May The Fourth: Star Wars Day! Here’s Some Awesome Star Wars Art

Hey Everyone,

Paul here…

May The Force Be With You, my friends! Today we celebrate another Star Wars Day! For those of you who don’t know every year, May 4 is Star Wars day. You know, like “May The Fourth Be With You” (I normally hate puns, but it’s Star Wars so I kind of like this one). One of my favorite things to do is find unique and talented artists all throughout the Internet and see their take, their interpretation, of classic pop-culture characters or stories. Star Wars has some of the BEST art on the internet. From concept art from the films that were never used, to famous artists putting their own spin on a Star Wars character or scene, or all of the incredible amature artists out there who post their fantastic work on Instagram and social media. So to commemorate Star Wars Day, I wanted to share some of the cooler pieces of Star Wars art I’ve come across recently. Check them out below! May The Force be with you, always…

I also wanted to include some of these fantastic photos you’ll see below. Every time a new Star Wars movie has come out of the last 25 years, Vanity Fair wouldsend world renowned photographer Annie Leibowitz to take photos of the production, the actors, the characters, etc. Vanity Fair’s Star Wars issue was usually best look at the upcoming Star Wars movie. Usually a teaser trailer would have been released, but not much else. So Vanity Fair’s in-depth article on each, upcoming Star Wars film was our first and best look at the coming film. The best part was that each article was accompanied by Leibowitz’s amazing images. Through color and texture, she captured so much amazing detail with her photos. Each photo she took was unmistakably an Annie Liebowitz photo. She’s just that damn good. So I wanted to include some of my favorite photos from her extensive Star Wars portfolio…

Thanks You! Follow me on Twitter @PJWrightWBM or type Worlds Best Media into the search bar, you can also like and follow us on our Facebook page; World’s Best Media. We’re on Instagram @worldsbestmedia2017. Those likes and follows, as well as iTunes reviews, go a long way to supporting World’s Best Media. We really appreciate the loyalty and support shown to us by our fans, so thanks again! Stay healthy and stay safe!


Where Star Wars Failed

Two small disclosures going into this, I have liked all of the new Star Wars films, this isn’t an attack on them for being bad movies, but rather a critique of what they haven’t done well with.  Second, spoiler alert for Rise of Skywalker, in case you couldn’t tell.

Now, if you listen to Paul’s review of Star Wars Episode IX: The Rise of Skywalker, you’ll know how he feels about the film, and while my overall attitude towards it differs, I think all of his points are right on the money, and I’ll be referring to a bunch of those.

I thought that Rise of Skywalker struck a better tonal balance than either of the previous trilogy films, in the balancing homage (like in The Force Awakens) with new lore (like in The Last Jedi). I also thought it was fun, and if you thought of it on it’s own, and not a part of a bigger whole, that it was a good time.

Ultimately, I think it kind of cemented the problems Disney’s handling of the films in the last few years. Paul in the podcast talks about how it’s cowardly, and he uses the example of Rose, and I think that he’s right. Paul makes the statement that people hated Rose in The Last Jedi, so they put her in here minimally, and didn’t really think about what that does to Finn’s story arch, and how as much as he didn’t really care one way or the other about the character, it did matter to the story. He was right.

The problem with Star Wars now, is they try to get rid of the problems, and dive head on in to the success, without really understanding it.  Instead of taking Rose away, make her story arch one that redeems her to audiences.  There have been countless shows and films where I thought “ugh, I hate that character” (as in hating the portrayal, or the characterization, not good hate like we did with the Emperor in the original trilogy), and then as the show or film series progresses I think “oh that’s awesome he/she went from being one of my least favorite characters to one of my most favorite.”  And if Rose had been a background character, like a Wedge Antilles or someone in the original trilogy, and we happened to hate them, you can get rid of them, but not when they’re integral to the story.

I once heard the saying “the customer doesn’t know what they want until you show them,” and I cannot think of anything more true than that in today’s film landscape.  Think about Guardians of the Galaxy when you were hearing about Marvel’s next film, and finding out it starred a ‘talking raccoon, and his best friend a talking tree,’ and you probably thought “well, it’s Marvel, so I’ll check it out, but c’mon.” The audience didn’t know what they wanted, then we heard Vin Diesel say “I Am Groot” a hundred times (his best acting performance to date) and we were all down for it.

The Force Awakens is a really fun movie, and there is a lot of good work in it, but ultimately Disney wanted to say “hey you guys hate the prequels, so here is the old style effects, and the old plot line” and it worked really well, and from then on out, they were taking studio notes from one of the most divided and fickle audiences in entertainment. The Force Awakens becomes the highest grossing domestic film in history, but people complain that its too comfortable, and the pendulum swings with The Last Jedi (for the record I like both, but they’re not a cohesive whole, and I think while TLJ is an amazing cinematic work, it’s not that fun of a movie).

About a year and a half ago, after the release and flop of Solo, that Disney would likely do what film studios have most often done and learn the wrong lesson, and unfortunately, I think they’ve done that after each iteration over the last few years.

My hope, is that now that the Skywalker Saga is done, we can step away from this issue. The Mandalorian is a treasure, and I don’t think it had the expectations of the last trilogy, or even of the two Anthology films, which were inherently connected. We have a new trilogy coming out in a few years, and whether it’s something like Knights of the Old Republic, or the Mandalorian with a larger scale, I hope that they go into the writer’s room, and break the story, hit the points that will happen regardless of audience reaction, and start to build, and then if the audiences don’t react well, make smaller course adjustments, and right the ship, don’t take a U-Turn.

Written by Mike Cole


Hey Everyone,

Paul here…


2018 is at an end and that means it’s time for the return of one of my favorite episodes of The World’s Best Podcast: The Best & The Worst of 2018! We cover the very best and

the human diarrhea in story form, from TV, Movies Comics and I’ll kinds of other cool shit! This was by far one of my favorite podcasts that we recorded this year and I think you’re all going to love it!

I recorded this episode of The World’s Best Podcast with one my absolute favorite co-host, Ryan McDonald! Of course what look back at the best and worst of 2018 be without a very special appearance by Paul Sr! So sit back and enjoy as we deep dive into everything from Avengers: Infinity War, Spider-Man: Into The Spider-Verse, and Mission: Impossible Fallout to Daredevil, The DC Superhero Crossovers Elseworlds, and more!

*Editors Note- We did have a very minor editing glitch for about 2 seconds towards the last quarter of the episode. You could easily miss it because of who quick and minor it is, but I wanted to give you all a heads up regardless. Even with the issue it still think this is a great episode and I’m very proud of it!


This is a DON’T MISS episode! Listen here or subscribe on iTunes and Stitcher:



We kick off 2019 with a bang! Thanks for listening and buckle up for an amazing 2019!


Solo: Learning the Wrong Lessons!



There’s a quote from Harry Potter and the Prisoner of Azkaban, “Once again you’ve put your keen and penetrating mind to the task and as usual come to the wrong conclusion!” said by Sirius Black to Severus Snape.  The quote is one of my favorites, and I cannot think of a place where it seems to apply more than Hollywood.


If you somehow break through and make a movie about a woman who makes falls in love with a water balloon, the lesson that Hollywood would take from that is “water balloons are sexy” and you’d see some crazy slate of movies in which water balloons have sex with hot women, and drive fast cars, and airplanes, and stuff.  (Sorry about all the water balloons but I’m sitting next to a bag full of balloons, so it was the weirdest thing in eye shot.)CC061DFE-2E9C-46D1-9B5F-B81599E0CFA5We’ve seen Hollywood learn the wrong lesson from successes too many times to count, (i.e. all of the Jaws sequels, and Piranha movies and so many others).  But we also see them learn the lesson from failures.  This can be really upsetting to me personally, because it often means something is abandoned early due to the wrong reasons, and who likes their movie franchises ended early?


The latest victim of this problem, seems to be Star Wars.  I wrote about Solo a few weeks ago, but let me catch you up.  The film seemed like a bad idea, but it was a good movie.  So now, almost a month after it’s release Disney and Lucasfilm have announced that they’re reconsidering Star Wars spin-offs due to its failure.

So let’s talk about its failure, and yes it seems it is undeniably a financial failure (although the budget hasn’t been released so it’s difficult to tell exactly).  First of all, you released 3 Star Wars 3 Decembers in a row, and they were all very successful.  Is that because the films were excellent?  I’ve liked them all, but there is a fair amount of debate on the quality of each.  A huge reason for their success was the fact that December doesn’t have much for general audiences, it’s prestige film season, which leaves the “blockbuster” crowd open.  That cannot be underestimated as a factor in their success.  Solo however, came out just 6 months after TLJ in May.  May was the traditional time for Star Wars in the previous 2 trilogies, but May’s were not as packed with action films in those years, and movies had multiple weeks (in some cases months) to rule the box office.  This year we had Avengers: Infinity War (also a Disney film, which should be a double no-no for packing them in the same 30-day period) which was the biggest film of the year (and has the potential to be the top of the decade) was released a month before, then Deadpool was released a week before, and just three weeks after Solo, came the Incredibles (again Disney, wtf were you thinking?  Spread it out more).



So that’s the first problem, Disney put Solo out with the biggest films of the year, and even by Star Wars standards it shouldn’t have.  It’s far from the largest story, or the biggest impact in that universe.  The second problem is confidence.


Solo suffered from a few pieces of confidence undercutting.  After the fact that many of us didn’t think the idea was a good idea, there were the production ‘issues,’ with Lord and Miller getting fired mid-production, Ron Howard having to take over and needing to reshoot (which involved recasting at least one role), and then lastly there was the rumors of Alden Ehrenreich needing and acting coach.  None of these would add up to confidence boosting, then we didn’t see a trailer until February which seemed very late in the game for a film of this size.  And lastly, TLJ, it’s a pretty split popularity, but when 50% of the audience thinks the film was a crap-fest, and think Disney has ‘ruined Star Wars,’ six months may not be enough time to cleanse their palettes.


Let me offer an example of a time when the correct lesson was learned, and how it may benefit you to follow in those footsteps.  On November 23rd 1963, the BBC aired the pilot of Doctor Who, and it did really poorly in the ratings that night.  The executive in charge was on the side of canceling the show after the first episode, because obviously the whole thing was going to be a flop, but the creator was opposed to that.  She argued that the show had suffered from the whole world being consumed by JFK’s assassination the day before, and that if they reaired the pilot a week later, that would be a more realistic example of how the show would do.  She was right, and the show continued for 26 years before being canceled (and then rebooted, and now having 50 years, 3 movies, and 36 seasons altogether).  They realized that timing had been off.  Releasing Solo in the midst of the superhero frenzy was bad timing, don’t blame Solo for that.


So I ask you this question, given all of those things could Solo have succeeded? Even modestly?  I don’t think it really could have.  But Disney is looking the box office and acting as if that means the movie is a piece of shit, which it wasn’t.  Please Disney, learn the right lesson. I get that you don’t want this to happen again, but if you learn the wrong lesson it likely will.  Please, I love Star Wars too much for it to become the DCEU (with all the second guessing and undercutting and ultimately not learning the right thing)…  I’m begging you.


Written by Michael Cole

What I Want to See: Solo Sequel


This is going to contain some spoilers, so be warned.  TLDR: Spoiler Alert!

I had some reservations about Solo, I didn’t think it was a great idea, and there was the mess of a production we all heard about, and then they took forever to release a trailer, and it seemed like it was going to be a stinker, but the trailers regained some of my confidence.  I saw the film last night, and I really liked it, for a letter grade, I’d say B+.


The film tells the story of how Han starts his life as a ‘scoundrel,’ how he meets Chewie, and Lando, and how he finds the Falcon.  Of his lore, I think that’s all the big key points that were touched upon.  The film ends with Han and Chewie heading off to Tattooine to find some ‘big gangster’ for a ‘big score.’

That’s what I want to see in the sequel.  Han and Chewie finding Jabba, and starting their smuggling.  That’s the concept they obviously need to go with, and perhaps there will be some chaos with the head of the Crimson Sun, who was revealed at the end of Solo.  That’s the basic plot, and obviously that’s what they’re planning.


But, what I want to see, comes down more to cameos, and lore.  If they’re going to be on Tattooine, we could easily see some kind of Obi-Wan cameo, same with young Luke.  I’m a little iffy on what the timeline is supposed to be, so I’m not sure if Luke’s a small child or a young teenager.

In addition to those two though, are all of Jabba’s crew; Greedo, Boba-Fett (not necessarily Jabba’s crew but on payroll), Salacious Crumb; it would be interesting to expand upon these characters.


There is also the possible setup of new characters that could be really cool.  So if you watched Rogue One, you should have known that most if not all of the characters shown would die, because otherwise why wouldn’t they be in A New Hope, but with Han’s life before A New Hope, there is no rule that says it has to interact with the main Skywalker Saga at all.  Cameos will be fun, but lets establish some awesome new characters, and pockets of the galaxy.  By doing this, it could create some connection, to whatever either of the two new trilogies (Rian Johnson, or the GoT guys’ trilogies) because while I don’t want those two new trilogies to be about Rebels or Resistance, or anything too obvious, it would be nice to know where it falls with in the extended universe.  Han and Chewie’s adventures could definitely provide a springboard for that.

Lastly, there’s a fan theory that I like, that might be fun if it’s shown to be correct, or at least purposely kept ambigious.  This theory basically says that because we see Chewie with Yoda in Revenge of the Sith, that they clearly know each other, and Chewie definitely has a passion for liberating the oppressed, and so what if Chewie was working as a rebel agent to some degree, with Yoda.  That’s why Han and Chewie meet with Obi-Wan, and it’s not all coincidence.  It’s a good theory, especially after seeing how Chewie behaves in Solo.


What about you?  What do you want to see from a Solo sequel?  Let me know in the comments below.


Two MCU Films at the Box Office…

Avengers: Infinity War is coming out in just a couple weeks, and it will very likely dominate the Box Office, this isn’t surprising, and if you’d asked someone a year or two ago, they’d have known then that it was likely.  Right?  Here is what was unlikely, but is now seeming incredibly likely:


Black Panther, will still be in the top 10 spots at the Box Office when Infinity War comes.

Never before, have we seen two MCU films (I’m not sure we’ve ever seen two films of the same franchise in general) dominate the box office at the same time, but we’re about to.  So I wonder what this means for both films.

In case you’re unaware, Black Panther has not only been raking in more money on a week to week basis than almost any other film since it’s release, but it has been moving in on the all time earners.  As of this past weekend, it took down Titanic, as the #3 earner domestically of all time.  It currently stands at #10 globally of all time (not taking inflation into account), and is only $32 million from the #9 spot, and $41 million from the #8 spot, which when you’re looking at the fact that it made $8 million last week, seem a plausible outcome.

31F3511B-8547-43DA-8488-30F23D9E75CEOne thing, that I think could happen as Infinity War looms over us, is that I think it is possible, that Black Panther gets a resurgence in the week or so prior to Infinity War, after all, if you’re an MCU fan, and there’s a chance to watch the previous film in theaters, then the following day/week/whatever watch the most current, there’s a strong likelihood that you’ll take that.  Will it be some massive swell that pushes Black Panther to the #1 spot on either the domestic or global lists? It seems unlikely (the domestic record is Star Wars: The Force Awakens at $936 million, to Black Panther’s $665 million;  globally, Avatar has the record at $2.78 billion, while Black Panther is currently at $1.3 billion) but that doesn’t matter, because it’s potentially going to change a lot of things about how films are made.  It bought legitimacy for so many different aspects that may have been overlooked before.


On the other hand, how will Black Panther affect Infinity War at the Box Office?  My guess, is that it will help it.  From the trailer, it appears that Wakanda is going to play a major role in the film, as well as including multiple characters from Black Panther in addition to the title character.  If people loved Black Panther, they’re getting a sequel of sorts, while it’s still in theaters, and I think that will translate to big Box Office numbers, in addition to the fact that the previous 2 Avengers films have both ranked higher than BP so far in the global market, and let’s face it, whether it’s a good film or not, it’s got EVERYTHING, and so this film would have to be absolutely atrocious to not do amazing numbers in the Box Office.


Ultimately, if I’m wrong, and Infinity War somehow kills Black Panther’s momentum, it’s already done so well that it hardly matters, on the other hand, I do think that Infinity War could potentially hurt some of the films coming out in the month or two afterwards.  Whether you think Solo is going to be good or not, Disney’s kind of taking a risk putting it a month after Infinity War.  I do think Deadpool 2 is far enough away that it should be able to be successful regardless of the shadow that Infinity War casts (either way, chances are Josh Brolin has a good few months).




The Young Han Solo Movie (ugh) is shitting the bed

A picture of the cast and original directors of Solo: A Star Wars Story, in the cockpit of the Millenium Falcon.

Han Solo: A Star Wars story, the stand alone Han Solo origin movie that no one asked for has lost it’s directors, Christopher Lord & Phil Miller, the directing team that gave us The Lego Movie, 21 and 22 Jump Street, have left the film because of the classic bullshit Hollywood excuse “creative differences”. (Which in this case seems to mean they were fired).

Harrison Ford as Han Solo standing in front of the Millenium Falcon.

When the term “creative differences” is used in Hollywood, it basically means some bad shit was going down. It’s blanket term used when things are going badly on a project, but they don’t want to make specific people look bad. So “creative differences” could mean anything from the directors constantly throwing their feces at crew members to the movie being a piece of hot garbage and the studio has to make a desperate attempt to salvage their massively expensive tent pole film. Kathleen Kennedy, the head of Lucasfilm was the one to make this call and this woman knows what she’s doing. She started her career working with Spielberg on Raiders of the Lost Ark and has since been part of many of the most successful films ever made.

But Lord and Miller did The Lego Movie with that stupid fucking song everyone loves!

(to the tune of “Everything Is Awesome”)

However, on rare occasions, “creative differences” means “creative differences”. That means that there’s a creative aspect of the film, be it story, character, or something else that the film makers and studio disagree on, but won’t come to a middle ground about. Movie studios finance these projects and can get nervous when film makers do things creatively that they consider risky. At which point the film maker either quits or is fired by the studio. Then, with the world watching, studio tries to make gold out of diarrhea.
This case is especially bad because “Han Solo: A Star Wars Story” (or whatever the fuck they’re calling it) has been filming since February which mean a good chunk of this film has been shot. This type of thing usually happens before filming starts or at the very beginning. Even after a film is completed a movie studio may bring someone else in to the editing room to put the finishing touches on a movie they think needs work.

Now the studio needs to find a director that they think can right this metaphorical ship. Unfortunately, it’s pretty much a done deal that it’s gonna be Ron Howard.

Ron Howard and Henry Winkler posing together on the set of Happy Days.
I wrote a previous article for this site was basically praising Star Wars as my personal religion. I never thought I’d actively be rooting against a Star Wars film. But I fucking HATE Ron Howard as a film maker. I think he’s an overrated hack who has made some of my most loathed films. (I’d rather get one of my nuts torn off than have to sit through his fucking Grinch movie with Jim Carrey again)
Having said that, I’m torn by this news. On the one hand I love the Star Wars Universe with all my heart and I don’t want to see it take a step backward. On the other hand, I hated the whole idea of this movie. As soon as it was rumored to be one of the stand alone Star Wars movies.

I have strong feelings why I feel doing a Han Solo prequel movie in particular is a bad idea. But first I want to talk about some of the other parts of the Star Wars Universe that could have been better places to draw stories from than a …(sigh) Han Solo prequel movie.

When the stand alone Star Wars movies were announced I thought it was great storytelling opportunity. Star Wars has a massive mythology outside of the Skywalker family saga, even if they completely ignore the Expanded Universe content (Star Wars books, comics, video games , ect.).

But The Expanded Universe still has some excellent material to mine. The comics in particular are really special. They began to publish fantastic in continuity Star Wars comics, telling stories that took place between “A New Hope” and “The Empire Strikes Back”. Issue #6 of the flagship book “Star Wars”, written by Jason Aaron and drawn by John Cassaday, ends on a key scene that is incredibly important to the overall Saga (especially The Original Trilogy) that we never actually see in the films. It’s relatively simple scene that is a perfect mix of art and dialogue. Shortly after the destruction of the original Death Star, Vader hired Boba Fett to capture the pilot who destroyed the deadly space station. He couldn’t capture him, but he doesn’t come to Vader empty handed. Keep in mind, at this point Vader thinks his children died with his wife.Check it out:

Strip of Star Wars comic. Boba Fett's ship Slave II approaching a Star Destroyer and Boba Fett and Darth Vader speaking. Boba Fett tells Vader that he didn't catch him, and that he didn't get anything except for his name, Skywalker.

Next panels of comic, Vader seems to not react to the news of the name Skywalker. Boba Fett leaves, and Vader squeezes his fist cracking the glass protecting him from space.

More panels of the comic, Vader says "Skywalker" and peers through the window that he's just cracked.

That was an exceptionally well done sequence.

There’s so much more that this universe has to offer that most people haven’t seen. There’s the excellent Star Wars: The Clone Wars and Star Wars: Rebels Animated series’. The Clone Wars chronicles the period between Episodes II & III. Currently Star Wars Rebels which is about to enter its final season in the fall, chronicles the rise of The Rebellion shortly before Episode IV. Both of these are phenomenal shows,  don’t let the fact that they are animated turn you off. There are new characters that are just as compelling as some of the characters from the films and they also have the opportunity to further flesh out some of the relationships we see in the movies. Here’s an incredible scene from Rebels, we see the sad, beautiful, decades in the making final confrontation between Obi-Wan Kenobi and Darth Maul:

Another great example of the larger Star Wars Universe is Grand Admiral Thrawn, a fan-favorite Imperial villain from Timothy Zahn’s series of novels. Now he’s been introduced as a major villain in Star Wars Rebels. There are plenty of in continuity books, TV shows, and comics that are cannon that could be used in films.

The cover of Timothy Zahn's Star Wars novel "Thrawn" with a picture of the blue skinned, red eyed Admiral Thrawn looking at the reader.

Which is my whole point! why the fuck would you limit yourself to a shitty Han Solo prequel (why the fuck do these Hollywood assholes think we love prequels?). As usual they make the most predictable, “safe” (on paper), bullshit decision possible and do a Han Solo prequel movie. It’s especially disappointing coming from somebody as intelligent as Kathleen Kennedy at head of Lucasfilm, who’s someone I’d normally have a lot of faith in. Now besides the shit show they currently dealing with behind the scenes, here’s why a Han Solo prequel film was a dog piss idea in the first place…
I’ve always felt one of the biggest reasons this project wouldn’t work in the same way other prequels do is the fact that we associate Han Solo with Harrison Ford so much. Batman, James Bond, these are characters that were adapted from other mediums. I think recasting Han Solo is more of a slap in the face to fans is because Harrison Ford created that character as we see him on screen. This wasn’t an interpretation of a property that already existed in another medium or had been played by a different actor in a different film. George Lucas is famous for not being an actor’s director; he doesn’t give actors a lot of nuanced notes on performance. It’s safe to say that in many ways Harrison Ford helped create the character of Han Solo. All of the little moments, ticks, and nuances that we love about Han Solo all come out of Harrison Ford. There’s no source material for whatever asshole they got to play young Han Solo to refer to. It’s all Harrison Ford. Which is why at best this would just be some kid doing a Harrison Ford impression. If that’s the case, what’s the fucking point of making the movie at all? This is why it shouldn’t be touched.

This is the kid playing Han Solo:

Alden Ehrenreich in his 50's cowboy outfit from the film "Hail Caesar!"
There’s another issues with doing a Han Solo prequel film that I haven’t heard anyone mention yet. Han Solo is an outlaw and a pirate (Like Jack Sparrow when he was still cool and not just creepy). Giving Han Solo a film that fills in all the blanks takes a bit of mystique away from the character. Some mystery for a roguish character like Han is part of his appeal.

There’s an old saying that audiences don’t really know what they want, even if they think they do. We may think we want to see Han meet Chewie and Lando and win the Millennium Falcon in a game of Sabbac, but sometimes things are better left to the imagination. (That’s right, I know the name of the fictional card game played in the Star Wars universe. Winner!)
Personally, I felt if they had to do a prequel movie starring a character that we already know it should be an Obi-Wan Kenobi movie. Ewan McGregor has said multiple times that he would love to play the character again. Tell a story that takes place between Episodes III and Episode IV. What was he up to on Tatooine for 20 years? Maybe he decided to break those pointless fucking celibacy vows the Jedi had for some reason? Maybe 50 years later he’s got a hot granddaughter running around the galaxy? Who knows? I swear I had this idea before the comics did, but in the main Star Wars comic written by Jason Aaron,  every now and then Luke will read Obi-Wan’s Journal and we get a flashback to one on his adventures during his time on Tantooine. These issues are always fun and they show that Kenobi wasn’t just sweating his ass off in that fucking hut for 20 years.
They could tell a western style adventure with Obi-Wan trying to stay in hiding, but maybe he keeps seeing The Hutts or some other alien gangsters harassing simple moisture farmers around him. Finally, he’s reluctantly forced to do something about it. That’s just off the top of my head! I’d see the fuck out of that movie!  Maybe he runs into another surviving Jedi, those guys are all running around the galaxy left and right.  The Empire certainly didn’t get all of them. Also, we don’t have actor recasting issues like we have with Harrison Ford because Obi-Wan has already been played by multiple actors.
The positive side is that Lucasfilm and Kathleen Kennedy know what they’re doing and I have more faith in them then the guys who did the fucking Lego Movie. I know I’m gonna get shit for this, but I absolutely fucking HATE the Lego movie trend. Fuck The Lego Movie. Fuck The Lego Batman Movie. Just…Fuck Off.
The Force Awakens was far from perfect but it was a great movie. I have a lot less love for Rogue One, but there is greatness in that film. The “Vader Scene” (you know what I’m talking about) was one of the best scenes in the saga. The new Expanded Universe is excellent. Star Wars Rebels is one of my favorite shows and occasionally manages to outdo the films in shear thrilling, emotional, spectacle.
At the end of the day, Star Wars, Lucasfilm, and Disney will be just fine. It does suck however to see a chink in their creative armor. Since Lucasfilm was acquired by Disney they just kept cranking out solid fucking content. They went about building their universe in a smart, fun, and well thought out way. They decided what would be cannon and what wouldn’t and went to work. Movies, TV shows, books, comic books. They haven’t made a misstep yet so this is their first major hiccup. But let’s be honest even if this is a total disaster in every way, shape, or form, this is not going to hurt the Star Wars brand in the long run.
Who knows? Maybe I’m wrong and the studio brought Ron Howard (UPDATE: They did. Ron Howard is officially directing Young Han Solo). I hope he crushes it. I hate most of his movies and think he’s a MASSIVELY overrated director, but I did love Cinderella Man. I guess we’ll just have to wait and see the color and consistency of the shit they spray all over the movie screen.

Also keep an eye out for the new episode of “The World’s Best Podcast with Paul & Tim” where Tim and I will be discussing the season 2 premiere of Preacher on AMC. It’s gonna be really fucking good…probably.

Thanks for reading!

– Paul