick Fury, changing from a white man to a black man, had little impact as far as I can see, because the character was always one of authority, and I never associated with him, and I never felt an attraction to him, or to be like him. I also have to consider what it means for other people, and I don’t know. On the one hand, I think of all the black women I think are cool, or bad-ass, or beautiful, and it’s not a short list, and I wonder if that’s blinding me to a problem that’s real? Perhaps these casting decisions will help to solve that. I don’t know, but I think it’s important to ask some of these questions of ourselves.
Article by Michael Cole
–Mike Cole is a published author, freelance writer, & filmmaker. He is a happily married father of one.
Editors Note: Photos and their subsequent captions were added by Paul Wright… So, you know, don’t blame Mike.