Blu- Ray Review: Batman: Mask of The Phantasm. The best Batman film?

The Batman: Mask of the Phantasm poster.

Last week, the best Batman film ever made finally came to Blu Ray. But wait, isn’t The Dark Knight already on Blu Ray?! It absolutely is, but I’m not talking about The Dark Knight. The best Batman film ever made is Batman: Mask of The Phantasm. Right now you’re thinking: “Paul! Are you fucking nuts? The Dark Knight is HANDS DOWN the best superhero movie EVER made! Are you on fucking crack, bro?” First of all, No, I’m not on crack, I’m on cocaine and a little morphine but it doesn’t affect my judgment whatsoever. Secondly, of course I love The Dark Knight! The movie is a fucking masterpiece. Not only the apex of superhero films so far, it’s the movie all other superhero movies are judged against. It’s one of the best films ever made… period.

Picture of Batman standing on a building with lightning behind him from Batman The Animated Series.

What makes Mask of the Phantasm so special to me and what differentiates it from the Nolan films and the Burton films (I love both), is that the story focuses on Batman and his journey more than any other character. Burton’s first two Batman movies get overwhelmed with villains that overshadow Batman and in the second film Batman Returns he has a significantly less screen time then in Batman 1989. Meanwhile, Nolan and his films were a huge step in the right direction, but this still wasn’t the Batman that I knew and loved. The Joker looms so large over everything in The Dark Knight and the most important character arc in that film is Harvey Dent’s. So again, we have an excellent Batman movie that doesn’t necessarily have Batman as the focus of the story.

Batman in silhouette standing on a building from Batman the Animated Series.

As many times as we’ve seen Batman on the big screen, we’ve never really a gotten theatrical film that delves deep into Batman and his psychology, what drives him, and the pain from his past that haunts him in the present. Even though we’ve had some excellent portrayals of Batman on film, we haven’t had a movie that gets inside the characters head like this film does. Mask of The Phantasm is such a exceptional Batman film because FINALLY it’s a story about… Batman.

Batman kneeling at a gravestone, from Batman The Animated Series.

After the massive success of Bruce Timm’s classic Batman: The Animated series, Warner Bros. wanted Timm and company to produce a feature length Batman animated movie. It was an extension of The Animated Series, taking place in the same universe as the show (kind of like how they started making the early Star Trek movies. They weren’t a reboot of the show, but a continuation, another chapter in the adventures of these characters). Even though the film was not a financial success, largely due to poor marketing, it was critically acclaimed at the time and has since been viewed as a masterpiece of the superhero genre with an enormous cult following. Like the TV show it came from, Mask of The Phantasm was dark, adult, smart, and with beautiful noir style animation and music. The movie was able to captivate an adult audience with the same emotional complexity and moving storytelling that the animated series did so well. As a cherry on top, we get to watch Mark Hamill give one of the all-time great super villain performances as The Joker in this film.

Close up of Joker laughing maniacally, from Batman The animated series.

In the film, Batman must overcome a physical challenge in the form of The Phantasm and an emotional one in the form of Andrea Beaumont, an old flame who could have been the love of Bruce’s life. When a masked vigilante starts murdering mob bosses in Gotham City, Batman becomes public enemy number one when both the police and the criminal underworld think The Dark Knight is the killer. Of course, the mysterious Phantasm is the real killer. To complicate matters for Bruce, Andrea Beaumont returns to Gotham after years of living abroad. This stirs up painful memories for Bruce and a large part of the film flashes back to the days just before Bruce was about to become The Batman.

The Phantasm standing in smoke in a graveyard.

Mask of The Phantasm was as close to a Batman origin story as the show ever came. In the flashbacks, Bruce is roughly in his early 20’s and has just returned to Gotham. He’s been around the world, learned all the skills and training he needs, but he’s still not sure how to carry out his mission of protecting Gotham City. This is when Bruce meets a beautiful young woman named Andrea Beaumont. He meets her in a cemetery of all places (very fitting for Batman), Bruce is there visiting his parent’s graves, looking for some kind of guidance on how he should move forward with his insane mission. Bruce sees the beautiful Andrea at her mothers grave and overhears her talking out loud to her mother who’s long since passed on. This immediately connects the two, because they both have tragedy in their past that has defined their lives. They strike up a conversation and they have immediate chemistry. Bruce asks her out and they begin dating.

Bruce Wayne with a woman looking as if they're about to kiss.

As their relationship deepens, Bruce continues to experiment with his mission. There’s a key scene in the film where Bruce attempts to stop a robbery that involves group of thug’s loading stolen goods onto a truck. There’s a pretty cool action scene and Bruce is ultimately able to subdue the criminals. However, Bruce comes to an important revelation: as skilled as Bruce is, he’s still just a man in a ski mask with a couple of gadgets. In fact, when he first confronts the criminals they laugh at them, they don’t know what to make of this nut. That’s when it dawns on him: they need to be afraid of him. In that moment, the Batman persona is born.

A masked man crouching in the dark.

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But all this masked vigilante stuff may become a moot point. Bruce didn’t count on finding love or happiness. Ultimately a life with Andrea means more to Bruce than fulfilling the vow he made to his parents that he would rid the city of the evil that took their lives. There’s great scene in the film where Bruce agonizes over this decision, which I’ve posted below:

This settles it, Bruce proposes to Andrea. She says yes and they couldn’t be happier. But all Batman stories are stories of tragedy to one degree or another and Andrea’s father is keeping a dark secret (I won’t spoil it here but it comes in to play in a big way later in the film and it may not be what you think).

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* (This is NOT what I would call a good omen for the future of their relationship)

The next day Bruce comes home greeted by a sullen Alfred who hands Bruce a note from Andrea, breaking off their engagement. This comes completely out of the blue and leaves Bruce heart broken (again Andrea’s reason for the abrupt break up come into play later in the film).

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In the flashbacks, we see a Bruce Wayne who hasn’t been completely consumed by The Batman. We see him more vulnerable and open than the character is usually portrayed. Before the wall of The Batman is put up, when he won’t let anyone in. There are many reasons Batman behaves the way he does. But this was an interesting insight into one of the reasons he is cold, distant, and keeps the people closest to him at arms length. It’s this deep exploration of the psyche of Bruce Wayne that makes this movie such a stand out. Batman is the main character. It shows him at these two vastly different points in his life and give us a fantastic insight into who he is and why.
Bruce finally makes his choice and becomes The Batman. Which we see here in this excellent scene:

I WAS GONNA DO A SPOILER WARNING, BUT AT THIS POINT… FUCK IT

So, basically the reason Andrea had to abruptly end her engagement to Bruce was that Andrea’s father made some bad investments and lost a lot of money. In desperation, he turned to some very dangerous men for a loan. When these men came looking for payments on the money that Andrea’s father owed, he couldn’t pay. They threatened his life and the life of his daughter if he didn’t come up with the money by the end of the week. Fearing for his daughters life, Andrea and her father flee to Europe where they had been in hiding for several years. Eventually, the criminals who her father owed money to, track them down and a man who may or may not, be the man who becomes The Joker, killed Andrea’s father. All the men that her father owed money to, are the mob bosses that The Phantasm has been killing. Andrea Beaumont is The Phantasm. Killing these men as revenge for taking her father’s life

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As I said before The Joker plays an important part in this film, of course played by the great Mark Hamill. This movie also flirts with a possible origin for The Joker. And like all of the great possible origins for The Joker, it’s left hazy and uncertain. There are several different possible explanations for who The Joker really is in the comics. In those comics and this movie, they don’t rob the character of his mystique by spelling out exactly who he is, they just give you a taste.

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To be completely honest, they don’t necessarily need The Joker to make this story work. They could’ve left the character out and the story still would’ve worked fine. But Mark Hamill is such a great Joker and this being their first big screen showing of this television program, they had to of course include Batman’s best and most iconic villain. Also, this film has one of my favorite Joker moments of all time.

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During the films climax at an abandoned worlds fair, there’s a final showdown between Batman, The Joker, and The Phantasm.  This is great scene because it’s a brutal, violent confrontation between mortal enemies, with Batman in the middle trying to save the soul of the woman he loves.  In a final attempt to save Andrea from the path she’s on, Batman says: “But Andrea, what will vengeance solve?” To which she replies “If anyone knows the answer to that, Bruce, its you.” Wow, Andrea. Burn.

Andrea disappears to hunt The Joker, while Batman tries to get to him first. The Joker has the whole place rigged to explode and after a brutal fight with Batman, The Joker is bloody and on his knees in front of Andrea Beaumont. Andrea has the man who killed her father at her complete mercy. At this point there’s a very good chance that all three of them could die. Just as the bombs go off and everything around them is burning, this wonderful scene culminates in, in my opinion, the greatest Joker laugh in cinema history:

It’s kind of brilliant that Bruce Wayne would fall in love with a woman like Andrea Beaumont. Even before she becomes the revenge driven Phantasm, maybe there was something that she and Bruce saw in each other that they didn’t even realize on a conscious level, how similar they both were. And how willing they both are to do things that would be considered madness in the name of those they love. And that’s the tragedy of this story, had things been different, there could’ve been a real life for Bruce Wayne, a life without Batman. A life without the pain, the fear, the rage, the loneliness. This story showed us his opportunity to let go of his vendetta. The fact that he came so close is the gut punch.

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The Blu-ray sales of Batman: Mask of The Phantasm are very important because if this film sells well on Blu-ray, Warner Bros. will finally release Batman: The Animated Series in its entirety on Blu-ray. Right now, the series is only available on DVD and digital download. So I encourage you, if you’re a true Batman fan go out and buy this Blu-ray. Because we want this wonderful, seminal, incredible, classic series to finally be on Blu-ray like it deserves. Plus, you’ll have one of the best Batman movies ever made to add to your Blu-ray collection. This is Batman at his best folks. If you’ve never seen either Batman: The Animated Series or Batman: Mask of The Phantasm, than I’m envious of you, because you’re in for one hell of a treat, enjoy.

As always, thanks for reading everyone!
-Paul

PODCAST MINISODE: DUNKIRK Review!

The poster for the film Dunkirk, showing several boats and ship smoking.

Hey everybody,

Here’s my very spoiler- lite review of Christopher Nolan’s excellent film, Dunkirk. The only thing I get into that could be viewed as semi-spoilery is how the film is structured. But I don’t get into details, character fates, or any twists and turns. Give a listen below and/or subscribe on iTunes:

https://www.spreaker.com/episode/12406794

Spider-Man: Homecoming Review! NO SPOILERS!

The poster for Spider-Man: Homecoming. Spider-man stands on the ledge of a tall building overlooking New York City, with Vulture floating among the clouds, nearly blocked out by the sun.
A lot people I know are sick of Spider-Man. Hell, I am a little too. The character just doesn’t resonate with me as he once did. I feel that the time in your life you enjoy Spider-Man as a character the most is in you formative high school/college years. Because we’ve all got a little bit of Peter Parker in us. He’s the super hero every man.
As a long time comic book fan I couldn’t help but be excited when he became part of the MCU. This is Marvel’s flagship character finally mixing it up with The Avengers. That’s the kind of shit dreams are made of. Then I saw Civil War and now they had my fucking attention. That was a hell of a reintroduction to the character. But still I couldn’t quite muster the excitement for this new film that I had for a movie like Spider-Man 2 (which is a masterpiece).

I’m happy to say that my lack of enthusiasm was completely unfounded, Spider-Man: Homecoming is fucking excellent. It’s probably the second best Spider-Man film after Spider-Man 2 and it’s definitely in the top tier of the MCU’s best movies.

A drawing of Spiderman fighting Vulture amoung grey clouds.
There are a few key factors that make this films so successful: the cast and the brilliant decision to make it a little bit more of a high school movie than a superhero movie. I recognized a lot of the supporting cast in this movie from other films from a few years ago where they played children. So this is the rare high school movie with high school age actors in it. While the action is great, I found myself more invested in coming of age, high school comedy parts of the film. There are a few very good scenes where those worlds collide in unexpected ways. Also, the brooding of the earlier films is completely absent, replaced by a much lighter tone.
I’ve said for years that Marvel Studios’ biggest strength is it’s casting. Time and again they get actors that nail their parts. Even when I doubt them they always prove me wrong. It’s like the actors walked out of the pages of a comic book. Tom Holland is hands down the best Spider-Man we’ve had on screen. As so many others have said, he’s a kid! He’s the right fucking age for once. Not a 35 year old man trying to play a high school sophomore.
I thought a really interesting choice is how ineffective and sometimes even dangerous Spider-Man’s lack of experience makes him in this movie. This is a Spider-Man who does not have the superhero job figured out at all. But he wants to be an Avenger more than anything and that leads to some bad decision making on his part. However, the movie never makes him seem stupid. He’s just a very inexperienced kid with extraordinary abilities and a hard on to use them.

Tom Holland in Spider-Man costume, without his mask on, standing in front of a train.
I’m very happy Marvel will have Tom Holland as Spidey around for good while. Hopefully they work something out with Sony to expand their current 5 picture deal. Meaning Sony still owns the film rights to the character and, including Civil War and Homecoming, the MCU can only use Spider-Man for 5 films total. We already know Spidey is in Avengers: Infinity War and the sequel to Homecoming which is kicking off Marvel’s “very different” Phase 4.

Michael Keaton as Vulture looking at an Iron-Man mask.
The other big stand out for me was Michael Keaton as Adrian Toomes AKA The Vulture. Keaton is the fucking man. His Vulture is one scary mother fucker. He’s got goals and god help you if you get in his way. It certainly helps that his suit design is spectacular. He is without a doubt one of the best Marvel villains we’ve had on screen. His motivations are unique for this kind of film and though I didn’t want to actually see him kill Peter, I could sympathize with the guy to a degree.

Peter Parker and Tony Stark looking at each other in the back seat of a car.
As for Tony Stark I’d say we get just about the perfect amount of screen time. Not too much, not too little. He certainly doesn’t take over the movie. The film feels like a part of the MCU in the best way. The film uses the mythology of this film series to great advantage and nothing feels shoed in. There are some great Easter eggs that hardcore comic book fans like me will love. I’ve written in past articles that I’ve been frustrated by how much of this movie was spoiled by trailers and internet articles. So I wasn’t expecting how many genuine surprises there were for me in this film. There is an iconic, character defining scene from the early Stan Lee/Steve Ditko Spider-Man days that gave me chills to see brought to life.
The last thing I’ll say is this movie has my favorite final 10 seconds of any of the Marvel films so far. Narrowly beating out Captain America’s tragic, “I had a date…” from Captain America: The First Avenger.
I’ll talk in more detail with spoilers on my podcast, which I’ll probably have up Monday. I’ll give our listeners some time to see the movie, but I will make it very clear when we talk spoilers on the podcast so you can know when to skip over or stop listening until you’ve seen the film.
Anyway, this gets a huge recommendation from me. An absolute summer superhero blast! Get off your ass and see it this weekend!
Film Grade: A-
Thanks for reading everyone!
-Paul

WHY DO PREQUELS ANSWER QUESTIONS NO ONE ASKED? ALIEN: COVENANT

SPOILER WARNING!!!! I DROP ONE HUGE ALIEN:COVENANT SPOILER IN THIS ARTICLE AND A FEW MINOR ONE, SO IF YOU HAVEN’T SEEN THE MOVIE, GO SEE IT AND THEN COME BACK AND READ THIS… OR IF YOU JUST DON’T GIVE A FUCK GO RIGHT AHEAD AND READ IT.

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So I managed to go out and see Alien: Covenant over the weekend. Any of you who follow the site know that Alien: Covenant was one of my most anticipated films of the summer. I have a complex relationship with this franchise. Some of the films I love, some of them I loathe. But I think one of the greatest strengths of this universe, is it’s ability to spark debate among it’s fans. There are people who will defend Alien 3 to their dying breath despite its many controversial creative choices. Personally, I love Prometheus. I know that’s not a popular opinion, but I like sci-fi that tries to tackle the big questions in life. Even if the movie ultimately fails in the attempt. My point is that we all have our favorite Alien film or films and we love them regardless of what anyone else thinks.

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I’ll warn you right off the bat; if you get frustrated watching people do really fucking stupid shit for the sake of moving the plot forward, this movie is going to drive you out of your goddamn mind. The crew of The Covenant could be some of the dumbest fucking people to ever grace the screen of a sci-fi film and I think that’s a pretty high bar. They make the crew of the Prometheus look like a bunch of Jack Reachers. “Hmm, we have a meticulously planned mission, years in the making, with thousands of lives on the line, you know what? Fuck it. Let’s forget about all that and investigate this creepy as fuck signal coming from a planet we’ve never heard of before, even though we’ve searched this sector for habitable planets many, many times and this is the first we’ve seen of this seemingly perfect world. That is awfully peculiar, but hell we’re explorers! Sure we’ve had a few casualties already, but if you’re gonna roll the dice anywhere, it should be in space.” I must have been shaking my head in sheer disbelief at the idiocy of these characters for the first 30 minutes of the movie.

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I did ultimately enjoy Alien: Covenant. If you’re a fan of the franchise at all, I think it’s worth seeing. You may hate it, but you should eventually see it. Once again Michael Fassbender is incredible in dual roles as very different (or ARE they?) Synthetics, David and Walter (Not a spoiler at all if you saw Prometheus: David is a real prick.). Danny McBride is the Yaphet Kotto of the movie, which is fucking awesome. I’m a huge fan of McBride and you’d assume he’d be comic relief/cannon fodder here, which isn’t really the case. Even though I had my problems with it, I came out if the theater having had a good time.

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Which brings me to the point of this article. My main gripe with the movie is one we see way too often in prequel films: explaining things that DON’T FUCKING NEED TO BE EXPLAINED! Perfect example, The Force from Star Wars. We don’t need a bunch of bullshit about fucking Midichlorians or whatever that allows people to commune with The Force. It’s The Force, that’s all the explanation we need. While we’re on this topic, you know what was on my mind while I was watching X-Men: Shitpocalypes? “Man, I just GOTTA know how Charles Xavier loses his hair.” Actually, that’s not true, I didn’t think that. NOBODY fucking thought that! Who. Fucking. Cares? (Ironically, I very, very much cared when they DIDN’T make Lex Luthor bald in Batman V Superman: Dawn of… WHY THE FUCK DIDN’T THEY JUST CALL IT World’s Finest? I don’t know why they’re different, but they are. Xavier with hair = OK, Lex Luthor with hair = Not OK)

Which brings me to the cardinal sin of Alien: Covenant: They definitively explain the origins of the Xenomorphs. When Prometheus was announced, one of the things I was most excited about was finding out more about The Space Jockey. I always felt like fans tended to forget that there was this whole other Alien species out there that the series never touched on enough. Of course, The Space Jockey ended up being one of The Engineers. For the most part the Engineers worked for me. If you hated them, I totally get it. Look at this fucking guy, ripping heads off. Not cool.

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On the other hand, the one thing I absolutely did NOT want an answer to was the origin of the Xenomorphs. Ultimately the story that was set up in Prometheus led to Alien: Covenant and Alien: Covenant definitively gives that answer. I don’t hate the explaination in and of itself, I just hate that there’s an explanation at all. Nothing these writers come up with can compare to what we cook up in our own imaginations. The thing that kind of sucks is, when you give a definitive explanation to a pop cultural mystery, it ends the fan debate. Some of the most fun I’ve ever had hanging out with my friends was sitting around debating things like “Where did the Xenomorph come from?”

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I understand why Hollywood does this shit, it’s marketing. But certain mysteries in pop culture should be sacrosanct. Like the origin of The Joker. You can tease, you can hint, but you can NEVER tell us who he really is (a rule Marvel should have stuck to with Wolverine). Unfortunately I have a feeling DC is being tempted to play this particular wild card and that would be a colossal mistake. I guess my point is, everyone loves a mystery and some of the great mysteries of pop culture should remain unanswered.
Thanks for reading everyone!
-Paul

Blu Ray Review: Teen Titans: The Judas Contract

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Blu Ray Review: Teen Titans: The Judas Contract

Director: Sam Liu

Ever since Warner Bros. released their first direct to Blu-ray/ DVD feature length movie, Superman: Doomsday, an adaptation of the Death of Superman, I’ve loved DC’s direct to video animated films.
DC usually puts out three of them a year and they’re marketed to older fans who love DC animation but are looking for something with a little bit more edge. Let’s face it, as much as we all love the classic in DC animated shows they were ultimately targeted at kids. They had to comply with certain standards and practices. The violence couldn’t be too extreme, human deaths rarely took place and if they did it was off screen, and sexuality was completely absent (except for the slight innuendos the writers snuck in). Fortunately the writers on shows like Batman: The Animated Series were strong enough that they were still able to tell dark, thematically rich, adult stories that hold up even today. It makes the success of Batman: The Animated Series all the more impressive when you consider that the writers basically had one hand tied behind their back.

This is DC animation when the gloves come off. They’re either PG-13 or R-rated and they are geared towards adult comic book fans. They go back-and-forth between telling original stories and adapting classic storylines. The movies can be hit or miss, none are outright terrible . Almost all of them are watchable at the very least (especially if you a comic book fan). Some of their releases include All Star Superman, Batman/Superman: Public Enemies, and Green Lantern: First Flight (essentially Training Day with Green Lantern).

On occasion these movies can be spectacular. I consider a few of them to be some of my favorite comic book movies. For example, there’s the two part adaptation of The Dark Knight Returns which is damn close to being my favorite Batman movie. Justice League: The Flashpoint Paradox is not only a phenomenal superhero movie, but I actually think it’s better than the source material it’s based on. Below the review, I’ve listed some of the best of their films, that are must sees for any self respecting comic book fan.

However, the movie I’m reviewing today is Teen Titans: The Judas Contract. First a little background, a few years ago DC animation made a decision to make two of the three movies they produce each year part of a shared animated universe. Much like what Marvel and DC are doing on the big screen in live action. So The Judas Contact is the latest in a line of shared universe films that began and continued with Justice League: War, Son of Batman, Justice League: Throne of Atlantis, Batman Vs. Robin, Batman: Bad Blood, and Justice League Vs. Teen Titans, and most recently Justice League Dark.  Since this series of DC animated movies began, fans have been clamoring for an adaptation of  Teen Titans: The Judas Contract. After all, this was a book that at one point in the 80s was that was the highest selling comic in the industry.

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(*80’s Teen Titans line up)
As much as I enjoy and look forward to these DC animated films, once they changed over to this shared universe format, I’m sorry to say the quality of the films of really suffered. They haven’t knocked one out of the park in a while. Although Justice League Dark was a whole lot of fun.
So, how’s Teen Titans: The Judas Contract? Well, it’s… ok. If you’re somebody like me ,who looks forward to these films coming out, you’re probably going to find something to like in this movie. Because at points it can be very entertaining.

Let me give you a brief rundown of the story without getting into explicit spoilers: Here, the Teen Titans lineup includes Damian Wayne as Robin, Beast Boy, Terra, Raven, and Blue Beatle. As well as Starfire and Nightwing acting as team leaders and mentors. The Titan’s greatest enemy, Slade Wilson AKA Deathstroke, has been hired by super creepy cult leader Brother Blood, to take out the Titans for reasons I won’t go into here because of spoilers. However, I’m sure it will come as no surprise to fans that involves some crazy, convoluted, nonsensical, comic book bullshit (don’t get me wrong, I love a good, crazy super villain plot that makes little to no sense ). Unbeknownst to the Titans, Slade has a mole inside the team that feeds him information, tactics, and weaknesses. With the goal of eventually helping Slade defeat The Titans and hand over them over to Brother Blood and his many devoted followers.

* {Just a quick side note here: who the fuck would follow join a cult led by somebody named Brother Blood?. There had to of been a shit load of warning signs that this guy was bad news. The human sacrifice probably should have been a giveaway. Clearly Brother Blood’s followers have made some very poor life decisions to get to this point)

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So, i’m going to start with the positives about the film and then talk about the negative aspects after. First off, though this isn’t an exactly a glowing review of the movie, it certainly wasn’t awful. In fact, at certain points throughout the film, it was really fun. A lot of the dialogue and the character interactions worked pretty well. The fight choreography is great. In particular there’s one fight between Dick Grayson and Deathstroke in Dick’s apartment that was particularly well done. As always the animation is phenomenal especially on a Blu-ray (If you end up checking out any of the other DC animated movies, I highly recommend watching all of these movies on Blu-ray because they look absolutely gorgeous).

Now here’s where the movie went wrong. To  some comic book readers, this is their The Dark Knight Returns. So a story like that needs to be treated with more gravity and impact than this did. What really made this story work in the comics is the team’s revelation that one of their own is a mole. It’s a gut punch when it happens because we’ve come to care about this character and the other Teen Titans over a long period of time. In the movie, we haven’t given been given enough time, even with the first movie, to have a strong emotional bond with these characters. The only exception really being Damian and Nightwing who’ve been in al the recent, DC animated Batman movies.
Dick Grayson and Damian Wayne are two the more interesting characters in the Batman comic books, but here they are both kind of bland. That’s a problem for the rest of the characters in this movie too. None of them really pop.

 

If you’re looking for a great animated Deathstroke, watch the Teen Titans animated series from the early 2000’s. I was never a huge fan of that show but Ron Perlman as Slade Wilson on that show kicked ass

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One other thing I want to bring up about the film is a very fucked up subplot that is present in both the Judas Contract comic book and film. I’m not advocating for this at all , I just thought it was an interesting creative choice to take this particular subplot from the comics and put it into the movie. There are some mild spoiler so I’m going to mark it and if you want to scroll down to avoid the SPOILER go right ahead…

 

 

MILD SPOILERS AHEAD!!!!

MILD SPOILERS AHEAD!!!

MILD SPOILERS AHEAD!!!

 

 

OK so even with the spoiler warning I’m going to avoid getting too specific, but one of the super weird, fucked up aspects of the original Judas Contract storyline is that Deathstroke has a weird sexual relationship with the mole on the Titans. Just to put in a perspective how weird this is, Deathstroke is 50 if he is a day, and this character in particular can’t be more than 16 years old. It’s not as explicitly sexual as it was in the comic books, but I really respect the fact that they left this aspect in the movie. Again I am absolutely not advocating older man sleeping with underage girls, but It shows you how fucked up the character who betrays the Titans is. It sort of gives you a window into their psychology and why they do what they do.

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So just like last year’s disappointing Batman: The Killing Joke, Teen Titans: The Judas Contract falls short of expectations. If you follow these animated movies and you like superhero animation in general, I would still recommend this movie, there’s a lot worse ways to spend the night watching a movie. But if this is your first time watching one of the direct to video DC animated movies, start with the ones I’ve listed below because there are a lot of great ones. I really hope that DC animation starts learning from these creative failures because a lot of these people who’ve worked on these less successful animated films have worked on some of the very best animated movies DC has to offer.
Perhaps it’s not a coincidence that the director Sam Lui’s has been responsible for some of the less than stellar DC animated films. I don’t want to shit on the guys work. He’s done some great animation direction,on TV. Hell, I know I’m going to get some blowback on this one, but I even the think The Killing Joke, which Liu directed had it’s moments.
For a while there, DC had a run where they were cranking out some really great animated features. Material that really push the envelope and it’s a shame to see them keep putting out subpar material. Hopefully they’ll get themselves back on track soon.

Movie: 6.5
Special Features:

Sneak Peek at the Next DC Animated Movie “Batman & Harley Quinn: One of my favorite things about the DC animated movies is that the special features include a 10 or 15 minutes sneak peek at the next film they’re working on. It’s cool to see the rough anamatics and the casting process. Say what you want about these films, but the enthusiasm of the people working on them is infectious. I always find myself looking forward to the next DC Animated film even if their last few movies have been mediocre. “Batman & Harley Quinn” looks especially interesting because it’s written and produced by Bruce Timm (Who is of course the cocreator of the legendary Batman: The Animated Series) and the animation is in the style of the Batman: The animated Series (or if you’re going to get technical on me, it’s in the style of the relaunch they did when Batman: The Animated Series became The New Batman/Superman Adventures and they did character resigns… my God I need to get laid)

Titanic Minds: Reuniting Wolfman and Perez: Another cool aspect of the special features on these movies is they’ll do mini documentaries focusing on certain storylines, creators, and/or characters that are in the movie and then give interesting background information about the comics they’re based on. In this case, we get a profile on Marv Wolfman and Georgia Perez who were the superstar creative team that made Teen Titans the biggest book in the comics industry back in the 80s.

Villain Rising: Deathstroke: The second mini documentary is a profile of Deathstroke that goes into the characters history and creation. They take a look into the psychology of a character like Deathstroke, who considers himself honorable while at the same time commits unspeakable acts in the name of profit. It’s a solid profile of one of the best villains in DC comics, so if you’re a Deathstroke fan, you’ll enjoy this special feature.

Other Special Features: There are a few other of pointless and crappy special features. Like, for some reason there are sneak peaks at DC animated movies that came out at least five or six years ago and a gallery of animated stills from “The Judah’s Contract”. I’m gonna go ahead and say you can skip those.

Below is a list of the very best that the DC Animated movies have to offer. Some are available on Netflix or Amazon Prime and all are available on Blu Ray:
-Batman: The Dark Knight Returns Deluxe Edition (This was such a major project that DC released it as 2 separate films, parts 1&2, but the Deluxe Edition is the must watch version of this movie)
Justice League: The Flashpoint Paradox
-Wonder Woman (
Very underrated)
-Batman: Under The Red Hood
-Batman: Year One

Though not as good as the list above, here are a few more of the better DC Animated movies:
Green Lantern: First Flight
– Justice League Dark
– Justice League War

Thanks for reading, guys!
– Paul