WHY DO PREQUELS ANSWER QUESTIONS NO ONE ASKED? ALIEN: COVENANT

SPOILER WARNING!!!! I DROP ONE HUGE ALIEN:COVENANT SPOILER IN THIS ARTICLE AND A FEW MINOR ONE, SO IF YOU HAVEN’T SEEN THE MOVIE, GO SEE IT AND THEN COME BACK AND READ THIS… OR IF YOU JUST DON’T GIVE A FUCK GO RIGHT AHEAD AND READ IT.

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So I managed to go out and see Alien: Covenant over the weekend. Any of you who follow the site know that Alien: Covenant was one of my most anticipated films of the summer. I have a complex relationship with this franchise. Some of the films I love, some of them I loathe. But I think one of the greatest strengths of this universe, is it’s ability to spark debate among it’s fans. There are people who will defend Alien 3 to their dying breath despite its many controversial creative choices. Personally, I love Prometheus. I know that’s not a popular opinion, but I like sci-fi that tries to tackle the big questions in life. Even if the movie ultimately fails in the attempt. My point is that we all have our favorite Alien film or films and we love them regardless of what anyone else thinks.

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I’ll warn you right off the bat; if you get frustrated watching people do really fucking stupid shit for the sake of moving the plot forward, this movie is going to drive you out of your goddamn mind. The crew of The Covenant could be some of the dumbest fucking people to ever grace the screen of a sci-fi film and I think that’s a pretty high bar. They make the crew of the Prometheus look like a bunch of Jack Reachers. “Hmm, we have a meticulously planned mission, years in the making, with thousands of lives on the line, you know what? Fuck it. Let’s forget about all that and investigate this creepy as fuck signal coming from a planet we’ve never heard of before, even though we’ve searched this sector for habitable planets many, many times and this is the first we’ve seen of this seemingly perfect world. That is awfully peculiar, but hell we’re explorers! Sure we’ve had a few casualties already, but if you’re gonna roll the dice anywhere, it should be in space.” I must have been shaking my head in sheer disbelief at the idiocy of these characters for the first 30 minutes of the movie.

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I did ultimately enjoy Alien: Covenant. If you’re a fan of the franchise at all, I think it’s worth seeing. You may hate it, but you should eventually see it. Once again Michael Fassbender is incredible in dual roles as very different (or ARE they?) Synthetics, David and Walter (Not a spoiler at all if you saw Prometheus: David is a real prick.). Danny McBride is the Yaphet Kotto of the movie, which is fucking awesome. I’m a huge fan of McBride and you’d assume he’d be comic relief/cannon fodder here, which isn’t really the case. Even though I had my problems with it, I came out if the theater having had a good time.

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Which brings me to the point of this article. My main gripe with the movie is one we see way too often in prequel films: explaining things that DON’T FUCKING NEED TO BE EXPLAINED! Perfect example, The Force from Star Wars. We don’t need a bunch of bullshit about fucking Midichlorians or whatever that allows people to commune with The Force. It’s The Force, that’s all the explanation we need. While we’re on this topic, you know what was on my mind while I was watching X-Men: Shitpocalypes? “Man, I just GOTTA know how Charles Xavier loses his hair.” Actually, that’s not true, I didn’t think that. NOBODY fucking thought that! Who. Fucking. Cares? (Ironically, I very, very much cared when they DIDN’T make Lex Luthor bald in Batman V Superman: Dawn of… WHY THE FUCK DIDN’T THEY JUST CALL IT World’s Finest? I don’t know why they’re different, but they are. Xavier with hair = OK, Lex Luthor with hair = Not OK)

Which brings me to the cardinal sin of Alien: Covenant: They definitively explain the origins of the Xenomorphs. When Prometheus was announced, one of the things I was most excited about was finding out more about The Space Jockey. I always felt like fans tended to forget that there was this whole other Alien species out there that the series never touched on enough. Of course, The Space Jockey ended up being one of The Engineers. For the most part the Engineers worked for me. If you hated them, I totally get it. Look at this fucking guy, ripping heads off. Not cool.

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On the other hand, the one thing I absolutely did NOT want an answer to was the origin of the Xenomorphs. Ultimately the story that was set up in Prometheus led to Alien: Covenant and Alien: Covenant definitively gives that answer. I don’t hate the explaination in and of itself, I just hate that there’s an explanation at all. Nothing these writers come up with can compare to what we cook up in our own imaginations. The thing that kind of sucks is, when you give a definitive explanation to a pop cultural mystery, it ends the fan debate. Some of the most fun I’ve ever had hanging out with my friends was sitting around debating things like “Where did the Xenomorph come from?”

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I understand why Hollywood does this shit, it’s marketing. But certain mysteries in pop culture should be sacrosanct. Like the origin of The Joker. You can tease, you can hint, but you can NEVER tell us who he really is (a rule Marvel should have stuck to with Wolverine). Unfortunately I have a feeling DC is being tempted to play this particular wild card and that would be a colossal mistake. I guess my point is, everyone loves a mystery and some of the great mysteries of pop culture should remain unanswered.
Thanks for reading everyone!
-Paul

MUST WATCH: AMERICAN GODS

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The big event of the last few weeks for genre fans everywhere was undoubtedly the opening of Guardians of the Galaxy Vol.2. I was so eager to see this damn movie that the first thing I did after being discharged from a 4 day hospital visit for pneumonia, was run to the movie theatre to see Guardians 2. The first Guardians film was lightening in a bottle. One of those rare cinematic experiences that’s impossible to recreate. It was an instant classic.

Though Guardians 2 can’t quite reach the dizzying heights of its predecessor it’s a richer and more mature film. I have a lot more I could say about Guardians 2, but the short answer is I absolutely loved it. Also, I doubt anything I have to say would be all that different from a million other blogs and websites. So, I decided to take the opportunity to spotlight another excellent new piece of genre entertainment that isn’t getting quite as much coverage as it deserves: American Gods, the new Starz series that premiered a few weeks ago.

To borrow an overused phrase, we are living in the golden age of television. I feel we have officially reached the point where television has caught up to and in many ways surpassed feature films. When I looked back at 2016, all of my favorite on screen moments came from television. I would put Game of Thrones and Westworld against the best films of the year in terms of both spectacle and dramatic storytelling. Marvel is doing some of it’s best work in any medium on Netflix with Daredevil, Jessica Jones, and Luke Cage. What started with Arrow on The CW gave birth to a full blown DC cinematic universe that’s a lot more fun and thrilling than the films DCEU has on the big screen. FX knocked it out of the park with Legion, a comic book show that’s unlike anything on TV. And those are just a few of my favorites. Stranger Things, Fargo, House of Cards, there’s a wealth of great content from every genre. In my opinion, Starz has produced another fantastic must see show with American Gods.

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American Gods is based on the acclaimed novel by the legendary Neil Gaiman. Gaiman is an award winning fantasy novelist and comic book writer, arguably most well known for being the creator of the groundbreaking comic book series, The Sandman. Neil Gaiman has been one of my favorite writers for years. Regardless of the subject matter, anytime Gaiman has a new book out, I can’t wait to read it.
American Gods is one of my favorite books and when Starz announced it was adapting the novel as a TV series, I was cautiously optimistic. I’m happy to say that so far, American Gods has exceeded my expectations.

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American Gods is the story of a man named Shadow Moon played by Ricky Whittle, who just a few days before being released from prison, is told he’s getting out early because his wife has died. As an added kick in the nuts, not only did his wife die, she died in a car accident while performing oral sex on Shadow’s best friend who also died in the car wreck. With his world completely shattered, Shadow heads home to take care of his affairs. While on his flight home, he meets a charming and enigmatic man who calls himself Mr. Wednesday, played by the great Ian McShane. Wednesday seems to know way more about Shadow than he should and wants to offer him a job. Wednesday has a road trip planned to recruit some of his old friends for a mysterious mission and he wants Shadow to be his right hand man on the trip. Shadow knows that there’s something extremely shady about this guy, but he’s so lost at that moment he accepts the job against his better judgement. From there, Wednesday drags Shadow into a surreal conflict between old gods and the powerful new gods who’ve replaced them. Gods survive and thrive on human worship and not many people are worshiping Anubis or Odin these days. Media, Technology, Firearms, these are some the new American gods and they have no interest in sharing the world with the old gods.

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Shadow is tough role to cast. He’s a blank slate in some ways and with the wrong actor in the part it probably wouldn’t work. Fortunately Ricky Whittle is perfect as Shadow. He manages to make Shadow likable, sympathetic, and intelligent, which makes you end up rooting for him to make it through this insane journey in one piece. Ian McShane is one of our greatest living actors and it’s very fun to watch him play Mr. Wednesday. You know the guy is probably a piece of shit, but you really like him anyway. You can definitely see how a sharp guy like Shadow could get involved with this guy even though it’s most likely a really, really bad idea. The supporting roles are filled by fantastic actors like Peter Stormare, Crispin Glover, Cloris Leachman, Orlando Jones, and Gillian Anderson.

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One of the very cool ideas the show plays with, is power of human belief. As the new god Media played by Gillian Anderson says, millions of people worship her for hours every day, staring at televisions, smartphones, and tablets. To Media, in the 21st-century, attention is a more valuable form of worship than blood sacrifice.

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The things we put our faith in only have the power and meaning that we allow them to have. Whether it’s an old god like Anansi or a new god like the Technical Boy, the god of technology, their power stems from the importance we give them. Which begs the question do we have faith in something that’s already there or is it our faith and belief that allows them to exist? It’s unique and fascinating idea.

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In addition to the original American Gods novel, Neil Gaiman has written a quasi-sequel called Anansi Boys, as well as several short stories that take place in and feature characters from the American Gods universe (all of which I highly recommend you read). So there’s a wealth of material for the show to draw from and I can’t wait to see where it goes from here… Oh, and a guy has anal sex with a genie cab driver with one of the biggest dicks I’ve ever seen. That’s got to be worth the price of admission alone, right?

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Only 3 episodes into the 8 episode first season and I’m hooked (you can watch all of the episodes that have aired so far on demand or on the Starz app on any device). The cast is incredible and the look of the show is beautiful and different. Trust me, give this spectacular show a shot. American Gods airs Sunday nights on Starz.

Thanks for reading everyone!

-Paul

The Best Superhero Comics You Probably Haven’t Read…

This is the second article in my series spotlighting lesser known, but excellent comic books. This week I’m going to tell you guys about some fantastic superhero comics that may not be as well known as the JLA or The Avengers, but they’re wonderful Comics nonetheless. So, let’s get started…

Somewhere between the late 1990’s and the beginning of the 21st-century, the superhero genre as a whole begin to exhibit a dramatic stylistic change. The superhero movie explosion had yet to occur. Publishing giants like Marvel we’re on the verge of bankruptcy. (It’s crazy to think in a time when Superheroes and comic books permeate our pop culture, Marvel almost went belly up). The 90’s was a cynical decade, the decade of conspiracies and The X-Files. That cynicism coupled with the approaching Y2K paranoia produced a landmark era of comic storytelling. Some of the books published at the time were the best deconstructions of our most famous superhero archetypes since Watchmen. All of the books and stories below feature characters that are very deliberate analogues for our most famous superheroes. Specifically the DC superheroes, like the Justice League.
This is not a coincidence. I often say that, unlike Marvel, the heroes of DC Comics are MYTHIC, larger than life, they are the modern day gods. They’re our Zeus, Apollo, Mercury, Hera, and Hades.

However, from all of our superheroes there is one that rises above the rest. The first and arguably the greatest superhero. Every single book on this list either centers on an analog of this character or features one prominently. I am of course talking about the Last Son of Krytpton, The Man of Steel… SUPERMAN. Every comic book writer wants to play with Superman at least once, and they all have an idea that wouldn’t quite fit in a traditional Superman comic.

After all, Superman has rules. He upholds truth, justice, and the American way. He works at The Daily Planet newspaper with the love of his life, Lois Lane. He always does the right thing and, with a few notable exceptions, he doesn’t kill.

The stories below are fantastic because you have some of the greatest writers and artists in the industry taking characters that are very much like our most beloved heroes and doing things with them that they could never do in 1 million years in a normal comic book. These stories prove that sometimes when you take risks with old ideas, you get some damn fine storytelling as a result.

Now you’ve got to understand, some of the stories are almost 20 years old, so when you read them they may not seem as new or exciting because a lot of the tropes present in the stories were revolutionary at the time. They reinvented the genre, so of course everyone copied what they were doing. A lot of theses ideas have been adopted into mainstream comic book storytelling as the culture has changed. Regardless, it’s important to understand that at the time these tales were revolutionary and mind blowing. They were risky, they made you uncomfortable, and they made you look at your favorite heroes in the whole new light. Some of the stories are better than others but they’re all great reads and essential for any comic book reader new or old.

IMG_1418The Authority writer– Warren Ellis & Mark Millar/artist – Bryan Hitch/Frank Quietly/Some Shitty Fill-Ins

This book popularized the concept of “Wide Screen Action” in comics. “Wide Screen Action” basically refers to superhero action on a scale and scope that hadn’t been seen up to that point. They were trying to devise action set pieces like something out of the coolest 90s blockbusters. The book was first launched by Warren Ellis and Bryan Hitch in the late 90s. The Authority, led by chain smoking British bad ass Jenny Sparks and her mega powerful team consisted of Apollo, Midnighter, Swift, Jack Hawksmoore, The Engineer, and The Doctor. Between Ellis’ unique vision and Hitch’s incredible artwork the book was a sight to behold. The book also tapped into the late 90’s fear and mistrust of the government I wrote about earlier. Because of shows like The X-Files, conspiracy theories were big. The book was groundbreaking at the time for another reason, in that it featured a gay couple prominently on the team, Midnighter and Apollo, who were analogs for Batman and Superman, were lovers. Smartly, this never defines the characters. The books didn’t exploit the characters sexuality and they made it clear that these two were very much in love with each other. They were two of the most bad ass superheroes on the planet, their sexuality didn’t matter one damn bit.

IMG_1407During Ellis’ tenure on the book, the idea that Superheroes could be quasi-fascist popped up from time to time. The Authority were the most powerful superheroes on the planet, when the world was at stake, they felt like they didn’t have a time for democracy, committees, due process, or international borders.  In fact, they viewed these things with contempt. With beings this powerful who’s to stop them? These are themes that would be ratcheted way up when Mark Millar took over after Warren Ellis departed after the second story arc. Along with Millar came genius artist Frank Quietly. Though Ellis and Millar are quite different writers, there was a pretty smooth transition. In my opinion this was Millar’s best work. Similar to some of Ellis ideas, Millar attempted to answer the question that we’ve all asked: If Superman and the Justice League were real why wouldn’t they topple dictators and evicirate terrorists?  Shouldn’t they be solving the problems that really matter instead of engaging in silly fights with supervilains? What’s to stop them from drastically changing the world? Of course, when you start messing with the establishment at that level, the establishment begins to push back.

The Authority: Book One (Warren Ellis & Bryan Hitch) and The Authority: Book Two (Mark Millar & Frank Quietly) are available at your local comic book store and online on ComiXology.

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Rising Stars writer– J. Michael Straczynski/artist-Various

On paper a lot of these stories sound very similar as they’re all basically deconstructions of superhero stories. However, if you read them, you’ll see that they all have their own unique feel. Rising Stars perfectly exemplifies this. Rising Stars was really the first comic book I read that showed me superhero stories can be more than traditional conflicts of good vs evil. They can be complex and adult. As you can imagine Rising Stars was a revelation to me. Created by J. Michael Strazcynski, also the creator of the groundbreaking  sci-fi TV series Babylon 5, who was famous for his intricate story planning. He new the beginning, middle, and, end of Rising Stars before he sat down to script the first issue. The story is all the stronger for it.  Here’s the basic set up without going into spoilers: It all began with The Penderson Flash, 10 years before our story begins a strange ball of energy that was dubbed The Penderson Flash dissipated over the small town of Penderson in the heart of America. When the Flash hit Penderson, 113 children were in utero at the time. Of course this being an extremely bizarre incident, the United States government decided to keep their eye on the town of Penderson and its residents. For years there was no apparent effect. No one was any closer to figuring out what the Flash was or what it did to the populace. Until one day, one of those 113 children in utero at the time of the Flash, now around nine years old, saved hundreds of people at his school when the roof of the gymnasium collapsed, dropping hundreds of tons of concrete and rubble. The boy was able to hold the debris over his head like it weighed nothing, so everyone could escape. One by one, each of the 113 Penderson children began to exhibit various abilities, some very dramatic, some relatively benign. One or two of them seemed not to develop an ability at all. But each time one of the kids discovered they had a power, it was a brought about by a trigger event of some kind. So perhaps the kids who didn’t have abilities, simply hadn’t experienced their specific trigger moment? Fast forward more than a decade later, the children have grown up and been dubbed the “Specials” by the public. A few of them chose service and protection like traditional superheroes. But most of them went on to do a variety of different things. The main character of the story is Poet, a private, introverted Special who’s also a struggling writer. One day, seemingly out of the blue, the 113 Penderson Specials begin to be murdered one by one. For reasons I won’t go into here, Poet believes it’s his responsibility to catch the killer.

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That’s the basic set up and I’ve only scratched the surface of the story. It becomes so much more than a superhero murder mystery.  These children were given these abilities for a reason. They were meant to change the world. The question is, is the world ready? At the time, the only thing that had ever been done with superheroes that was even vaguely similar to this was Alan Moore’s Watchmen. Of course, Rising Stars is no Watchmen, what could be? However, despite that unfair comparison, Rising Stars an is excellent read. The story asks, and not in a dark or cynical way, what would you do if you truly had the power to change the world for the better? It’s a real gem if you’ve never read it before. Though it does it enjoy a cult following, Rising Stars deserves a higher status in our pop consciousness.

Rising stars is spread out over three graphic novel trade paperback’s that include the entire series:
Rising Stars vol.1 Born in Fire
Rising Stars vol.2 Power
Rising Stars vol.3 Fire & Ash
Buyer bewear! Rising Stars also put out two compendium editions that collect the whole story across two massive volumes. I can’t stress enough to not waste your money on the compendiums. The binding is flimsy and hard to keep open and the pages and binding come apart almost instantly after you start reading it. So, grab Rising Stars vol. 1-3 at your local comic book store or on your device at comiXology

IMG_1413Supreme Power writer– J. Michael Straczynski/artist– Gary Frank

This one may be my personal favorite on this list. J. Michael Straczynski is such a gifted writer it should come as no surprise he appears on this list twice. This is the story that’s most directly parallels Superman and The Justice League. This is a brilliant execution of the question: “What would happen in the real world if superhumans began to appear?” It begins with a familiar setup. A young couple driving their pickup down a back country road. Something streaks across the sky and crashes into the field down the way. They investigate and find a small baby in the wreckage of what appears to be an alien ship. They bring the baby home, but instead of being raised by the kindly couple, black helicopters and blacks ops soldiers are taking the baby and hushing up the couple. The child is then taken to a government research facility. Even as a baby, when the government scientists first test him, they see his strength and durability are off the charts. There’s no telling how powerful he could become. After deciding not to just kill the child out right before that becomes impossible, the U.S. government decides to raise this boy to be the quitenssential American Hero. They hire government agents to play his parents. They use focus groups to pick the perfect dog he should have as he grows up (it goes bad). They’re very careful about what they show him of the outside world. Above all the instill him with a deep love of America, or at least they try to. The boy is named Mark Milton (another name chosen by focus group to sound the most “American”) and he will become the superhero known as Hyperion.

IMG_1416But when Mark’s ship crashed on earth, it released something into that the atmosphere, something that affected other people, giving them extraordinary abilities like Mark. There’s The Blur who can move with superspeed, Doctor Spectrum, a former special forces officer with a Crystal from Mark’s ship fused to his hand that will act as a weapon that responds to his mind. You can see where this is going. Slowly but surely were introduced into an entire real world Justice League analog, including versions of Batman (Nighthawk), Wonder Woman (Zarda), and Aquaman (A girl named Kingsley who eventually gets the lame code name Amphibian). What makes this story so compelling is that it has a real ripped from the headlines kind of feel, in the sense that this is what it really would be like if beings like Superman came into our world. Everything from the abilities of the characters to how their potential destructive power is measured is presented in a really cool way you haven’t seen before in most Comics. There’s a dread that hangs over this entire book that permeates the story with tension. Especially when it comes to the character of Mark. This is a man whose entire life has been a lie. He’s been raised to believe he’s this perfect American weapon, never told his true origin. But what happens when he finds out the truth? How does somebody with truly no limits look at the world and its problems? And then of course is the old classic: does absolute power corrupt absolutely? These are the ideas that lie at the heart of Supreme Power. I’m not even coming close to doing this story justice, but I can’t recommend it enough. Unfortunately for reasons I’m not certain of, JMS never finished his superhero epic. I heard it came down to disagreements with Marvel. It’s a shame we’ll never get to see JMS complete one of the all time great superhero stories.

IMG_1415The series did eventually continue, picking up months after where Straczynski’s cliffhanger book departure left off. I haven’t read the follow up series myself. I’m sure I eventually will out of curiosity. I’ve heard it’s…fine. But YOU dear reader! YOU only read the Supreme Power stories written by J. Michael Straczynski. For some reason, the trade paperbacks for Supreme Power are a little more difficult to find than some other books. They can be easily found on Amazon or ComiXology. Of course, it doesn’t hurt to call your local comic book store to see if they have any copies (local comic shops can be a treasure trove of hidden gems). Regardless, here is the reading order:

Supreme Power Reading Order

– Supreme Power vol.1 Contact

Supreme Power vol.2 Powers and Principalities 

– Supreme Power vol.3 High Command

– Supreme Power: Hyperion

– Squadron Supreme: The Pre-War Years

If you like these books here are a few more that you may want to check out:

Invincible writer– Robert Kirkman/artist– Ryan Ottley

The Ultimates writer- Mark Millar/artist- Bryan Hitch

Anyway, as usual thanks for reading guys. I hope you enjoyed it.

– Paul

Blu Ray Review: Teen Titans: The Judas Contract

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Blu Ray Review: Teen Titans: The Judas Contract

Director: Sam Liu

Ever since Warner Bros. released their first direct to Blu-ray/ DVD feature length movie, Superman: Doomsday, an adaptation of the Death of Superman, I’ve loved DC’s direct to video animated films.
DC usually puts out three of them a year and they’re marketed to older fans who love DC animation but are looking for something with a little bit more edge. Let’s face it, as much as we all love the classic in DC animated shows they were ultimately targeted at kids. They had to comply with certain standards and practices. The violence couldn’t be too extreme, human deaths rarely took place and if they did it was off screen, and sexuality was completely absent (except for the slight innuendos the writers snuck in). Fortunately the writers on shows like Batman: The Animated Series were strong enough that they were still able to tell dark, thematically rich, adult stories that hold up even today. It makes the success of Batman: The Animated Series all the more impressive when you consider that the writers basically had one hand tied behind their back.

This is DC animation when the gloves come off. They’re either PG-13 or R-rated and they are geared towards adult comic book fans. They go back-and-forth between telling original stories and adapting classic storylines. The movies can be hit or miss, none are outright terrible . Almost all of them are watchable at the very least (especially if you a comic book fan). Some of their releases include All Star Superman, Batman/Superman: Public Enemies, and Green Lantern: First Flight (essentially Training Day with Green Lantern).

On occasion these movies can be spectacular. I consider a few of them to be some of my favorite comic book movies. For example, there’s the two part adaptation of The Dark Knight Returns which is damn close to being my favorite Batman movie. Justice League: The Flashpoint Paradox is not only a phenomenal superhero movie, but I actually think it’s better than the source material it’s based on. Below the review, I’ve listed some of the best of their films, that are must sees for any self respecting comic book fan.

However, the movie I’m reviewing today is Teen Titans: The Judas Contract. First a little background, a few years ago DC animation made a decision to make two of the three movies they produce each year part of a shared animated universe. Much like what Marvel and DC are doing on the big screen in live action. So The Judas Contact is the latest in a line of shared universe films that began and continued with Justice League: War, Son of Batman, Justice League: Throne of Atlantis, Batman Vs. Robin, Batman: Bad Blood, and Justice League Vs. Teen Titans, and most recently Justice League Dark.  Since this series of DC animated movies began, fans have been clamoring for an adaptation of  Teen Titans: The Judas Contract. After all, this was a book that at one point in the 80s was that was the highest selling comic in the industry.

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(*80’s Teen Titans line up)
As much as I enjoy and look forward to these DC animated films, once they changed over to this shared universe format, I’m sorry to say the quality of the films of really suffered. They haven’t knocked one out of the park in a while. Although Justice League Dark was a whole lot of fun.
So, how’s Teen Titans: The Judas Contract? Well, it’s… ok. If you’re somebody like me ,who looks forward to these films coming out, you’re probably going to find something to like in this movie. Because at points it can be very entertaining.

Let me give you a brief rundown of the story without getting into explicit spoilers: Here, the Teen Titans lineup includes Damian Wayne as Robin, Beast Boy, Terra, Raven, and Blue Beatle. As well as Starfire and Nightwing acting as team leaders and mentors. The Titan’s greatest enemy, Slade Wilson AKA Deathstroke, has been hired by super creepy cult leader Brother Blood, to take out the Titans for reasons I won’t go into here because of spoilers. However, I’m sure it will come as no surprise to fans that involves some crazy, convoluted, nonsensical, comic book bullshit (don’t get me wrong, I love a good, crazy super villain plot that makes little to no sense ). Unbeknownst to the Titans, Slade has a mole inside the team that feeds him information, tactics, and weaknesses. With the goal of eventually helping Slade defeat The Titans and hand over them over to Brother Blood and his many devoted followers.

* {Just a quick side note here: who the fuck would follow join a cult led by somebody named Brother Blood?. There had to of been a shit load of warning signs that this guy was bad news. The human sacrifice probably should have been a giveaway. Clearly Brother Blood’s followers have made some very poor life decisions to get to this point)

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So, i’m going to start with the positives about the film and then talk about the negative aspects after. First off, though this isn’t an exactly a glowing review of the movie, it certainly wasn’t awful. In fact, at certain points throughout the film, it was really fun. A lot of the dialogue and the character interactions worked pretty well. The fight choreography is great. In particular there’s one fight between Dick Grayson and Deathstroke in Dick’s apartment that was particularly well done. As always the animation is phenomenal especially on a Blu-ray (If you end up checking out any of the other DC animated movies, I highly recommend watching all of these movies on Blu-ray because they look absolutely gorgeous).

Now here’s where the movie went wrong. To  some comic book readers, this is their The Dark Knight Returns. So a story like that needs to be treated with more gravity and impact than this did. What really made this story work in the comics is the team’s revelation that one of their own is a mole. It’s a gut punch when it happens because we’ve come to care about this character and the other Teen Titans over a long period of time. In the movie, we haven’t given been given enough time, even with the first movie, to have a strong emotional bond with these characters. The only exception really being Damian and Nightwing who’ve been in al the recent, DC animated Batman movies.
Dick Grayson and Damian Wayne are two the more interesting characters in the Batman comic books, but here they are both kind of bland. That’s a problem for the rest of the characters in this movie too. None of them really pop.

 

If you’re looking for a great animated Deathstroke, watch the Teen Titans animated series from the early 2000’s. I was never a huge fan of that show but Ron Perlman as Slade Wilson on that show kicked ass

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One other thing I want to bring up about the film is a very fucked up subplot that is present in both the Judas Contract comic book and film. I’m not advocating for this at all , I just thought it was an interesting creative choice to take this particular subplot from the comics and put it into the movie. There are some mild spoiler so I’m going to mark it and if you want to scroll down to avoid the SPOILER go right ahead…

 

 

MILD SPOILERS AHEAD!!!!

MILD SPOILERS AHEAD!!!

MILD SPOILERS AHEAD!!!

 

 

OK so even with the spoiler warning I’m going to avoid getting too specific, but one of the super weird, fucked up aspects of the original Judas Contract storyline is that Deathstroke has a weird sexual relationship with the mole on the Titans. Just to put in a perspective how weird this is, Deathstroke is 50 if he is a day, and this character in particular can’t be more than 16 years old. It’s not as explicitly sexual as it was in the comic books, but I really respect the fact that they left this aspect in the movie. Again I am absolutely not advocating older man sleeping with underage girls, but It shows you how fucked up the character who betrays the Titans is. It sort of gives you a window into their psychology and why they do what they do.

END SPOILERS

So just like last year’s disappointing Batman: The Killing Joke, Teen Titans: The Judas Contract falls short of expectations. If you follow these animated movies and you like superhero animation in general, I would still recommend this movie, there’s a lot worse ways to spend the night watching a movie. But if this is your first time watching one of the direct to video DC animated movies, start with the ones I’ve listed below because there are a lot of great ones. I really hope that DC animation starts learning from these creative failures because a lot of these people who’ve worked on these less successful animated films have worked on some of the very best animated movies DC has to offer.
Perhaps it’s not a coincidence that the director Sam Lui’s has been responsible for some of the less than stellar DC animated films. I don’t want to shit on the guys work. He’s done some great animation direction,on TV. Hell, I know I’m going to get some blowback on this one, but I even the think The Killing Joke, which Liu directed had it’s moments.
For a while there, DC had a run where they were cranking out some really great animated features. Material that really push the envelope and it’s a shame to see them keep putting out subpar material. Hopefully they’ll get themselves back on track soon.

Movie: 6.5
Special Features:

Sneak Peek at the Next DC Animated Movie “Batman & Harley Quinn: One of my favorite things about the DC animated movies is that the special features include a 10 or 15 minutes sneak peek at the next film they’re working on. It’s cool to see the rough anamatics and the casting process. Say what you want about these films, but the enthusiasm of the people working on them is infectious. I always find myself looking forward to the next DC Animated film even if their last few movies have been mediocre. “Batman & Harley Quinn” looks especially interesting because it’s written and produced by Bruce Timm (Who is of course the cocreator of the legendary Batman: The Animated Series) and the animation is in the style of the Batman: The animated Series (or if you’re going to get technical on me, it’s in the style of the relaunch they did when Batman: The Animated Series became The New Batman/Superman Adventures and they did character resigns… my God I need to get laid)

Titanic Minds: Reuniting Wolfman and Perez: Another cool aspect of the special features on these movies is they’ll do mini documentaries focusing on certain storylines, creators, and/or characters that are in the movie and then give interesting background information about the comics they’re based on. In this case, we get a profile on Marv Wolfman and Georgia Perez who were the superstar creative team that made Teen Titans the biggest book in the comics industry back in the 80s.

Villain Rising: Deathstroke: The second mini documentary is a profile of Deathstroke that goes into the characters history and creation. They take a look into the psychology of a character like Deathstroke, who considers himself honorable while at the same time commits unspeakable acts in the name of profit. It’s a solid profile of one of the best villains in DC comics, so if you’re a Deathstroke fan, you’ll enjoy this special feature.

Other Special Features: There are a few other of pointless and crappy special features. Like, for some reason there are sneak peaks at DC animated movies that came out at least five or six years ago and a gallery of animated stills from “The Judah’s Contract”. I’m gonna go ahead and say you can skip those.

Below is a list of the very best that the DC Animated movies have to offer. Some are available on Netflix or Amazon Prime and all are available on Blu Ray:
-Batman: The Dark Knight Returns Deluxe Edition (This was such a major project that DC released it as 2 separate films, parts 1&2, but the Deluxe Edition is the must watch version of this movie)
Justice League: The Flashpoint Paradox
-Wonder Woman (
Very underrated)
-Batman: Under The Red Hood
-Batman: Year One

Though not as good as the list above, here are a few more of the better DC Animated movies:
Green Lantern: First Flight
– Justice League Dark
– Justice League War

Thanks for reading, guys!
– Paul