I’ve often said that M. Night Shyamalan’s Unbreakable is a massively underrated movie and easily one of the best superhero stories ever put on film. I’ve wanted to see the continued adventures of David Dunn and Mr. Glass for years now. When Split was revealed to be a quasi-sequel to Unbreakable fans like myself were understandably blown away. It was a fantastically creative and unique way to reintroduce audiences to this world Shyamalan created over 15 years earlier. Next January, Glass is hitting theaters as a sequel to both Unbreakable and Split. Finally reuniting Elijah Price and David Dunn with Kevin Wendell Crumb thrown into the mix. Below are some of our first looks at Glass with pictures put out exclusively by EW.com. Check them out below and I’ll share a few more of my thoughts as we go through them…
After The Sixth Sense, Unbreakable, and Signs, Shyamalan was being hailed as the next Hitchcock or Spielberg. Then he released The Village, an interesting failure which was crucified at the time for not living up to the monumentally high standard we’d come to expect from Shyamalan. It was all downhill for the director from there. For years, the man who was once being hailed as the next Alfred Hitchcock had become synonymous with terrible filmmaking.
Is that Casey (Anya Taylor-Joy) in the background?
Then the comeback began. First he did the very solid found footage thriller The Visit and he followed that up with Split. Shyamalan is on a comeback tour. If he’s able to stick the landing with Glass, he won’t be on a comeback, as far as I’m concerned, he’ll just be a great filmmaker again.
Glass James McAvoy and Anya Taylor-Joy
I think this picture is really interesting. Casey (Anya Taylor-Joy) was The Hoard’s captive in Split, so why is she visiting him in an institution? What larger roll does she play in the story’s narrative?
Sarah Paulson plays a doctor who works at a psychiatric facility that’s a key part of the film.
Elijah’s mother and David’s son (both played by the original actors) are returning for this movie. How’ve there lives changed?
That surly Ole’ son of bitch Bruce and buddy Night, behind the scenes.
I’d say the thing I’m most looking forward to seeing is how David has developed and learned to use his abilities over the last 2 decades. Since this an original work, it’s not like there’s a comic book that we can pick up to guess where the story’s going. I love that we’re seeing these characters and this world again and I love that I have no idea how this crazy story will play out! As always, thanks for reading!
On this episode of The World’s Best Podcast I’m diving into The Quantum Realm to review the latest movie in the Marvel Cinematic Universe, Ant-Man & The Wasp! I keep it SPOILER FREE in the beginning and then transition into FULL SPOILERS, but I make sure to point out when the SPOILERS begin. Thanks for listening and enjoy! Listen here or subscribe Stitcher and ITunes:
Paul here and I wanted to thank all of the loyal listeners of The World’s Best Podcast for so being patient with me. As you may know, I like to get a new podcast episode every Monday (sometimes Tuesday), but my Summer Movie Season film reviews have thrown off my episode release schedule a little. However, we’re back on track now with, not one, not two, but THREE podcasts dropping this week. Beginning with this episode here, in honor of the 4th of JULY…
Roland Emmerich’s INDEPENDENCE DAY is a classic of the 90’s sci-fi/action films. The trailers were fantastic. The cast was great. I was still a kid when the movie premiered in 1996 and I could not wait for the movie to come out. When I finally saw the film, I loved it and through the years it’s become one of those movies that I revisit every summer around July.
In my opinion the film holds up well. In fact, I recently made a list of my top 100 favorite movies of all time and Independence Day easily made the list. To clarify this wasn’t a list of the 100 BEST movies of all time, but my personal FAVORITES.
It’s basically an unofficial modern day retelling of H.G. Wells’ War of the Worlds and it’s so much better than Spielberg’s abysmal crack at adapting that story. Anyway, you can listen here or subscribe on Stitcher and iTunes:
Some really cool concept art from upcoming superhero projects has hit the internet today. Including our best looks at Captain Marvel and Robin from DC’s Titans. Most of this I found over at CBR.com, but first is the concept art that looks like it’s from the upcoming Captain Marvel film. The big giveaway being the look at a young Nick Fury, which is very cool. Check it out:
Then we have a few cool concept art images that are definitely from Avengers 4…
A few things to point out here include, Hawkeye is finally back (Yay!), Hulk seems to have a costume of some sort. Does this help regulate his transformation from Banner to Hulk and vice versa? Consider they had performance issues in Infinity War that could be a factor. This image of Thanos is interesting because he’s armored up and he has a gun. Why does he need all that if he has the Infinity Gauntlet? Is it working properly? Or did he blow its load killing half the Universe? SO MANY QUESTIONS!!!!!
Finally, moving from Marvel over to DC, we have our best look yet at Dick Grayson Robin from Titans, the new series from the upcoming DC streaming service, DC UNIVERSE. Take a look…
Cool stuff, huh? Anyway thanks for checking us out as always!
I was ecstatic when Marvel and Netflix announced they’d partnered up to produce multiple TV shows that would be part of the Marvel Cinematic Universe, focusing on the gritty, street level heroes of the MCU. The original plan was to start with five series. Four focusing on the individual heroes, including Daredevil, Jessica Jones, Luke Cage, and Iron Fist, with the fifth series culminating in an epic superhero crossover, called The Defenders. These are probably my 4 personal favorite Marvel characters, so it’s always been exciting when one of these new shows premiere.
Each series ended up being much more successful than Netflix expected. Daredevil, Jessica Jones, and Luke Cage in particular were big hits with audiences and critics. As a result this already ambitious undertaking grew larger. What was originally a 5 series model, added second seasons for Daredevil, Jessica Jones, and Luke Cage, as well as a spinoff series for The Punisher (with more seasons to come including Daredevil Season 3 later this year). The first two season of Daredevil and the first season of Jessica Jones are among the best pieces of fiction to come out of the MCU PERIOD and that includes the movies. Luke Cage Season 1 was excellent as well, but a terrible villain who popped up in the second half of the season, really brought down the show’s average. Fortunately, the creators seemed to have learned from that particular mistake, but I’ll get back to that in a minute…
Like Hell’s Kitchen on Daredevil, Harlem feels very like much a character on Luke Cage
It was the kind of superhero storytelling I was always looking for. These stories aren’t about saving the world, they’re about saving a neighborhood. With fantastic character work and mature content that we’d never see on the big screen in the MCU. When these shows are firing on all cylinders they are spectacular. Sadly, there’s been a dip in quality in the last few Marvel/Netflix outings. However, I’m very happy to say that Luke Cage has returned with a phenomenal second season that surpasses the first and reminds us just how good these shows can be.
First of all, as I said before, this is just better than Season One. Luke’s arc in Season Two is complex and interesting in the best way. He’s more or less accepted his roll as the “Hero of Harlem”, but he carries a rage inside of him because of everything he’s seen and been through. Luke’s struggle to find out how to channel that anger in a healthy way is a big part of his journey in Season 2. With characters like Claire Temple, Danny Rand, and the late, great Reg E. Cathy as Luke’s father, helping him deal with that anger along the way. Luke is right up there with Matt Murdock as one of the most morally interesting characters on the Netflix shows. His rage, the responsibility he feels to Harlem, his growing lack of faith in the justice system, how race affects how he views himself as a hero, and more all add up to one of the most unique protagonists on TV.
Speaking of Danny Rand, this is probably the best use of The Immortal Iron First we’ve seen in the MCU so far. Even though he doesn’t have as much screen time as I would have liked, his presence is felt throughout the season. I wish we saw him more in the season, his big team up episode with Luke is everything you’d hope for. Of course, I was very happy to see the writers planting the seeds for “Heroes For Hire” in a big way.
While we’re on the topic of cool stuff from the comics making their way to the show. After losing her right arm in The Defender’s, we finally see Misty Knight get her badass robot arm like she has in the comics (though in this version the arm is provided by Rand Industries instead of Tony Stark). The arm gives Misty a degree of super-strength and it’s just enough to bump her up into superhero territory. She also has a few great scenes with Colleen Wing, who’s always a delight to see, setting up “Daughters of The Dragon” much like “Heroes For Hire” is teased with Danny and Luke.
As fun all the Marvel Easter Eggs are and as great a hero Luke is, it’s the so called “villains” that bring this series to the next level. Mustafa Shakir as Bushmaster, Theo Rossi as Shades, and the legendary Alfre Woodard as Mariah Dillard elevate the show to another level as the so called antagonists. Each of them are layered and anchored in very real, human emotions. One of the biggest strengths of this series is that each of these villains have done evil, horrible things, yet at certain points you’ll find yourself sympathize with them and maybe even root for them. At times the lines between hero and villain are blurred, with cops that don’t follow the rules and villains that genuinely want to help their community, it can be hard to decide who to root for. There simply isn’t any other show right now that has such complex villains and it’s one of the best things about the series.
Bushmaster: The new Big Bad in Harlem
Bushmaster is a force of nature, who more than makes up for Diamondback, the Season One villain that really hurt the quality of the second part of the first season. It was great to see a new villain who could go toe to toe with Luke and was also as strong a character as Bushmaster. His motivations are very personal. He’s not looking to become a Kingpin, he just REALLY, REALLY wants to kill Mariah Stokes as he insists on calling her. His history with Mariah and her family is revealed throughout the season and I wont spoil it hear.
One of the greatest aspects of this series is the fantastic music. Live musicians perform live at Harlem’s Paradise, a club owned by Mariah Dillard (Alfre Woodard), the music is used beautifully to enhance the story and bring style to the show.
Alfre Woodard is fantastic in pretty much anything, but I don’t think she’s ever played a character like Mariah Dillard. She’s magnetic in the role. She terrifying, vulnerable, fierce, sexy, charming, brutal, manipulative, and more. Sometimes you’re not even sure which side of Mariah you’re seeing in any given moment. Is she being genuine or is this a manipulation? She is absolutely one of the MCU’s best villains.
Her relationship with Shades is complex and layered in it’s own right. These two mix business and pleasure. Their on screen chemistry is fantastic and adds something big to both of the characters. Shades, like Mariah, has continued to grow as a character from Season One. I’ve been a big fan of Theo Rossi since his days playing Juice on Sons of Anarchy and his Shades is someone you’ll find yourself love and hate in equal measure.
Lastly, one of the biggest things people will talk about after watching Season Two is how the season ends and where it leaves Luke as a character. SLIGHT SPOILERS HERE The show did a fantastic job of making this turn for the character feel earned. It wasn’t some twist that came out of nowhere. You can see over the course of the season, after everything he’s been through, why Luke would make a decision like this. In the comics, Matt Murdock does a very similar thing when declares himself Kingpin of Hell’s Kitchen during Brian Michael Bendis’ run on Daredevil. It was something I always hoped they’d get to on Daredevil’s series, but in the context of the universe Netflix has built, it makes more sense for Luke to be going down this path. I really like the idea whether it’s Matt Murdock or Luke Cage because it’s a unique direction for Luke’s journey as a hero. END SPOILERS
So, Luke Cage Season Two is real return to form for the Marvel/Netflix shows. Season Two improves upon it’s already strong first season with its rich mix of music and setting, unique and compelling hero, and captivating villains. Finally, the end of the season leaves the show in an exciting place with the potential to go in a number of cool directions. If you thought the Marvel/Netflix shows were beginning to lose a step, watch Luke Cage Season Two and you’ll see there’s still some great stories to be told through this format.
Check out the latest episode of The World’s Best Podcast where I give a SPOILER filled review of Jurassic World: Fallen Kingdom! I had to brave the dangerous jungles of Isla Nublar to give you this review, so you better fucking appreciate it! Otherwise, please enjoys my take on the highs and lows of the latest entry in the Jurassic Park franchise.
During the Podcast, I mentioned a video I saw on YouTube from a guy named Patrick H. Willems, who made a fantastic video about why he believes none of the Jurassic Park sequels work. I don’t agree with everything he says in this video, I must admit I really like Jurassic World (the 1st Jurassic World from 2015). He makes some very insightful observations about the Jurassic Park franchise and why he feels the series doesn’t work beyond the very first movie. He makes excellent videos like this all the time and if you like World’s Best Media, you’ll probably enjoy his great YouTube channel: Patrick (H) Willems . The video is embedded on this page, below the links to my podcast. Listen here or subscribe on Stitcher and iTunes:
There’s a quote from Harry Potter and the Prisoner of Azkaban, “Once again you’ve put your keen and penetrating mind to the task and as usual come to the wrong conclusion!” said by Sirius Black to Severus Snape. The quote is one of my favorites, and I cannot think of a place where it seems to apply more than Hollywood.
If you somehow break through and make a movie about a woman who makes falls in love with a water balloon, the lesson that Hollywood would take from that is “water balloons are sexy” and you’d see some crazy slate of movies in which water balloons have sex with hot women, and drive fast cars, and airplanes, and stuff. (Sorry about all the water balloons but I’m sitting next to a bag full of balloons, so it was the weirdest thing in eye shot.)We’ve seen Hollywood learn the wrong lesson from successes too many times to count, (i.e. all of the Jaws sequels, and Piranha movies and so many others). But we also see them learn the lesson from failures. This can be really upsetting to me personally, because it often means something is abandoned early due to the wrong reasons, and who likes their movie franchises ended early?
The latest victim of this problem, seems to be Star Wars. I wrote about Solo a few weeks ago, but let me catch you up. The film seemed like a bad idea, but it was a good movie. So now, almost a month after it’s release Disney and Lucasfilm have announced that they’re reconsidering Star Wars spin-offs due to its failure.
So let’s talk about its failure, and yes it seems it is undeniably a financial failure (although the budget hasn’t been released so it’s difficult to tell exactly). First of all, you released 3 Star Wars 3 Decembers in a row, and they were all very successful. Is that because the films were excellent? I’ve liked them all, but there is a fair amount of debate on the quality of each. A huge reason for their success was the fact that December doesn’t have much for general audiences, it’s prestige film season, which leaves the “blockbuster” crowd open. That cannot be underestimated as a factor in their success. Solo however, came out just 6 months after TLJ in May. May was the traditional time for Star Wars in the previous 2 trilogies, but May’s were not as packed with action films in those years, and movies had multiple weeks (in some cases months) to rule the box office. This year we had Avengers: Infinity War (also a Disney film, which should be a double no-no for packing them in the same 30-day period) which was the biggest film of the year (and has the potential to be the top of the decade) was released a month before, then Deadpool was released a week before, and just three weeks after Solo, came the Incredibles (again Disney, wtf were you thinking? Spread it out more).
So that’s the first problem, Disney put Solo out with the biggest films of the year, and even by Star Wars standards it shouldn’t have. It’s far from the largest story, or the biggest impact in that universe. The second problem is confidence.
Solo suffered from a few pieces of confidence undercutting. After the fact that many of us didn’t think the idea was a good idea, there were the production ‘issues,’ with Lord and Miller getting fired mid-production, Ron Howard having to take over and needing to reshoot (which involved recasting at least one role), and then lastly there was the rumors of Alden Ehrenreich needing and acting coach. None of these would add up to confidence boosting, then we didn’t see a trailer until February which seemed very late in the game for a film of this size. And lastly, TLJ, it’s a pretty split popularity, but when 50% of the audience thinks the film was a crap-fest, and think Disney has ‘ruined Star Wars,’ six months may not be enough time to cleanse their palettes.
Let me offer an example of a time when the correct lesson was learned, and how it may benefit you to follow in those footsteps. On November 23rd 1963, the BBC aired the pilot of Doctor Who, and it did really poorly in the ratings that night. The executive in charge was on the side of canceling the show after the first episode, because obviously the whole thing was going to be a flop, but the creator was opposed to that. She argued that the show had suffered from the whole world being consumed by JFK’s assassination the day before, and that if they reaired the pilot a week later, that would be a more realistic example of how the show would do. She was right, and the show continued for 26 years before being canceled (and then rebooted, and now having 50 years, 3 movies, and 36 seasons altogether). They realized that timing had been off. Releasing Solo in the midst of the superhero frenzy was bad timing, don’t blame Solo for that.
So I ask you this question, given all of those things could Solo have succeeded? Even modestly? I don’t think it really could have. But Disney is looking the box office and acting as if that means the movie is a piece of shit, which it wasn’t. Please Disney, learn the right lesson. I get that you don’t want this to happen again, but if you learn the wrong lesson it likely will. Please, I love Star Wars too much for it to become the DCEU (with all the second guessing and undercutting and ultimately not learning the right thing)… I’m begging you.
One of the reasons I was so excited for Black Panther earlier this year was because Ryan. Coogler was directing and Michael B. Jordan had a major roll. I’m a huge fan of both of these guys, but I’ve been following Micheal B. Jordan’s career since his days playing poor, doomed Wallace on The Wire.
When Creed was announced my first thought was that this was going to be one movie too many. Rocky Balboa had been such a perfect send off for the franchise, why ruin it with another cash grab? But then I heard Ryan Coogler was directing and Michael B. Jordan was starring in the film, with Stallone returning as his mentor. Now they had my attention. Coogler’s first film was the excellent and tragic Fruitvale Station (also with Jordan as the star). Maybe this was going to be something interesting after all?
When they finally dropped the first trailer, they had me hook, line, and sinker. It looked fucking incredible. Somehow the final film managed to deliver and then some. I shouldn’t say “somehow” because I think it was the talent of the people involved that made Creed such an excellent film. Creed is arguably on par with the first Rocky film as the best of the franchise and this is coming from a lifelong fan of the Rocky series. To put into context how much I loved Creed, the film premiered just about a month before Star Wars Episode VII The Force Awakens and Creed was still my favorite film of that year.
Again when I heard Creed II was in development I was nervous. Ryan Coogler wasn’t returning (the new film is directed by Steven Caple Jr.) and I loved Creed so much I didn’t want an inferior sequel. It has a few things going for it behind the scenes, Cheo Hodari Coker the showrunner behind Netflix’s Luke Cage wrote the screenplay, so that doesnt hurt. However, once again the got me with the trailer. BIG TIME. I had no idea what the plot of this new was. Once the trailer reveals where the story is going, I dare any lifelong fan of the Rocky franchise not to have big old grin on your face.
This has definitely jumped to the top of the list of my most anticipated films of 2018. Check out the trailer here and see for yourself:
This Episode Of The World’s Best Podcast has been available for a few days to all of our listeners, but I hadn’t had an opportunity to post it on the site yet. So thank you for your patience! This was a really fun episode that I recorded with Ryan McDonald. We do a full spoiler review of The Incredibles 2, we talk about Shymalan’s Unbreakable Universe and the upcoming movie, Glass, we discuss Jordan Peele’s desire to make a film adaptation of the Gargoyles animated series (a personal favorite TV show of mine), & much more! Listen here at the link below or on The Boston Podcast Network ( pod617.com ), and subscribe on Stitcher and iTunes: