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WHY DO PREQUELS ANSWER QUESTIONS NO ONE ASKED? ALIEN: COVENANT
SPOILER WARNING!!!! I DROP ONE HUGE ALIEN:COVENANT SPOILER IN THIS ARTICLE AND A FEW MINOR ONE, SO IF YOU HAVEN’T SEEN THE MOVIE, GO SEE IT AND THEN COME BACK AND READ THIS… OR IF YOU JUST DON’T GIVE A FUCK GO RIGHT AHEAD AND READ IT.

So I managed to go out and see Alien: Covenant over the weekend. Any of you who follow the site know that Alien: Covenant was one of my most anticipated films of the summer. I have a complex relationship with this franchise. Some of the films I love, some of them I loathe. But I think one of the greatest strengths of this universe, is it’s ability to spark debate among it’s fans. There are people who will defend Alien 3 to their dying breath despite its many controversial creative choices. Personally, I love Prometheus. I know that’s not a popular opinion, but I like sci-fi that tries to tackle the big questions in life. Even if the movie ultimately fails in the attempt. My point is that we all have our favorite Alien film or films and we love them regardless of what anyone else thinks.

I’ll warn you right off the bat; if you get frustrated watching people do really fucking stupid shit for the sake of moving the plot forward, this movie is going to drive you out of your goddamn mind. The crew of The Covenant could be some of the dumbest fucking people to ever grace the screen of a sci-fi film and I think that’s a pretty high bar. They make the crew of the Prometheus look like a bunch of Jack Reachers. “Hmm, we have a meticulously planned mission, years in the making, with thousands of lives on the line, you know what? Fuck it. Let’s forget about all that and investigate this creepy as fuck signal coming from a planet we’ve never heard of before, even though we’ve searched this sector for habitable planets many, many times and this is the first we’ve seen of this seemingly perfect world. That is awfully peculiar, but hell we’re explorers! Sure we’ve had a few casualties already, but if you’re gonna roll the dice anywhere, it should be in space.” I must have been shaking my head in sheer disbelief at the idiocy of these characters for the first 30 minutes of the movie.

I did ultimately enjoy Alien: Covenant. If you’re a fan of the franchise at all, I think it’s worth seeing. You may hate it, but you should eventually see it. Once again Michael Fassbender is incredible in dual roles as very different (or ARE they?) Synthetics, David and Walter (Not a spoiler at all if you saw Prometheus: David is a real prick.). Danny McBride is the Yaphet Kotto of the movie, which is fucking awesome. I’m a huge fan of McBride and you’d assume he’d be comic relief/cannon fodder here, which isn’t really the case. Even though I had my problems with it, I came out if the theater having had a good time.

Which brings me to the point of this article. My main gripe with the movie is one we see way too often in prequel films: explaining things that DON’T FUCKING NEED TO BE EXPLAINED! Perfect example, The Force from Star Wars. We don’t need a bunch of bullshit about fucking Midichlorians or whatever that allows people to commune with The Force. It’s The Force, that’s all the explanation we need. While we’re on this topic, you know what was on my mind while I was watching X-Men: Shitpocalypes? “Man, I just GOTTA know how Charles Xavier loses his hair.” Actually, that’s not true, I didn’t think that. NOBODY fucking thought that! Who. Fucking. Cares? (Ironically, I very, very much cared when they DIDN’T make Lex Luthor bald in Batman V Superman: Dawn of… WHY THE FUCK DIDN’T THEY JUST CALL IT World’s Finest? I don’t know why they’re different, but they are. Xavier with hair = OK, Lex Luthor with hair = Not OK)
Which brings me to the cardinal sin of Alien: Covenant: They definitively explain the origins of the Xenomorphs. When Prometheus was announced, one of the things I was most excited about was finding out more about The Space Jockey. I always felt like fans tended to forget that there was this whole other Alien species out there that the series never touched on enough. Of course, The Space Jockey ended up being one of The Engineers. For the most part the Engineers worked for me. If you hated them, I totally get it. Look at this fucking guy, ripping heads off. Not cool.

On the other hand, the one thing I absolutely did NOT want an answer to was the origin of the Xenomorphs. Ultimately the story that was set up in Prometheus led to Alien: Covenant and Alien: Covenant definitively gives that answer. I don’t hate the explaination in and of itself, I just hate that there’s an explanation at all. Nothing these writers come up with can compare to what we cook up in our own imaginations. The thing that kind of sucks is, when you give a definitive explanation to a pop cultural mystery, it ends the fan debate. Some of the most fun I’ve ever had hanging out with my friends was sitting around debating things like “Where did the Xenomorph come from?”

I understand why Hollywood does this shit, it’s marketing. But certain mysteries in pop culture should be sacrosanct. Like the origin of The Joker. You can tease, you can hint, but you can NEVER tell us who he really is (a rule Marvel should have stuck to with Wolverine). Unfortunately I have a feeling DC is being tempted to play this particular wild card and that would be a colossal mistake. I guess my point is, everyone loves a mystery and some of the great mysteries of pop culture should remain unanswered.
Thanks for reading everyone!
-Paul
MUST WATCH: AMERICAN GODS

The big event of the last few weeks for genre fans everywhere was undoubtedly the opening of Guardians of the Galaxy Vol.2. I was so eager to see this damn movie that the first thing I did after being discharged from a 4 day hospital visit for pneumonia, was run to the movie theatre to see Guardians 2. The first Guardians film was lightening in a bottle. One of those rare cinematic experiences that’s impossible to recreate. It was an instant classic.
Though Guardians 2 can’t quite reach the dizzying heights of its predecessor it’s a richer and more mature film. I have a lot more I could say about Guardians 2, but the short answer is I absolutely loved it. Also, I doubt anything I have to say would be all that different from a million other blogs and websites. So, I decided to take the opportunity to spotlight another excellent new piece of genre entertainment that isn’t getting quite as much coverage as it deserves: American Gods, the new Starz series that premiered a few weeks ago.
To borrow an overused phrase, we are living in the golden age of television. I feel we have officially reached the point where television has caught up to and in many ways surpassed feature films. When I looked back at 2016, all of my favorite on screen moments came from television. I would put Game of Thrones and Westworld against the best films of the year in terms of both spectacle and dramatic storytelling. Marvel is doing some of it’s best work in any medium on Netflix with Daredevil, Jessica Jones, and Luke Cage. What started with Arrow on The CW gave birth to a full blown DC cinematic universe that’s a lot more fun and thrilling than the films DCEU has on the big screen. FX knocked it out of the park with Legion, a comic book show that’s unlike anything on TV. And those are just a few of my favorites. Stranger Things, Fargo, House of Cards, there’s a wealth of great content from every genre. In my opinion, Starz has produced another fantastic must see show with American Gods.

American Gods is based on the acclaimed novel by the legendary Neil Gaiman. Gaiman is an award winning fantasy novelist and comic book writer, arguably most well known for being the creator of the groundbreaking comic book series, The Sandman. Neil Gaiman has been one of my favorite writers for years. Regardless of the subject matter, anytime Gaiman has a new book out, I can’t wait to read it.
American Gods is one of my favorite books and when Starz announced it was adapting the novel as a TV series, I was cautiously optimistic. I’m happy to say that so far, American Gods has exceeded my expectations.

American Gods is the story of a man named Shadow Moon played by Ricky Whittle, who just a few days before being released from prison, is told he’s getting out early because his wife has died. As an added kick in the nuts, not only did his wife die, she died in a car accident while performing oral sex on Shadow’s best friend who also died in the car wreck. With his world completely shattered, Shadow heads home to take care of his affairs. While on his flight home, he meets a charming and enigmatic man who calls himself Mr. Wednesday, played by the great Ian McShane. Wednesday seems to know way more about Shadow than he should and wants to offer him a job. Wednesday has a road trip planned to recruit some of his old friends for a mysterious mission and he wants Shadow to be his right hand man on the trip. Shadow knows that there’s something extremely shady about this guy, but he’s so lost at that moment he accepts the job against his better judgement. From there, Wednesday drags Shadow into a surreal conflict between old gods and the powerful new gods who’ve replaced them. Gods survive and thrive on human worship and not many people are worshiping Anubis or Odin these days. Media, Technology, Firearms, these are some the new American gods and they have no interest in sharing the world with the old gods.

Shadow is tough role to cast. He’s a blank slate in some ways and with the wrong actor in the part it probably wouldn’t work. Fortunately Ricky Whittle is perfect as Shadow. He manages to make Shadow likable, sympathetic, and intelligent, which makes you end up rooting for him to make it through this insane journey in one piece. Ian McShane is one of our greatest living actors and it’s very fun to watch him play Mr. Wednesday. You know the guy is probably a piece of shit, but you really like him anyway. You can definitely see how a sharp guy like Shadow could get involved with this guy even though it’s most likely a really, really bad idea. The supporting roles are filled by fantastic actors like Peter Stormare, Crispin Glover, Cloris Leachman, Orlando Jones, and Gillian Anderson.

One of the very cool ideas the show plays with, is power of human belief. As the new god Media played by Gillian Anderson says, millions of people worship her for hours every day, staring at televisions, smartphones, and tablets. To Media, in the 21st-century, attention is a more valuable form of worship than blood sacrifice.

The things we put our faith in only have the power and meaning that we allow them to have. Whether it’s an old god like Anansi or a new god like the Technical Boy, the god of technology, their power stems from the importance we give them. Which begs the question do we have faith in something that’s already there or is it our faith and belief that allows them to exist? It’s unique and fascinating idea.

In addition to the original American Gods novel, Neil Gaiman has written a quasi-sequel called Anansi Boys, as well as several short stories that take place in and feature characters from the American Gods universe (all of which I highly recommend you read). So there’s a wealth of material for the show to draw from and I can’t wait to see where it goes from here… Oh, and a guy has anal sex with a genie cab driver with one of the biggest dicks I’ve ever seen. That’s got to be worth the price of admission alone, right?

Only 3 episodes into the 8 episode first season and I’m hooked (you can watch all of the episodes that have aired so far on demand or on the Starz app on any device). The cast is incredible and the look of the show is beautiful and different. Trust me, give this spectacular show a shot. American Gods airs Sunday nights on Starz.
Thanks for reading everyone!
-Paul
The Best Superhero Comics You Probably Haven’t Read…
This is the second article in my series spotlighting lesser known, but excellent comic books. This week I’m going to tell you guys about some fantastic superhero comics that may not be as well known as the JLA or The Avengers, but they’re wonderful Comics nonetheless. So, let’s get started…
Somewhere between the late 1990’s and the beginning of the 21st-century, the superhero genre as a whole begin to exhibit a dramatic stylistic change. The superhero movie explosion had yet to occur. Publishing giants like Marvel we’re on the verge of bankruptcy. (It’s crazy to think in a time when Superheroes and comic books permeate our pop culture, Marvel almost went belly up). The 90’s was a cynical decade, the decade of conspiracies and The X-Files. That cynicism coupled with the approaching Y2K paranoia produced a landmark era of comic storytelling. Some of the books published at the time were the best deconstructions of our most famous superhero archetypes since Watchmen. All of the books and stories below feature characters that are very deliberate analogues for our most famous superheroes. Specifically the DC superheroes, like the Justice League.
This is not a coincidence. I often say that, unlike Marvel, the heroes of DC Comics are MYTHIC, larger than life, they are the modern day gods. They’re our Zeus, Apollo, Mercury, Hera, and Hades.
However, from all of our superheroes there is one that rises above the rest. The first and arguably the greatest superhero. Every single book on this list either centers on an analog of this character or features one prominently. I am of course talking about the Last Son of Krytpton, The Man of Steel… SUPERMAN. Every comic book writer wants to play with Superman at least once, and they all have an idea that wouldn’t quite fit in a traditional Superman comic.
After all, Superman has rules. He upholds truth, justice, and the American way. He works at The Daily Planet newspaper with the love of his life, Lois Lane. He always does the right thing and, with a few notable exceptions, he doesn’t kill.
The stories below are fantastic because you have some of the greatest writers and artists in the industry taking characters that are very much like our most beloved heroes and doing things with them that they could never do in 1 million years in a normal comic book. These stories prove that sometimes when you take risks with old ideas, you get some damn fine storytelling as a result.
Now you’ve got to understand, some of the stories are almost 20 years old, so when you read them they may not seem as new or exciting because a lot of the tropes present in the stories were revolutionary at the time. They reinvented the genre, so of course everyone copied what they were doing. A lot of theses ideas have been adopted into mainstream comic book storytelling as the culture has changed. Regardless, it’s important to understand that at the time these tales were revolutionary and mind blowing. They were risky, they made you uncomfortable, and they made you look at your favorite heroes in the whole new light. Some of the stories are better than others but they’re all great reads and essential for any comic book reader new or old.
The Authority writer– Warren Ellis & Mark Millar/artist – Bryan Hitch/Frank Quietly/Some Shitty Fill-Ins
This book popularized the concept of “Wide Screen Action” in comics. “Wide Screen Action” basically refers to superhero action on a scale and scope that hadn’t been seen up to that point. They were trying to devise action set pieces like something out of the coolest 90s blockbusters. The book was first launched by Warren Ellis and Bryan Hitch in the late 90s. The Authority, led by chain smoking British bad ass Jenny Sparks and her mega powerful team consisted of Apollo, Midnighter, Swift, Jack Hawksmoore, The Engineer, and The Doctor. Between Ellis’ unique vision and Hitch’s incredible artwork the book was a sight to behold. The book also tapped into the late 90’s fear and mistrust of the government I wrote about earlier. Because of shows like The X-Files, conspiracy theories were big. The book was groundbreaking at the time for another reason, in that it featured a gay couple prominently on the team, Midnighter and Apollo, who were analogs for Batman and Superman, were lovers. Smartly, this never defines the characters. The books didn’t exploit the characters sexuality and they made it clear that these two were very much in love with each other. They were two of the most bad ass superheroes on the planet, their sexuality didn’t matter one damn bit.
During Ellis’ tenure on the book, the idea that Superheroes could be quasi-fascist popped up from time to time. The Authority were the most powerful superheroes on the planet, when the world was at stake, they felt like they didn’t have a time for democracy, committees, due process, or international borders. In fact, they viewed these things with contempt. With beings this powerful who’s to stop them? These are themes that would be ratcheted way up when Mark Millar took over after Warren Ellis departed after the second story arc. Along with Millar came genius artist Frank Quietly. Though Ellis and Millar are quite different writers, there was a pretty smooth transition. In my opinion this was Millar’s best work. Similar to some of Ellis ideas, Millar attempted to answer the question that we’ve all asked: If Superman and the Justice League were real why wouldn’t they topple dictators and evicirate terrorists? Shouldn’t they be solving the problems that really matter instead of engaging in silly fights with supervilains? What’s to stop them from drastically changing the world? Of course, when you start messing with the establishment at that level, the establishment begins to push back.
The Authority: Book One (Warren Ellis & Bryan Hitch) and The Authority: Book Two (Mark Millar & Frank Quietly) are available at your local comic book store and online on ComiXology.

Rising Stars writer– J. Michael Straczynski/artist-Various
On paper a lot of these stories sound very similar as they’re all basically deconstructions of superhero stories. However, if you read them, you’ll see that they all have their own unique feel. Rising Stars perfectly exemplifies this. Rising Stars was really the first comic book I read that showed me superhero stories can be more than traditional conflicts of good vs evil. They can be complex and adult. As you can imagine Rising Stars was a revelation to me. Created by J. Michael Strazcynski, also the creator of the groundbreaking sci-fi TV series Babylon 5, who was famous for his intricate story planning. He new the beginning, middle, and, end of Rising Stars before he sat down to script the first issue. The story is all the stronger for it. Here’s the basic set up without going into spoilers: It all began with The Penderson Flash, 10 years before our story begins a strange ball of energy that was dubbed The Penderson Flash dissipated over the small town of Penderson in the heart of America. When the Flash hit Penderson, 113 children were in utero at the time. Of course this being an extremely bizarre incident, the United States government decided to keep their eye on the town of Penderson and its residents. For years there was no apparent effect. No one was any closer to figuring out what the Flash was or what it did to the populace. Until one day, one of those 113 children in utero at the time of the Flash, now around nine years old, saved hundreds of people at his school when the roof of the gymnasium collapsed, dropping hundreds of tons of concrete and rubble. The boy was able to hold the debris over his head like it weighed nothing, so everyone could escape. One by one, each of the 113 Penderson children began to exhibit various abilities, some very dramatic, some relatively benign. One or two of them seemed not to develop an ability at all. But each time one of the kids discovered they had a power, it was a brought about by a trigger event of some kind. So perhaps the kids who didn’t have abilities, simply hadn’t experienced their specific trigger moment? Fast forward more than a decade later, the children have grown up and been dubbed the “Specials” by the public. A few of them chose service and protection like traditional superheroes. But most of them went on to do a variety of different things. The main character of the story is Poet, a private, introverted Special who’s also a struggling writer. One day, seemingly out of the blue, the 113 Penderson Specials begin to be murdered one by one. For reasons I won’t go into here, Poet believes it’s his responsibility to catch the killer.

That’s the basic set up and I’ve only scratched the surface of the story. It becomes so much more than a superhero murder mystery. These children were given these abilities for a reason. They were meant to change the world. The question is, is the world ready? At the time, the only thing that had ever been done with superheroes that was even vaguely similar to this was Alan Moore’s Watchmen. Of course, Rising Stars is no Watchmen, what could be? However, despite that unfair comparison, Rising Stars an is excellent read. The story asks, and not in a dark or cynical way, what would you do if you truly had the power to change the world for the better? It’s a real gem if you’ve never read it before. Though it does it enjoy a cult following, Rising Stars deserves a higher status in our pop consciousness.
Rising stars is spread out over three graphic novel trade paperback’s that include the entire series:
Rising Stars vol.1 Born in Fire
Rising Stars vol.2 Power
Rising Stars vol.3 Fire & Ash
Buyer bewear! Rising Stars also put out two compendium editions that collect the whole story across two massive volumes. I can’t stress enough to not waste your money on the compendiums. The binding is flimsy and hard to keep open and the pages and binding come apart almost instantly after you start reading it. So, grab Rising Stars vol. 1-3 at your local comic book store or on your device at comiXology
Supreme Power writer– J. Michael Straczynski/artist– Gary Frank
This one may be my personal favorite on this list. J. Michael Straczynski is such a gifted writer it should come as no surprise he appears on this list twice. This is the story that’s most directly parallels Superman and The Justice League. This is a brilliant execution of the question: “What would happen in the real world if superhumans began to appear?” It begins with a familiar setup. A young couple driving their pickup down a back country road. Something streaks across the sky and crashes into the field down the way. They investigate and find a small baby in the wreckage of what appears to be an alien ship. They bring the baby home, but instead of being raised by the kindly couple, black helicopters and blacks ops soldiers are taking the baby and hushing up the couple. The child is then taken to a government research facility. Even as a baby, when the government scientists first test him, they see his strength and durability are off the charts. There’s no telling how powerful he could become. After deciding not to just kill the child out right before that becomes impossible, the U.S. government decides to raise this boy to be the quitenssential American Hero. They hire government agents to play his parents. They use focus groups to pick the perfect dog he should have as he grows up (it goes bad). They’re very careful about what they show him of the outside world. Above all the instill him with a deep love of America, or at least they try to. The boy is named Mark Milton (another name chosen by focus group to sound the most “American”) and he will become the superhero known as Hyperion.
But when Mark’s ship crashed on earth, it released something into that the atmosphere, something that affected other people, giving them extraordinary abilities like Mark. There’s The Blur who can move with superspeed, Doctor Spectrum, a former special forces officer with a Crystal from Mark’s ship fused to his hand that will act as a weapon that responds to his mind. You can see where this is going. Slowly but surely were introduced into an entire real world Justice League analog, including versions of Batman (Nighthawk), Wonder Woman (Zarda), and Aquaman (A girl named Kingsley who eventually gets the lame code name Amphibian). What makes this story so compelling is that it has a real ripped from the headlines kind of feel, in the sense that this is what it really would be like if beings like Superman came into our world. Everything from the abilities of the characters to how their potential destructive power is measured is presented in a really cool way you haven’t seen before in most Comics. There’s a dread that hangs over this entire book that permeates the story with tension. Especially when it comes to the character of Mark. This is a man whose entire life has been a lie. He’s been raised to believe he’s this perfect American weapon, never told his true origin. But what happens when he finds out the truth? How does somebody with truly no limits look at the world and its problems? And then of course is the old classic: does absolute power corrupt absolutely? These are the ideas that lie at the heart of Supreme Power. I’m not even coming close to doing this story justice, but I can’t recommend it enough. Unfortunately for reasons I’m not certain of, JMS never finished his superhero epic. I heard it came down to disagreements with Marvel. It’s a shame we’ll never get to see JMS complete one of the all time great superhero stories.
The series did eventually continue, picking up months after where Straczynski’s cliffhanger book departure left off. I haven’t read the follow up series myself. I’m sure I eventually will out of curiosity. I’ve heard it’s…fine. But YOU dear reader! YOU only read the Supreme Power stories written by J. Michael Straczynski. For some reason, the trade paperbacks for Supreme Power are a little more difficult to find than some other books. They can be easily found on Amazon or ComiXology. Of course, it doesn’t hurt to call your local comic book store to see if they have any copies (local comic shops can be a treasure trove of hidden gems). Regardless, here is the reading order:
Supreme Power Reading Order
– Supreme Power vol.1 Contact
– Supreme Power vol.2 Powers and Principalities
– Supreme Power vol.3 High Command
– Supreme Power: Hyperion
– Squadron Supreme: The Pre-War Years
If you like these books here are a few more that you may want to check out:
Invincible writer– Robert Kirkman/artist– Ryan Ottley
The Ultimates writer- Mark Millar/artist- Bryan Hitch
Anyway, as usual thanks for reading guys. I hope you enjoyed it.
– Paul
Blu Ray Review: Teen Titans: The Judas Contract

Blu Ray Review: Teen Titans: The Judas Contract
Director: Sam Liu
Ever since Warner Bros. released their first direct to Blu-ray/ DVD feature length movie, Superman: Doomsday, an adaptation of the Death of Superman, I’ve loved DC’s direct to video animated films.
DC usually puts out three of them a year and they’re marketed to older fans who love DC animation but are looking for something with a little bit more edge. Let’s face it, as much as we all love the classic in DC animated shows they were ultimately targeted at kids. They had to comply with certain standards and practices. The violence couldn’t be too extreme, human deaths rarely took place and if they did it was off screen, and sexuality was completely absent (except for the slight innuendos the writers snuck in). Fortunately the writers on shows like Batman: The Animated Series were strong enough that they were still able to tell dark, thematically rich, adult stories that hold up even today. It makes the success of Batman: The Animated Series all the more impressive when you consider that the writers basically had one hand tied behind their back.
This is DC animation when the gloves come off. They’re either PG-13 or R-rated and they are geared towards adult comic book fans. They go back-and-forth between telling original stories and adapting classic storylines. The movies can be hit or miss, none are outright terrible . Almost all of them are watchable at the very least (especially if you a comic book fan). Some of their releases include All Star Superman, Batman/Superman: Public Enemies, and Green Lantern: First Flight (essentially Training Day with Green Lantern).
On occasion these movies can be spectacular. I consider a few of them to be some of my favorite comic book movies. For example, there’s the two part adaptation of The Dark Knight Returns which is damn close to being my favorite Batman movie. Justice League: The Flashpoint Paradox is not only a phenomenal superhero movie, but I actually think it’s better than the source material it’s based on. Below the review, I’ve listed some of the best of their films, that are must sees for any self respecting comic book fan.
However, the movie I’m reviewing today is Teen Titans: The Judas Contract. First a little background, a few years ago DC animation made a decision to make two of the three movies they produce each year part of a shared animated universe. Much like what Marvel and DC are doing on the big screen in live action. So The Judas Contact is the latest in a line of shared universe films that began and continued with Justice League: War, Son of Batman, Justice League: Throne of Atlantis, Batman Vs. Robin, Batman: Bad Blood, and Justice League Vs. Teen Titans, and most recently Justice League Dark. Since this series of DC animated movies began, fans have been clamoring for an adaptation of Teen Titans: The Judas Contract. After all, this was a book that at one point in the 80s was that was the highest selling comic in the industry.

(*80’s Teen Titans line up)
As much as I enjoy and look forward to these DC animated films, once they changed over to this shared universe format, I’m sorry to say the quality of the films of really suffered. They haven’t knocked one out of the park in a while. Although Justice League Dark was a whole lot of fun.
So, how’s Teen Titans: The Judas Contract? Well, it’s… ok. If you’re somebody like me ,who looks forward to these films coming out, you’re probably going to find something to like in this movie. Because at points it can be very entertaining.
Let me give you a brief rundown of the story without getting into explicit spoilers: Here, the Teen Titans lineup includes Damian Wayne as Robin, Beast Boy, Terra, Raven, and Blue Beatle. As well as Starfire and Nightwing acting as team leaders and mentors. The Titan’s greatest enemy, Slade Wilson AKA Deathstroke, has been hired by super creepy cult leader Brother Blood, to take out the Titans for reasons I won’t go into here because of spoilers. However, I’m sure it will come as no surprise to fans that involves some crazy, convoluted, nonsensical, comic book bullshit (don’t get me wrong, I love a good, crazy super villain plot that makes little to no sense ). Unbeknownst to the Titans, Slade has a mole inside the team that feeds him information, tactics, and weaknesses. With the goal of eventually helping Slade defeat The Titans and hand over them over to Brother Blood and his many devoted followers.
* {Just a quick side note here: who the fuck would follow join a cult led by somebody named Brother Blood?. There had to of been a shit load of warning signs that this guy was bad news. The human sacrifice probably should have been a giveaway. Clearly Brother Blood’s followers have made some very poor life decisions to get to this point)

So, i’m going to start with the positives about the film and then talk about the negative aspects after. First off, though this isn’t an exactly a glowing review of the movie, it certainly wasn’t awful. In fact, at certain points throughout the film, it was really fun. A lot of the dialogue and the character interactions worked pretty well. The fight choreography is great. In particular there’s one fight between Dick Grayson and Deathstroke in Dick’s apartment that was particularly well done. As always the animation is phenomenal especially on a Blu-ray (If you end up checking out any of the other DC animated movies, I highly recommend watching all of these movies on Blu-ray because they look absolutely gorgeous).
Now here’s where the movie went wrong. To some comic book readers, this is their The Dark Knight Returns. So a story like that needs to be treated with more gravity and impact than this did. What really made this story work in the comics is the team’s revelation that one of their own is a mole. It’s a gut punch when it happens because we’ve come to care about this character and the other Teen Titans over a long period of time. In the movie, we haven’t given been given enough time, even with the first movie, to have a strong emotional bond with these characters. The only exception really being Damian and Nightwing who’ve been in al the recent, DC animated Batman movies.
Dick Grayson and Damian Wayne are two the more interesting characters in the Batman comic books, but here they are both kind of bland. That’s a problem for the rest of the characters in this movie too. None of them really pop.
If you’re looking for a great animated Deathstroke, watch the Teen Titans animated series from the early 2000’s. I was never a huge fan of that show but Ron Perlman as Slade Wilson on that show kicked ass

One other thing I want to bring up about the film is a very fucked up subplot that is present in both the Judas Contract comic book and film. I’m not advocating for this at all , I just thought it was an interesting creative choice to take this particular subplot from the comics and put it into the movie. There are some mild spoiler so I’m going to mark it and if you want to scroll down to avoid the SPOILER go right ahead…
MILD SPOILERS AHEAD!!!!
MILD SPOILERS AHEAD!!!
MILD SPOILERS AHEAD!!!
OK so even with the spoiler warning I’m going to avoid getting too specific, but one of the super weird, fucked up aspects of the original Judas Contract storyline is that Deathstroke has a weird sexual relationship with the mole on the Titans. Just to put in a perspective how weird this is, Deathstroke is 50 if he is a day, and this character in particular can’t be more than 16 years old. It’s not as explicitly sexual as it was in the comic books, but I really respect the fact that they left this aspect in the movie. Again I am absolutely not advocating older man sleeping with underage girls, but It shows you how fucked up the character who betrays the Titans is. It sort of gives you a window into their psychology and why they do what they do.
END SPOILERS
So just like last year’s disappointing Batman: The Killing Joke, Teen Titans: The Judas Contract falls short of expectations. If you follow these animated movies and you like superhero animation in general, I would still recommend this movie, there’s a lot worse ways to spend the night watching a movie. But if this is your first time watching one of the direct to video DC animated movies, start with the ones I’ve listed below because there are a lot of great ones. I really hope that DC animation starts learning from these creative failures because a lot of these people who’ve worked on these less successful animated films have worked on some of the very best animated movies DC has to offer.
Perhaps it’s not a coincidence that the director Sam Lui’s has been responsible for some of the less than stellar DC animated films. I don’t want to shit on the guys work. He’s done some great animation direction,on TV. Hell, I know I’m going to get some blowback on this one, but I even the think The Killing Joke, which Liu directed had it’s moments.
For a while there, DC had a run where they were cranking out some really great animated features. Material that really push the envelope and it’s a shame to see them keep putting out subpar material. Hopefully they’ll get themselves back on track soon.
Movie: 6.5
Special Features:
Sneak Peek at the Next DC Animated Movie “Batman & Harley Quinn: One of my favorite things about the DC animated movies is that the special features include a 10 or 15 minutes sneak peek at the next film they’re working on. It’s cool to see the rough anamatics and the casting process. Say what you want about these films, but the enthusiasm of the people working on them is infectious. I always find myself looking forward to the next DC Animated film even if their last few movies have been mediocre. “Batman & Harley Quinn” looks especially interesting because it’s written and produced by Bruce Timm (Who is of course the cocreator of the legendary Batman: The Animated Series) and the animation is in the style of the Batman: The animated Series (or if you’re going to get technical on me, it’s in the style of the relaunch they did when Batman: The Animated Series became The New Batman/Superman Adventures and they did character resigns… my God I need to get laid)
Titanic Minds: Reuniting Wolfman and Perez: Another cool aspect of the special features on these movies is they’ll do mini documentaries focusing on certain storylines, creators, and/or characters that are in the movie and then give interesting background information about the comics they’re based on. In this case, we get a profile on Marv Wolfman and Georgia Perez who were the superstar creative team that made Teen Titans the biggest book in the comics industry back in the 80s.
Villain Rising: Deathstroke: The second mini documentary is a profile of Deathstroke that goes into the characters history and creation. They take a look into the psychology of a character like Deathstroke, who considers himself honorable while at the same time commits unspeakable acts in the name of profit. It’s a solid profile of one of the best villains in DC comics, so if you’re a Deathstroke fan, you’ll enjoy this special feature.
Other Special Features: There are a few other of pointless and crappy special features. Like, for some reason there are sneak peaks at DC animated movies that came out at least five or six years ago and a gallery of animated stills from “The Judah’s Contract”. I’m gonna go ahead and say you can skip those.
Below is a list of the very best that the DC Animated movies have to offer. Some are available on Netflix or Amazon Prime and all are available on Blu Ray:
-Batman: The Dark Knight Returns Deluxe Edition (This was such a major project that DC released it as 2 separate films, parts 1&2, but the Deluxe Edition is the must watch version of this movie)
–Justice League: The Flashpoint Paradox
-Wonder Woman (Very underrated)
-Batman: Under The Red Hood
-Batman: Year One
Though not as good as the list above, here are a few more of the better DC Animated movies:
– Green Lantern: First Flight
– Justice League Dark
– Justice League War
Thanks for reading, guys!
– Paul
Best Non- Superhero Comic Books For New & Returning Readers
Hey everybody, when I started this blog, promoting comic books as a medium was one of my primary goals. Comics have had a massive surge in popularity over the last 10 years due to the explosion of superhero properties on the big screen and on TV. Of course, while there are a variety of excellent superhero comic books to read, superhero stories only scratch the surface of what the comic book medium is capable of. So this week in my “Comic Book of the Week” article, instead of picking the best comic book that came out, I’m going to list some of the best comic book series that aren’t necessarily superhero stories.

Right off the bat, for new readers, I want to explain how comic books are published. Comic book storytelling is best described as a mix between a novel and a television show. Comic book publishers put out hundreds of books every month, so to new readers, the whole thing can be a bit intimidating.
Take for example “The Walking Dead”, the comic book created by Robert Kirkman that is the basis for the mega-popular hit AMC show. Like all comics, The Walking Dead began with its first issue, The Walking Dead #1 published in October 2003. Since then a new issue has come out every month (just like a magazine comes out once a month). Most comic books break up into “story arcs”, one overarching story taking place over 6-12 issues, with each individual issue acting as chapters in the story. Like episodes of a TV show or chapters in a novel. Once a story arc is completed, the publisher will put collected editions that contain the entire story in one book. These are the “graphic novels” that you see in bookstores like Barnes & Noble. This continues on for however long a comic exists. Some like Batman have been around for over 75 years.
So there you have it Comic Books 101… Below are some of the best comics ever written and the best place to start reading them. This is a list specifically for people who may have read some comics in the past or have seen the movies, but aren’t sure what’s for them or where to start.
This is going to be the first in a series of articles about the best and coolest comic books out there. Below each of my picks I’ve included an Amazon link for the best editions of each of these series for those of you who want to jump right in and purchase a copy for yourself! (And I highly recommend that you do!)

The Sandman writer- Neil Gaiman/ Artist – Various
Considering that this is easily one of the finest pieces of comic book literature every published, I’m often surprised how few comic book readers I know have actually read this series. This isn’t just great storytelling, it’s art. Neil Gaiman’s magnum opus holds the important distinction of being one of the first comics to have a largely female readership. The Sandman defies description, but at its center is Morpheus of The Endless, Lord of The Dreaming (the land we all go to when we dream). The series involves everything from William Shakespeare to Ancient Rome, Lucifer, Pagan Gods, a serial killer convention, Batman and million other wonderful things in between. But most simply put, The Sandman is a story about stories.
The entire series is available in trade paperback. The first volume is The Sandman vol.1 Preludes and Nocturnes, but the series CAN be read out of order so I would recommend starting with The Sandman vol.4 Season of Mists.

Preacher writer- Garth Ennis/ Artist- Steve Dillon
Preacher is an American classic. If I had to call Preacher anything, it’d be a Western. It’s the story of a man named Jesse Custer and his quest to find God…literally. Along with his great love Tulip and his best friend Cassidy, the trio embark on a batshit crazy road trip across the country to find “The Good Lord”. Really though this story is a love letter to America as only an immigrant can tell it. Writer Garth Ennis is from Ireland and the America of Preacher isn’t the America we all really know. It’s the America of hope, dreams, darkness, optimism, danger, and beauty. Ennis’ outsider viewpoint may show an America seen through rose colored glasses, but this story of duty, love, friendship, honor, and faith is probably my favorite work of fiction PERIOD. Ride into the sunset with Jesse Custer and his motley crew of characters, you’ll be glad you did.
Pick up the first trade paperback in this series, Preacher vol.1 Gone to Texas. By the way, though it’s by no means a terrible adaptation, stay away from AMC’s Preacher tv series. Just read the comics which concludes with Preacher vol.9 Alamo. Also, if you’re really religious, stay the FUCK away from this series.

Archie writer- Mark Waid/ Artist- Fiona Staples
Archie is a perfect example of the versatility of comic books. Fantasy and Sci-Fi not for you? How about a charming, delightful high school comedy? Archie has been a very lame comic book staple for decades. The stories center on lovable high school student Archie Andrews and his perpetual love triangle with girl next door, Betty and cosmopolitan, rich girl Veronica. Along with Archie’s loyal best buddy Jughead, the students of Riverdale High have been engaging in lame, 1950s-esque hijinks for years. Until, a few years ago when someone had the genius yet obvious idea to update Archie for the 21st-century. The basic concept is the same, the characters and their basic archetypes are the same. But they got one of the best writer/artist teams in the industry to craft what is essentially an incredibly entertaining coming of age comedy. This is not a gritty reboot at all, but the best example I can give is, Archie used to be Batman & Robin and they made it Batman Begins. Writer Mark Waid is the guy who gave us modern masterpieces like Kingdom Come and artist Fiona Staples is drawing Saga, which is currently one of Image’s hottest titles. I had zero interest in this book, but I kept hearing how good it was and it lived up to the hype. This book is an absolute blast. Just a really fun comedy about high school. This is the perfect book to give to your wife or girlfriend who is reluctant to read a comic book.
Archie vol.1 & 2 are both available in trade paperback now.

Bone Writer/Artist- Jeff Smith
Bone is the rare comic book that can be genuinely, equally enjoyed by both a 10 year old and a 60 year old. Many comics or films try to make that claim but it’s very rarely true. Bone is the exception. Imagine if you crossed Lord of the Rings with classic Walt Disney and you’d get something very much like Bone. I first read Bone when I was around 10 years old and my mind was blown. It was the first time that I realized how cool comic books could be. As an adult, I’ve revisited Bone many times. Most recently, a year or two ago, I re-read the whole series and I enjoyed it even more than I did when I was a kid. The story and characters are so rich that I picked up on subtleties and nuances I missed as a child. There’s magic in revisiting a story you think you know and seeing it in a whole new light. Bone is a funny, thrilling, heartfelt fantasy epic with wonderful characters and an engrossing story. Give the first volume, Bone vol.1 Out From Boneville, to the 10-year old in your life and it won’t be long until they’re begging you for vol.2. The entire series is collected in very affordable softcover volume, Bone: The Complete Cartoon Epic, which is a great way to read this fantastic series. As I said above, the whole series is also available in trade paperback starting with Bone vol.1 Out From Boneville.
Here are a few other great series you may want to look into if you like any of my above recommendations:
Fables
American Vampire
The Walking Dead
Enjoy guys!
– Paul
COMIC BOOK OF THE WEEK: INJUSTICE 2 #1
First all, sorry for not putting up the “Comic Book of the Week” column earlier. (It should really be Comic Book of LAST Week). I got distracted by a trailer for a small indie film that’s coming out, “Star” Something…
But enough about that, let’s get into some MOTHER FUCKIN’ COMICS!!! Even though there were some high profile books released this week, including the end of Brian Michael Bendis’ epic Guardians of the Galaxy run “The Comic Book of the Week” goes to Injustice 2 #1. In case you don’t know, Injustice Gods among Us was an enormously popular, Mortal Combat-style, fighting video game, featuring all your favorite DC Comics heroes and villains beating the ever-loving fuck out of each other.
As a rule, comic book tie-ins designed to promote film, TV, or video game properties are massive piles of dogshit. However, the comic book tie-in to the 1st game, Injustice: Gods Among US, chronicled Superman’s slow decent into madness and fascism after the destruction of Metropolis and the deaths of his wife and unborn child at the hands of The Joker. Believe it or not, this was one of the best Justice League stories of the last few years. Injustice: Gods Among Us Years 1-5 are all available in trade paperback collected editions. I highly recommend you check them out.
It’s another compelling physical and ideological clash between Superman and The Dark Knight. (Of course Batman wants nothing to do with what he sees as Superman’s fascist regime). One of the interesting aspects of the story is seeing who sides with who, and why. In this universe, Superman and Lex Luthor are best friends and it’s cool to Lex struggle with being loyal to his friend, but realizing that Superman has completely lost it. It’s a great flip to their usual relationship.
The biggest difference between Marvel and DC is that the heroes of the DC Universe are MYTHIC. They’re more than human, they’re modern day gods. Which is why (despite what some people say) it’s so interesting to see these characters shown in a new light. Some of the best DC stories ever told are deconstructions of these archetypes and that’s why Injustice: Gods Among Us works so well.
Next month Injustice 2, the sequel to the hit video game comes out. In anticipation of the games release, Injustice 2 #1 hit shelves this week and it covers the events from the end of the last game to just before the beginning of Injustice 2. Considering how strong the first series was, Injustice 2 #1 is a must read.
I’ve read the first issue and one of the more intriguing aspects of the story is how can Batman pick up the pieces of a devastated world after finally toppling Superman’s regime? Absolute power corrupts absolutely and with that much power, will Batman fall victim to the same temptations that turned the Man of Steel into a monster? You’ll have to pick up the book to find out! I will say this; the series is off to a strong start.
I also wanted to take this opportunity to talk a little bit about all the different ways comics are available to potential readers. If you’ve ever thought about picking up a comic book, there’s been no better time in the history if the medium. Comics have never been better. I’m a big believer in supporting your local comic book store. They’re the backbone of the industry and comics need as much readers as they can get. But, if you don’t have the time or there isn’t a comic book store located near you, I highly recommend the Comixology app. Each week, you can get all your favorite comics downloaded to your tablet or smartphone, as well as a massive library of previously published comics. Once you buy them, they’re yours, you own the comic. Just like if you bought a digital copy of a movie on ITunes. One really cool feature is while reading a comic on Comixology, you have the option of having each panel fill up your screen and read panel to panel instead of page to page. It’s my favorite way to read comics because you appreciate the art and storytelling so much more. Of course, trade paperbacks and collected editions are available at any Barnes & Noble. Considering that most comic book issues are written like chapters in a book, waiting for the entire story arc to be collected in one book is a great way to read.
Anyway, we’ve got a whole new batch of comic coming out this Wednesday and hopefully I’ll have my “Comic Book of the Week” column up a lot sooner than this weeks.
Thanks,
-Paul
Why I Love Star Wars & Some Thoughts & Theories On The Trailer…

Star Wars is the closest thing I have to a religion. I know that might sound crazy to some people, but Star Wars is why I fell in love with movies. The Music, The Mythology, The Themes, The Characters. It makes me want to believe in something greater than myself. To aspire to be better. Star Wars speaks to the incredible power of storytelling and the very real effect it can have on our lives. I know I’m not alone. The Force is strong with many of you.
Today all the fuss is about the release of the first trailer for director Rian Johnson’s Star Wars Episode VIII The Last Jedi. So, to myself and all the other Star Wars “believers” out there, the first trailer for a new Saga film is a big deal. For you casual fans out there, the Saga films are the movies that have “Episode” in the title. They’re part of the generations long story of the Skywalker family that chronologically started with Episode I The Phantom Menace up to 2015’s Episode VII The Force Awakens. Separate from the Saga films are the “A Star Wars Story” films. Stand Alone movies that don’t necessarily have an effect on the larger Saga story, but take place in the Star Wars Universe. Like last December’s Rogue One: A Star Wars Story.
First, why don’t you take a look at the trailer for Star Wars Episode VIII The Last Jedi and I can give you my thoughts:
First of all, I don’t think ANYONE saw this coming! Holy Shit! WHAT A REVEAL!!!

OK, OK, Calm down. I’m only kidding… OR AM I???
All in all, this was a solid teaser and that’s what it was, a teaser. Anyone following this blog knows that I hate a trailer that gives the whole damn movie way (See: https://thebestdamnblogwithpaulwright.com/2017/04/06/spider-man-homecoming-the-lost-art-of-the-teaser-trailer/ ). I feel like this teaser’s mission was to intrigue and I think it did its job. This wasn’t one of the best first trailers a Star Wars movie has put out, as I pointed out in my aforementioned article, The Force Awakens had a masterful Ad campaign. But there was still a lot to like here. I really like how this looks like a Rian Johnson film. I noticed a few cinematography similarities to his previous films, which is good thing because he’s a phenomenal director. The music caught my attention as well. It seemed like a really cool blend of the classic musical ques and some of the better work John Williams did for The Force Awakens. I also liked seeing Rey putting some time in with her lightsaber training.( I could forgive it in Episode VII because it made sense story-wise, but I NEED me some EPIC lightsaber duels in The Last Jedi!)
So, there was lot of interesting imagery and dialogue in this trailer. And get ready because Paul has theory! (Probably not a very good theory but a theory nonetheless) Now, I haven’t gone back to The Force Awakens in the time since this trailer dropped, so there could be one line of dialogue that destroys my theories. But this is just for fun, so I’m just throwing some interesting potential ideas out there.

OK, here we go: The line everyone will be jumping on here, myself included, is Luke saying “I only know one truth, it’s time for The Jedi to end.” This line is interesting for a couple of reasons. Luke, more than any other Jedi, acknowledged the darkness within himself and made peace with it. Most of the Jedi from the Prequel Trilogy seemed to view emotion as something to be locked away, not to draw strength from as The Sith do. Burying ones emotions away doesn’t seem like a very healthy way for a group of warrior monks to live.
Much of the beliefs held by The Jedi Order before The Fall of the Republic and The Rise of The Empire seemed questionable at best. Like why the Hell did the Jedi have to be celibate? If I was a Force wielder and found out I couldn’t get laid for decades, I’d be all “Sign me up for the Dark Side please!” Some of the most successful and well-adjusted Jedi like Luke Skywalker and Kanan Jarrus from Star Wars: Rebels, seemed to view their relationship with The Force in more human and less black and white terms. One of the things about the Prequels that I think some people miss is that, it isn’t just the story of The Fall of Anakin Skywalker; it’s also the story of the Failure of the Jedi. They were judgmental and short sighted and their mistakes caught up with them.
It seemed like Luke understood this in the Original Trilogy and perhaps the knowledge he’s acquired in his time in exile has confirmed those ideas. We hear Luke ask Rey what she feels. She says “Light… Darkness… The Balance.” And Luke replies “It’s so much bigger.” What if Luke has learned that things aren’t as simple as The Light and The Dark Side? For the Universe to find balance in The Force perhaps the time of the Jedi must come to an end?
Now here’s my more “Out There” theory, what if Luke is being more specific when he says “It’s time for the Jedi to end.”? The Jedi have always been called The Jedi Knights, Kylo Ren is the leader of the order called The Knights of Ren. In The Force Awakens, we don’t learn much about them and we never hear them specifically identify as Sith. What if the Knights of Ren have become some perverted version of The Jedi Order? One which must be destroyed for there to be balance in The Force? It could certainly be a cool switch-a-roo, Luke and Rey acting as a noble version of The Sith battling a corrupt Jedi Order. I’m sure there are 100 holes in this theory that I’m missing and the next trailer will probably blow this theory to smithereens, but half of the fun of a new Star Wars flick is the crazy theories and speculation.
Regardless of how it turns out, I’m thrilled to have a new Star Wars film coming down the pipe! Please feel free to tell me I’m nuts in the comments below. (But go easy on me, I have a fragile ego)
MAY THE FORCE BE WITH YOU!
-Paul
Thor Mother-Fucking Ragnarok!!!
I know I’m not the first person to say this, but I really think Marvel is just fucking with DC at this point. A few weeks ago, DC drops the Justice League trailer and Marvel is all “That’s a nice little trailer you have there.. Fuck you, here’s Spider-Man: Homecoming!” Last week DC announces that Joss Whedon is writing and directing a Batgirl film for them, so today BOOM! Thor: Ragnarok!
The Thor movies have been the weakest of the standalone Marvel films so far, but this looks fucking spectacular! We live in a wonderful time to be comic book fans…
Here’s the trailer:
Summer Movie Season 2017!!! My 5 Most Anticipated Summer Blockbusters
Summer is almost upon us and that can only mean one thing… SUMMER MOVIE SEASON BEGINS!!! Every year between the first weekend in May until Labor Day weekend we’re bombarded with every enormous sequel, threequel, prequel, remake, reboot, reimagining, adaptation, tent pole film that Hollywood can throw at us.
And like the suckers we all are, we watch the amazing trailers and see the cool movies posters and think “Man, Van Helsing is going to fucking RULE!” and “Spider-Man 2 was SOOOO good, 3 has to be even better, right? RIGHT?!”.
But I’m the biggest sucker if them all because I fucking LOVE the Summer Movie Season. Because for every “X-Men Origins: Wolverine”, “Pixels” and “Transformers: Revenge of The Who Gives A Shit”, every now and again we sit down in that theatre and magic happens. Jaws. Raiders of the Lost Ark. Jurassic Park. The Dark Knight. The Avengers. I could go on and on. Now, I don’t know if the movies below will fall into the “Holy Shit, that was one of the best movies I’ve ever seen!” Or “WHAT THE FUCK WERE THEY THINKING?! Please give me the last 2 1/2 hours of my life back.” categories. Let’s all cross our fingers and hope for the former. Without any further ado here are my picks for my 5 most anticipated movies of summer 2017 (plus an Honorable mention):

Honorable Mention: War for the Planet of the Apes
Opens 7/14
Director: Matt Reeves
These movies are way better than they have any right to be. When “Rise of the Planet of the Apes” came out in 2011, I don’t think anyone predicted it would launch one of the best sci-if franchises of the decade. Though the 2nd film, “Dawn of the Planet of the Apes”, wasn’t quite as good as “Rise”, it was still a great entry in the series. “War” looks to be where the shit really hits the fan in the war between apes and humans. Plus, seeing Woody Harrelson go full Col. Kurtz is a real draw. This movie is also notable because “The Batman” starring Ben Affleck is “War” director Matt Reeves’ next film. Reeves has already proven himself a more than capable director, but Batman and DC fans will be breathing a little easier if Reeves knocks “War” out of the park.
Also, I can absolutely guarantee it’ll be better that this…
Seriously, can someone please tell me what the fuck is happening there?
War for the Planet of the Apes trailer:

5. Alien: Covenant
Opens 5/19
Director: Ridley Scott
I know I may be in the minority here, but I actually really liked “Prometheus”. So I was definitely thrilled to hear that Ridley Scott would be continuing that story in some fashion. I’ve always been fascinated by sci-fi that plays with ideas like, where we came from, what’s our place in the universe, and who or what created us. There was an existential kind of Lovecraftian horror in “Prometheus”, which I felt set it apart from similar films. At one point, the original title of this movie was “Paradise”, meaning if The Engineers are God, their home planet must be Heaven. This is the planet the crew in “Alien: Covenant” makes the horrific mistake of trying to colonize. I don’t know how much of that made it into the final film, but I really like the idea. In the original “Alien” film, at first Ripley was not necessarily the clear hero of the story. Of course, as we all know Ripley is indeed the hero of the movie which was sort bucking tradition at the time. In the “Alien: Covenant” trailers, Danny McBride’s character seems to be a blue-collar pilot, member of the crew. Presumably in the film for comic relief, he seems to be a cannon fodder character. How cool would it be if he was unexpectedly the hero/sole survivor like Ripley in the original? I doubt it, but it would be cool.
Alien Covenant trailer

4. Spider-Man: Homecoming
Director: Jon Watts
Opens 7/7
Despite the fact that I had big problems with the most recent trailer (see my recent article: Spider-Man: Homecoming and The Lost Art of the Trailer) I’m extremely excited to see this movie and It looks like it’s going to be a blast. This flick has a lot going for it: a FINALLY age appropriate Peter Parker, Spider-Man officially part of the MCU, Michael Keaton as The Vulture. Reportedly these movies will follow something similar to the “Harry Potter” model. Each film taking place during Peter’s Sophomore, Junior, and Senior years in high school. Unfortunately, there have been some recent rumors regarding how Sony may not actually allow Marvel to use Spider-Man as part of their cinematic universe indefinitely. Which, if true, is a real shame. At the very least we know we’ll definitely see Spider-Man kicking ass alongside The Avengers in next years’ “Avengers: Infinity War”.
Check out the trailer:

3. Wonder Woman
Director: Patty Jenkins
Opens 6/2
All I can say, is it’s about damn time we got a Wonder Woman movie. She is arguably one of the top three most iconic superheroes of all time as well as being one of DC’s most interesting characters. Gal Gadot not only looks the part (I love that costume) but she was one of the best things in the last year’s “Batman V Superman: Dawn of Justice”. The trailers haven’t exactly blown my socks off, but as we all know a trailer is not necessarily a reflection of the quality of a movie, for better or for worse. All the DCEU* films have been met with mixed responses so far (personally I kind of loved Man of Steel and BvS, but Suicide Squad was pretty awful). Hopefully this is the movie fans and critics have been waiting for. A character like Wonder Woman deserves nothing short of greatness in her solo cinematic debut.
*DC Extended Universe
Wonder Woman Trailer:

2. Baby Driver
Director: Edgar Wright
Opens 6/28
Edgar Wright is one of the few filmmakers where, regardless of the subject matter, I’ll be eagerly awaiting one of his films, no questions asked. I could walk into the movie theater to see a new Edgar Wright film without even knowing the title of the movie and I would be excited. That’s a pretty small club that includes people like Guillermo Del Toro, Quentin Tarantino, Joss Whedon, and maybe a few others. Edgar Wright’s track record speaks for itself: Shaun of the Dead, Hot Fuzz, Scott Pilgrim vs The World, The World’s End. All excellent films. The premise for this movie is just icing on the cake. It’s a heist/car chase movie about a young getaway driver trying to run away with his girlfriend and get out from under the thumb of his gangster boss. If this plot sounds derivative, watch the trailer I posted below and you’ll see why I think this looks so exciting. Add to that, some great casting which includes Jon Hamm, Jamie Foxx, and Kevin Spacey and it looks like Wright’s winning streak is safe.
Baby Driver trailer:

1. Guardians of the Galaxy Vol.2
Director: James Gunn
Opens 5/5
There really was no contest for the number one spot on this list. The first Guardians of the Galaxy is a bona fide modern classic. Later this year, in November, DC’s Justice League opens. I’m a massive fan of those characters and for me seeing the Justice League on the big screen for the first time is an event on par with the first Avengers movie or The Force Awakens. But if you put a gun to my head and made me choose Guardians or Justice League, I may have to go with the Guardians. These were some of the most lovable and charismatic characters we’ve seen on film in a long time and I have complete confidence that director James Gunn is going to deliver a spectacular sequel. This film also sees the introduction of Kurt Russell as Peter Quill’s father which is brilliant casting and I’m happy to see Michael Rooker’s Yondu has been promoted to a full-time Guardians member. The first Guardians film may be the best film Marvel has made to date (depending on which day you asked me, I may have different best film). So I’ve been anxiously awaiting Vol.2. May 5th can’t get here soon enough!
Guardians of the Galaxy Vol.2 trailer:
So what summer movies are you most looking forward to? Do you agree with my list? Let me know in the comments below.
-Paul









